This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
Lars Von Trier is considered one of world cinema's great auteurs. His reputation has been built upon controversial and experimental films such as The Idiots Dancer In The Dark and Dogville that often divide audiences. However he found his own unique voice with three early projects which have come to be known as the E-Trilogy: Element of Crime Epidemic and Europa - all dramas concerned with the nature of identity. Element Of Crime (1984
Eureka Entertainment to release DER GOLEM; Paul Wegener and Carl Boese's classic silent horror, as part of The Masters of Cinema Series for the first time on Blu-ray in the UK from a brand new 4K restoration on 18 November 2019, presented with a Limited Edition Slipcase [First Print Run of 2000 copies only]. An iconic early horror masterpiece, Der Golem was Paul Wegener's third attempt at adapting the Golem character for the big screen. Starring and co-directing with Carl Boese, Wegener crafted one of silent cinema's most enduring masterpieces. In the Jewish ghetto in 16th century Prague, Rabbi Low (Albert Streinruck, Asphalt) creates a forbidding clay Golem (played by director Paul Wegener) to protect his people from the tyrannical Emperor Luhois (Otto Gebuhr). Brought to life with a demon spirit and an amulet placed in the center of the creature's chest, the Golem is a seemingly indestructible juggernaut, performing acts of great heroism. But when the Rabbi's assistant attempts to control the Golem for selfish gain, it becomes a terrifying force of destruction, rampaging through the ghetto leaving fire and death in its wake. A landmark film in the horror canon, influencing most notably James Whale's 1931 adaptation of Frankenstein, Der Golem, wie er in die Welt kam is also a pre-eminent example of German Expressionism, and an important contribution to the golden age of Weimar Cinema. The Masters of Cinema Series is proud to present the film in its UK debut on Blu-ray from a brand new 4K restoration. Blu-Ray Special Features: Limited Edition O-Card Slipcase (First 2000 copies) Presented in 1080p from a stunning 4K digital restoration of the original film negatives, completed by FWMS in 2017. Original German intertitles with optional English subtitles Option of THREE fantastic and unique scores, by composer Stephen Horne; acclaimed electronic music producer Wudec; and musician and film-score composer Admir Shkurtaj Brand new and exclusive audio commentary by Scott Harrison Brand new and exclusive video essay by critic David Cairns Brand new and exclusive video essay by filmmaker Jon Spira (Elstree 1976) The Golem [60 mins] The US version of the film, also fully restored, and featuring a score by Cordula Heth A video piece highlighting the differences between the domestic and export negatives of the film [22 mins] PLUS: A collector's booklet featuring new writing on the film by Scott Harrison; and reprints of illustrations from the original 1915 novel
Originally released in 1974, The Odessa File is set in Hamburg a decade earlier. Its starting-point is the Nazi support network Odessa, and its involvement with Egyptian plans to destroy Israel. Peter Miller is a freelance journalist whose interest appears initially to be a professional one, before a personal dimension finally becomes apparent in his confrontation with SS Captain Roschmann. Kenneth Ross adapts a well-honed screenplay from Frederick Forsyth's bestseller, and director Ronald Neame captures a typically Cold War sense of individuals and organisations playing out a scenario of political right and wrong. John Voight, long before he became a cameo star, makes a sympathetic lead, able to judge between the moral and material aspects of his profession. Mary Tamm is photogenic, if uninvolving, as his girlfriend, while Maximillian Schell is a convincing Nazi stereotype. Andrew Lloyd-Weber contributes a serviceable score, centred on the catchy "Christmas Dream" sung by Perry Como. Not a classic suspense thriller, but an enjoyable and thoughtful one. On the DVD: the letterbox widescreen format preserves the 2.35:1 aspect ratio of the cinema release with decent if not exceptional clarity, with optional 16:9 TV enhancement. There are French, German, Italian and Spanish overdubs, and subtitles in 21 languages. Detailed filmographies for Neame, Voight and Schell are included and the theatrical trailer is to the point in a way they so rarely are these days. --Richard Whitehouse
A relic certainly, but a fascinating one, Der Golem is perhaps the screen's first great monster movie. Though it was actually the third time director-star Paul Wegener had played the eponymous creation, the earlier efforts (sadly lost) were rough drafts for this elaborate dramatisation of the Jewish legend. When the Emperor decrees that the Jews of mediaeval Prague should be evicted from the ghetto, a mystical rabbi creates a clay giant and summons the demon Astaroth who breathes out in smoky letters the magic word that will animate the golem. Intended as a protector and avenger, the golem is twisted by the machinations of a lovelorn assistant and, like many a monster to come, runs riot, terrorising guilty and innocent alike until a little girl innocently ends his rampage. Wegener's golem is an impressively solid figure, the Frankenstein monster with a slightly comical girly clay-wig. The wonderfully grotesque Prague sets and the alchemical atmosphere remain potent. On the DVD: Der Golem on disc has an imaginative menu involving the rabbi opening a book of spells that leads to alternate versions of the film with German or English inter-titles. The print is cobbled from several sources and tinted to the original specifications, with an especially impressive crimson glow as the ghetto burns. The extras are an audio essay, illustrated with clips, on Der Golem and German Expressionist cinema in general, plus a gallery of stills and other illustrations. --Kim Newman
Newly restored version of Roberto Rossellini’s closing part of his celebrated War Trilogy. Amidst the ruins of Berlin in the immediate post-war years a young boy Edmund attempts to support his family. This devastating portrait of an obliterated post-war Europe remains one of the most affecting films in the history of cinema. This new DVD edition also includes L’Amore (1948) Rossellini’s two-part anthology film which proved hugely controversial on its original release. The first part was co-scripted by Rossellini and Federico Fellini and stars Fellini as Saint Joseph who villainously impregnates Nanni (Anna Magnani) a disturbed peasant who believes herself to be the Virgin Mary. The second part is based on Jean Cocteau’s play La voix humaine. Features: Newly restored presentations of Germany Year Zero and L’Amore L’Amore (Roberto Rossellini 1948 70 mins): anthology film with sections written by Jean Cocteau and Federico Fellini and starring Anna Magnani Illustrated booklet with film notes and complete credits
Disney serves up an all-new adventure starring everyone's favorite sports-playing golden retreiver Buddy! This time he masters the coolest sport under the sun... beach volleyball! But there's plenty of action off the courtias well - a rash of mysterious crimes have been puzzling everyone and the paw prints seem to point to Buddy! So it's up to Buddy to lead the authorities to the real culprit! With a special appearance by pro-volleyball champion Gabrielle Reece and a heartwarmi
The Kingdom has been described as "ER meets Twin Peaks", and seldom can the standard and the surreal have met in more perfect accord. The hospital that conceals dark secrets is the premise for this riveting "soap"--seen on Danish TV in 1994--in which science and civilisation are eroded by superstition and instinct. Lars von Trier is not a director who aims to please, and the claustrophobic visuals he draws from handheld cameras and natural lighting anticipate the stripped-down film work of his Dogme 95 movement. Yet there's nothing cerebral about the goings-on here, thanks to the rich variety of characters who people the labyrinthine corridors and functional wards. The Minister's visit and the Haiti jaunt are slapstick humour worthy of the best Python sketches, and Trier is never afraid to mix the prosaic with the profound. There are wonderfully observed performances from Ernst Hugo Jaregard as chequered Swedish surgeon Stig Helmer, and Kirsten Rolffes as common-sense psychic Sigrid Drusse. These are only the first five episodes: having seen them, you'll be awaiting the remainder with impatience. This is persuasive, provocative filmmaking. On the DVD: The Kingdom on disc has audio and visual reproduction that is authentically Trier, with English subtitles and 10 access points per episode. Each part is viewable separately or in sequence, though make sure you don't lose some of the director's amusingly offbeat postscripts. The first disc also features Tranceformer, a frank insight into the mind and movies of Lars von Trier with extracts from his features between 1984 and 95. --Richard Whitehouse
More than 80 years on this masterpiece of cinematic surrealism remains as brilliantly witty and shocking as ever. Uniting the genius of Luis Buuel and Salvador Dal L'Age d'Or (1930) is a uniquely savage blend of visual poetry and social commentary. A sinister yet poignant chronicle of a couple's struggle to consummate their desire - the film was banned and vilified for many years for its subversive eroticism and furious dissection of 'civilised' values. Also includes Bunuel and Dali's surrealist masterpiece Un Chien Andalou (1928 16min) and A Propsito de Buuel (2000 103 mins) a documentary on the life and work of Luis Buuel by Jos Luis Lpez-Linares and Javier Rioyo.
Eureka Entertainment to release Arnold Fanck's THE HOLY MOUNTAIN, the greatest of the German mountain films' and the film which launched the career of Leni Riefenstahl, digitally restored in 2K and presented on Blu-ray for the first time in the UK as a part of The Masters of Cinemas Series from 17 June 2019. German filmmaker Arnold Fanck made this beautifully photographed Bergfilm, or mountain film', in 1926. Written in three days and nights especially for Leni Riefenstahl The Holy Mountain took over a year to film in the Alps with an entourage of expert skiers and climbers. Ostensibly a love triangle romance between Riefenstahl's young dancer and the two explorers she encounters Fanck relishes the glorious Alpine landscape by filming death-defying climbing, avalanche dodging, and frenetic downhill ski racing. Digitally restored in 2K, The Holy Mountain is a visual feast and a fascinating look at the origin of a genre. The Masters of Cinema Series is very proud to present this landmark film in its UK debut on Blu-ray. Features: 1080p presentation on Blu-ray, from a 2014 2K digital restoration Score by Aljoscha Zimmerman, available in both LPCM 2.0 and DTS-HD MA 5.1 Original German intertitles with optional English subtitles The Wonderful, Horrible Life of Leni Riefenstahl [180 mins] Ray Müller's definitive documentary on the life and career of Leni Reifenstahl. Feature Length Audio Commentary by film historian Travis Crawford PLUS: a collector's booklet featuring a new essay by critic and film historian Kat Ellinger, and a 2004 essay by Doug Cummings from the original Masters of Cinema DVD release
Kusturica's extraordinary dramatic black tragicomedy is an epic tale about love friendship betrayal manipulation and lies. It is also the first film to deal with the Yugoslav tragedy. It is not a factual account of the conflict but expresses Balkan vitality energy humour and the will to survive set against the complex historical backdrop of the past fifty years in Yugoslavia. Based on Dusan Kovacevic's story 'Once Upon A Time There Was A Country' the story follows two likeable crooks- Marko a charmer who manipulates everyone within his reach and his pal the foolish but loveable Blacky. The third member of the group is Natalija an actress of easy virtue with whom they are both in love. The three of them live and take part in a world of self-delusion deceit and abuse but one where there is also love and tenderness.
Offbeat French drama from director Fran�ois Ozon that explores the relationship between a literature student and the talented pupil whose gift for description he attempts to nurture. Germain (Fabrice Luchini) usually despairs about the quality of the creative writing his pupils produce so when he receives a piece from the previously unremarkable student Claude (Ernst Umhauer) that displays promise he is moved to pledge assistance to the boy. Complicating matters somewhat is the fact that Clau...
The fractured Europe post-World War II is perfectly captured in Carol Reed's masterpiece thriller, set in a Vienna still shell-shocked from battle. Holly Martins (Joseph Cotten) is an alcoholic pulp writer come to visit his old friend Harry Lime (Orson Welles). But when Cotton first arrives in Vienna, Lime's funeral is under way. From Lime's girlfriend and an occupying British officer, Martins learns of allegations of Lime's involvement in racketeering, which Martins vows to clear from his friend's reputation. As he is drawn deeper into post-war intrigue, Martins finds layer upon layer of deception, which he desperately tries to sort out. Welles' long-delayed entrance in the film has become one of the hallmarks of modern cinematography and it is just one of dozens of cockeyed camera angles that seem to mirror the off-kilter post-war society. Cotten and Welles give career-making performances and the Anton Karas zither theme will haunt you. --Anne Hurley
A later collaboration between Mason and Carol Reed, The Man Between is often considered a companion piece to The Third Man thanks to its atmospheric portrayal of a city struggling to survive in a grim post-war reality of poverty and mistrust. The action is here transposed to a divided Berlin, and to the beginning of the Cold War. Unlike the devilish Harry Lime, Mason's world-weary dealer Ivo Kerr is ultimately still a decent man, compelled by his love for a naïve schoolteacher to make one last misguided trip through the Brandenberg Gate, with potentially tragic consequences.
Conceived by Bertolt Brecht at the political and artistic watershed of the waning Weimar Republic, Kuhle Wampe is remarkable for its enduring sense of immediacy and accessibility. At the height of the Depression, Anni and her parents are evicted from their Berlin home and sent to Kuhle Wampe, a camp that now accommodates the ever-growing numbers of the dispossessed. Exquisitely photographed by Günther Krampf (Nosferatu), this 'semi-documentary' combines inspired montage sequences with intimate realist and cosmic scenes of Anni's family life, driven along by Hanns Eisler's celebrated score. The only Communist film to come out of Weimar Germany, Kuhle Wampe was swiftly banned upon Hitler's rise to power in 1933.
A later collaboration between Mason and Carol Reed, The Man Between is often considered a companion piece to The Third Man thanks to its atmospheric portrayal of a city struggling to survive in a grim post-war reality of poverty and mistrust. The action is here transposed to a divided Berlin, and to the beginning of the Cold War. Unlike the devilish Harry Lime, Mason's world-weary dealer Ivo Kerr is ultimately still a decent man, compelled by his love for a naïve schoolteacher to make one last misguided trip through the Brandenberg Gate, with potentially tragic consequences.
In West Berlin secret agent Quiller (Segal) is assigned to unmask the leaders of a suspected Neo-Nazi organisation. The last two men given this job have already been killed and the agent soon realises that he can trust no-one not even the people on his own side...
Offbeat French drama from director Fran�ois Ozon that explores the relationship between a literature student and the talented pupil whose gift for description he attempts to nurture. Germain (Fabrice Luchini) usually despairs about the quality of the creative writing his pupils produce so when he receives a piece from the previously unremarkable student Claude (Ernst Umhauer) that displays promise he is moved to pledge assistance to the boy. Complicating matters somewhat is the fact that Clau...
Mia returns from Stockholm to her parents home in a small town in Dalecarlia (Dalarna) to celebrate her fathers 70th birthday. Her older sisters Eivor and Gunilla welcomes her but their different lifestyles hinders them from really communicating. The tension builds up and the party that should be a celebration turns out to be a turning point for the family and their friends.
18 year old Nelly (Inga Landgre) lives a quiet life in a small town with her foster mother. There she makes a living giving piano lessons and letting a room to Ulf (Allan Bohlin) who is in love with her. Despite her financial problems Nelly's foster mother manages to save enough money to buy a new dress to wear at a charity ball. However when Nelly's real mother Jenny (Marianne Lfgren) also buys a dress Nelly wears this instead. Attracted by the glamorous garment and the pr
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