An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence.
A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg Jack Kerouac and William Burroughs.
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Ingrid Thorburn is an unhinged social media stalker with a history of confusing 'likes' for meaningful relationships. Taylor Sloane is an Instagram-famous 'influencer' whose perfectly curated, boho-chic lifestyle becomes Ingrid's latest obsession.
Red Lights centres on a psychologist (Sigourney Weaver), and her assistant (Cillian Murphy), whose study of paranormal activity leads them to investigate a world-renowned psychic (Robert De Niro).
Avengers Assemble: Marvel presents Marvel's Avengers Assemble, the Super Hero team-up of a lifetime. Iconic Marvel Super Heroes Iron Man, The Incredible Hulk, Thor and Captain America assemble for the first time ever in this new action-packed Marvel saga, starring Robert Downey Jr., Scarlett Johansson and Samuel L. Jackson, and directed by Joss Whedon. When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency S.H.I.E.L.D., finds himself needing a team to pull the world back from the brink of disaster. Marvel's Avengers Assemble is packed with action, adventure and spectacular special effects. Avengers Age of Ultron: Marvel Studios presents the global phenomenon Marvel's Avengers: Age of Ultron. Good intentions wreak havoc when Tony Stark (Robert Downey Jr.) unwittingly creates Ultron (James Spader), a terrifying A.I. monster who vows to annihilate humanity. Now, Iron Man, Captain America (Chris Evans), Thor (Chris Hemsworth) and The Hulk (Mark Ruffalo)alongside Black Widow (Scarlett Johansson), Hawkeye (Jeremy Renner) and Nick Fury (Samuel L. Jackson) must reassemble to defeat Ultron and save mankind if they can! Avengers Infinity War: An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, Marvel Studios' Avengers: Infinity War brings to the screen the ultimate showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the poweful Thanos. Features: Avengers Assemble: A Visual Journey Marvel One-shot: Item 47 Gag Reel Deleted Scenes Avengers Age of Ultron: From the Inside Out Making of the Avengers: Age of Ultron The Infinite Six Global Adventure Deleted & Extended Scenes Gag Reel Audio Commentary with Director Joss Whedon Avengers Infinity War: Intro By Directors Joe And Anthony Russo Featurettes: Strange Alchemy, The Mad Titan, Beyond the Battle: Titan & Wakanda Deleted Scenes Gag Reel Audio Commentary
Antarctica: an extraordinary continent of awesome beauty. It is also home to an isolated outpost where a discovery full of scientific possibility becomes a mission of survival when an alien is unearthed by a crew of international scientists.
When 30-something Jesse returns to his alma mater for a professor's retirement party, he falls for Zibby, a college student, and is faced with a powerful attraction that springs up between them.
This spectacular adventure pits Godzilla, the world's most famous monster, against malevolent creatures that, bolstered by humanity's scientific arrogance, threaten our very existence. Special features: Discover explosive new evidence not contained in the film that unravels the massive cover-up to keep Godzilla's existence a secret in Operation: Lucky Dragon Monarch: The M.U.T.O File The Godzilla Revelation. Plus, get the lowdown on this legendary monster in Godzilla: Force of Nature. And More
Oldboy is a provocative visceral thriller that follows the story of an advertising executive (Josh Brolin) who is abruptly kidnapped and held hostage for 20 years in solitary confinement. When he is inexplicably released he embarks on an obsessive mission to discover who orchestrated his bizarre and torturous punishment only to find he is still trapped in a web of conspiracy and torment.
In a cosy corner of Brooklyn on a sweltering afternoon, best friends Lilly (Dakota Fanning, War of the Worlds, Coraline) and Gerri (Elizabeth Olsen, Godzilla, Kill Your Darlings) bump into a handsome, enigmatic stranger who quickly becomes an object of both their affections. Lilly finds herself growing closer to David (Boyd Holbrook, Behind the Candelabra, Out of the Furnace) and as she struggles to tell Gerri, becomes increasingly caught between loyalty to her friend and her new found love. .
A murder in 1944 draws together the great poets of the beat generation: Allen Ginsberg Jack Kerouac and William Burroughs.
Antarctica: an extraordinary continent of awesome beauty. It is also home to an isolated outpost where a discovery full of scientific possibility becomes a mission of survival when an alien is unearthed by a crew of international scientists.
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Reprising his role from the 1950 release 'Father Of The Bride' Spencer Tracy rejoins Joan Bennett Elizabeth Taylor and Don Taylor in a charming sequel. Tracy portrays Elizabeth Taylor's father Stanley Banks who is still recovering from the effects of giving up his ""little girl"" Kay to Buckley Dunstan played by Don Taylor. Upon hearing the news that the newlyweds are expecting Tracy opposes the new arrival feeling the stresses of middle age and family life but he eventual
Three classic Spency Tracy films are featured on this fabulous box set. Father Of The Bride: The comic trials and tribulations that beset a family mostly the father prior to their daughter's wedding day. Taylor and Tracy give wonderful performances and it's easy to understand why this was remade in 1991. The colorized version doesn't add much. Academy Award Nominations: 3 including Best Picture Best Actor-Spencer Tracy Best Screenplay. Boy's Town: ""Boys Town"" is a
Having finally accepted that his daughter is married Stanley Banks (Spencer Tracy) has now to deal with the news that she is pregnant! The news leads to a dispute between both the maternal and paternal grandparents... A sequel to Father Of The Bride which also starred Spencer Tracy and Joan Bennett.
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