Joe D'Amato co-writes and directs this controversial Italian horror. A group of young tourists venturing to a remote Greek island become the victims of a murderous, cannibalistic creature. As they explore the island's abandoned town they become increasingly disturbed at what they discover, only to race back to their boat to find it cut adrift. When they head to a mansion on the island they unearth some clues about their stalker's identity. But this is only the start of their horror...
Oscar-winning director Carol Reed's final film, Follow Me stars Mia Farrow and Topol - fresh from his global success in Fiddler on the Roof - alongside Michael Jayston in Peter Shaffer's adaptation of his own highly popular and much-revived theatre play, The Public Eye. Featuring a sumptuously haunting score from John Barry, this much sought-after film is presented here in High Definition in its original Panavision widescreen aspect ratio. A jealous businessman suspects that his wife is having an affair and hires an eccentric private detective to investigate. The suspected infidelity, however, is the tip of the iceberg and an elaborate game of cat and mouse ensues... Special Features: Original Music Score US Trailer Image Gallery
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Robert Redford is Jay Gatsby the dashing enigmatic millionaire obsessed with the elusive and spoilt Daisy Buchanan (Mia Farrow) in an era in which recklessness with money liquor women and fast cars pervaded the American consciousness...
Mockumentaries are ten a penny these days, but in 1983 Zelig offered something startlingly new, as heavyweight talking heads such as Saul Bellow and Susan Sontag discuss an entirely fictional character who is nonetheless strangely convincing. Leonard Zelig (Woody Allen) is a man so introverted and insecure that he has developed the ability to blend perfectly into the background of any given situation, regardless of the personality or even ethnicity of the people around him. But when he inadvertently becomes famous as the human chameleon after the media takes too keen an interest in his therapy sessions with Dr Eudora Fletcher (Mia Farrow), Zelig is faced with an unprecedented challenge: how do you fade into the background when the spotlight is firmly upon you? Zelig isn't just hilarious but also an incredible technical accomplishment. Without any recourse to CGI techniques that had yet to be invented, Oscar-nominated cinematographer Gordon Willis inserts Zelig into actual 1920s and 30s footage so seamlessly that you're convinced that he's really interacting with the likes of Babe Ruth and Adolf Hitler.
After his sister was poisoned, tough cop Tony Saitta embarks an a violent journey to find her killer, which turns into a whirlpool of revenge and betrayal.
Oscar-winning director Carol Reed's final film, Follow Me stars Mia Farrow and Topol - fresh from his global success in Fiddler on the Roof - alongside Michael Jayston in Peter Shaffer's adaptation of his own highly popular and much-revived theatre play, The Public Eye. Featuring a sumptuously haunting score from John Barry, this much sought-after film is presented here in its original Panavision widescreen aspect ratio. A jealous businessman suspects that his wife is having an affair and hires an eccentric private detective to investigate. The suspected infidelity, however, is the tip of the iceberg and an elaborate game of cat and mouse ensues... Special Features: Original Music Score US Trailer Image Gallery
""Two Thumbs Up! I Was Mesmerized From Beginning To End!"" -Roger Ebert ""Siskel and Ebert"" Writer/director Woody Allen delivers a powerful ""searing adult drama"" (Leonard Maltin) examining the life of an accomplished philosophy professor teetering on the brink of self-understanding. Boasting a superb cast led by Gena Rowlands Mia Farrow Ian Holm and Gene Hackman Another Woman is Allen's 17th triumphant film. Stylistically rich and technically expert the film layers past and pres
Damien is back in this remake of the chilling 1976 horror classic.
Regimental Sergeant-Major Lauderdale is a spit-and-polish, by-the-book disciplinarian, who seems like a 19th Century anachronism in a sleepy peacetime African outpost of the modern British Commonwealth. He is ridiculed behind his back by his subordinate NCO's and must play host to a liberal female MP making a tour of the base. However, when an ambitious African officer, who happens to be a protege of the MP's, initiates a coup d'etat against Captain Abraham, the lawful African commandant, the resourceful RSM uses all his military training to arm his men despite being under house arrest and rescue the wounded commandant from a certain firing squad. When Lt. Boniface, the leader of the mutiny surrounds the sergeants mess with two Bofors guns, it looks like Lauderdale will have to surrender unless he again disobeys orders and takes the initiative. High Definition Transfer Commentary by Actor John Leyton Interview with Mia Farrow TBC Promotional Materials Gallery Still Gallery Original Theatrical Trailer
Woody Allen's 1982 homage to Bergman and Shakespeare, A Midsummer Night's Sex Comedy is a delight from start to finish and must rate as one of his most joyous films. The period setting--Edwardian up state New York--gives the whole thing a misty, elegiac quality. Part Midsummer Night's Dream (the magic supplied by visions through a spirit glass) and part Smiles of a Summer Night (Bergman's source material provides the basic plot and ensuing couplings), it's a gentle satire on male sexuality and frustration. Allen handles the angst with the lightest of touches. He plays a Wall Street broker who spends his holidays inventing flying machines (they work, with telling consequences). He and his wife (Mary Steenburgen) are increasingly depressed by their ailing sex life. Cue the arrival of weekend guests: crusty academic (Jose Ferrer) and beautiful blue-stocking fiancée previously in love with Allen (Mia Farrow, of course); and insatiable doctor (Tony Roberts) with his latest squeeze, a nurse (the excellent Julie Hagerty). Eighty minutes of unravelling, discovery and renewal follow, accompanied by a Mendelssohn sound track. This is one of Allen's most treasurable pictures. On the DVD: A Midsummer Night's Sex Comedy is presented in widescreen that recaptures the pleasure which greeted the setting of this most pastoral of Allen's films on its first release; it really does glow with summery light. The standard stereo soundtrack is perfectly acceptable. Extras include the original theatrical trailer and multiple language soundtracks.--Piers Ford
Credit-grabbing back-stabbing wife-nabbing. Just another day at the office. Two of TV's funniest and most popular comic actors Zach Braff (Scrubs) and Jason Bateman (Arrested Development) take no prisoners as they fight it out for the love of Sofia (Amanda Peet). Tom Reilly (Braff) and his wife Sofia (Peet) have just had a baby and when Sofia the breadwinner decides to be a stay-at-home mum it's all change. They move out of the city back to Sofia's hometown where Tom is offered a job at the firm run by his father-in-law (Charles Grodin). Everything seems to be fitting nicely into place until Chip (Bateman) Sofia's ex boyfriend local hero and all-round wonder-boy is appointed as Tom's manager. Chip's flame for Sofia still burns brightly and he willstop at nothing to see Tom undermined humiliated and made a fool of in order to win back his ex...
It's time to speak of unspoken things... This offbeat psycho-drama follows a wealthy mentally unbalanced young woman who mistakenly believes an aging prostitute is her dead mother. The hooker Leonora has lost her own daughter and is in mourning. But because she has strong maternal feelings she is more than happy to play mother to the orphaned Cenci. However the two women's strange relationship takes a problematic turn when Cenci's stepfather Albert enters her life onc
Joe D'Amato co-writes and directs this controversial Italian horror. A group of young tourists venturing to a remote Greek island become the victims of a murderous, cannibalistic creature. As they explore the island's abandoned town they become increasingly disturbed at what they discover, only to race back to their boat to find it cut adrift. When they head to a mansion on the island they unearth some clues about their stalker's identity. But this is only the start of their horror...
Damien is back in this remake of the chilling 1976 horror classic.
Woody Allen's 1982 homage to Bergman and Shakespeare, A Midsummer Night's Sex Comedy is a delight from start to finish and must rate as one of his most joyous films. The period setting--Edwardian up state New York--gives the whole thing a misty, elegiac quality. Part Midsummer Night's Dream (the magic supplied by visions through a spirit glass) and part Smiles of a Summer Night (Bergman's source material provides the basic plot and ensuing couplings), it's a gentle satire on male sexuality and frustration. Allen handles the angst with the lightest of touches. He plays a Wall Street broker who spends his holidays inventing flying machines (they work, with telling consequences). He and his wife (Mary Steenburgen) are increasingly depressed by their ailing sex life. Cue the arrival of weekend guests: crusty academic (Jose Ferrer) and beautiful blue-stocking fiancée previously in love with Allen (Mia Farrow, of course); and insatiable doctor (Tony Roberts) with his latest squeeze, a nurse (the excellent Julie Hagerty). Eighty minutes of unravelling, discovery and renewal follow, accompanied by a Mendelssohn sound track. This is one of Allen's most treasurable pictures. On the DVD: A Midsummer Night's Sex Comedy is presented in widescreen that recaptures the pleasure which greeted the setting of this most pastoral of Allen's films on its first release; it really does glow with summery light. The standard stereo soundtrack is perfectly acceptable. Extras include the original theatrical trailer and multiple language soundtracks.--Piers Ford
They will rise to suck the blood of the living!From the sleazy video nasty vaults comes a movie so stained with controversy and moral indignation that the very mention of its name sends shudders down the spines of the weak stomached and censorious - Zombie Flesh Eaters. A gut-munching, shark wrestling, eye-gouging orgy of topless skin divers, mud-caked undead terror and Italian splatter from the dark imagination of horror genius Lucio Fulci (The Beyond, City of The Living Dead).An abandoned boat in New York Harbour unleashes a deadly flesh crazed Zombie cargo... A Young American woman and a journalist investigate a tropical island where a deadly disease is making the dead walk... Soon, thoughts of getting to the bottom of the murderous curse will be forgotten, as Fulci's walking corpses overwhelm the living and reports come in that the Big Apple is swarming with the living dead...After over thirty years, Zombie Flesh Eaters still has the power to shock and offend the unwilling... Check out this classic 'sadist video' and revel in a wonderfully tasteless movie that once helped usher in a moral panic!
"I've just met a wonderful new man. He's fictional but you can't have everything." So says Cecilia (Mia Farrow), the central figure in Woody Allen's lyrically humorous Purple Rose of Cairo. The era is the Great Depression, and she is the bullied wife who finds escape in romantic movies, falling in love with the explorer hero, Tom Baxter (Jeff Daniels), of the eponymous film. So far, nothing remarkable. But Allen has Baxter spot her in the audience, fall in love with her, and desert the picture, much to the irritation of the other characters. The surreal quality of the situation develops further when Gil Shepherd--the actor who played Baxter (Daniels again)--seeks out his fictional alter ego to persuade him back into the film and thus save both their reputations. Naturally Shepherd, too, falls in love with Cecilia, and she's left to choose between fiction and reality, chooses the latter and is then cruelly jilted. The message seems clear: fairytales are just that, make-believe. There's no such thing as a happy ending. Dating from 1985 (after Broadway Danny Rose and immediately before Hannah and her Sisters), this is one of the few movies in which Allen doesn't actually appear, though he's recognisable in every line of Farrow's character. It's also a nostalgic tribute to the era that defined movie glamour, the close-up of Cecilia's face at the end a moment of pure Hollywood. At 81 minutes, this is a small but brilliant gem. On the DVD: Aside from the technological improvement of DVD over video, the new format adds little by way of features: you can view the original trailer, scan the film scene by scene, and there's a choice of subtitles in eight languages.--Harriet Smith
Woody Allen's 17th film. Gena Rowland plays Marion, an academic who rents a flat in which to write a book on philosophy and becomes intrigued by conversations she overhears from a psychologist's office next door. One patient, Hope (Mia Farrow), has a particular effect on Marion forcing her to re-think many of her assumptions about her own life: her unhappy marriage; her feelings for another man (Gene Hackman); and her relationships with her best friend (Sandy Dennis) and brother (Harris Yulin).
Please wait. Loading...
This site uses cookies.
More details in our privacy policy