Nicolas Cage stars as cult comic book vigilante Johnny Blaze in this epic live-action adventure.
Written by the late, great Jimmy Sangster (The Revenge of Frankenstein, Taste of Fear), this supernatural riff on Agatha Christie's And Then There Were None is a gruesome, hugely entertaining chiller. Two American architects (real-life couple Katharine Ross and Sam Elliott, who met on the set of this film) are holidaying in England and find themselves trapped at a country mansion where the various guests become victims in a series of unexplained and increasingly violent deaths. Director Richard Marquand (Return of the Jedi, Jagged Edge), making his feature-film directing debut, deftly balances horror and grisly black humour. The film also boasts sumptuous photography by the great Dick Bush and Alan Hume, a wonderfully eccentric score by Michael J Lewis and a superb supporting cast which includes Charles Gray, Margaret Tyzack, Ian Hogg, John Standing and The Who's Roger Daltrey. Extras: Two presentations of the film: the US theatrical cut, presented in widescreen from a High Definition master (100 mins); the UK theatrical cut, presented open matte from a Standard Definition master (102 mins) Original stereo audio New and exclusive audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television An Editing Legacy (2015, 14 mins): award-winning editor and second unit director Anne V Coates recalls her work on the film The Make-up Effects of The Legacy' (2015, 11 mins): Robin Grantham discusses his specialist make-up creations for the film Ashes and Crashes (2019, 4 mins): interview with second unit director Joe Marks An Extended Legacy (2019, 11 mins): an analysis of the differences between the US and UK cuts Between the Anvil and the Hammer (1973, 27 mins): The Legacy director Richard Marquand's acclaimed documentary short film, made for the Central Office of Information, about the Liverpool police force Original theatrical trailer Image gallery: promotional and publicity material
Bugsy represents an almost miraculous combination of director, writer and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realise them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) and Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambition to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerising as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff Shannon
This fantastic comedy box set features all 4 series of Rising Damp as well as the feature-length movie.
The Chuckle Brothers are back bringing more Chu-chu-chucklevison! These much-loved, eager-to-please and hilariously daft spiky-haired men are a British television phenomenon that is here to stay! To me, to you! Simply Media are delighted to announce the release of one of the most iconic and memorable British children's television shows Chucklevision: Series 3 on DVD for the first time 17th April 2017. It was originally shown by the BBC in 1989. Fans will want to relive the nostalgia and their fun-filled memories or introduce the mad-yet-lovable Chuckle Brothers and their crazy antics to their own children. This DVD release will delight all generations! The mark Chucklevision's left on British television is indisputable. The show ran for a whopping total of 21 series from 1987-2009 and was nominated for a Children's BAFTA Award for 'Best Children's Television Series' in 1998. It also contains one of the catchiest theme songs in television, that promises not to leave your head after you hear or read it once....Chu-Chu-Chucklevision, Chu-Chucklevison! It not only inspired future popular children's TV shows, including Dick and Dom in Da Bungalow, but it led to Chucklevision's own game show To Me, To You! The first DVD release of Series 3 of Chucklevision is of particular importance to devoted fans. It marks the start of the true form of Chucklevision and the introduction of the live-action format which would be used for the rest of the show's lifespan. This series follows the return of Barry and Paul Chuckle Elliott (known as The Chuckle Brothers ) as they become entangled in gaffes, mishaps, screwball situations and hair-brained schemes in each self-contained episode. Full to the brim with slapstick, visual gags and comical misfortune, The Chuckle Brothers try their hands at almost everything working as park-keepers, window-cleaners, house-sitters, removal men and ship cleaners. Barry even gets made a hotel lifeguard - the only problem is he cannot swim! Revisit the chaos, carnage and hilariously good-fun show remembered fondly by an entire generation, looking back on their childhoods.
During World War II a British Commando raiding party who are despatched to Rhodes to destroy German airfields in a mission fraught with danger...
Def Leppard wowed audiences on both sides of the Atlantic and achieved phenomenal album sales. Hysteria was the album that broke the band in the US and is filled with massive rock numbers including 'Women' and `Pour Some Sugar On Me'.
The BFI is proud to present Ingmar Bergman's The Touch available here for the first time on Blu-ray worldwide. Happily married mother Karin (Bibi Andersson, Persona) surprises herself by responding in kind to a sudden profession of love from David (Elliott Gould, Mash), an archaeologist visiting Sweden, whom her doctor husband (Max von Sydow) has befriended. But however exhilarating, love is seldom simple and deceit - and David's volatile temperament - take their toll. Bergman's first film made with an established Hollywood star was originally released in an entirely English-language version, this presentation of The Touch is a restoration by the Swedish Film Institute from the original negative of Bergman's preferred Swedish-English cut. Features: Presented in High Definition and Standard Definition Ingmar Bergman (1971, 53mins): on-set documentary on the making of The Touch In Conversation with Liv Ullman (2018, 60 mins): the actress interviewed on stage by Geoff Andrew at BFI Southbank Sheila Reid: The Touch (2018, 21 mins) the only British actress to appear in a Bergman film recalls working on The Touch Fully illustrated booklet with new writing by Geoff Andrew and Vic Pratt, and full film credits
Driven to desperate measures, nurse Cath Hardacre (Jodie Whittaker, Doctor Who, Broadchurch) steals the identity of her best friend, an A&E doctor and finds work in a struggling emergency department. It's not long before she starts to enjoy the trappings that come with her new job and Cath soon finds herself falling for fellow doctor. With her dream job and the perfect man, she buries herself in her imposter persona, until her old life threatens to shatter her new existence and she's forced to go to increasingly desperate methods to cover up her lies. Will her lack of skills have deadly consequences? How can she be in a relationship when she can't be herself? How can she keep hold of the perfect life when she is living a lie?
School is nearly out for summer (and forever) for five 16-year-old lads from Manchester. A nostalgic snaphot of Britain in the early 1990's this is a fictional story set against a real event -UK band The Stone Roses' legendary gig of May 27th 1990 at Spike Island in Widnes. The film follows the exploits of Stone Roses fans and wannabe band Shadowcaster Gary 'Tits' Titchfield Darren 'Dodge' Howard Chris 'Zippy' Weeks 'Little' Gaz Duffy and 'Penfold' Andrew Peach'. Nothing will stop our boys from seeing their heroes on stage this is the story of their journey and the 72 hours across which their friendships are tested and their future is shaped together or apart. Special Features: Making Of Extended and Deleted Scenes Zippy Drumming
In 1975, in an America defined by both the self-mythologizing pomp of the upcoming bicentennial and ongoing socio-political turmoil, BOB DYLAN and a band of troubadoursincluding luminaries such as JOAN BAEZ, ALLEN GINSBERG, and JONI MITCHELLembarked on a now-legendary tour known as The Rolling Thunder Revue, a freewheeling variety show that was part traveling counterculture carnival, part spiritual pilgrimage. Director MARTIN SCORSESE (The Irishman) blends behind-the-scenes archival footage, interviews, and narrative mischief, with a magician's sleight of hand, into a zeitgeist-defining cultural record that is as much a concert documentary as it is a slippery, chimerical investigation into memory, time, truth, and illusion. At the centre of it all is the magnetic Dylan, a sphinx-like philosopher-poet singing, with electrifying conviction, to the soul of an anxious nation. DIRECTOR-APPROVED SPECIAL EDITION FEATURES New 4K digital transfer, approved by director Martin Scorsese, with 5.1 surround DTS-HD Master Audio soundtrack New interviews with Scorsese, editor David Tedeschi, and writer Larry Ratso Sloman Restored footage of never-before-seen Rolling Thunder Revue performances of Tonight I'll Be Staying Here with You and Romance in Durango, and of a never-before-seen cut of Tangled Up in Blue Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by novelist Dana Spiotta and writing from the Rolling Thunder Revue tour by author Sam Shepard and poets Allen Ginsberg and Anne Waldman
Lip Service is a bold new lesbian drama created by Harriet Braun (Mistresses Attachments) and follows the lives and loves of a group of twenty-something friends living in Glasgow. Meet Cat (Laura Fraser - A Knights Tale) a self assured architect whose life is spun upside down when her former lover Frankie (Ruta Gedmintas The Tudors) a talented but emotionally reckless photographer reappears in Glasgow unannounced after disappearing two years earlier. Tess Cat's best friend and flatmate has a proven track record of falling for the wrong sorts of women including sultry Lou (Roxanne McKee Hollyoaks). Starring a hot young British cast including Emun Elliott James Anthony Pearson Heather Peace Natasha O'Keefe and Tom Mannion Lip Service takes a fresh look at modern day relationships - in and outside of the bedroom.
MASH--a 1970 comedy-drama set among surgeons drafted into the Korean war--was a breakthrough not just for director Robert Altman but for movie-making in general. Although set in the 50s, there are few who did not realise that the film's anti-war messages were directed at the US involvement in Vietnam. Indeed, the Pentagon banned US servicemen from seeing the film. Starring Donald Sutherland as Hawkeye Pierce and Elliot Gould as Trapper John McIntyre, two hip young surgeons drafted against their will. Their general attitude--while never corroding either their humanity or their professionalism as surgeons--is one of insolence towards military authority and the arbitrary structures and regulations continually droning from the tannoy system. The film, too, thrives on a lack of attention to conventional order, with its cross-dialogue and random, episodic style reflecting the vivacious and unbuttoned feel of the content. However, MASH has dated and much of what seemed like "liberating" high jinks, today smacks of sexist, frathouse boorishness and harassment, especially at the expense of Major "Hotlips" Hoolihan (Sally Kellerman), while the episode in which "Painless" plans a suicide out of a fear of being gay reflects the persistence of homophobia even in 60s counterculture. Despite this MASH feels ahead of its time and certainly sharper and blacker than the too-cute sitcom it spawned. On the DVD: this is an excellent restoration, overseen by Altman himself, in which any obfuscation from the original have been cleaned up, especially the sound quality. As well as a commentary from Altman, there are three separate documentaries, featuring interviews with Altman, the cast and screenwriter Ring Lardner Jr, who had been blacklisted during the anti-Communist witch-hunt which swept through Hollywood in the 1950s. We learn he was initially appalled at how little of his script Altman actually used but was mollified by the Academy Award he received. Altman is candid about the making of the movie ("It wasn't released by Fox, it escaped from Fox"). There's an abundance of similarly rich, anecdotal material here. --David Stubbs
The Holly And The Ivy
As with George Lucas's other movie franchise, there's a vein of mysticism running through the Indiana Jones Trilogy. Watching all three back-to-back it's possible to unravel the chronology and chart the spiritual journey of our hero: the idealistic Young Indy ("It belongs in a museum", implores River Phoenix in the opening escapade of The Last Crusade) grows up to become a cynical fortune-hunter seen trading archaeological treasures with Chinese gangsters at club "Obi-Wan" in The Temple of Doom. From there we follow his path to redemption via three mystical religious objects: respectively Hindu (the Shankara stones in Temple of Doom), Jewish (the Ark of the Covenant in Raiders), and Christian (the Holy Grail itself in Last Crusade). But that's just the subtext. Along the way, this knight-errant archaeologist undertakes improbable adventures (featuring spiders, snakes, rats, insects and Nazis galore), rescues damsels in distress (even when they really don't want to be rescued, such as Kate Capshaw in Temple of Doom), and still finds time to bond with his dad (Sean Connery, in one of cinema's great cameo roles as Dr Jones Sr.) Steven Spielberg revels in Lucas's recreation of 1930s cliff-hanger serials, infusing every scene with kinetic energy and infectious enthusiasm and creating any number of iconic sequences that have become touchstones of cinematic history. Director and producer are more than ably assisted by regular composer John Williams, whose swashbuckling Korngold-inspired "Raiders" theme casts Harrison Ford as a modern-day Errol Flynn. Although a fourth movie is promised, this trilogy plays like a self-contained whole that leaves nothing wanting: from the witty dialogue and breathtaking action choreography to the near-perfect casting, this is popular movie-making at its very peak. On the DVD: The Indiana Jones Trilogy four-disc box set, as has been widely noted, contains the slightly edited version of The Temple of Doom--1 min 6 seconds of cuts according to the BBFC--though this is exactly the same version that was originally shown in UK cinemas and released on video (missing is a bit of extra blood and gore during the heart-ripping scene). By way of compensation, the digitally remastered anamorphic 2.35:1 picture and Dolby Digital 5.1 sound for all three movies are joyfully impressive, the screen crammed full of colour and rich detail accompanied by one of Hollywood's most glorious soundtracks. The fourth bonus disc contains about three hours of additional material, most of which can be found in the new 127-minute documentary that takes the viewer chronologically through the making of the series and includes plenty of interviews and fascinating nuggets of background information. There are also independent featurettes "From the Lucasfilm Archives" on John Williams's music, the sound design, stuntwork and the special effects. There are subtitles in various European languages. --Mark Walker
In Ivan Passer's Cutter's Way, Jeff Bridges (The Big Lebowski and Rancho Deluxe), John Heard (Chilly Scenes of Winter and After Hours) and Lisa Eichhorn (Yanks and King of the Hill) deliver exemplary performances as a trio of '60s casualties embroiled in a murder investigation that goes increasingly off-the-rails and threatens to swallow them whole. Unambitious yacht salesman and gigolo Richard Bone (Bridges) skates on his good looks and avoids all responsibility. His best friend Alex Cutter (Heard) returned from Vietnam with his body ruined, but his mind sharpened and attuned to the injustices and politics that led to his predicament. After Bone witnesses a shadowy figure dump a young woman's body in the trash, he fingers local oil magnate J.J. Cord (Stephen Elliot, Beverly Hills Cop and Death Wish) as the killer. As Bone backs away from this accusation, Cutter charges forward on a crusade to make Cord pay not only for this murder, but for all the other crimes fat cats like him have routinely gotten away with. Cutter's long-suffering wife Mo (Eichhorn), struggles to keep her own head above the surface, while steering the two men toward saner waters. Based on Newton Thornburg's 1976 novel Cutter and Bone, and initially released under that title to little notice the film was reborn as Cutter's Way and became a highly acclaimed cult favourite. The lush, sunny Santa Barbara setting, luminously photographed by DP Jordan Cronenweth (Blade Runner and Stop Making Sense), is an ironic counter to the deeply cynical and tragic vibes of this neo-noir. The distinctly beautiful score by pop and rock maestro Jack Nitsche ranks as one of his most stirring works. Helmed by Czech filmmaker Passer (Intimate Lighting and Born to Win), Cutter's Way is one of the most impassioned and truthful critiques of the American hierarchy ever filmed. Now, perhaps, more relevant as ever, it's been freshly restored in 2K from its 35mm interpositive. Product Features New 2K restoration from its 35mm interpositive Mo's Way, a newly filmed video interview with star Lisa Eichhorn From Cutter and Bone to Cutter's Way, a newly filmed video interview with UA Classics exec Ira Deutchman Archival video interview with director Ivan Passer Archival video interview with writer Jeffrey Alan Fiskin Archival video interview with producer Paul Gurian Archival video featurette on composer Jack Nitzsche Archival audio introduction by star Jeff Bridges Archival video introduction by director Bertrand Tavernier Theatrical trailers Isolated music track Newly recorded audio commentary by novelist Matthew Specktor Archival audio commentary by film historians Julie Kirgo and Nick Redman Archival audio commentary by assistant director Larry Franco and unit production manager Barrie Osborne
Blisteringly funny offbeat drama following the rollercoaster lives and loves of an anarchic family from Manchester. Meet the Gallaghers. Mum went AWOL years ago Dad stayed at home with the six children only to hit the bottle. And sometimes the kids... The real head of the family is big sister Fiona (20) who looks after Carl (11) Debbie (9) and baby Liam (3). She is occasionally helped more often hindered by reluctant virgin 'Lip' (16) and the actively gay but very private Ian
This Western has become a modest cult favourite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of Rambo director George P Cosmatos, who has yet to make a better film than this. --Jeff Shannon
Completely Horrid Complete Collection Series 3 Join Horrid Henry, Rude Ralph, Moody Margaret, Sour Susan and the rest of the gang as they gets up to their usual tricks and more in this Completely Horrid Complete Collection which adds up to more than nine and a half hours of Horrid Henry fun and mayhem. This Collection includes five exclusive episodes never before released on DVD! This DVD Collection includes English Subtitles for the Hard of Hearing
A rumbustious sex comedy boasting a truly stellar international cast Percy's Progress charts the ongoing misadventures of Percy Edward Anthony – recipient of the world's first penis transplant. This cult sequel to the box-office hit Percy features Leigh Lawson Elke Sommer Judy Geeson Denholm Elliott and Harry H. Corbett and is featured here in a brand-new High Definition transfer from the original film elements in its original aspect ratio. Determined to conquer his addiction to the opposite sex Percy takes to the high seas in search of a life of celibacy. Meanwhile a major catastrophe takes place which has rendered the entire male population impotent... But all is not lost: Percy's self-imposed exile has ensured his bits are still in working order and on his return he discovers he's now the only male capable of saving the human race! Special Features: Original theatrical trailers Image Gallery Promotional material PDF
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