Emma Thompson returns to the role of the magical nanny who appears when she's needed the most and wanted the least in the next chapter of the hilarious and heartwarming fable that has enchanted children around the world.
In "Clash of the Titans," the ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world.
Set at the end of the eighteenth century, The Duchess is the story of the beautiful and glamorous Georgiana Spencer (Keira Knightley), the most fascinating woman of the age.
In 1951 Hollywood, a studio executive acts as fixer, shielding his company's stars from controversy, including the kidnapping of a male movie star by a group of disenchanted Communist writers. Click Images to Enlarge
Some top Hollywood (and British) talent are on hand for this lavish version of Shakespeare's play, set in 16th century Venice.
Titles Comprise: Enemy At The Gates: While the Nazi and Russian armies hurl rank after rank of soldiers at each other and the world fearfully awaits the outcome of the battle of Stalingrad the celebrated Russian sniper Vassili Zaitsev (Jude Law) quietly stalks his enemies one man at a time. His fame however soon thrusts him into a duel with the Nazi's best sharpshooter Major Konig (Ed Harris) and the two find themselves waging an intense personal war while the most momentous battle of the age rages around them... Windtalkers:In 1942 several hundred Navajo Americans were recruited as Marines and trained to use their language as code. Marine Joe Enders (Nicolas Cage) is assigned to protect Ben Yahzee (Adam Beach) - a Navajo code talker the Marines' new secret weapon. Enders' orders are to protect his code talker but if Yahzee should fall into enemy hands he's to protect the code at all costs. Against the backdrop of the horrific Battle of Saipan when capture is imminent Enders is forced to make a decision: if he can't protect his fellow Marine can he bring himself to kill him to protect the code? Hart's War: Fourth generation war hero Col. William McNamara is imprisoned in a brutal German POW camp. Still as the camp's highest-ranking American officer he commands his fellow inmates keeping a sense of honour alive in a place where honour is easy to destroy all under the dangerous ever-watchful eye of SS Major Wilhelm Visser. Never giving up the fight to win the war McNamara is silently planning waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant enlisting the unwitting help of young Lt. Tommy Hart. Together with his men McNamara uses a hero's resolve to carry out his mission ultimately forced to weigh the value of his life against the good of his country. An epic World War II adventure from action-maestro John Woo!
Prepare for the Final Battle!Harry Potter And The Deathly Hallows: Part 2, is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts.In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort.It all ends here.
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Based on Thomas Harris's novel, Jonathan Demme's terrifying adaptation of Silence of the Lambs contains only a couple of genuinely shocking moments (one involving an autopsy, the other a prison break). The rest of the film is a splatter-free visual and psychological descent into the hell of madness, redeemed astonishingly by an unlikely connection between a monster and a haunted young woman. Anthony Hopkins is extraordinary as the cannibalistic psychiatrist Dr Hannibal Lecter; Jodie Foster is equally memorable as the vulnerable FBI agent-in-training Clarice Starling. --Tom Keogh Hannibal is set 10 years after Silence of the Lambs, as Dr Hannibal "the Cannibal" Lecter (Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (Julianne Moore replaces Jodie Foster), on the other hand, hasn't had it so good. The film is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible. When they do connect it's quite thrilling but it's unfortunately too little too late. --Mark Englehart Anthony Hopkins returns as Hannibal Lecter in Red Dragon, a prequel to The Silence of the Lambs and a remake of 1986's Manhunter, Michael Mann's fine film of Thomas Harris's terrific book, in which Brian Cox carved the ham thinner as a more menacing, less hokey cannibal. This film beefs up Lecter's role, as FBI agent Will Graham (Edward Norton) consults Lecter on the Tooth Fairy case, which means some pointed and familiar conversations, and the film then shifts focus from the investigation to the life and troubles of the mad and murderous but also abused and sympathetic Francis Dolarhyde (Ralph Fiennes, with a major tattoo and a harelip). It's hard not to compare the current cast with Mann's excellent players. Still, Red Dragon is a solid film of great material, with all the sudden shocks and disturbing whispers in places. --Kim Newman
The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim
In 1951 Hollywood, a studio executive acts as fixer, shielding his company's stars from controversy, including the kidnapping of a male movie star by a group of disenchanted Communist writers. Click Images to Enlarge
In mid-1800's England Oscar (Ralph Fiennes) is a young Anglican priest a misfit and an outcast but with the soul of an angel. As a boy even though from a strict Pentecostal family he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda (Cate Blanchett) is a teenaged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a
Scruffy, kindhearted Kubo ekes out a humble living while devotedly caring for his mother in their sleepy shoreside village. It is a quiet existence -- until a spirit from the past catches up with him to enforce an age-old vendetta.
Fantasy adventure double bill loosely based on the Greek myth of Perseus, who is played here by Sam Worthington. In 'Clash of the Titans' (2010) Perseus is the son of the King of the Gods, Zeus (Liam Neeson), but is raised as a man. When Hades (Ralph Fiennes), the God of the underworld, threatens to seize power from Zeus, Perseus embarks on a life-threatening mission to defeat him. Joined by a group of brave warriors, Perseus is forced to battle beasts and demons in order to save his family a...
Young Kubo's peaceful existence comes crashing down when he accidentally summons a vengeful spirit from the past. Now on the run, Kubo joins forces with Monkey and Beetle to unlock a secret legacy. Armed with a magical instrument, Kubo must battle the Moon King and other gods and monsters to save his family and solve the mystery of his fallen father, the greatest samurai warrior the world has ever known.
In 'A Bigger Splash', rock legend Marianne Lane is recuperating on the volcanic island of Pantelleria with her partner Paul when iconoclast record producer and old flame Harry unexpectedly arrives with his daughter Penelope and interrupts their holiday.
Eric Liddell - China's first gold medalist and one of Scotland's greatest athletes - returns to war-torn China.
Nearly every biblical film is ambitious, creating pictures to go with some of the most famous and sacred stories in the Western world. DreamWorks' first animated film, The Prince of Egypt was the vision of executive producer Jeffrey Katzenberg after his ugly split from Disney, where he had been acknowledged as a key architect in that studio's rebirth (The Little Mermaid, etc.). His first film for the company he helped create was a huge, challenging project without a single toy or merchandising tie-in, the backbone du jour of family entertainment in the 1990s. Three directors and 16 writers succeed in carrying out much of Katzenberg's vision. The linear story of Moses is crisply told, and the look of the film is stunning; indeed, no animated film has looked so ready to be placed in the Louvre since Fantasia. Here is an Egypt alive with energetic bustle and pristine buildings. Born a slave and set adrift in the river, Moses (voiced by Val Kilmer) is raised as the son of Pharaoh Seti (Patrick Stewart) and is a fitting rival for his stepbrother Rameses (Ralph Fiennes). When he learns of his roots--in a knockout sequence in which hieroglyphics come alive--he flees to the desert, where he finds his roots and heeds God's calling to free the slaves from Egypt. Katzenberg and his artists are careful to tread lightly on religious boundaries. The film stops at the parting of the Red Sea, only showing the Ten Commandments--without commentary--as the film's coda. Music is a big part (there were three CDs released) and Hans Zimmer's score and Stephen Schwartz's songs work well--in fact the pop-ready, Oscar-winning "When You Believe" is one of the weakest songs. Kids ages 5 and up should be able to handle the referenced violence; the film doesn't shy away from what Egyptians did to their slaves. Perhaps Katzenberg could have aimed lower and made a more successful animated film, but then again, what's a heaven for? --Doug Thomas
Daniel Craig is back as James Bond 007 in SKYFALL, the 23rd instalment of the longest-running film franchise in history. In SKYFALL, Bond's loyalty to M (JUDI DENCH) is tested as her past returns to haunt her. 007 must track down and destroy the threat, no matter how personal the cost. When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Mallory (RALPH FIENNES), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows aided only by field agent, Eve (NAOMIE HARRIS) following a trail to the mysterious Silva (JAVIER BARDEM), whose lethal and hidden motives have yet to reveal themselves.
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