Quentin Tarantino presents a look at WWII the likes of which you have never seen before in the hotly anticipated "Inglorious Basterds".
Brad Pitt takes no prisoners in Quentin Tarantino's high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as The Basterds, are on a daring mission to take down the leaders of the Third Reich. Bonus Features Extended & Alternate Scenes The New York Times Talks Roundtable Discussion with Quentin Tarantino, Brad Pitt And Elvis Mitchell Nation's Pride - Full Feature The Making of Nation's Pride The Original Inglorious Bastards A Conversation with Rod Taylor And More! Note: Only 4K Disc is Region Free.
Quentin Tarantino presents a look at WWII the likes of which you have never seen before in the hotly anticipated "Inglorious Basterds".
Whatever you do, don't confuse this Jack Frost with the 1997 comedic horror flick of the same name (its tagline: "He's chillin ... and killin'"). This family film stars Michael Keaton as Jack Frost, an aspiring musician, loving husband and occasionally absent father. Frost's life is unexpectedly cut short by a car accident and a year after his death he comes back as--you guessed it--a snowman, to help his family heal (Kelly Preston and Joseph Cross as wife and son Gabby and Charlie, respectively). The sudden death may affect sensitive younger viewers but by the time Frost returns the movie is more light-hearted and the film's message is a worthy one. There's an underlying theme that supports independence, and Gabby isn't saddled with a new dude by the film's end. There's also a good rapport developed between father and son, and especially mother and son. If an audience can take that huge leap of faith to accept the premise (as youthful audiences will no doubt be able to do), this is entertaining family fare. --N F Mendoza
From the makers of 'Pennywise: The Story of IT' and the upcoming widely-anticipated movie 'RoboDoc: The Creation of RoboCop' comes an all-new special collector's edition Blu-Ray packed full of exciting bonus material, celebrating the legacy and career of one our generation's most beloved horror icons, the legendary Robert Englund. Shooting to super-stardom with his revolutionary portrayal of Freddy Krueger in the Nightmare On Elm Street franchise - a moment without doubt as visceral to the horror genre as Chaney's werewolf or Karloff's ground-breaking realisation of Frankenstein's monster-Englund has firmly earned his place in the pantheon of horror movie legends. This unique and captivating portrait, featuring exclusive interviews with Englund himself, plus Lin Shaye, Eli Roth, Tony Todd and many of the star's co-workers from projects including 'Urban Legend', '2001 Maniacs', '976-EVIL', 'Behind the Mask: The Rise of Leslie Vernon', 'Wishmaster', 'V', 'Dead and Buried',' Phantom of the Opera', and, of course, the 'Nightmare on Elm Street' movies, captures the full story of the man behind the glove, exploring not only his most iconic role but the depths of England's true power as a character actor in the years since Freddy's cinematic birth. Special features include: - Horror Icons - Nightmare Cafe with Jack Coleman - A Conversation with the Directors - Robert Englund: Chatterbox - A Peek Behind the Curtain: Dance Macabre - UK-exclusive Art Cards, and Reversible Sleeve Art
Based on a novel by Richard Condon (The Manchurian Candidate), William Richert's brilliantly off-kilter conspiracy thriller features an all-star cast, including Jeff Bridges (Jagged Edge), John Huston (Breakout), Elizabeth Taylor (Secret Ceremony), Tomas Milian (The Last Movie), and many other famous faces. This dark vision of political corruption is presented in two cuts from a new 4K restoration. Product Features New 4K restoration Two presentations of the film: the 1979 Theatrical Cut (97 mins) and the 1983 Reissue Version (91 mins) Original mono audio Audio commentary with writer-director William Richert (2003) Who Killed 'Winter Kills'? (2003, 38 mins): retrospective documentary on the making of the film, featuring Richert, actors Jeff Bridges and Belinda Bauer, director of photography Vilmos Zsigmond, and production designer Robert Boyle Reunion (2003, 9 mins): Richert and Bridges reflect on the film's colourful production Star Stories (2003, 8 mins): Richert discusses the film's extraordinary all-star cast Things Happening in Secret (2020, 31 mins): critic and writer Glenn Kenny explores the history and legacy of conspiracy thrillers Original theatrical trailer Josh Olson trailer commentary (2013, 4 mins): short critical appreciation Radio spot Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
After a sudden underwater tremor sets free scores of the prehistoric man-eating fish an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents.
In 78 setups and 52 cuts, the deliriously choreographed two-minute shower sequence in Psycho ripped apart cinema s definition of horror. With a shocking combination of exploitation and high art, Alfred Hitchcock upended his own acclaimed narrative structure by violently killing off a heroine a third of the way through his film, without explanation, justification, or higher purpose. Psycho played out like a horrific prank, forcing audiences to recognize that even the most banal domestic spaces were now fair game for unspeakable mayhem. With black-and-white film-geek reverence, director Alexandre O. Philippe breaks down this most notorious and essential scene shot for shot, enlisting the help of film buffs and filmmakers alike - including Guillermo del Toro, Bret Easton Ellis, Karyn Kusama, Eli Roth and Peter Bogdanovich. 78/52 examines Janet Leigh s terrified facial expressions and the blink-and-you-miss-it camera work, not just within the context of the film but also with an eye toward America s changing social mores - revealing how one bloody, chaotic on-screen death killed off chaste cinema and eerily predicted a decade of unprecedented violence and upheaval.
Brad Pitt takes no prisoners in Quentin Tarantino's high-octane WWII revenge fantasy Inglourious Basterds. As war rages in Europe, a Nazi-scalping squad of American soldiers, known to their enemy as The Basterds, are on a daring mission to take down the leaders of the Third Reich. Collector's Edition #2 includes: - Metallic finish Rigid Slipcase - Engraved Rifle (deboss) Steelbook - 36-Page Behind-the-scenes booklet - 4 x Art Cards housed in Envelope - 8 x Playing Cards
Co-written produced and starring Eli Roth (Hostel Cabin Fever) Aftershock is an unsparing horror of epic proportions that takes the disaster movie genre to a terrifying new level. Relentlessly gruesome and intensely unsettling this is a dark and thrilling journey that you will never forget. Gringo Ariel and Pollo are travelling through Chile in search of adventure women and as much fun as they can possibly handle. Their destination is a remote and idyllic coastal town that feels just like paradise. But their nights of hedonistic abandon comes to a nightmarish end when an earthquake strikes. Rising out of the ruins of devastation deadly criminals take to the streets and as the three friends struggle for survival society collapses around them and the body count keeps growing.
Co-written produced and starring Eli Roth (Hostel Cabin Fever) Aftershock is an unsparing horror of epic proportions that takes the disaster movie genre to a terrifying new level. Relentlessly gruesome and intensely unsettling this is a dark and thrilling journey that you will never forget. Gringo Ariel and Pollo are travelling through Chile in search of adventure women and as much fun as they can possibly handle. Their destination is a remote and idyllic coastal town that feels just like paradise. But their nights of hedonistic abandon comes to a nightmarish end when an earthquake strikes. Rising out of the ruins of devastation deadly criminals take to the streets and as the three friends struggle for survival society collapses around them and the body count keeps growing.
Although Quentin Tarantino has cherished Enzo G. Castellari's 1978 "macaroni" war flick The Inglorious Bastards for most of his film-geek life, his own Inglourious Basterds is no remake. Instead, as hinted by the Tarantino-esque misspelling, this is a lunatic fantasia of WWII, a brazen re-imagining of both history and the behind-enemy-lines war film subgenre. There's a Dirty Not-Quite-Dozen of mostly Jewish commandos, led by a Tennessee good ol' boy named Aldo Raine (Brad Pitt) who reckons each warrior owes him one hundred Nazi scalps--and he means that literally. Even as Raine's band strikes terror into the Nazi occupiers of France, a diabolically smart and self-assured German officer named Landa (Christoph Waltz) is busy validating his own legend as "The Jew Hunter." Along the way, he wipes out the rural family of a grave young girl (Melanie Laurent) who will reappear years later in Paris, dreaming of vengeance on an epic scale. Now, this isn't one more big-screen comic book. As the masterly opening sequence reaffirms, Tarantino is a true filmmaker, with a deep respect for the integrity of screen space and the tension that can accumulate in contemplating two men seated at a table having a polite conversation. IB reunites QT with cinematographer Robert Richardson (who shot Kill Bill), and the colors and textures they serve up can be riveting, from the eerie red-hot glow of a tabletop in Adolf Hitler's den, to the creamy swirl of a Parisian pastry in which Landa parks his cigarette. The action has been divided, Pulp Fiction-like, into five chapters, each featuring at least one spellbinding set-piece. It's testimony to the integrity we mentioned that Tarantino can lock in the ferocious suspense of a scene for minutes on end, then explode the situation almost faster than the eye and ear can register, and then take the rest of the sequence to a new, wholly unanticipated level within seconds. Again, be warned: This is not your "Greatest Generation," Saving Private Ryan WWII. The sadism of Raine and his boys can be as unsavory as the Nazi variety; Tarantino's latest cinematic protégé, Eli (director of Hostel) Roth, is aptly cast as a self-styled "golem" fond of pulping Nazis with a baseball bat. But get past that, and the sometimes disconcerting shifts to another location and another set of characters, and the movie should gather you up like a growing floodtide. Tarantino told the Cannes Film Festival audience that he wanted to show "Adolf Hitler defeated by cinema." Cinema wins. --Richard T. Jameson
19 years after President Timothy Keegan was assassinated his brother Nick discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's attempts to control his actions Nick follows the clues that have been handed to him. As he progresses it becomes increasingly difficult to discern the real trails from the dead ends and increasing dangerous as unknown parties try to stop Nick from uncovering the truth...
In the Dark Ages a woman made a pact with a gypsy devil in order to marry a powerful man. In return, the devil asks for her first born child. When the child is born she bears the devil's mark and is brutally killed by the villagers. Years later a movie director decides to film the girl's story with a famous gypsy actress. However the director, cast and crew all vanish and the finished film is never seen. In the present day a disgraced Hollywood director decides to remake the film, unaware of the dreadful curse and the legacy of evil that is about to be unleashed.
Evil spirits released from old celluloid causes a film crew to slowly go insane while in production on a new project.
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