Marilyn Monroe invented her public persona at the expense of concealing a private side known only to her close confidants. Fifty years after her death her creation still blazes brightly in our cultural imagination while the creator continues to lurk in the shadows. Drawing on never-before-seen personal papers diaries and letters Academy-award nominated director Liz Garbus worked with acclaimed actresses to evoke the multiple aspects of the real Marilyn - passion ambition soul-searching power and fear - in an absorbing and astonishing portrait. These documents brought to life in this film by some of our contemporary icons and stars give us a new and revelatory understanding of Monroe revealing her carefully guarded inner life. Love Marilyn features Elizabeth Banks Ellen Burstyn Glenn Close Viola Davis Jennifer Ehle Lindsay Lohan Lili Taylor Uma Thurman Marisa Tomei Evan Rachel Wood. Rounding out this portrait Adrien Brody Hope Davis Ben Foster Paul Giamatti Janet McTeer Oliver Platt and David Strathairn bring to life the writings of Billy Wilder Natasha Lytess Truman Capote Gloria Steinem and Norman Mailer completing the image of this very flesh-and-blood young woman in thrall to ambition imagination demons and fear who over time came to embrace life friendship and the possibility of her future.
Joseph Losey's lurid and often misunderstood drama stars the great Elizabeth Taylor (Suddenly, Last Summer) as an ageing London prostitute who befriends a young woman (Mia Farrow, See No Evil) that reminds her of her long-dead daughter. As the bizarre relationship between the two evolves, the appearance of Robert Mitchum (Cape Fear), as Farrow's abusive stepfather, ignites deep emotions and dark passions. With its exquisite production design, stylish cinematography and elegant score, Joseph Losey's lost masterpiece finally makes its long-overdue premiere on Blu-ray. Extras Indicator Limited Blu-Ray Edition Special Features: High Definition remaster Original mono audio Audio commentary with authors and critics Dean Brandum and Alexandra Heller-Nicholas (2019) Archival Interview with Joseph Losey (1969, 15 mins): extract from the French television programme Cinéma critique, featuring the celebrated director promoting the release of Secret Ceremony and an appreciation by critic Michel Mourlet The Beholder's Share (2019, 25 mins): interview with Gavrik Losey, son of Joseph Losey TV version: additional scenes (1971, 18 mins): unique prologue and epilogue produced for US television screenings, with Robert Douglas and Michael Strong Original theatrical trailer Larry Karaszewski trailer commentary (2015, 3 mins): short critical appreciation Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 40-page booklet with a new essay by Neil Sinyard, an archival location report, Joseph Losey on Secret Ceremony, a look at the source novella, an overview of contemporary reviews, and film credits World premiere on Blu-ray Limited edition of 3,000 copies
It's been ninety-seven years since nuclear Armageddon decimated the Earth, destroying civilization. The only survivors were the 400 inhabitants of 12 international space stations that were in orbit at the time. Now, unbeknownst to the general population, the Ark is dying. In a desperate attempt to prevent the extinction of humanity, a group of 100 juvenile prisoners are secretly exiled to the ground to test whether the atmosphere can once again support life. The youth have quite literally inh.
Giant (1956): George Stevens' sweeping Oscar-winning epic about the cataclysmic effect the discovery of oil in Texas has on the lifestyle of the former cattle barons. Dean is Jett Rink a sullen-farm hand who becomes a millionaire overnight. Tough always angry restless bewildered and reckless Rink's animal charm and tycoon's magnetism means he always gets his way. But when he fails in love with Leslie he loses his way with an equal violence... East Of Eden (1955): J
It's been ninety-seven years since nuclear Armageddon decimated the Earth, destroying civilization. The only survivors were the 400 inhabitants of 12 international space stations that were in orbit at the time. Now, unbeknownst to the general population, the Ark is dying. In a desperate attempt to prevent the extinction of humanity, a group of 100 juvenile prisoners are secretly exiled to the ground to test whether the atmosphere can once again support life. The youth have quite literally inh.
After a 97-year exile in space, the human race returned to a wildly transformed Earth...only to discover that the human race had never truly left. Reunited with the surviving residents of the space-station Ark that fell to Earth, Clarke Griffin and her band of juvenile delinquents have faced death at every turn: from a world transformed by radiation to the fierce Grounders who somehow managed to survive it, and the double-dealing Mountain Men from the fortified Mount Weather, whose civilized environment masked a horrible secret. Though Clarke was alternately challenged, supported and betrayed by her own people and alliances with the Grounders, they could always find common ground in survival. United with the Grounder tribes, Clarke and her friends -- Bellamy Blake, Raven Reyes, the Grounder Lincoln and Octavia Blake who's adopted the Grounder ways -- faced off against the lethal forces of Mount Weather to rescue the remaining Sky People from the Ark who were being held captive in Mount Weather, including their friends Jasper and Monty. Warned by her mother, the Chancellor Abby Griffin, and the commanding Marcus Kane, Clarke risked everything to save her people, ultimately learning that victory comes with a terrible price. Meanwhile, the former Chancellor Jaha and outcast John Murphy will discover what awaits them at the City of Light. Their sacrifices and heartbreaking choices have changed everyone forever, but now, as they set out to stake their place in this dangerous and beautiful new world, they will continue to face physical peril and moral dilemmas as they reforge society. The challenges continue to mount in season three as they not only determine what kind of lives they will build, but what it will ultimately cost them.
Boom!
All 16 episodes from the second season of the post-apocalyptic teen drama. 97 years after a nuclear war almost destroys the Earth, 100 expendable youths are sent to their ancestor's former home to determine if its surface is habitable, with the hope of repopulating the planet. As the 100 begin their quest they are forced to confront dangers in a world they have only seen from space and soon discover they may not be alone on Earth. In this season, they continue to encounter dangerous obstacles including an underground population of humans whose president plans to take blood from members of the 100 to make his people resistant to radiation. The episodes are: 'The 48', 'Inclement Weather', 'Reapercussions', 'Many Happy Returns', 'Human Trials', 'Fog of War', 'Long Into an Abyss', 'Spacewalker', 'Remember Me', 'Survival of the Fittest', 'Coup de Grace', 'Rubicon', 'Resurrection', 'Bodyguard of Lies', 'Blood Must Have Blood: Part 1' and 'Blood Must Have Blood: Part 2'.
The year is 1953. The small English village of St. Mary Mead home to Miss Jane Marple is delighted when a big American movie company arrives to make a movie telling of the relationship between Jane Grey and Elisabeth I starring the famous actresses Marina Rudd and Lola Brewster. Marina arrives with her husband Jason and when she discovers that Lola is going to be in the movie with her she hits the roof as Lola and Marina loathe each other on sight. Marina has been getting death threats and at a party at the manor house Heather Babcock after boring Marina with a long story drinks a cocktail made for Marina and dies from poisoning. Everybody believes that Marina is the target but the police officer investigating the case Inspector Craddock isn't sure so he asks Miss Marple his aunt to investigate...
Faustus (Richard Burton) is a scholar at the University of Wittenberg when he earns his doctorate degree. His insatiable appetite for knowledge and power leads him to employ necromancy to conjure Mephistopheles (Elizabeth Taylor) out of hell. He bargains away his soul to Lucifer in exchange for living 24 years during which Mephistopheles will be his slave. Faustus signs the pact in his own blood and Mephistopheles reveals the works of the devil to Faustus.
Collection of three classic James Dean films. In 'East of Eden' (1955) two brothers compete for the love of their stern, overbearing, widowed father. However, when Cal (Dean), the rejected 'rebel' son, discovers that his mother is not dead but running a nearby brothel he tells his brother Aron (Richard Davalos). This leads to the destruction of not only his relationship with Aron but also his father. 'Giant' (1956) is an epic saga which begins when Texas cattle baron Bick Benedict (Rock Hudson) takes a non-Texan wife, Leslie (Elizabeth Taylor). The story then traces two generations of his family, alongside the life of disreputable ranch-hand Jett Rink (Dean), who strikes it rich on an oil well and falls in love with Leslie. Director George Stevens won an Oscar for his work and the film garnered nine more nominations, including one for Dean, who was killed soon after filming. Finally, 'Rebel Without a Cause' (1955) takes place over a 24-hour period and follows Jim Stark (Dean), a restless teenager who is always in trouble with the law. When Jim is picked up for being drunk and disorderly he notices Judy (Natalie Wood) at the police station and determines to ask her on a date at high school the next day, which leads him into conflict with her boyfriend Buzz (Corey Allen).
The 1967 Franco Zeffirelli film of The Taming of the Shrew had all the ingredients to make it a high point in Shakespearian cinema. In Richard Burton and Elizabeth Taylor it starred the most bankable couple in Hollywood history as the sparring leads in the Bard's quick-firing comic battle of the sexes; and in Zeffirelli, it had a director with a Shakespearian pedigree second to none. But the reality is that this is Burton's picture all the way. His Petruchio is a weighty performance of such intelligence that the whole film is thrown off-kilter whenever he is on screen and the other performers just can't keep up. Apart from Michael Hordern's wonderfully distracted Baptista, Burton is the only actor in total, effortless command of the language. Taylor's bosomy glamour and fiery spirit are ample compensations for her occasionally murderous treatment of Katharina's verse. Whether or not she is really tamed by the end is another matter: those legendary violet eyes suggest otherwise. Ultimately it's a rich, bawdy and colourful romp, with Burton at the peak of his powers. The DVD includes the theatrical trailer, a "making-of" featurette and filmographies. --Piers Ford
George Stevens' stunning adaptation of Theodore Dreiser's 'An American Tragedy' garnered six Academy Awards (including Best Director and Best Screenplay) and guaranteed immortality for screen lovers Montgomery Clift and Elizabeth Taylor. Clift stars as George Eastman a poor young man determined to win a place in respectable society and the heart of a beautiful socialite (Elizabeth Taylor). Shelley Winters plays the factory girl whose dark secret threatens Eastman's professional a
The scene is set in the Coronation year of 1953 and the archetypal English village of St. Mary Mead. All is as it should be until Hollywood arrives in the form of an internationally famous film cast leading to much local excitement and an epidemic of sudden death to which local sleuth Miss Marple sets her mind...
The American domestic epic endured long into the post-war era, with Giant (1956) one of its last real manifestations. Director George Stevens gets real panoramic sweep in his adaptation of Edna Ferber's novel of social and economic change in rural Texas from the 1920s to the 1950s. Rock Hudson is imposing if uninvolving as rancher Vernon Reata II, constantly torn between his image and his humanity. As his wife Lesley, Elizabeth Taylor gives one of her most rounded performances as the Maryland girl whose liberal outlook causes friction within the social (and racial) mindset of the insular community as it lurches from rigid conservatism to mindless materialism over three decades. The film is best remembered for James Dean in what was his third and last screen appearance. He cuts a distinctive figure as Jet Rink, social outcast turned oil tycoon. The bravura of his inebriated speech before an empty banqueting hall would be no less memorable had his career not been curtailed days after shooting ended. The secondary roles are decently taken: look out for a teenage Denis Hopper, sallow but likeable as the gauche Vernon Reata III. On the DVD: Giant is evenly divided over two discs. Widescreen picture quality is excellent and the remastered soundtrack gives Dimitri Tiomkin's score a new lease of life. A laudable 56 chapter points are provided, with dubbing in English, French and Italian and subtitles in eight languages. A running commentary, though informative, is really for aficionados only, but the 45 minutes (on the second disc) of George Stevens recollections from heavyweights such as Herman J. Mankiewicz, Alan J Pakula and Fred Zinnemann ideally complements this sprawling but often compulsive old-school American movie. --Richard Whitehouse
Elizabeth Taylor stars as a troubled woman who, upon arriving in Rome, finds a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find the most dangerous liaison of all.Never before released in the UK, The Driver's Seat (aka Identikit) remains the most obscure, bizarre and wildly misunderstood film of Taylor's illustrious career. Adapted from an unnerving novella by Muriel Spark (The Prime of Miss Jean Brodie), the film marked a wild step into the unknown for the screen icon, as she cast off the shackles of the US studio system in the shadow of her tumultuous personal life. Co-starring Ian Bannen, Mona Washbourne and Andy Warhol, The Driver's Seat stunned critics and audiences alike upon its premiere in 1974 but failed to secure a UK release - until now.Directed by Giuseppe Patroni Griffi ('Tis Pity She's a Whore) and featuring cinematography by three-time Oscar® winner Vittorio Storaro (Apocalypse Now), this much-sought after cult classic is presented in a new 4K restoration by Cineteca di Bologna and Severin Films.Product FeaturesRestored in 4K by Cineteca di Bologna and Severin Films and presented in High DefinitionIntroduction By Kier-La Janisse, author of House of Psychotic Women (2022, 6 mins)Audio Commentary with TCM Underground curator Millie De Chirico (2022)A Lack of Absence (2022, 22 mins): writer and literary historian Chandra Mayor on Muriel Spark and The Driver's SeatThe Driver's Seat (credit sequences) (1974, 4 mins)**FIRST PRESSING ONLY** Illustrated booklet featuring new writing on the film by the BFI's Simon McCallum and Canadian artist, writer and filmmaker Bruce LaBruce. Also includes Kier-La Janisse's piece on The Driver's Seat, previously published in her acclaimed book, House of Psychotic WomenOther extras TBC
Still the most expensive movie ever made, Cleopatra nearly bankrupted 20th Century Fox. It also scandalised the world with the very public affair of its two major stars, Elizabeth Taylor and Richard Burton. But Joseph L Mankiewicz's 1963 epic deserves to be remembered for more than its off-screen troubles. An extravagantly elaborate production, the sets and costumes alone are awe-inspiring; Mankiewicz's own literate screenplay draws heavily on the classics and Shakespeare; while the supporting cast, led by Rex Harrison as Caesar and Roddy McDowall as his nephew (and future emperor) Octavian, are all first-rate thespians and generally put in more convincing performances than either of the two leads. Mankiewicz's original intention was to make two three-hour films: the first being Caesar and Cleopatra, the second Antony and Cleopatra. But before the films completion, and following a boardroom coup worthy of Ancient Rome itself, legendary mogul Darryl F Zanuck took back control of Fox and insisted that Cleopatra be cut to a more economical length. A heartbroken Mankiewicz was forced to trim his six-hour vision down to four. This was the "roadshow" version shown at the films premiere and now restored here for the first time. Then following adverse criticism and pressure from cinema chains Zanuck demanded more cuts, and the final released version ran a mere three hours--half the original length. Capitalising on the feverish publicity surrounding Burton and Taylor, the shortened version played up both their on- and off-screen romance. This longer four-hour roadshow version allows for a broader view of the film, adding some depth to the politics and manipulation of the characters. But the directors original six-hour edit has been lost. Perhaps one day it will be rediscovered in the vaults and Mankiewiczs much-maligned movie will finally be seen the way it was meant to be. Until then, Cleopatra remains an epic curiosity rather than the complete spectacle it should be. On the DVD: this handsome three-disc set spreads the restored four-hour print of the movie across two discs. The anamorphic widescreen print looks quite magnificent and Alex Norths wondrous score comes up like new in Dolby 5.1 sound. Theres a patchy and only intermittently revealing commentary from Chris Mankiewicz, Tom Mankiewicz, Martin Landau and Jack Brodsky. Much better is the comprehensive two-hour documentary that occupies disc three, which tells in hair-raising detail the extraordinary story of a film production that became totally out of control. This is accompanied by some short archival material, but the documentary alone is a compelling reason to acquire this set. --Mark Walker
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