With Pocket Money, François Truffaut (The 400 Blows) returns to his most famed subject: children and their inner lives. Set in the quaint town of Thiers, a tapestry of interconnected vignettes depict the lives of a group of schoolchildren as they navigate the joys and confusions of growing up. With charming and honest performances from the children, Truffaut brilliantly captures the spirit of childhood with humour, poignancy and a touch of magic. A critical and commercial success around the world, Pocket Money is presented on Blu-ray for the first time in the UK.BLU-RAY LIMITED EDITION SPECIAL FEATURESHigh-Definition digital transferOriginal uncompressed mono PCM audioInterview with Truffaut (1975)On-set footage with Truffaut and the cast (1975)Interview with curator Sonali Joshi (2025)Trailer commentary by filmmaker Allan Arkush (2019)French and US trailersOptional English subtitlesReversible sleeve featuring original and newly commissioned artwork by Sam SmithLimited edition booklet featuring new writingLimited edition of 3000 copies, presented in rigid box and full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
Driss (Omar Sy), a Senegalese man living in a Paris slum, applies for a job as caretaker to a wealthy quadriplegic, but all he wants is to get his paper stamped so he can get benefits. Despite his lack of qualifications, he lands the job because of his attitude: Philippe (François Cluzet), the quadriplegic, wants a caretaker who will look at him without pity. As Driss reluctantly learns to move, feed, and clean Philippe, the two men discover a blunt but vital humour that not only bridges the cultural and class divide between them, but gives Philippe a renewed joy in life. It's easy to see what made Untouchable such a massive success in France; the movie has the sweet sincerity and uplifting conclusion that make for a classic feel-good experience. The chemistry between the two leads is undeniable, and Sy--who won the French equivalent of the Oscar for his role--is a dynamic and charismatic performer, while Cluzet's understated performance conveys Philippe's frustrations. The movie doesn't dig too deeply into the struggles of life as a quadriplegic or the struggles of life among the inner-city poor, so when Untouchable ends it's not likely to leave a lasting impression, but that doesn't get in the way of its immediate charm and warmth. --Bret Fetzer
In a career-defining performance, Alain Delon (Purple Noon) plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armour of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville (Army of Shadows), Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture with a liberal dose of Japanese lonewarrior mythology.
Emma Thompson scores a double bull's-eye with Sense and Sensibility, a marvellous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, here making his first English-language film. He brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton
ORSON WELLES'S DELIGHTFULLY SHIFTY DOCUMENTARY Trickery. Deceit. Magic. In F for Fake, a freeform documentary by ORSON WELLES (Citizen Kane), the legendary filmmaker (and selfdescribed charlatan) gleefully reengages with the central preoccupation of his career: the tenuous line between illusion and truth, art and lies. Beginning with portraits of the worldrenowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripesnot the least of whom is Welles himself. Charming and inventive, F for Fake is an inspired prank and a clever examination of the essential duplicity of cinema. Features: Restored digital transfer, with uncompressed monaural soundtrack Audio commentary from 2005 by cowriter and star Oja Kodar and director of photography Gary Graver Introduction from 2005 by filmmaker Peter Bogdanovich Orson Welles: OneMan Band, a documentary from 1995 about Welles's unfinished projects Almost True: The Noble Art of Forgery, a 52minute documentary from 1997 about art forger Elmyr de Hory 60 Minutes interview from 2000 with Clifford Irving about his Howard Hughes autobiography hoax Hughes's 1972 press conference exposing Irving's hoax Extended, 9minute trailer PLUS: An essay by critic Jonathan Rosenbaum
Cast Away reunites star Tom Hanks and director Robert Zemeckis in their first collaboration since the heavy-handed sentimentality of Forrest Gump. Thankfully, this time their film's life-affirming message is delivered with more subtlety, attributable both to an extraordinarily committed, physically demanding central performance from Hanks and to Zemeckis' technically masterful but carefully understated direction. It's also a film with three distinct "acts" or, to be old-fashioned about it, a proper beginning, middle and end. The story follows schedule-obsessed but fulfilled FedEx supervisor Chuck Noland (Act 1) on a personal journey into the bleakest, most solitary despair (Act 2), before Helen Hunt, in the thankless role of ex-girlfriend, unwittingly allows him to glimpse an optimistic future full of untapped possibilities (Act 3). Hanks' sojourn on the island is the centrepiece, but this is no tropical island idyll: following a terrifying plane crash (the one sequence in the film where Zemeckis shows off his uncanny ability to choreograph action), life on the island is seen to be a depressing and bitter experience filled with disappointment, danger and suicidal despair. Having lost all hope of rescue, ultimately Noland's greatest test is not to survive, but to find a reason to survive. He has no Man Friday for company, just a volleyball named "Wilson" that is both a narrative device allowing Hanks to deliver dialogue and an intriguingly pagan personification of the island's spirit under whose protection Noland is finally able to summon fire (significantly, and heartbreakingly, Wilson leaves him as he regains contact with the world). In an era of MTV-style film editing, Zemeckis and Hanks fearlessly take their time establishing with total conviction the grim realities of Noland's situation, his devastating loss of hope and the means by which he achieves his escape. Like Contact before it, Cast Away is a refreshingly thoughtful piece of mainstream cinema that explores weighty existential issues but retains a warm human intimacy. On the DVD: The luminous anamorphic print with vivid Dolby 5.1 soundtrack is accompanied on the first disc by a technical commentary from Zemeckis and key crew personnel. It's plenty insightful for budding filmmakers, although for pure listening pleasure one might have preferred a more relaxed piece with just the director and Tom Hanks. The second disc includes a 30-minute making-of documentary in which the director sums up the moral of the movie--"Surviving is easy but living is difficult". This draws on material from the three other mini-documentaries about survival skills, Wilson the volleyball and the Fijian island location of Monu Riki respectively. There's also a section on the sometimes surprising use of CGI effects and a storyboard-to-film comparison sequence. Tom Hanks chats with American TV host Charlie Rose about this movie and his career in the extensive 50-minute interview. Trailers, artwork and stills round out a valuable two-disc set. --Mark Walker
Stephen King's The Dark Tower, the ambitious story from one of the world's most-celebrated authors, makes its long-awaited launch to the big screen, starring Idris Elba as Roland Deschain and Matthew McConaughey as the Man in Black. Sharing an ancient vendetta, they must fight to the death in this epic battle over the fate of the All-World Universe. Click Images to Enlarge
Emma Thompson scores a double bull's-eye with this marvellous adaptation of Jane Austen's novel . Not only does Thompson turn in a strong (and gently humorous) performance as Elinor Dashwood--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister, Marianne (the one with "sensibility"). Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar. --Robert Horton, Amazon.com
Meg Ryan and Kevin Kline are a Paris match made in heaven in this hilarious adventure-filled romantic comedy. Straight-laced Kate (Ryan)has her future all planned out: marry her fiance Charlie (Timothy Hutton) and live happily ever after. What she didn't count on was Juliette the beautiful French woman Charlie falls for on a business trip to Paris! Determined to win him back Kate jumps on a plane where she meets Luc (Kline) a petty thief whom she immediately dislikes. But when
With its high-intensity plot about an attempt to assassinate French President Charles de Gaulle, the bestselling novel by Frederick Forsyth was a prime candidate for screen adaptation. Director Fred Zinnemann brought his veteran skills to bear on what has become a timeless classic of screen suspense. Not to be confused with the later remake The Jackal starring Bruce Willis (which shamelessly embraced all the bombast that Zinnemann so wisely avoided), this 1973 thriller opts for lethal elegance and low-key tenacity in the form of the Jackal, the suave assassin played with consummate British coolness by Edward Fox. He's a killer of the highest order, a master of disguise and international elusiveness, and this riveting film follows his path to de Gaulle with an intense, straightforward documentary style. Perhaps one of the last great films from a bygone age of pure, down-to-basics suspense (and a kind of debonair European alternative to the American grittiness of The French Connection), The Day of the Jackal is a cat-and-mouse thriller that keeps you on the edge of your seat until its brilliantly executed final scene (pardon the pun), by which time Fox has achieved cinematic immortality as one of the screen's most memorable killers. --Jeff Shannon
A music teacher inspires his unruly young charges in this runaway French hit.
Stephen King's The Dark Tower, the ambitious story from one of the world's most-celebrated authors, makes its long-awaited launch to the big screen, starring Idris Elba as Roland Deschain and Matthew McConaughey as the Man in Black. Sharing an ancient vendetta, they must fight to the death in this epic battle over the fate of the All-World Universe. Click Images to Enlarge
From the director of "Forrest Gump" comes a contemporary drama about a man in isolation who is forced to transform himself both physically and emotionally in order to survive.
After a 10 year absence, Jean returns to his hometown when his father falls ill. Reuniting with his sister Juliette and his brother Jérémie, they have to re-build their relationship and trust as a family again.
Having built his reputation with a quartet of eccentric erotic vampire tales, Jean Rollin surprised audiences with The Iron Rose (Le Rose de fer), an atmospheric detour into the realms of the fantastique. When a couple played by Françoise Pascal (Burke and Hare) and Hugues Quester (Je t'aime moi non plus) stumble across an old cemetery, they begin to explore its gravestones and crypts. But, as night falls, they find that they are unable to leave... Restored in 4K from the original negative, The Iron Rose also features Rollin regulars Natalie Perrey (Lips of Blood) and Mireille Dargent (Requiem for a Vampire), and is considered by many to be one of its director's crowning achievements. This new edition also includes a new 4K restoration of Rollin's early short film The Yellow Loves, an evocation of the poetry of Tristan Corbière, whose work was also the inspiration for The Iron Rose. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES New 4K restoration from the original negative by Powerhouse Films Two presentations of the film: La Rose de fer, Jean Rollin's original French-language version; and The Crystal Rose, the English-language version Original mono audio Audio commentary with film historian Tim Lucas (2025) Jean Rollin Introduces The Iron Rose' (1998) Archival interview with Rollin (2010): the filmmaker discusses The Iron Rose Les Nuits du cimetiere (2024): in-depth documentary on the making of The Iron Rose by Rollin's personal assistant, Daniel Gouyette, featuring interviews with key Rollin associates Jean-Noël Delamarre, Natalie Perrey, and Alain Petit Archival interview with Françoise Pascal (2012) Newly edited interview with Françoise Pascal (2025) Critical appreciation by author and film historian Stephen Thrower (2025) The Yellow Loves (Les Amours jaunes,1958): Rollin's impressionist interpretation of the poetry of Tristan Corbière Marcelline Block on Tristan Corbière (2025): the academic explores the poet's influence on Rollin's work Original theatrical trailers Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles for the French soundtrack New and improved English subtitles for the deaf and hard of hearing for the English version Limited edition exclusive 80-page book with a new essay by Nick Pinkerton, an archival introduction by Jean Rollin, a reprint of Rollin's original 1972 scenario titled The Night of the Cemetery, an archival interview with Françoise Pascal, Jean Rollin on The Yellow Loves, an introduction to the poetry of Tristan Corbière, and full film credits Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
The vampire genre gets an injection of 70's giallo glamour thanks to a cast which includes Jane Birkin, Hiram Keller and Anton Diffring in Antonio Margheriti's Seven Deaths In The Cat's Eye. This compelling chiller is set in Scotland where, in a crumbling old castle, its inhabitants are being bumped off one-by-one. Could the legend of a vampire haunting with in its cold walls be true and is it the cause of these mysterious deaths? Gothic with an infusion of erotic charm, the film also contains an undercurrent of social commentary. Look out for Birkin's singer/songwriter friend Serge Gainsbourg in a cameo as a police Inspector.
In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culturewith a liberal dose of Japanese lone-warrior mythology.
In the dark and foreboding realm of the Outworld the world's greatest warriors must survive the supreme battle between ultimate good and absolute evil. Led by sorcerer Shang Tsung the evil Shokan prince Goro has been Kombat champion for nine generations. If he triumphs for a tenth time the portals of Earth will be opened and the desolation and despair that has flourished in the Outworld will reign over the earth for Eternity. Guided by the mighty thunder god Rayden (Christophe
Having built his reputation with a quartet of eccentric erotic vampire tales, Jean Rollin surprised audiences with The Iron Rose (Le Rose de fer), an atmospheric detour into the realms of the fantastique. When a couple played by Françoise Pascal (Burke and Hare) and Hugues Quester (Je t'aime moi non plus) stumble across an old cemetery, they begin to explore its gravestones and crypts. But, as night falls, they find that they are unable to leave... Restored in 4K from the original negative, The Iron Rose also features Rollin regulars Natalie Perrey (Lips of Blood) and Mireille Dargent (Requiem for a Vampire), and is considered by many to be one of its director's crowning achievements. This new edition also includes a new 4K restoration of Rollin's early short film The Yellow Loves, an evocation of the poetry of Tristan Corbière, whose work was also the inspiration for The Iron Rose. INDICATOR LIMITED EDITION 4K UHD SPECIAL FEATURES New 4K HDR restoration from the original negative by Powerhouse Films 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible) Two presentations of the film: La Rose de fer, Jean Rollin's original French-language version; and The Crystal Rose, the English-language version Original mono audio Audio commentary with film historian Tim Lucas (2025) Jean Rollin Introduces The Iron Rose' (1998) Archival interview with Rollin (2010): the filmmaker discusses The Iron Rose Les Nuits du cimetiere (2024): in-depth documentary on the making of The Iron Rose by Rollin's personal assistant, Daniel Gouyette, featuring interviews with key Rollin associates Jean-Noël Delamarre, Natalie Perrey, and Alain Petit Archival interview with Françoise Pascal (2012) Newly edited interview with Françoise Pascal (2025) Critical appreciation by author and film historian Stephen Thrower (2025) The Yellow Loves (Les Amours jaunes,1958): Rollin's impressionist interpretation of the poetry of Tristan Corbière Marcelline Block on Tristan Corbière (2025): the academic explores the poet's influence on Rollin's work Original theatrical trailers Image gallery: promotional and publicity material, and behind the scenes New and improved English translation subtitles for the French soundtrack New and improved English subtitles for the deaf and hard of hearing for the English version Limited edition exclusive 80-page book with a new essay by Nick Pinkerton, an archival introduction by Jean Rollin, a reprint of Rollin's original 1972 scenario titled The Night of the Cemetery, an archival interview with Françoise Pascal, Jean Rollin on The Yellow Loves, an introduction to the poetry of Tristan Corbière, and full film credits World premiere on 4K UHD Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All extras subject to change
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