'Field of Dreams' begins in an Iowa cornfield when Ray Kinsella hears a mysterious voice - ''If you build it he will come'' and sees a brief vision. With the support of his wife Annie Ray Kinsella pursues his dream and encounters several memorable characters along the way Terence Mann a legendary yet reclusive author ''Doc'' Graham and the infamous Shoeless Joe Jackson. 'Field of Dreams' is the story of a simple Iowa farmer who against all odds finds the courage to believe in his dreams.
As rites-of-passage films featuring a young man's sexual initiation in the arms of a beautiful woman go, Class (1983) has plenty going for it, not least its attractive cast: Andrew McCarthy as Jonathan, Rob Lowe as Gatsby-ish best friend Skip and Jacqueline Bisset as the beautiful woman who is old enough to know better and just happens to be Skip's mother. Lewis John Carlino's film has moments of insight, taking a few well-aimed shots at the vaguely sinister network of American public school life. In the first reel it neatly subverts the bullying scenario that threatens when the geekish Jonathan arrives at the school, while offering the briefly intriguing sight of Lowe in scarlet bra and pants. And there's a subplot of deceit and complicity that both strengthens and threatens the friendship that rapidly forms between Skip and Jonathan. In many ways, though, the most interesting element of the picture--Skip's relationship with his dysfunctional family--is left unexplored. Jonathan's deflowering and subsequent interludes are merely titillating. And Bisset's Ellen, a desperately sad character, becomes superfluous once the revelation that she is the "teacher" sets the boys' friendship on the path to fraternal solidarity. On the DVD: Class is presented in widescreen anamorphic format and looks as good as its leading players, although the Dolby Digital mono soundtrack has odd moments of flatness that detract from the cinematic experience. Extras are limited to the cinema trailer that now looks like a red rag to the puritanical objectors who were appalled by the graphic scenes in which Jonathan loses his virginity to the predatory Ellen. --Piers Ford
""A Wonderful Sports Movie: Hoosiers Works Magic!"" -Roger Ebert Nominated for two Academy Awards this triumphant tale of a high school basketball teams' long-shot attempt to ascend to the State Championship is filled with edge-of-your-seat suspense and breathless excitement! Featuring ""fast-break cinematography that catches the pace of the game"" (Washington Post) and intense heart-rending performances from Gene Hackman Barbara Hershey and Dennis Hopper Hoosiers redefined the spo
Field of Dreams is, in the words of its makers, a baseball film that "isn't about baseball". Rather, it's a magical film that works its spell on all but the most hard-boiled of viewers, an altogether superior slice of apple-pie sentimentality. Kevin Costner plays a young Iowa farmer who finds himself pestered by a whispering voice urging him, "If you build it, he will come". With the consent of an uncharacteristically supportive Hollywood wife (Amy Madigan) he sets about building a baseball diamond in the middle of his land. This action invites the prospect of bankruptcy--however, it also invites the spirit of "Shoeless" Joe Jackson, a baseball superstar disgraced following his role in the 1919 World Series scandal. The supernatural voices continue to urge Costner to "go the distance"--and he seeks out reclusive writer Thomas Mann (James Earl Jones) and "Doc" Graham (Burt Lancaster), impelled by purposes he is as yet unable to divine. Field of Dreams works because it touches so endearingly on themes of redemption, inner peace and the possibility of second chances--the "dreams" which elude most of us. It also cites baseball as an idyllic metaphor for all that is decent and constant about America. Costner gives immense plausibility to an utterly, deliberately implausible scenario. On the DVD: Presented in anamorphic 1.78:1, the vivid, almost unnaturally natural Iowa colours are depicted to vivid effect (much of the diamond grass had to be painted green when it died). Generous extras include a making-of feature, an interview with WP Kinsella, author of the novel on which the book is based, and Costner. Director/writer Phil Alden Robinson also provides a director's commentary in which he describes the logistical difficulties of assembling 1500 automobiles for the memorable final scene. --David Stubbs
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