I Walked with a Zombie / The Seventh VictimTerror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO's B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness.I Walked with a Zombie 1943Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deaththe otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.The Seventh Victim 1943Death is good is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York's bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman's noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.SPECIAL FEATURESNew 4K digital restorations of both films, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editionsAudio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen JonesAudio commentary on The Seventh Victim featuring film historian Steve HabermanInterview with film critic and historian Imogen Sara SmithAudio essays from Adam Roche's podcast The Secret History of HollywoodShadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and othersTrailersEnglish subtitles for the deaf and hard of hearingPLUS: Essays by critics Chris Fujiwara and Lucy SanteNew illustration by Katherine Lam
The love that lifted a man to paradise... and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolute knock-out.
I Walked with a Zombie / The Seventh VictimTerror lives in the shadows in a pair of mesmerizingly moody horror milestones conjured from the imagination of Val Lewton, the visionary producer-auteur who turned our fears of the unseen and the unknown into haunting excursions into existential dread. As head of RKO's B-horror-movie unit during the 1940s, Lewton, working with directors such as Jacques Tourneur and Mark Robson, brought a new sophistication to the genre by wringing chills not from conventional movie monsters but from brooding atmosphere, suggestion, and psychosexual unease. Suffused with ritual, mysticism, and the occult, the poetically hypnotic I Walked with a Zombie and the shockingly subversive The Seventh Victim are still-tantalizing dreams of death that dare to embrace the darkness.I Walked with a Zombie 1943Producer Val Lewton and director Jacques Tourneur elevated the horror film to new heights of poetic abstraction with this entrancing journey into the realm between life and death. When she takes a job caring for a comatose woman on a Caribbean island, a young nurse (Frances Dee) finds herself plunged into a mysterious world where the ghosts of slavery haunt the present and witch doctors have the power to summon the living dead. Sugarcane swaying in a moonlit field, the hypnotic beat of voodoo drums, the relentless pull toward deaththe otherworldly atmosphere of this bold reimagining of Jane Eyre is as close as studio-era Hollywood ever came to pure dream-state surrealism.The Seventh Victim 1943Death is good is how producer Val Lewton summarized the message of his films, a credo that received its most explicit expression in this strikingly nihilistic shocker, the first film directed by regular Lewton editor Mark Robson. Kim Hunter makes her film debut as a young boarding-school student who, in search of her missing sister (proto-goth icon Jean Brooks), travels to New York's bohemian Greenwich Village, where she uncovers a sinister shadow world of devil worshippers and murder. And what about that mysterious room furnished with nothing but a chair and a hangman's noose? With its daring treatment of depression and queerness, The Seventh Victim has haunted the margins of cinema for decades, its radical bleakness undiminished by time.SPECIAL FEATURES¢ New 4K digital restorations of both films, with uncompressed monaural soundtracks on the 4K UHD and Blu-ray editions¢ In the 4K UHD edition: One 4K UHD disc of the films and one Blu-ray with the films and special features¢ Audio commentary on I Walked with a Zombie featuring authors Kim Newman and Stephen Jones¢ Audio commentary on The Seventh Victim featuring film historian Steve Haberman¢ Interview with film critic and historian Imogen Sara Smith¢ Audio essays from Adam Roche's podcast The Secret History of Hollywood¢ Shadows in the Dark: The Val Lewton Legacy (2005), a documentary featuring Newman; Val E. Lewton, son of producer Val Lewton; filmmakers William Friedkin, Guillermo del Toro, George A. Romero, John Landis, and Robert Wise; author Neil Gaiman; actor Sara Karloff; and others¢ Trailers¢ English subtitles for the deaf and hard of hearing¢ PLUS: Essays by critics Chris Fujiwara and Lucy Sante¢ New illustration by Katherine Lam
When jewel thief Madeleine (Dietrich) leaves Paris with a string of pearls, she conspires to smuggle them across the Spanish border with the unwitting assistance of American mechanic Tom (Cooper). But retrieving the jewels turns out to be harder than she thinks, and she finds herself falling for Tom. Product Features INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES 2019 restoration from a 4K scan Original mono audio Audio commentary with film historian Josh Nelson (2023) Tony Rayns on An American Tragedy (2023): extensive discussion of Josef von Sternbergs little-seen gem by the writer and film programmer Video essay by film historian Tag Gallagher Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive with a new essay by Imogen Sara Smith, archival interviews and articles, an overview of contemporary critical responses, and film credits World premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War...
When Whitley Strieber's bestselling book Communion--quickly followed by this film adaptation--posited the notion of alien abduction, it did so to an eager audience who had yet to be bombarded with similar scenarios by The X-Files. Although somewhat eccentric in his general behaviour already, "Whit" (Christopher Walken) becomes ever stranger as he is gripped by increasing paranoia. One night at his family's country cabin he was unaccountably "visited". It's hard not to be as confused and frightened as he is when viewing the apparent corroborating evidence: recurring dreams, fleeting images, shadowy masked faces, vague comments from his young son and the occasional splitting headache. One of the strong points of Strieber's tale has always been the trepidation with which he approached it. The doctor's appointments and plucking up the courage to be hypnotised all offer a genuine reaction to inexplicable circumstance, and this is aided enormously by one of Walken's most mesmerising performances. He's well supported by Lindsay Crouse as his wife, Joel Carson as a thankfully believable yet cute son and an ambiguous musical theme from Eric Clapton. On the DVD: Given that a Region 1 Special Edition exists, this is a disappointing bare-bones DVD transfer. The picture is in full-screen 4:3 and the sound in Dolby 2.0 Stereo. The only extras are a few pages of filmography for director Philippe Mora, Christopher Walken, Lindsay Crouse and Frances Sternhagen. --Paul Tonks
One man is on trial for murder. One man knows the truth... A ship has caught fire and only one lifeboat remains. Now its captain Michael Taylor (Gary Cooper) must decide who will live and who will surely die. The story begins at Taylor's trial where he is charged for the murders of the ship's passengers who perished. But what his prosecutors don't know is that he was actually onboard under British secret orders. Unexpectedly he is awarded a new trial after a representative of the Queen of England steps forward with a detailed account of the tragedy. Next the real story unfolds via brilliantly photographed flashbacks revealing Taylor and his partner's heroic mission to abolish the inhumane business of slave trading. But will the truth be enough to spare Taylor from a life behind bars? With its talented cast and compelling plot Souls at Sea offers a rare combination of intensity humour and thrilling action that is sure to please classic film lovers everywhere.
The love that lifted a man to paradise…and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolute knock-out.
Of Human Bondage
Bette Davis became a star with her role in the best film adaptation of Somerset Maughan's novel & received an Oscar nomination for her portrayal of Mildred Rogers; a tawdry sluttish cockney waitress who bewitches hapless Philip Carey (Leslie Howard). Philip a failed art student with a clubfoot of which he is highly sensitive turning to the study of medicine after facing the fact that he has no artistic talent. Shortly thereafter he meets and quickly becomes obsessed with Mildred despite her sneering and obvious disdain for him because of his deformity. Her standard response to his affectionate overtures is a chilly ""I don't mind."" In his dreams Mildred is sweet and kind to him; during real time she uses him well aware of his affection for her leaving him for other men and returning when she is down on her luck ruining his chance for having a career or a normal life with another woman; he seems to continually finds himself inexorably drawn to her even after his love for her has waned until the day she finally pushes him too far...
Adapted from author Whitley Strieber's best-selling book about his contact with an alien race Communion is an intriguing and compelling work of science fiction - or should that be science fact? Suffering from writer's block New Yorker Strieber (Christopher Walken) heads to a cabin in the woods to focus on his latest work. There he undergoes a series of strange experiences which he blocks from his memory. Later under the influence of hypnosis Strieber realises that he has been in contact with beings from another world...
The love that lifted a man to paradise...and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolute knock-out.
Of Human Bondage: The love that lifted a man to paradise and hurled him back to earth again! This film is based on W. Somerset Maugham's classic novel of a young medical student's strange infatuation with a cheap and vulgar cockney waitress (Bette Davis). The infatuation turns into a mutually destructive affair. This is the film that brought Bette Davis to fame and secured her future roles as a tough domineering woman. Fine acting by the entire cast with Davis an absolu
Please wait. Loading...
This site uses cookies.
More details in our privacy policy