As Fear the Walking Dead returns for Season 3, our families will be brought together in the vibrant and violent ecotone of the U.S.-Mexico border. International lines done away with following the world's end, our characters must attempt to rebuild not only society, but family as well. Madison has reconnected with Travis, but Alicia has been fractured by her murder of Andres. Mere miles from his mother, Nick's first action as a leader saw Luciana ambushed by an American militia group the couple escaped death but Nick no longer feels immortal. Recovering both emotionally and physically, Strand has his sights set on harnessing the new world's currency, and Ofelia's captivity will test her ability to survive and see if she can muster the savagery of her father.
From the Academy Award® nominated director Lenny Abrahamson (ROOM) and the Academy Award® winning producers Element Pictures (THE FAVOURITE, ROOM), NORMAL PEOPLE is the unmissable BBC / Hulu series based on the best-selling novel by Sally Rooney. An exquisite and compulsive modern love story about how two people profoundly impact each other's lives, NORMAL PEOPLE tracks the tender but complicated relationship of Marianne (Daisy Edgar-Jones) and Connell (Paul Mescal) from the end of their school days in a small west of Ireland town to their undergraduate years at Trinity College Dublin. This critically acclaimed 12 part series explores just how complicated intimacy and young love can be. Extras: Exclusive unseen footage in DELETED SCENES and AUDITION TAPE, Other Extras: Featurette, Daisy & Paul extended interview, Casting.
One of the greatest directors of the 1980s, John Landis (The Blues Brothers, Trading Places), expertly combines macabre horror with dark humour in the lycanthropic classic, An American Werewolf in London. American tourists David (David Naughton) and Jack (Griffin Dunne) are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. David awakes in a London hospital to find his friend dead and his life in disarray. Retiring to the home of a beautiful nurse (Jenny Agutter, Walkabout) to recuperate, he soon experiences disturbing changes to his mind and body, undergoing a full-moon transformation that will unleash terror on the streets of the capital... An American Werewolf in London had audiences howling with laughter and recoiling in terror upon its cinema release. Landis' film has gone on to become one of the most important horror films of its decade, rightly lauded for its masterful set-pieces, uniquely unsettling atmosphere and Rick Baker's truly ground-breaking, Oscar-winning special make-up effects. Now restored and presented with an abundance of extra features, this big beast of horror can be devoured as never before... Product Features 4K restoration by Arrow Films from the original camera negative 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed 1.0 mono and optional 5.1 DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary by Beware the Moon filmmaker Paul Davis Audio commentary by actors David Naughton and Griffin Dunne Mark of The Beast: The Legacy of the Universal Werewolf, a feature-length documentary by filmmaker Daniel Griffith, featuring interviews with John Landis, David Naughton, Joe Dante and more An American Filmmaker in London, an interview with John Landis in which he reflects on British cinema and his time working in Britain I Think He's a Jew: The Werewolf's Secret, a video essay by filmmaker Jon Spira (Elstree 1976) about how Landis' film explores Jewish identity The Werewolf's Call, Corin Hardy, director of The Hallow and The Nun, chats with writer Simon Ward about their formative experiences with Landis' film Wares of the Wolf, a featurette in which SFX artist Dan Martin and Tim Lawes of Prop Store look at some of the original costumes and special effects artefacts from the film Beware the Moon, Paul Davis' acclaimed, feature-length exploration of Landis' film which boasts extensive cast and crew interviews An American Werewolf in Bob's Basement and Causing a Disturbance: Piccadilly Revisited, two 2008 featurettes filmed by Paul Davis Making An American Werewolf in London, a short archival featurette on the film's production An Interview with John Landis, a lengthy archival interview with the director about the film Make-up Artist Rick Baker on An American Werewolf in London, the legendary make-up artist discusses his work on the film I Walked with a Werewolf, an archival interview with Rick Baker about Universal horror and its legacy of Wolfman films Casting of the Hand, archival footage from Rick Baker's workshop showing the casting of David Naughton's hand Outtakes Storyboards featurette Original trailer and teaser plus TV and radio spots Extensive image gallery featuring over 200 stills, posters and other ephemera Reversible sleeve featuring original poster art and artwork by Graham Humphreys
Season 1 From David Simon creator and co-writer of HBO's triple Emmy-winning mini-series The Corner this unvarnished highly realistic series follows a single sprawling drug and murder investigation in Baltimore. Told from the point of view of both the police and their targets the series captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn. Season one introduces two major groups of characters—the Baltimore police department and a drug dealing organization run by the Barksdale family. Season 2 In this season McNulty (Dominic West) has been demoted to harbour patrol Daniels (Lance Reddick) is in the police archive dungeon Prez (Jim True-Frost) is chafing in the suburbs and Greggs (Sonja Sohn) is stuck behind a desk. Meanwhile on the docks of the Baltimore harbour the rank and file scrounge for work and the union bosses take illegitimate measures to reinvigorate business but a horrific discovery is about to blow the whole port inside out. While the detail is on ice a new case begins. Season 3 Told from the point of view of both the police and their targets The Wire captures a universe of subterfuge and surveillance where easy distinctions between good and evil and crime and punishment are challenged at every turn. Season 3 introduces Baltimore's local politicians and the upstart drug dealing Stanfield organization while continuing to examine the Barksdale Organization and the Baltimore Police Department. Season 4 With the fall of Barksdale and the ascent of young Marlo Stanfield as West Baltimore's drug king The Wire's fourth season continues to follow the money up the political ladder in the midst of a mayoral election that pits the black incumbent Clarence Royce against an ambitious white councilman Tommy Carcetti. Season 5 The Wire Season 5 concludes the award-winning TV series with a bang. The bodies are piling up in Homicide but funds for police work have been diverted to the schools. Meanwhile business is booming on the streets as the war between East and West Baltimore’s drug kings reaches a new intensity. McNulty is drinking again. Bubs is clean again. Omar is back with a vengeance and Carcetti is struggling to make a difference as Mayor. After taking us through the streets the docks the corridors of power and the schools The Wire brings us to the Baltimore media where the successes and tragedies of all of our favourite characters become ammunition in the battle for circulation figures. Bonus Features: Season 1 Audio Commentary on Episode 1 with David Simon Audio Commentary on Episode 2 with Clark Johnson Audio Commentary on Episode 12 with David Simon and George P. Pelecanos Season 2 Audio Commentary on Episode 6 with Michael K. Williams & Domenic West Audio Commentary on Episode 12 with Producer Karen Thorson and Editor Thom Zimny Season 3 Audio Commentary on Episode 1 with David Simon and Nina Noble Audio Commentary on Episode 2 with Richard Price Audio Commentary on Episode 3 with David Simon Audio Commentary on Episode 11 with George Pelecanos and Joe Chappelle Audio Commentary on Episode 12 with David Simon and Karen Thorson Season 4 Audio Commentary on Episode 1 with David Simon and Ed Burns Audio Commentary on Episode 4 with Karen Throrson Kate Sanford and Jim True-Frost Audio Commentary on Episode 6 with Dan Attias and William F. Zorzi Audio Commentary on Episode 11 with Robert Chew Julito McCullum Jermaine Crawford Maestro Harrell and Tristian Wilds Audio Commentary on Episode 12 with Joe Chappelle and George Pelecanos Audio Commentary on Episode 13 with David Simon and Nina K. Noble Part I: It's All Connected: The Wire (28:40) (TRT TBD) Part II: The Game is Real: The Wire (30:00) (TRT TBD) Season 5 Audio Commentary on Episode 1 w/Director Joe Chappelle and Cast Member Wendell Pierce Audio Commentary on Episode 2 w/Writer William Zorzi and Director/Cast Member Clark Johnson Audio Commentary on Episode 4 w/Writer Ed Burns and Producer Karen Thorson Audio Commentary on Episode 6 w/Producer George Pelecanos and Director Seith Mann Audio Commentary on Episode 7 w/Director/Cast Member Dominic West and Editor Kate Sanford Audio Commentary on Episode 10 w/Creator David Simon and Producer Nina Noble The Wire: The Last Word (26:33) The Wire Odyssey (28:39) The Wire Prequels (6:14) Seasons 1-5 PaleyFest NY: The Wire Reunion (85 minutes)
A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. Full of energy and surprising twists at every turn it's a rollicking comedy that has it all - Lock Stock and Two Smoking Barrels!
A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. Full of energy and surprising twists at every turn it's a rollicking comedy that has it all - Lock Stock and Two Smoking Barrels!
This 1984 version of the Dickens' classic `A Christmas Carol ' directed by Clive Donner stars George C. Scott as Ebenezer Scrooge. A miserable old man who hates the festive season is taught the true meaning of Christmas in this definitive version of Dickens' Yuletide tale.
Stanley Kubrick's dazzling, Academy Award® -winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonised space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL. Let an awesome journey unlike any other begin. SPECIAL FEATURES Commentary by Keir Dullea and Gary Lockwood Channel Four Documentary 2001: The Making of a Myth 4 Insightful Featurettes: Standing on the Shoulders of Kubrick: The Legacy of 2001 Vision of a Future Passed: The Prophecy of 2001 2001: A Space Odyssey A Look Behind the Future What Is Out There? 2001: FX and Early Conceptual Artwork Look: Stanley Kubrick! Audio-Only Bonus: 1966 Kubrick Interview Conducted by Jeremy Bernstein Theatrical Trailer
Stanley Kubrick's dazzling, Academy Award®-winning achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) fi rst visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. Open the pod bay doors, HAL. Let an awesome journey unlike any other begin.
A new 4K restoration of the 1968 Spaghetti Western classic starring Chuck Connors (Geronimo, Soylent Green) and directed by Enzo G. Castellari (The Inglorious Bastards, High Crime), now available on DVD & Blu-ray for the first time in the UK. In 1864, mercenary Clyde McKay leads a squad of determined daredevils tasked with a dangerous mission by Captain Lynch of the Confederate high command: to infiltrate and raid a Unionist army fortress where a million dollars in gold has been hidden in boxes of dynamite. A single Colt bullet could send the whole treasure sky high but for these scoundrels Lynch the killer, Deker the dynamite specialist, Hoagy the hit man, Blade the knife expert, the vicious Kid and Bogard with his brute strength - nothing is impossible. Only madmen could pull off such a job, piercing the enemy lines at the only river crossing and creating a diversion for the garrison where the arsenal is situated. But before long the betrayals begin as the men attempt to double cross each other in order to take the money for themselves in this bloodthirsty Civil War tale of revenge. Part of the STUDIOCANAL Cult Classics collection, featuring both Italian and English language options and an exclusive set of art cards. Also known in Italian as Ammazzali tutti e torna solo. Product Features Audio commentary with filmmaker and fan Alex Cox - British filmmaker Alex Cox (Sid & Nancy, Repo Man) and presenter of the BBC series Moviedrome dissects the film in an audio commentary. Shoot to Kill, Aim to Thrill - An Interview with Enzo G. Castellari - A newly filmed interview with director Enzo G. Castellari, looking back at the making of the film. Shoot-Outs in the Old Spaghetti West - Romolo Guerrieri on a Family of Filmmaking A new featurette on how Enzo G. Castellari was born into a family of filmmakers. Italy's Cult Auteur of Action Cinema - A Critical Retrospective of Enzo G. Castellari A new critical restrospective on director Enzo G. Castellari and his place in film history. Stills Gallery - A stunning selection of on set photography from the film.
As Fear the Walking Dead returns for Season 3, our families will be brought together in the vibrant and violent ecotone of the U.S.-Mexico border. International lines done away with following the world's end, our characters must attempt to rebuild not only society, but family as well. Madison has reconnected with Travis, but Alicia has been fractured by her murder of Andres. Mere miles from his mother, Nick's first action as a leader saw Luciana ambushed by an American militia group the couple escaped death but Nick no longer feels immortal. Recovering both emotionally and physically, Strand has his sights set on harnessing the new world's currency, and Ofelia's captivity will test her ability to survive and see if she can muster the savagery of her father.
Pressure (1976):Set in 1970s London Pressure follows the story of Tony the son of West Indian immigrants as he struggles to find a sense of belonging and social acceptance. Baldwin's Nigger (1968): James Baldwin accompanied by civil rights activist Dick Gregory discusses the issues surrounding black identity.
When Reese Hauser and his father relocate to a small Californian town the newcomer soon befriends the coolest kid in the school Zach. Zach introduces Reese to his beautiful but weird sister Ashley and her cute friend Pheobe. They invite Reese to visit an ancient stone which is set in a mystical clearing deep in the woods. The stone empowers the gang with a supernatural ability of their choice. Soon all four marvel in their new found power and turn the school into their own personal hell.
To avoid being charged with arson after burning down a circus Hot Lips Barton (Bob Hope) and Scat Sweeney (Bing Crosby) stow away on an ocean bound ship. Aboard the vessel the duo fall for Lucia Maria de Andrade (Dorothy Lamour) who is under the spell of her evil aunt (Gale Sondergaard) who has arranged a marriage for the young beauty. This film was in good hands since many of Hope's best collaborators worked on the picture. Director Norman Z. McLeod went on to direct Hope in four more features -- Alias Jesse James Casanova's Big Night My Favorite Spy and The Paleface. McLeod had a remarkable career behind the cameras working with such Hollywood greats as Danny Kaye (The Secret Life Of Walter Mitty) W.C. Fields (It's A Gift) and Cary Grant (Topper). Writer Edmund Beloin supplied the stories for both My Favorite Spy and The Lemon Drop Kid. His collaborator Jack Rose penned My Favorite Brunette The Great Lover Sorrowful Jones and The Seven Little Foys. This film also features musical guests The Wiere Brothers and The Andrew Sisters.
West Side Story (Dir. Robert Wise Jerome Robbins 1961): Garnering a total of ten Academy Awards - including Best Picture of 1961 - West Side Story set a brilliant standard for movie musicals that remains unsurpassed to this day. Directed by Robert Wise and Jerome Robbins from Ernest Lehman's spectacular screenplay the film combines the unforgettable score of Leonard Bernstein and Stephen Sondheim with Robbins' exuberant choreography to create a transcendent fusion of realism and fantasy that will forever be a feast for the eye the ear and ultimately the heart. A triumph on every level this electrifying musical sets the ageless tragedy of Romeo and Juliet against a backdrop of gang warfare in the slums of 1950's New York. Guys And Dolls (Dir. Joseph L. Mankiewicz 1955): Hollywood legends Marlon Brando Frank Sinatra Jean Simmons and Vivian Blaine (from the original Broadway cast) are dazzling in this masterpiece unleashing a spectacular song-and-dance show that's loaded with entertainment. The slickest big-time New York City gamblers Sky Masterson (Brando) and Nathan Detroit (Sinatra) can't resist making or taking a bet on anything. So when a pretty missionary (Simmons) sets up shop in the neighbourhood Nathan stakes a grand that Sky can't seduce her. But all bets are off when Sky falls madly in love in this romantic musical spectacular that sets the Big Apple afire with excitement. Featuring hits like ""Luck Be A Lady"" and ""A Woman In Love"" this smash film version of one of Broadway's most popular musicals is guaranteed rip-roaring five-star entertainment. Fiddler On The Roof (Dir. Norman Jewison 1971): An outstanding accomplishment in every way this lavishly produced and critically acclaimed screen adaptation of the international stage sensation tells the life-affirming story of Tevye (Topol) a poor milkman whose love pride and faith help him face the oppression of turn-of-the-century Tsarist Russia. Nominated eight Academy Awards (1971) including Best Picture and Best Director and featuring such classic songs as ""If I were a rich man"" ""Matchmaker"" and ""Sunrise Sunset"" 'Fiddler On The Roof' is a universal story of hope love and acceptance: a musical masterpiece!
Kind Hearts and Coronets (Dir. Robert Hamer 1949): Sir Alec Guinness became an international star with his extraordinary performance as eight different characters in this 1949 Ealing Studios classic. Dennis Price (I'm All Right Jack Private Progress) co-stars as Edwardian gentleman Louis Mazzini who plots to avenge his mother's death by seizing the dukedom of the aristocratic d'Ascoyne family. But to gain this inheritance Mazzini must first murder the line of eccentric relatives who stand between him and the title including General d'Ascoyne Admiral d'Ascoyne The Duke of Chalfont Lady Agatha d'Ascoyne and four more all brillantly portrayed by Guinness and leading to one of the most delicious final twists in comedy history. Passport To Pimlico (Dir. Henry Cornelius 1949): An ancient document reveals that London's Pimlico district really belongs to France. And the Pimlico community eager to abandon post-War constraints quickly establish their independence as a ration-free state with hilarious results. Nicholas Nickleby (Dir. Alberto Cavalcanti 1947): The classic Charles Dicken's tale of 'Nicholas Nickleby ' a man who is deprived of his inheritance and travels to seek his fortune with a group of gypsies. Went The Day Well? (Dir. Alberto Cavalcanti 1942): The residents of a British village during WWII welcome a platoon of soldiers only to discover that they're actually Germans!
First born in the pages of The New Yorker, then translated into a hit Rodgers and Hart Broadway musical, the title character of Pal Joey had undergone quite a transformation by the time he hit the movies in 1957. He was a singer, rather than a dancer, but more importantly he'd had his rough edges sweetly softened; the callous heel dreamed up by novelist John O'Hara was more of a naughty scamp in the film version. However, Pal Joey remains delightfully watchable for two very good reasons: a terrific song score and a surplus of glittering star power. Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol). The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late 50s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time It Was" and "I Could Write a Book" and his performance of "The Lady Is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best, and included in the DVD is a trailer in which Sinatra instructs the audience in "Joey's Jargon", a collection of hip slang words such as "gasser" and "mouse." If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove. --Robert Horton
In WWII France Corporal Britt Harris (Curtis) is assigned to work alongside war-weary Sgt. Loggins (Sinatra) - a man he soon rivals for the affections of the beautiful Monique Blair (Woods) an American who grew up in France. But when the men learn that Monique's parents are racially mixed it tests the character of each...
While 'Born To Dance' is the movie musical most associated with James Stewart the largely forgotten Pot o' Gold is the one in which he is most involved with music. The plot has Stewart as Jimmy Haskell a music-loving harmonica-playing man who comes across a poor but excellent band (led by Horace Heidt) that rehearses on a boarding-house roof. Jimmy becomes interested in the people who own the boarding-house Ma McCorkle (Mary Gordon) and her lovely daughter Molly (Paulette Goddard). Jimmy and Molly combine forces to promote the career of Horace and the lads but that task is made difficult by Jimmy's wealthy Uncle Charley. This is a rare opportunity to hear Stewart sing with surprisingly pleasant results. Songs from a group of writers include: Do You Believe In Fairy tales? (Mack David Vee Lawnhurst) When Johnny Toots His Horn (Hy Heath Fred Rose) Slap happy Band Hi Cy What's Cookin'? Pete The Piper Broadway Cabellero (Henry Sullivan Lou Forbes). The movie was produced by James Roosevelt son of FDR.
The suave sleuth Tony Rome makes a shocking discovery while diving for treasure: a beautiful blonde woman anchored in a block of cement. When a local hood hires him to find his missing girlfriend his investigation begins with the mysterious ""Lady in Cement."" But everyone he talks to either is killed or trying to kill him...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy