Four college friends set out on a 1800 mile road trip to stop one of their girlfriends receiving an illicit video tape sent to them by mistake!
The comedy This is the End follows six friends trapped in a house after a series of strange and catastrophic events devastate Los Angeles. As the world unravels outside dwindling supplies and cabin fever threaten to tear apart the friendships inside. Eventually they are forced to leave the house facing their fate and the true meaning of friendship and redemption.
From Richard Linklater, the director of Slacker, Dazed & Confused and Before Sunrise, Boyhood is a ground-breaking cinematic achievement; a fictional drama made with the same group of actors over a 12-year period. At once epic and intimate, it is a one-of-a-kind trip through the exhilaration of childhood, the seismic shifts of modern family life, and the passage of time itself. Dreamy-eyed grade-schooler Mason (Ellar Coltrane) is facing upheaval: his struggling single mom Olivia (Patricia Arquette) has decided to move him and older sister Samantha (Lorelei Linklater) to Houston just as their long-absent father Mason Sr. (Ethan Hawke) re-enters their world. Thus begins a decade of constantly unfolding heartbreak and wonder. Against the tide of family moves and controversies, faltering marriages and re-marriages, new schools, first loves, lost loves, good times and scary times that will shape him, Mason emerges to find his own road in life. A remarkable achievement that builds on Linklater's fascination with time, relationships and the ever-changing nature of our lives, Boyhood is a deeply moving experience that found praise from critics around the world and went on to win the award for Best Film at both the Golden Globes and British Academy Film Awards in 2015. 4K ULTRA HD SPECIAL EDITION CONTENTS - 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) - Lossless DTS HD MA 5.1 audio - Optional English subtitles for the deaf and hard of hearing - Without Ambition, One Starts Nothing, a featurette featuring American poet and critic Dan Chiasson in conversation with his son Louis Chiasson about their shared love and connection to the film - In Search of Lost Time, a visual essay by critic and film-maker Scout Tafoya - Before and After Boyhood, an interview with Richard Linklater by film critic Rob Stone, author of Walk, Don't Run: The Cinema of Richard Linklater - Richard Linklater at the BFI, director Richard Linklater discusses Boyhood and his whole career in this on stage appearance at the British Film Institute - Theatrical trailer - Image gallery
Vincent (Ethan Hawke) is an outsider a natural birth or ""In-valid"" living in a world in which ""designer people""- forged in test tubes- rule society. Determined to break out of his imperfect genetic destiny and fulfil his dreams Vincent meets Jerome (Jude Law) a ""Valid"" willing to sell his prime genetic material for cash. Using Jerome's blood urine skin and hair samples Vincent is able to forge a new identity and pursue his goal of a mission to space with the Gattaca Aerospace Corporation and enjoy a blossoming romance with Irene (Uma Thurman) another ""Valid"". However a week before his flight a Gattaca mission director is brutally murdered and Vincent finds himself pursued by a relentless investigator (Alan Arkin) threatening to expose his counterfeit life and reveal him as ""In-valid"" ending his dreams forever.
Ethan Hawke gives an explosive performance in this epic action-thriller from the producer of John Wick. Travis Conrad (Hawke) is an ex-special ops marine turned mercenary who is lured out of retirement by the covert company that used to employ him. After Travis is killed during a brutal firefight, a new regeneration surgery gives him a second chance at life and one last shot at redemption in this nonstop, pulse-pounding thrill ride.
In an America wracked by crime, the government has sanctioned an annual 12-hour period in which any and all criminal activity becomes legal. The Purge follows one family over the course of this night to see how far they will go to protect themselves.
When zombies overrun San Francisco a desperate group survives by locking themselves inside Alcatraz Prison. When the undead breach the island our heroes are forced to return to the mainland overrun with the undead.
Adam Wingard directs this US thriller in which an ex-soldier causes mayhem within a family. David (Dan Stevens) knocks at the door of the Peterson family and informs mother Laura (Sheila Kelley) that he was a close friend of Caleb (Chris Harding), the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke (Brendan Meyer) and Anna (Maika Monroe). However, David's handy ability to buy booze and deal out violent r.
Adam Wingard directs this US thriller in which an ex-soldier causes mayhem within a family. David (Dan Stevens) knocks at the door of the Peterson family and informs mother Laura (Sheila Kelley) that he was a close friend of Caleb (Chris Harding), the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke (Brendan Meyer) and Anna (Maika Monroe). However, David's handy ability to buy booze and deal out violent r.
The much anticipated release of the first season of Star Trek Voyager see the franchise boldly do what it does best and provide fans with fantastically scripted highly entertaining science-fiction. Star Trek: Voyager made sci-fi history when it became the first Star Trek series to feature a female Captain.
A ferocious day-glo-coloured complement to Michael Lehmann's majestically spiteful late-80s teen black comedy Heathers, Jawbreaker invites us into the immaculately turned-out and deeply, deeply venal world of a quartet of high-school princesses led by one Courtney Shayne (Rose McGowan)--or "Satan in heels", as she's known to her peer group. The only thing is, Courtney's gang don't stay a quartet for long after the one vaguely likeable member of the group, Liz (Charlotte Ayanna) dies following a malicious birthday prank executed by her caring, sharing girlfriends. (All we can say is that it involves the titular hunk of candy.) Triumphantly convincing the world Liz was, in fact, the victim of a serial killer, Courtney gets on with ruling school with a manicured iron fist--except she didn't bargain for the sudden discovery of a conscience by her lieutenant Julie (Rebecca Gayheart), or the rumbling of her plan by class geek Fern Mayo (Judy Greer). In truth, no matter how badly Jawbreaker wants to be Heathers, there's little of the sharp, acidic wit or satirical glee which Lehmann brought to the table in the earlier movie--just a sticky and a faintly unpleasant aftertaste. That said, there's a certain cartoonish vibrancy to the proceedings, however predictably they unfold, and if McGowan's Joan Crawford Jr shtick as the vampish queen-bitch Shayne hardly extends her range as an actress, it's an accomplished piece of type-casting. --Danny Leigh
The much anticipated release of the first season of Star Trek Voyager see the franchise boldly do what it does best and provide fans with fantastically scripted highly entertaining science-fiction. Star Trek: Voyager made sci-fi history when it became the first Star Trek series to feature a female Captain.
Great ExpectationsThe key ingredient in this modern-day version of Charles Dickens's classic is director Alfonso Cuarón, who made the glowing, estimable A Little Princess. If you saw that (and you should), understand that Expectations has those ingredients (great sense of time, place, and timing) but adds modern music and sex appeal; the latter personified by the long-legged Gwyneth Paltrow. Finnegan Bell (Ethan Hawke as an adult, Jeremy James Kissner at age 10) is the new version of Dickens's Pip. He's a child wise beyond his years, befriending an escaped convict (Robert De Niro) in the warm waters of Florida's Gulf Coast. Finn is also the plaything for Estella (Paltrow as an adult, Raquel Beaudene at age 10), the niece of the coast's richest and most eccentric lady, Ms. Dinsmoor (a fun and flamboyant Anne Bancroft). The prudish Estella likes Finn (catch the best first kiss scene in many a moon) but has been brought up to disdain men; she'll break hearts. As the object of Finn's desires, Estella unfortunately is a one-dimensional character, yet what a dimension! Clad in Donna Karan dresses and her long, sun-kissed hair, Paltrow is luminous. She and Hawke make a very sexy couple. Mitch Glazer's script does better by Finn. He's a blue-collar worker with a gift for drawing (artwork by Francesco Clemente). Following his Uncle Joe's (Chris Cooper) honest ways, Finn grows up as a fisherman, thoughts of Estella and art drifting away in the hard work. When a mysterious benefactor allows him to follow his dream, Finn finds himself in New York, preparing for a once-in-a-lifetime art exhibit--and in the arms of the engaged Estella. Filled with cinematographer Emmanuel Lubezki's golden-drenched light, the film has an irresistible, wildly romantic look. Dinsmoor's place is certainly gothic, Estella and Finn's longing encounters glamorous. Cuarón uses an MTV-friendly soundtrack with a confident touch. Songs by Tori Amos and the band Pulp--along with Patrick Doyle's silky score--create passionate scenes. It all ends far too swiftly with a seemingly tacked-on ending (reflecting the book, as it happens) but the film is splendid storytelling. It's a stylish, sweet valentine. --Doug Thomas Oliver TwistIf Charles Dickens were alive to see Roman Polanski's faithful adaptation of Oliver Twist, he'd probably give it his stamp of approval. David Lean's celebrated 1948 version of the Dickens classic and Carol Reed's Oscar-winning 1968 musical are more entertaining in some ways, but Polanski's rendition is both painstakingly authentic (with superb cinematography and production design) and deeply rooted in the emotional context of the story. Both Polanski and Dickens had personal experiences similar to those of young Oliver (played here by Barney Clark)--Polanski in the Nazi-occupied ghettos of Poland during World War II, and Dickens during his hard-scrabble youth in Victorian London--and this spiritual kinship lends a certain gravitas to the tale of a tenacious orphan who escaped from indentured servitude in London society and is taken in by Fagin (Ben Kingsley) and his streetwise gang of pickpockets. As the evil Bill Sykes, who exploits Oliver for his own nefarious needs, Jamie Foreman is no match for Oliver Reed (in the '68 musical) in terms of frightening menace, but even here, Polanski's direction hews closer to Dickens, while the screenplay by Ronald Harwood (who also wrote Polanski's The Pianist) necessarily trims away subplots and characters for the sake of narrative economy. All in all, this Oliver Twist rises above most previous versions, and with the benefit of Kingsley's nuanced performance, Polanski arrives at a compassionate conclusion that captures the essence of Dickens' novel in a way that viewers of all ages will appreciate for many years to come.-- Jeff Shannon Nicholas NicklebyWhile it necessarily streamlines the Charles Dickens classic, this delightful adaptation of Nicholas Nickelby captures the essence of Dickens in all of its Victorian splendor and squalor. With Charlie Hunnam (the U.K. Queer as Folk) doing noble work in the title role, this quintessentially Dickensian tale begins with the death of Nicholas's father, and the subsequent scheme by his cruel uncle (Christopher Plummer, perfectly cast) to separate Nicholas from his now penniless sister and mother. Stuck in a squalid school run by the evil Mr. and Mrs. Squeers (Jim Broadbent, Juliet Stevenson), Nicholas escapes with his loyal friend Smike (Billy Elliott's Jamie Bell), whose lineage will determine the greedy uncle's fate. As he did with Jane Austen's Emma, writer-director Douglas McGrath has crafted a prestigious production that shifts effortlessly between comedy and tragedy without compromising its warm, inviting tone. His dialogue rings true throughout, inspiring a stellar cast including Nathan Lane, Alan Cumming, Edward Fox, and Timothy Spall. Dickens himself would almost certainly have approved. --Jeff Shannon
In the 1950s, Chet Baker (Ethan Hawke - Boyhood) was one of the most famous trumpeters in the world, renowned as both a pioneer of the West Coast jazz scene and an icon of cool. By the 1960s, he was all but washed up, his career and personal life in shambles due to years of addiction. Creatively blending fact with fiction and driven by Hawke's virtuoso performance, Born to Be Blue unfolds at a key moment in the 1960s, just as Baker attempts to stage a hard-fought comeback, spurred in part by a passionate romance with a new flame (Carmen Ejogo - Selma). Click Images to Enlarge
They came they saw they changed their minds! A group of disillusioned townsfolk living in the West renounce their settlemen and decide to return to their homes in the East. Hiring a grizzled and eccentric wagonmaster (Candy) they set off on the trail...
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
The reward could save them if the mission doesn't kill them first. When estranged brothers Sam (WWE Superstar John Cena) Leo (Ethan Embry Eagle Eye) and Douglas (Boyd Holbrook Milk) reluctantly reunite after the death of their father they learn that their promised inheritance has a catch - they must start a family business first. Desperate for cash the trio crosses the border for a quick score that turns into a dangerous search for a kidnapped billionaire - a journey that could turn deadly if they don't figure out a way to work together as a family. Amy Smart (Crank) and Michael Rispoli (Taking of Pelham 123) co-star in a story that proves some bonds are worth fighting for. Special Features: The Three Amigos Saddle Up 'n Giddy Up Rough Take Off Photo Gallery
An arms dealer on the run from an Interpol agent re-evaluates the morality of his work.
VALERIAN AND THE CITY OF A THOUSAND PLANETS is the visually spectacular new adventure film from Luc Besson, the legendary director of The Professional, The Fifth Element and Lucy, based on the ground-breaking comic book series which inspired a generation of artists, writers and filmmakers. In the 28th century, Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are a team of special operatives charged with maintaining order throughout the human territories. Under assignment from the Minister of Defense, the two embark on a mission to the astonishing city of Alphaan ever-expanding metropolis where species from all over the universe have converged over centuries to share knowledge, intelligence and cultures with each other. There is a mystery at the center of Alpha, a dark force which threatens the peaceful existence of the City of a Thousand Planets, and Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe. Also starring Rihanna, Clive Owen, Rutger Hauer, Kris Wu, Ethan Hawke and Herbie Hancock.
Minnesota, 1990. Detective Bruce Kenner (Ethan Hawke) investigates the case of young Angela (Emma Watson), who accuses her father, John Gray (David Dencik), of an unspeakable crime.
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