After starring in the now-legendary Dollars trilogy of spaghetti Westerns for Italian director Sergio Leone, Clint Eastwood became a box-office star and imported the style of those classic shoot-em-ups for this 1967 Western directed by Ted Post, with whom Eastwood had worked during their days on the television series Rawhide. Eastwood plays an innocent rancher who is mistaken for a cattle rustler and sentenced to hang by an angry mob. When he is saved from the noose by a passing lawman, he embarks on a renegade campaign of vengeance against the men who attempted to lynch him. Hang 'Em High offers a number of memorable moments and stylistic flourishes, and features a superb supporting cast of Western veterans, including Ben Johnson, Ed Begley, Pat Hingle, Dennis Hopper, Bruce Dern, LQ Jones, and the "Skipper" himself, Alan Hale Jr Made just three years before Dirty Harry, the film marked a turning point for Eastwood, who would soon move into a prolific period of contemporary thrillers. --Jeff Shannon, Amazon.com
London's dockside is teeming with ships and sailors who have made their fortune in foreign lands. Sweeney Todd a Fleet Street barber awaits the arrival of men whose first port of call is for a good close shave. For most it will be the last time they are seen alive as Sweeney Todd robs them of their new found fortunes and chops their remains into small pieces. Meanwhile Mrs Lovett from next door is enjoying a roaring trade for her popular penny meat pies... In the gold fields of Australia Sir Percival Glyde is murdered by the hammering of a tent peg through his ear. Tod Slaughter assumes the identity of Sir Percival's estate in London. He schemes a marriage to Laurie Fairlie (Sylvia Marriott) the daughter of wealthy man and plans to murder his new wife and substitute her with the deranged and dying daughter of the real Sir Glyde. But will his double deception be uncovered? In Maria Marten Squire William Corder (Tod Slaughter) wins the affection of Maria Marten (Sophie Stewart) but their happiness is cut short when she falls pregnant and demands that Corder marry her. At first he agrees but his wicked mind is planning her murder in the Red Barn... Features:Superb triple feature from the grand master of British horror Tod Slaughter featuring his most famous role as Sweeney Todd - the Demon Butcher of Fleet Street plus his dastardly shenanigans in Crimes at the Dark House and as the murderous squire in Maria Marten - Murder in the Red Barn!
Here's a film that only a Steven Seagal fan could love. Fire Down Below not nearly as good as Under Siege (the movie destined to remain Seagal's high-water mark), but not any worse than Above the Law. This time ol' Steve is an agent of the Environmental Protection Agency who's busting heads in Kentucky. He's on good terms with the local yokels (including Marg Helgenberger and Harry Dean Stanton), but locks horns with a slimy mogul (Kris Kristofferson) who's using abandoned mines to dump toxic waste. Along with an ecological message, Seagal serves up several broken limbs, cracked skulls, and bloody noses, and he even finds time to do some guitar picking with country boys such as Travis Tritt and Randy Travis. Once you've heard Seagal crooning a country tune, you'll be eager to see him go back to whuppin' the bad guys. --Jeff Shannon
The only Deanna Durbin film made in colour Can't Help Singing was a spectacular musical triumph nominated for two Academy Awards and a real favourite with her fans. Featuring four great songs from Deanna Durbin - ""Can't Help Singing"" ""Any Moment Now"" ""More and More"" and ""Cal-i-for-ni-ay"" Can't Help Singing captures Deanna at her musical best.
Marine raiders in a new outfit train for invasion in this gripping World War II action film. The bloodthirsty misfits of the 'Gung Ho' squadron become fierce fighting machines....
The Son of Satan attempts to bring his father to Earth with the aid of some mystic stones.
Snake Plissken is back in the high-octane West Coast sequel to Escape from New York that returns Kurt Russell to the iconic role and filmmakers John Carpenter and Debra Hill for post-apocalyptic action. After a 9.6 quake levels most of Los Angeles, Snake is called to wade through the ruins to retrieve a doomsday device. Now, more explosive than ever on 4K Ultra HD, this outrageous thriller finds Snake surfing Wilshire Blvd., shooting hoops at the Coliseum, dive-bombing the Happy Kingdom theme park, and mixing it up with a wild assortment of friends, fiends and foes from a supporting cast that includes Steve Buscemi, Peter Fonda, Pam Grier, Stacy Keach, Cliff Robertson and Bruce Campbell. This Limited Edition version includes 2 stickers, 5 art cards and a double-sided poster.
TT 2010 Review
Police Academy The call went out. The recruits came in. No longer would police cadets have to meet standards of height weight or other requirements. Brains were optional too. Can't spell IQ? Don't know the number 911? No matter. Police Academy grads are ready to uphold law and disorder! Police Academy 2: Their First Assignment When the newly graduated misfits in blue tangle with these pinheaded punks the result is an open-and-shut case of nonstop hilarity!. Steve Gu
An elite team of DEA agents are assigned to protect a dangerous drug lord and take refuge in a luxury hotel while they await extraction. They soon find themselves at the centre of an ambush as the drug lord's former associates launch an explosive assault on the hotel.
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
He chose his weapons. He selected his victims. He picked his nose. He changed into a girl. All in one absolutely disgusting movie! Ugly Joe's frustration at not being able to pick up girls attracts the curiosity of an old crackpot who teaches him a chant which changes him into a girl and back at will. But Joe plans to use the ritual to satisfy his lust for killing women...
Few early rockers were more gifted or less honoured in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits.Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late 60s and early 70s touring band. That astonishing line-up is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honour Orbison, not upstage him, resulting in a gratifying cohesion to the performances.Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue-chip admiration society came as much for the calibre of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman", Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely", or conjuring romantic trances through such gentle charmers as "Dream Baby". On this night, he handled all of them with fervour and finesse. --Sam Sutherland, Amazon.com
The tagline states, "Only love can bring you to your senses." Well, your senses have to be pretty dulled to love At First Sight. On paper the story--based on the writings of medical writer extraordinaire Oliver Sacks (Awakenings)--is intriguing: a blind man regains sight after surgery yet can never connect with what he sees, including a lovely new girlfriend. Indeed, maybe blind was better. From such interesting stuff (and a talented cast) comes a tepid love story and an unconvincing drama. Val Kilmer plays Virgil, a serene resort worker who plays hockey in the dark and is the best masseur this side of the Catskills. Onto his table comes Amy, a bone-weary NYC architect (Mira Sorvino) who cries the first time Virgil does his magic. Instead of a voyage into the world of blindness, Amy's first instinct is to take Virgil to an eye doctor who can restore sight (Bruce Davison). Virgil receives sight, crumbling the trust between him and Amy. The clichés start building up and by the time Amy is wooed by her ex-husband (Steven Weber), her boss no less, one's patience wears thin. The medical curiosities of the story--Virgil can see an item but can't grasp what it is until he touches it--do not translate well on screen. The film's liveliest character is Nathan Lane as a teacher of the blind. A scene with Virgil that gets to the heart of his ailment is so filled with spontaneity, one wonders if it was scripted or simply Lane's own extemporaneous dialogue. After an admirable start as a director (Guilty by Suspicion), Oscar-winning producer Irwin Winkler has not been able to put cinematic highs or believable angst into his films (The Net, Night in the City). At First Sight may look good but it is blind where it counts. --Doug Thomas
Sparkling comedy about the strange relationship of a bachelor dentist (Matthau) with his nutty mistress (Oscar-winning Hawn) and his rather stoic receptionist (Bergman)...
This paranoia-fuelled thriller, more intelligent and imaginative than you would have reason to believe, owes a huge debt to The Stepford Wives with its premise of a goody-good high school clique programmed by an evil doctor to be wholesome, academically driven and shining examples of clean living. Unlike its predecessor, though, David Nutter's film opts to open up its premise for everyone to see, diluting the scares but amplifying the creepy atmosphere. There's never any question of what's happening to the students of Cradle Bay High, who go from being druggies and sex fiends to the academically excellent Blue Ribbons, but it's a lot of fun to see these programmed teens run amok--and start killing people--when their hormones kick in. And considering they're all horny teenagers, this happens, oh, at least a few times a day. Model-perfect James Marsden, with stunning cheekbones and piercing blue eyes, is the new kid in town who stumbles on the plot with a little help from metalhead Nick Stahl. Moody Marsden stirs up trouble when he refuses to join up with the Blue Ribbons, prompting his concerned parents to consider signing him up for the program, especially after it turns Stahl into a vest-wearing, pep-rallying brainiac. The satire isn't entirely fulfilled (the evil kids hang out at the yoghurt shop and spout inspirational platitudes), but once the action kicks in it's quite an enjoyable ride, thanks primarily to Bruce Greenwood (The Sweet Hereafter) as the mad scientist behind it all and Katie Holmes (Go) as Marsden's love interest. Refusing the advances of the star football player and fighting gamely alongside Marsden, Holmes manages to deck a few bad guys with a fervour that squarely puts her in Linda Hamilton and Jamie Lee Curtis territory. Steve Railsback stars as the colluding chief of police and Dan Zudovic as a janitor with a penchant for getting rid of "rats," rodent and otherwise. --Mark Englehart, Amazon.com
In the fifth and final series of Orphan Black, starring the Emmy® award-winning actress Tatiana Maslany, Neolution is pushing the boundaries of science beyond what anyone thought possible. But at what cost? The mysterious P. T. Westmoreland is the key to all of it. Seemingly 170 years old, he is on the brink of bringing his project to its sinister conclusion. For Sarah and her sisters, this is the start of a deadly endgame that will have extreme consequences not just for them, but for the future of the entire human race. Can they finally expose the terrifying secrets at the heart of this corrupt corporation? Extras: CLOSER LOOK X 10 CLONE-CENTRIC THE EPIC CLONE SHOT THE BEGINNING OF THE END ISLAND OF LOST SOULS OUT OF THE BLACK
Barry is a single stand-up comedian looking for Ms. Right. When he meets Thea a political activist romance blooms. But the relationship runs into trouble during the political season when Thea must go on the campaign trail. Barry decides to follow the woman he loves no matter what happens. All Barry Singer wants is a woman to like him for who he pretends to be...
Jackie Chan appears as Condor an adventurer hired to track down a lost hoard of gold buried in the North African desert during the Second World War. Our hero is joined by three women in a race to get to the gold and outwit their evil pursuers.
Down on his luck Eric meets the wealthy June and formulates a plan to marry her then divorce her and steal her fortune that will enable him to live in comfort with Stella with whom he is in love. However when Stella is mysteriously murdered things start to go very wrong indeed...
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