The true story of heroine Sonora Webster a determined young rebel who leaves her backwoods home in Georgia and finds work with horses at a travelling stunt show. Her greatest wish is to become a 'diving girl' but a twist of fate threatens to destroy her dream....
The Enemy Below and Sink the Bismarck! form a double feature of semi-classic CinemaScope-era WWII naval dramas sailing from the Fox vault onto DVD for the first time. In The Enemy Below Robert Mitchum and Curt Jurgens are respectively captains of a US destroyer and a German U-boat whose vessels come into conflict in the South Atlantic. Both are good men with a job to do, the script noting Jurgens' distaste for Hitler and the Nazis and engaging our sympathy with the German sailors almost as much as the Americans. Made at the height of the Cold War of the 1950s, the film delivers a liberal message of cooperation wrapped inside some spectacular action scenes and a story that builds to a tense and exciting, moving finale. Sink the Bismarck! is a British film dating from three years later and adopts a more documentary style in recounting the race against time to track and destroy what was in 1941 the most powerful battleship then built, the Bismarck. Shot in gleaming black and white so as to make use of genuine WWII archive footage, the film is held together by the introduction of a fictional naval officer in overall command of the operation, played excellently by Kenneth More. To add some human warmth he is given a tentative romantic subplot with a WREN played by the luminous Dana Wynter. Though initially slow to gather steam, Sink the Bismarck! finally delivers an epic, thoroughly horrifying conclusion. On the DVD: The Enemy Below and Sink the Bismarck! come as a two-disc set with multiple language and subtitle options, including English for Hard of Hearing, but no extras other than the original trailers. These are presented at 16:9 and 2.35:1. Both are rather faded, but are fine examples of an era when watching the previews didn't guarantee a migraine. Both films are anamorphically enhanced in their original 2.35:1 CinemaScope, and, bar a little grain in some shots and the inevitably inferior archive footage, the picture quality is excellent. The Enemy Below boasts sturdy three-channel sound (left, front, right) while Sink the Bismarck! is in very well mixed stereo. --Gary S Dalkin
Arnold Schwarzenegger as a pregnant man? The Terminator with cramps and morning sickness? That was all the teasing audiences needed to flock to this 1994 farce, which reunited Arnold with his director and co-star from Twins, Ivan Reitman and Danny De Vito. Reitman had also directed the Austrian muscleman in Kindergarten Cop, and they brought the same breezy quality of those earlier films to this enjoyable fluff, in which Arnold plays a scientist who uses his own body to test a revolutionary new fertility drug. His colleague De Vito talks him into the experiment, which succeeds beyond their wildest expectations when Arnold begins a full-term pregnancy. Emma Thompson offers a wealth of comedic support as the biologist who moves into Schwarzenegger's lab while he's coping with his "maternal" condition, and Pamela Reed (who was also in Kindergarten Cop) adds to the fun as De Vito's pregnant ex-wife. What's surprising about this mainstream hit is not that it makes the most of its absurd premise, but that it's also sweetly heart-warming in its treatment of role reversal and the joys and pains of pregnancy. It's a good-natured vehicle for a different side of Schwarzenegger's star appeal, and the fact that it works at all is a tribute to Reitman and his cleverly talented cast. --Jeff Shannon, Amazon.com
Shift into turbo! The legendary Power Rangers must stop the evil space pirate Divatox from releasing the powerful Maligore...
Based on real events this story follows a special needs teacher's efforts to break down the barriers of silent aggression in a highly-disturbed child.
Jack Deebs is a cartoonist who is due to be released from jail. His comic book ""Cool World"" describes a zany world populated by ""doodles"" (cartoon characters) and ""noids"" (humanoids). What Jack didn't realize is that Cool World really does exist and a ""doodle"" scientist has just perfected a machine which links Cool World with our World. Intrigued at seeing his creation come to life Jack is nonetheless wary as he knows that not everything in Cool World is exactly friendly...
Arnold Schwarzenegger as a pregnant man? The Terminator with cramps and morning sickness? That was all the teasing audiences needed to flock to this 1994 farce, which reunited Arnold with his director and co-star from Twins, Ivan Reitman and Danny De Vito. Reitman had also directed the Austrian muscleman in Kindergarten Cop, and they brought the same breezy quality of those earlier films to this enjoyable fluff, in which Arnold plays a scientist who uses his own body to test a revolutionary new fertility drug. His colleague De Vito talks him into the experiment, which succeeds beyond their wildest expectations when Arnold begins a full-term pregnancy. Emma Thompson offers a wealth of comedic support as the biologist who moves into Schwarzenegger's lab while he's coping with his "maternal" condition, and Pamela Reed (who was also in Kindergarten Cop) adds to the fun as De Vito's pregnant ex-wife. What's surprising about this mainstream hit is not that it makes the most of its absurd premise, but that it's also sweetly heart-warming in its treatment of role reversal and the joys and pains of pregnancy. It's a good-natured vehicle for a different side of Schwarzenegger's star appeal, and the fact that it works at all is a tribute to Reitman and his cleverly talented cast. --Jeff Shannon, Amazon.com
It's a bite to the finish! Imagine a mutt who can outplay Beckham on the field while turning a team of laughable misfits into a lean mean fighting machine. This pooch has got the international soccer scene by the tail! Zach is a 13 year-old American who travels to Scotland looking for the father he has never met Bryan MacGregor a former soccer sensation who is down on his luck and stuck as captain of the world's worst team. It's not going well until Zach finds Kim a very ""tale
The incredible story of the Irish 'Rocky' who fought his way back against all the odds to become one of boxing's greatest heroes ! As a young Heavyweight Joe left Ireland to join Mike Tyson in Cus D'Amato's legendary training camp in the Catskill Mountains and became one of his greatest friends. Iron Mike labelled Joe 'The Toughest white Man on the Planet' because he couldn't put him down - neither could Lennox Lewis. With his heavyweight career tragically ended in a serious road accident Joe's life spiralled into decline - he was shot in a gun battle with gangsters and later charged with attempted murder before finally serving time in prison. Back on the streets again Joe put his life back together and at the age of 38 returned to the ring in triumph ! This is the story of one man's battle against adversity and how he wouldn't give up his fight to be recognised as one of The Toughest Men On The Planet!
Based on the novel by Paul Annixter Those Calloways tells the story of Cam Calloway (Brian Keith) a New England preservationist and fur trapper. Along with his son Cam dreams of buying a nearby lake to turn into a refuge for migrating geese. He finds however that making the dream come true requires much more money than he has and even greater ingenuity in getting around the real estate developers. The situation turns violent when Cam and his son move into a cabin on the property and an attempt is made on his life. Can Cam stop the development of this pristine area and carry out his lifelong wish to help the environment... Available for the first time on DVD!
Jane Bradford (Lois January) moves from a small town to a large city and is turned into a cocaine addict by drug running gangsters. When her brother Eddie (Dean Benton) arrives in the city he too becomes addicted and forces his girlfriend into prostitution in order to support their habit. Similar in style to Reefer Madness this has become something of a cult classic with the underlying message being ""There always will be Jane Bradfords until you Mr Citizen co-operate with the forc
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. Volume 3 contains another selection of four episodes from across the series. "Steel" (episode 122) stars Lee Marvin in a futuristic Richard Matheson story concerning a penniless boxing manager who is forced into the ring when his robot boxer breaks down. Matheson is concerned to illustrate the lengths to which people are forced to go when desperate, but his moral is undermined a little by setting the story in the far future of 1974; Marvin, however, is a magnetic presence. In the tense and tautly written "A Game of Pool" (episode 70), Jack Klugman (The Odd Couple, Quincy) is a boastful pool player who challenges champion "Fats" Brown (Jonathan Winters) to a match in which the stakes are his life. "Walking Distance" is a slice of wistful, semi-autobiographical nostalgia from Serling in which a burned-out media exec returns to the town of his childhood (watch out for a very young Ron Howard as one of the kids). Bernard Herrmann's masterful score for this episode was composed not long after his music for Hitchcock's Vertigo, and has a similar tragi-romantic streak. Finally, "Kick the Can" (episode 86) is the story of the residents of a retirement home who discover (or rediscover) Peter Pan's secret for staying permanently young: it's easy to see why Steven Spielberg decided to adapt this episode for the 1983 movie. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, season-by-season breakdown and a potted biography of Serling. --Mark Walker
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