Never Say Never Again (Dir. Irvin Kershner 1983): Sean Connery is back for his final performance as super agent James Bond in this high-velocity action thriller from the director of 'The Empire Strikes Back'. In this remake of the 1965 spy classic Thunderball two atomic warheads are hijacked by the evil SPECTRE organization forcing agent 007 out of retirement and hurling him into an explosive pulse-pounding race to save the world from nuclear terrorists. Casino Royale (Dir. Val Guest 1967): Things are looking decidedly bleak for British Intelligence in both senses of the term. SMERSH has begun to sabotage global stability no less than 11 agents have been lost and to make matters worse our greatest secret agent 007 is languishing in stately retirement. M - together with the heads of the CIA and KGB - have only one hope: to bring Sir James Bond (David Niven) out of retirement and into the field. Finding himself pitched against an opposition of fiendish intensity - an array of female secret agents armed with explosive grouse; a baccarat-playing illusionist (Orson Welles) and a neurotic megalomaniac (Woody Allen) - Bond launches his brilliant plan... ""from now on all agents will be known as James Bond including the girls"".
England 1941. With London in the midst of the blitz two teachers evacuate a group of schoolchildren to the abandoned Eel Marsh House. Seeking safety from the bombs in the remote coastal location the group instead find themselves facing a far deadlier and terrifying evil when their arrival awakens the Woman in Black.
Patterns exist everywhere: in nature, in science, in religion, in business. Max Cohen (played hauntingly by Sean Gullette) is a mathematician searching for these patterns in everything. Yet, he's not the only one, and everyone from Wall Street investors, looking to break the market, to Hasidic Jews, searching for the 216-digit number that reveals the true name of God, are trying to get their hands on Max. This dark, low-budget film was shot in black and white by director Darren Aronofsky. With eerie music, voice-overs, and overt symbolism enhancing the somber mood, Aronofsky has created a disturbing look at the world. Max is deeply paranoid, holed up in his apartment with his computer Euclid, obsessively studying chaos theory. Blinding headaches and hallucinogenic visions only feed his paranoia as he attempts to remain aloof from the world, venturing out only to meet his mentor, Sol Robeson (Mark Margolis), who for some mysterious reason feels Max should take a break from his research. Pi is complex--occasionally toocomplex--but the psychological drama and the loose sci-fi elements make this a worthwhile, albeit consuming, watch. Pi won the Director's Award at the 1998 Sundance Film Festival. --Jenny Brown
All 22 episodes from season fourteen of the popular US crime series starring Ted Danson. The episodes are: The Devil and D.B. Russell Take The Money And Run Torch Song Last Supper Frame by Frame Passed Pawns Under a Cloud Helpless Check In and Check Out Girls Gone Wild The Lost Reindeer Keep Calm and Carry On Boston Brakes De Los Muertos Love For Sale Killer Moves Long Road Home Uninvited “The Fallen” “Consumed” “Kitty” and “Dead In His Tracks”.
A talented musician struggles to survive the destruction of the Warsaw ghetto and the concentration camps of World War II.
Michael J. Fox and James Woods team up for hilarious action-adventure from director John Badham. Nick Lang (Fox) is a popular actor who seeks out obsessive detective Moss (Woods) in order to research a new part and break out of his 'nice guy' screen image. On the trail of a ruthless serial killer the last thing Moss needs is a pampered Hollywood sidekick...
Kevin Whately stars as Inspector Robbie Lewis, ably assisted by Laurence Fox as his partner DS James Hathaway. Together they investigate more murder mysteries against the historic and glorious backdrop of Oxford and its University Campus. Clare Holman returns as Dr Laura Hobson, alongside Rebecca Front as Chief Superintendent Innocent. Episodes Comprise: Down Among the Fearful. The Ramblin' Boy. Intelligent Design.
From the creators of Trainspotting comes a masterpiece of terror. Starring Kerry Fox Christopher Eccleston and Ewan McGregor this hermetically sealed shocker will take you on a fantastic ride thats riddled with hairpin turns. Juliet David and Alex find that their new reclusive roommate has not left the bedroom for days. After kicking in the door they discover this drug overdosed corpse...and a suitcase full of cash. Fatefully choosing to keep the money they know they have to get rid of the body. But the remains wont stay buried and a careless trail from the shallow grave leads the police and two money-hungry thugs -back to the trio. As the stakes get higher so does the body count not to mention their paranoia which is quickly putting their friendship in jeopardy...forever!
A fresh look at the classic novel by E.M. Forster. This new interpretation of the novel is framed poignantly by Lucy's nostalgic return to Italy after the First World War. Starring a line up of fresh British talent including Timothy and Rafe Spall as Mr Emerson and his son George Elaine Cassidy as Lucy Honeychurch and Laurence Fox as Lucy's arrogant suitor Cecil.
Hard Times
In Holiday in the Sun, Mary-Kate and Ashley Olsen (playing twins Alex and Madison) are whisked away to the Bahamas in a private jet by their pilot dad, though they are initially disappointed to be missing their class trip to Hawaii (just what high school do these girls attend?). But the 15-year-olds recover upon meeting up with their mum on the sunny tarmac, checking into their own suite at the Atlantis resort, and getting acquainted with some cute boys on the island. Parents may see this 88-minute movie as one long advertisement for the Paradise Island resort, with the constant mentioning of its name and endless showcasing of its attractions. But kids, particularly girls ages 7 to 12, will get a kick out of Alex's rivalry with the rich superwitch Brianna for marine worker Jordan's affections. Then there's the updated Cyrano storyline, with Dad's business partner's son Griffen coaching dim-but-likable Scott on how to win over Madison. Throw in an antiquities smuggling subplot, some dolphin hugging, horseback riding, and wave running and you've got some fairly innocent entertainment augmented with frothy tunes by teen group up-and-comers Play, Empty Trash (featuring vocals by the twins), The American Girls, and Noogie. --Kimberly Heinrichs, Amazon.com
London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door, Fanny Brawne, an outspoken student of fashion.
Gay-themed Australian drama based on Timothy Conigrave's memoir. The film follows the relationship of Conigrave (Ryan Corr) and his partner John (Craig Stott), who first met at their Catholic high school. With John the star captain of the school's football team and Tim an aspiring actor in the school play, the pair seem like an unlikely couple but continue their journey together through high school and university where they allow their love for each other to help them overcome the challenges being gay men in '80s Australia throws at them. However, one challenge proves too much for the pair after they are both diagnosed with HIV in 1985.
Few monsters lend themselves better to allegory than the zombie. In the years since George Romero first set the shambling mold with Night of the Living Dead, filmmakers have been using the undead as handy substitutes for concepts as varied as mall-walking consumers, punk rockers, soccer hooligans, and every political movement imaginable. (All this, plus brain chomping.) World War Z, the mega-scale adaptation of Max Brooks's richly detailed faux-historical novel, presents a zombie apocalypse on a ginormous level never seen before on film. Somehow, however, the sheer size of the scenario, coupled with a distinct lack of visceral explicitness, ends up blunting much of the metaphoric impact. While the globe-hopping action certainly doesn't want for spectacle, viewers may find themselves wishing there was something more to, you know, chew on. Director Marc Forster and his team of screenwriters (including J. Michael Straczynski and Lost's Damon Lindelof) have kept the basic gist of the source material, in which an unexplained outbreak results in a rapidly growing army of the undead. Unlike the novel's sprawling collection of unrelated narrators, however, the film streamlines the plot, following a retired United Nations investigator (Brad Pitt) who must leave his family behind in order to seek out the origins of the outbreak. While the introduction of a central character does help connect some of Brooks's cooler ideas, it also has the curious effect of narrowing the global scale of the crisis. By the time of the third act, in which Pitt finds himself under siege in a confined space, the once epic scope has decelerated into something virtually indistinguishable from any other zombie movie. Even if it's not a genre changer, though, World War Z still has plenty to distinguish itself, including a number of well-orchestrated set pieces--this is a movie that will never be shown on airplanes--and the performances, with Pitt's gradually eroding calm strengthened by a crew of supporting actors (including Mireille Enos, James Badge Dale, and a fantastically loony David Morse) who manage to make a large impression in limited time. Most importantly, it's got those tremendous early scenes of zombie apocalypse, which display a level of frenetic chaos that's somehow both over-the-top and eerily plausible. When the fleet-footed ghouls start dogpiling en masse, even the most level-headed viewer may find themselves checking the locks and heading for the basement. --Andrew Wright
The complete sixth season of the multi award winning series. Episodes Comprise: Bodies In Motion Room Service Bite Me Shooting Stars Gum Drops Secrets & Flies A Bullet Runs Through It 1 & 2 Dog Eat Dog Still Life Werewolves Daddy's Little Girl Kiss Kiss Bye Bye Killer Pirates of the Third Reich Up In Smoke I Like To Watch The Unusual Suspect Spellbound Poppin' Tags Rashomama Time Of Your Death Bang-Bang Way To Go
Fear can visit us in many forms - perhaps most disturbingly when it stalks us in familiar or cherished surroundings; a suburban house, an idyllic country retreat, or a sunlit Mediterranean holiday villa. Equally, it can haunt us in the shape of a menacing stranger, or gather in the shadows of our own imagination. This volume collects eleven plays in which every character has one thing in common: each has someone, or something, to fear. Shadows of Fear is a suspense anthology with a chilling Hitchcockian touch, featuring some of Britain's most renowned stage and TV performers, including Sheila Hancock, Ronald Hines, Victor Maddern, Edward Fox, Annette Crosbie, Gemma Jones and George Cole. The unsettlingly creepy scripts are provided by Public Eye creator Roger Marshall and award-winning writers Richard Harris, Jeremy Paul and Hugh Leonard, among others.
Like many fond parents, I have in my heart a favourite child. And his name is David Copperfield. Charles DickensAnd here in Dickens' own favourite and most enduring novel bursts onto screen in a dazzling adaptation, with a truly world-class cast bringing alive some of the most famous characters in fiction. Bob Hoskins as the ever-optimistic Mr Micawber; Maggie Smith as David's fearsome aunt, Betsey Trotwood; Trevor Eve as the sadistic Mr Murdstone; Nicholas Lyndhurst as sly, sinister Uriah Heap; Pauline Quirke as David's loyal friend and servant, Peggotty; and featuring Ciarn McMenamin as David, with Harry Lloyd (the 15 year old descendant of Charles Dickens himself) as the young Steerforth.
The concluding part of Lost: Season 1!. From J.J. Abrams the creator of Alias comes an action-packed adventure that will bring out the very best and the very worst in the people who are lost on a faraway desert island... Out of the blackness the first thing Jack (Matthew Fox) senses is pain. Then burning sun. A Bamboo forest. Smoke. Screams. With a rush comes the horrible awareness that the plane he was on tore apart in mid-air and crashed on a Pacific island. From
Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilisation or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. --Ellen Kim Lost: Season ThreeWhen it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilisation in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." --Kathleen C. FennessyLost: Season SixIts taken a long time to get here, but finally, the last season of Lost arrives, with answers to at least some of the questions that fans of the show have been demanding for the past few years. In true Lost fashion, it doesnt tie all its mysteries up with a bow, but it does at least answer some of the questions that have long being gestating. In the series opening, for instance, we finally learn the secret of the smoke monster, which is a sizeable step in the right direction.In terms of quality, the show has been on an upward curve since the end date of the programme was announced, and season six arguably finds Lost at its most confident to date. Never mind the fact that its juggling lots of proverbial balls: theres a very clear end point here, and the show benefits enormously from it. Naturally, Lost naysayers will probably find themselves more alienated than ever here. But this boxset nonetheless marks the passing of a major television show, one that has cleverly managed to reinvent itself on more than one occasion, and keep audiences across the world gripped as a result. Theres going to be nothing quite like it for a long time to come --Jon FosterSpecial Features TBC
Madonna directs this rich, elegantly structured story of two women, decades apart, confronting the consequences of desire.
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