Grab your favourite munchies: Red and Meth, that dope-addled dynamic duo, are going to Harvard. And while it's not exactly demanding viewing, How High is destined to become a guilty pleasure of the cannabis crowd. The plot's a familiar one--take the basic selling points of any Cheech & Chong movie (a pair of shambolic protagonists who smoke lots of weed and drive funky 70s-style cars), graft them onto a generic "raising hell on campus" teen movie scenario and shake vigorously. The result is a prosaic effort that does contain some all-too-brief moments of genuine humour. Red and Meth, aka Redman and Method Man, may look like the world's oldest freshmen, but both offer genial performances, especially Method Man, who imbues the character of Silas with a dog-eared gentleness that raises him above the film's leaden script and plastic directing. --Rebecca Levine
When overactive man-child Malcolm takes the plunge and lets girlfriend Kisha move into his house he quickly senses they're no longer alone. Videotaping a series of paranormal events Malcolm is shocked to discover the love of his life carries more than your average relationship baggage: she's demonically possessed by an evil spirit. Malcolm enlists the help of priest/ex-convict Father Williams who sets about exorcising the demon from his girlfriend before it ruins his relationship. Hysterically funny horror-spoof from the creators of the Scary Movie franchise.
When overactive man-child Malcolm takes the plunge and lets girlfriend Kisha move into his house he quickly senses they're no longer alone. Videotaping a series of paranormal events Malcolm is shocked to discover the love of his life carries more than your average relationship baggage: she's demonically possessed by an evil spirit. Malcolm enlists the help of priest/ex-convict Father Williams who sets about exorcising the demon from his girlfriend before it ruins his relationship. Hysterically funny horror-spoof from the creators of the Scary Movie franchise.
"Dance Flick", is a new comedy from the Wayan Brothers who brought you the hilarious "Scary Movie" franchise and "White Chicks".
If nothing else, Doggystyle indicates a remarkable, if not exactly commendable, honesty in the relationship between Snoop Dogg and his fans. Snoop recognises that his absurdly wealthy, sexually indulged, permanently stoned persona is admired chiefly by priapic 14-year-old boys who don't understand why girls won't speak to them, and young men who think a booming car stereo is a signifier of awesome masculinity. He has delivered to these constituencies precisely the kind of video they would want. Doggystyle does not trouble itself with any actual promotional clips or artist interviews. Though Snoop occasionally deigns to wander in front of the camera and mime half-heartedly along to one of his songs, this is essentially a porn film, which is appropriate given that most of what Snoop has recorded in the last few years resembles uncannily the glutinous muzak that usually serves as a soundtrack for such things. It is not without amusement value, wholly inadvertent though this is--the editing of this "Soft" version of Doggystyle, intended to make it saleable in shops which are not patronised exclusively by men in overcoats, occasionally lends the joyless copulations of Snoop's mates a certain comedic appeal. --Andrew Mueller
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