In this modern take on the Hollywood musical from Damien Chazelle, the Academy Award-nominated writer and director of 'Whiplash', Sebastian (Ryan Gosling) and Mia (Emma Stone) are drawn together by their common desire to do what they love.
On its original release in 1988, the pairing of Steve Martin and Michael Caine in Dirty Rotten Scoundrels was seen as something of a dream ticket. Viewing the film many years later, that assessment still proves completely accurate: the casting is perfect. American Freddy Benson and Briton Lawrence Jamieson are con men who work the French Riviera--at first as colleagues, later as rivals--praying on rich, gullible women before finally meeting their match. Having spent the decade veering between popular rubbish and low-key quality, for once Caine was able to find a populist vehicle that did justice to his talents. Steve Martin is, well, very Steve Martin but there are few better suited to the visual comedy of his character. The film has an old-fashioned feel (no sex, violence or bad language) and owes much to the earlier period of film humour--it really doesn't take that much imagination to see this as an Ealing comedy. All round, it's a stylish, charming, witty film. On the DVD: Extras are few, limited to scene selection, subtitles and the very funny trailer. Picture quality is superb, allowing the film's exotic setting to sparkle and there are many scenes of breathtaking beauty. Given that the film is full of fantastic comedy set pieces, the ability to select scenes is a real plus, allowing to the viewer to locate that classic Martin pratfall at the push of a button. --Phil Udell
Six bone-chilling tales from the vaults of Columbia Pictures, starring a host of the classic horror genre's most celebrated names, including Ralph Bellamy (Lady on a Train), Nina Foch (Escape in the Fog), Rose Hobart (Dr. Jekyll and Mr. Hyde), Jack Holt (Cat People), Boris Karloff (The Criminal Code), Peter Lorre (M), and Fay Wray (Thunderbolt).In Behind the Mask, the dastardly Dr X' murders his patients and smuggles narcotics in their coffins. Black Moon sees a cursed daughter return to the island where her parents perished in a voodoo ceremony. In Air Hawks, pioneering aviators are tormented by rivals operating a horrifying death ray. Island of Doomed Men sees an undercover agent infiltrating a remote penal colony presided over by a madman. In Cry of the Werewolf, a beautiful female lycanthrope vows to murder those who discover her family's secret. And, for those whose nerves are still intact, The Soul of a Monster tells the tale of a woman who makes a diabolical deal to save her husband's life.This essential three-disc collection marks the UK Blu-ray premiere of all six films, and features an array of fascinating contextualising extras, including newly recorded commentaries, critical appreciations, and rare archival short films, as well as a 100-page book containing new and archival writings. Strictly limited to 6,000 individually numbered units.INDICATOR LIMITED EDITION 3 x BLU-RAY BOX SET SPECIAL FEATURESHigh Definition remasters of Behind the Mask, Black Moon, Air Hawks, Island of Doomed Men, Cry of the Werewolf, and The Soul of a MonsterTinted and black-and-white presentations of Black MoonOriginal mono audioAudio commentary with filmmaker and film historian Daniel Kremer on Behind the Mask (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on Black Moon (2024)Audio commentary with film historian Jeremy Arnold on Air Hawks (2024)Audio commentary with film historians Alexandra Heller-Nicholas and Josh Nelson on Island of Doomed Men (2024)Audio commentary with academic and curator Eloise Ross on Cry of the Werewolf (2024)Audio commentary with critics and authors Stephen Jones and Kim Newman on The Soul of a Monster (2024)Sheldon Hall on Jack Holt (2024): the author and academic assesses the forgotten star of Behind the Mask and Black MoonJonathan Rigby on Peter Lorre (2024): the author of American Gothic: Six Decades of Classic Horror Cinema looks at the iconic performerTom Vincent on Burnett Guffey (2024): the archivist provides an overview of the prolific cinematographer's award-winning careerThe BEHP Interview with Constance Cummings (1997): archival audio recording of the Behind the Mask actor in conversation with Roy FowlerNew York to Berlin in Twenty-Six Hours (1933): documentary short on the exploits of aviator Wiley Post, who plays himself in Air HawksDon't Kill Your Friends (1943): World War II short film featuring Cry of the Werewolf star Nina FochImage galleries: promotional and publicity materialsNew and improved English subtitles for the deaf and hard of hearingLimited edition exclusive 120-page book with new essays by Bethan Roberts, Ellen Wright, Sergio Angelini, Paul Duane, Tim Snelson, and Jeff Billington; archival profiles of actors Boris Karloff, Fay Wray, and Rochelle Hudson; archival reports on the death of Air Hawks actor Wiley Post; extracts from Cry of the Werewolf's pressbook; a new piece on actor Rose Hobart's blacklisting; new writing on the short films; and film creditsWorld and UK premieres on Blu-rayLimited edition box set of 6,000 individually numbered units for the UKAll extras subject to change
It was an evil house form the beginning , a house that was born bad. The place is the 90-year-old mansion called Hill House. No one lives in there. Or so it seems. But come in. Because even if you don't believe in ghosts, there's no denying the terror of The Haunting. Robert Wise, returned to psychological horror for this much admired, first screen adaptation of Shirley Jackson's The Haunting of Hill House. Four people (Julie Harris, Claire Bloom, Richard Johnson and Russ Tamblyn) come to the house to study its supernatural phenomena. Or has the house drawn at least one of them to it? The answer will unnerve you in this elegantly sinister scare movie. It's good fun (Pauline Kael, 5001 Nights at the Movies).
Certain to remain one of the greatest haunted-house movies ever made, Robert Wise's The Haunting (1963) is antithetical to all the gory horror films of subsequent decades, because its considerable frights remain implicitly rooted in the viewer's sensitivity to abject fear. A classic spook-fest based on Shirley Jackson's novel The Haunting of Hill House (which also inspired the 1999 remake directed by Jan de Bont), the film begins with a prologue that concisely establishes the dark history of Hill House, a massive New England mansion (actually filmed in England) that will play host to four daring guests determined to investigate--and hopefully debunk--the legacy of death and ghostly possession that has given the mansion its terrifying reputation. Consumed by guilt and grief over her mother's recent death and driven to adventure by her belief in the supernatural, Eleanor Vance (Julie Harris) is the most unstable--and therefore the most vulnerable--visitor to Hill House. She's invited there by anthropologist Dr. Markway (Richard Johnson), along with the bohemian lesbian Theodora (Claire Bloom), who has acute extra-sensory abilities, and glib playboy Luke Sanderson (Russ Tamblyn, from Wise's West Side Story), who will gladly inherit Hill House if it proves to be hospitable. Of course, the shadowy mansion is anything but welcoming to its unwanted intruders. Strange noises, from muffled wails to deafening pounding, set the stage for even scarier occurrences, including a door that appears to breathe (with a slowly turning doorknob that's almost unbearably suspenseful), unexplained writing on walls, and a delicate spiral staircase that seems to have a life of its own. The genius of The Haunting lies in the restraint of Wise and screenwriter Nelson Gidding, who elicit almost all of the film's mounting terror from the psychology of its characters--particularly Eleanor, whose grip on sanity grows increasingly tenuous. The presence of lurking spirits relies heavily on the power of suggestion (likewise the cautious handling of Theodora's attraction to Eleanor) and the film's use of sound is more terrifying than anything Wise could have shown with his camera. Like Jack Clayton's 1961 chiller, The Innocents, The Haunting knows the value of planting the seeds of terror in the mind, as opposed to letting them blossom graphically on the screen. What you don't see is infinitely more frightening than what you do, and with nary a severed head or bloody corpse in sight, The Haunting is guaranteed to chill you to the bone. --Jeff Shannon
ABC presents its second action packed series from the creative minds at Marvel in Marvel's Agent Carter, inspired by the feature films Marvel's Captain America: The First Avenger and Marvel's Captain America: The Winter Soldier, along with the short Marvel One-Shot: Agent Carter. Years before Agent Phil Coulson and his S.H.I.E.L.D. team swore to protect those who cannot protect themselves from threats they cannot conceive, there was Agent Peggy Carter (Hayley Atwell, Marvel's Captain America: The First Avenger, Marvel's Captain America: The Winter Soldier) who pledged the same oath but lived in a different time when women weren't recognized as being as smart or as tough as their male counterparts. But no one should ever underestimate Peggy. It's 1946 and peace has dealt Peggy a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers aka Captain America. When old acquaintance Howard Stark (Dominic Cooper, Marvel's Captain America: The First Avenger) finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy the only person he can trust to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis (James D'Arcy, Master and Commander: The Far Side of the World), to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for releasing these weapons of mass destruction. But Jarvis, who is a creature of habit and sticks to a rigid daily routine, is going to have to make some major life changes if he's going to be able to keep up with Peggy. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison or worse. And as she delves deeper into her investigation, she may find that those she works for are not who they seem, and she might even begin to question whether Stark is as innocent as he claims.
Filmed as a classical tragedy, Orson Welles' Othello is a tale of passion, jealousy and murder. Welles used his earnings from several performances (including Carol Reed's classic The Third Man) to finance the production, which was shot over several years across multiple locations including Italy and Morocco. The footage was well matched photographically, resulting in an artistically brave compression of a great play. In the title role, Welles shows us a man who has fought many wars but still maintains a princely disposition. As Desdemona, Suzanne Cloutier is guileless but strong enough to have wanted and pursued the Moor. She alone is accused of pretending to be what she is not, and her openness makes her suspect in a world where few appear to be as they are. In a rare filmed role, Micheál MacLiammór excels as the diabolical Iago, a master of manipulating appearances and devoid of any motive save pure evil. MacLiammór shows how a hint can be greater than a howl, executing a series of deceptions (whose victims include Roderigo, Brabantio, and Cassio) that culminate in the symbolic destruction of Desdemona. The financial constraints appear to have ignited an even higher level of creativity within Welles, who never takes the expected angle and directs the film with a vertiginous, exhibitionist energy. Though Roderigo's death scene was filmed in a Moroccan steam bath because the costumes had not arrived, it is refreshing to see a Shakespeare film in which the cast doesn't look like it's on its way to a Beverly Hills costume party with an Elizabethan theme. The allegorical journey between heaven and hell concludes with the exposure of both Iago's scheme and the tragedy of Othello, who ultimately could not believe in the purity of his wife. This Othello won the prestigious Palme d'Or at Cannes in April 1952. --Kevin Mulhall
The Time Lords have taken control of the TARDIS sending the Doctor and Sarah Jane Smith into dangerous territory... On the graveyard planet of Karn the eternal Sisterhood fights to keep the sacred flame alive. High in the castle the brilliant surgeon Mehendri Solon conducts gruesome experiments on living flesh. And as a storm approaches evil from the depths of Time Lord history plots its return to the land of the living. But is even the Doctor's mind a match for the Brain of Morbius? This story was originally broadcast on BBC1 between 3rd January 1976 - 24th January 1976
ABC presents its second action packed series from the creative minds at Marvel in Marvel's Agent Carter, inspired by the feature films Marvel's Captain America: The First Avenger and Marvel's Captain America: The Winter Soldier, along with the short Marvel One-Shot: Agent Carter. Years before Agent Phil Coulson and his S.H.I.E.L.D. team swore to protect those who cannot protect themselves from threats they cannot conceive, there was Agent Peggy Carter (Hayley Atwell, Marvel's Captain America: The First Avenger, Marvel's Captain America: The Winter Soldier) who pledged the same oath but lived in a different time when women weren't recognized as being as smart or as tough as their male counterparts. But no one should ever underestimate Peggy. It's 1946 and peace has dealt Peggy a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy finds herself stuck doing administrative work when she would rather be back out in the field putting her vast skills into play and taking down the bad guys. But she is also trying to navigate life as a single woman in America, in the wake of losing the love of her life, Steve Rogers aka Captain America. When old acquaintance Howard Stark (Dominic Cooper, Marvel's Captain America: The First Avenger) finds himself being framed for unleashing his deadliest weapons to anyone willing to pony up the cash, he contacts Peggy the only person he can trust to track down those responsible, dispose of the weapons and clear his name. He empowers his butler, Edwin Jarvis (James D'Arcy, Master and Commander: The Far Side of the World), to be at her beck and call when needed to help assist her as she investigates and tracks down those responsible for releasing these weapons of mass destruction. But Jarvis, who is a creature of habit and sticks to a rigid daily routine, is going to have to make some major life changes if he's going to be able to keep up with Peggy. If caught going on these secret missions for Stark, Peggy could be targeted as a traitor and spend the rest of her days in prison or worse. And as she delves deeper into her investigation, she may find that those she works for are not who they seem, and she might even begin to question whether Stark is as innocent as he claims.
Series 6 saw an eagerly awaited return of this much-loved hit drama and now the gang are back! Adam, Pete, Jenny, Karen and David have returned all singing and dancing. Adam has won Tina's heart, the question is, can he keep it? Pete's come a long way since teetering on the edge and his new outlook on life has given Jenny the chance to embrace hers, but at what cost? On the surface Karen appears to have it all and the gang look on in envy as she hosts a lavish party to launch her new publishing house. It's a bittersweet moment for David who's reduced to going door-to-door selling insurance to unsuspecting pensioners. Surely there's a better way to make ends meet? Laced with comedy and tragedy, the big stories and daily minutiae of life are observed and tackled in a way that only Cold Feet can.
An everyday story of me mam, me dar, me kids and me gerl's owl feller... A forerunner to Carla Lane's Bread, this provocative mid-seventies sitcom pulls no punches in its depiction of a working-class Liverpudlian family who share everything... except faith and football teams! The Wackers (Scouse for 'mates') stars Ken Jones - best known as Porridge's 'Horrible' Ives - Alison Steadman, Sheila Fay, a teenaged Keith Chegwin and future Brookside legend Bill Dean, and is written by veteran scree...
An attractive and popular teenager who is mean spirited toward others, finds herself in the body of an older man, and must find a way to get back to her original body.
! Based upon the ever-popular short story by Richard Connell, The Most Dangerous Game remains a hugely influential masterpiece 90 years after its release. Big game hunter, Bob Rainsford (Joel McCrea), barely survives a shipwreck in shark infested waters and washes ashore on the private island of the sinister Count Zaroff (played with a delightful zeal by Leslie Banks). Zaroff fancies himself an accomplished hunter also only his preferred quarry, is man! Taking full advantage of the lavish jungle sets created for King Kong; The Most Dangerous Game was filmed at night after filming for Kong had concluded for the day, with many cast and crew pulling double duty on both productions. After 90 years, it is still a thrilling piece of filmmaking filled with stunning production designs, wonderful optical effects, andof coursethrilling action. The Masters of Cinema Series is proud to present The Most Dangerous Game in its UK debut on Blu-ray, from a 2K restored scan. Special Features Limited Edition O-Card Slipcase (First print-run of 2000 copies only) 1080p presentation on Blu-ray from a 2K restored scan Optional English SDH Brand new audio commentary with author Stephen Jones and author / critic Kim Newman Brand new interview with author / critic Kim Newman on the hunted human sub-genre Brand new interview with film scholar Stephen Thrower Plus: A collector's booklet featuring a new essay by Craig Ian Mann, illustrated with archival imagery *All extras subject to change
Thirteen years after this BAFTA award-winning series earned a place in television history, we return for more heartfelt, truthful, comedy drama amidst the lives of our favourite couples. Older, but not necessarily wiser, the gang are reunited when Adam returns to Manchester from working abroad to make an announcement, but not everyone is as thrilled as he is. Follow the highs and lows of these much loved characters as they, like us, continue to find their way in life.
Thirteen stories with the incomparable combination of little witch Meg and her cat Mog. 1. Meg Mog And Owl 2. Owl's Voice 3. Meg On The Moon 4. Meg's Tent 5. Meg's Cake 6. Meg At Sea 7. Meg At The Circus 8. Meg And The Baby 9. Meg's Veg 10. Mog's Hiccups 11. Mog In The Fog 12. Meg's Picnic 13. Meg's Eggs
A child's lie has life-shattering consequences in this daring adaptation of Lillian Hellman's celebrated play. Karen (Hepburn) and Martha (MacLaine) are the headmistresses of an exclusive school for girls. When they discipline a malicious little girl the vindictive child twists and overheard comment into slander and accuses her teachers of questionable behaviour. Soon the scandalous gossip engulf's the school's conservative community with repercussions that are swift crushing and t
The four remaining relatives of famed practical joker Henry Russell are brought together to hear his last will and testament, revealing a £50,000 inheritance each if they can all complete a set task completely out of character. The assignments are designed to reflect their greatest shortcomings and test their abilities to adapt and ultimately change for the better. Law-abiding retired army officer Deniston (Alastair Sim), secretly writes scandalous novels until he is given a week to get himself arrested for an actual crime and jailed for exactly 28 days. Haughty Agnes (Fay Compton) must find employment as a housekeeper in a middle-class home and retain her position for a month despite her disdain. Simon (Guy Middleton), a penniless womanising rogue, would have to marry the first single woman he speaks to, such as the cigarette girl at the club he frequents (Audrey Hepburn). Finally, timid Herbert (George Cole) needs to hold up the bank manager he works for with a mask and a toy pistol. Can they all pull it off in order to grab the cash? Special Features NEW Alastair Sim and Laughter in Paradise: Interview with Stephen Fry Ministry of Information short Nero: Save Fuel (1943) starring Alastair Sim & George Cole Behind the Scenes Stills gallery Alastair Sim's Rectorial Address at Edinburgh University (1949)
A PRESCRIPTION FOR FRIGHT! Is there a (mad) doctor in the house? Yes! shrieks Doctor X, filmed in rare two-strip Technicolor. An eminent scientist aims to solve a murder spree by re-creating the crimes in a lab filled with all the dials, gizmos, bubbling beakers and crackling electrostatic charges essential to the genre. Lionel Atwill is Doctor Xavier, pre-King Kong scream queen Fay Wray is a distressed damsel, and Lee Tracy snaps newshound patter, all under the direction of renowned Michael Curtiz. Product Features Includes the separately filmed B&W version, originally intended for small U.S. markets and international distribution, which has been unavailable for over 30 years. Featurette The Horror Films of Michael Curtiz UCLA before/after restoration reel. Commentaries by author/film historian Alan K. Rode and Scott MacQueen, head of preservation UCLA Film & Television Archive. Theatrical Trailer.
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