LetÂ’s Make Love is a curious picture in many ways: Marilyn Monroe was the superstar, Yves Montand new to Hollywood, but she seems peripheral to the action and he's in almost every scene. Meanwhile director George Cukor, always happy with theatrical material, can't make the off-off-Broadway milieu come to believable life. In short, Let's Make Love lacks the sparkle promised by its talent roster, and for Monroe especially the bloom is off the rose. This 1960 film was her next to last, and she appears weary, although isolated moments have the old oomph (and she has a terrific romp through her first number, Cole Porter's "My Heart Belongs to Daddy"). Cameos by Milton Berle, Bing Crosby, and Gene Kelly increase the time-capsule feeling. The biggest failing is the lack of chemistry between Monroe and Montand, yet off-screen they had a romance during filming. A curious picture indeed.--Robert Horton, Amazon.com
In the Japanese theatre of war during W.W.II the allies must strike back at the Japanese who have captured their top generals. A commando unit is assembled with the most notorious criminals fighters and soldiers and this dream team -- the fantasy mission force -- will crumble the Japanese force. Jackie Chan is among the recruits of this team.
Los Angeles. The summer of 1981. John Holmes (Val Kilmer) is at the end of his extraordinarily prolific career as the world's biggest porn star. ln a state of financial and pharmaceutical ruin Holmes is now devoted to his teenage girlfriend Dawn (Kate Bosworth) while still married to his wife Sharon (Lisa Kudrow). Increasingly involved with a group of local drug dealers on Laurel Canyon's Wonderland Avenue Holmes finds himself unwittingly drawn into a dangerous world of gangland rivalry and violence. But after the home of a notorious crime boss becomes the target for their criminal activities members of the Wonderland gang are found brutally murdered and it is unclear who is implicated in the crime. Can a faded porn star turn into a calculating killer? Based on a true story Wonderland unflinchingly captures the shocking sights sounds and sensations of LA's sleazy underbelly in the 1980s.
Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea updates 20,000 Leagues Under the Sea as the world's most advanced experimental submarine manoeuvres under the North Pole while the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview sub and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most form-fitting naval uniform you've ever seen; fish-loving Peter Lorre plays in the shark tank; gloomy religious fanatic Michael Ansara preaches Armageddon; and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasence is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker
A powerful film, "Bread and Roses" sees acclaimed UK director Ken Loach take on the City of Angels in his first US-set effort, based around the true-life janitors strike that hit the city in 1999.
A documentary on Frankie Vaughans life featuring Live Performances.
Winnie The Pooh's Most Grand Adventure
A Young Boy's Hero. A Married Woman's Desire. Russell Crowe stars as East Driscoll a bachelor horsebreaker who won't settle down. He becomes the idol of Alan a young boy with polio who dreams of riding just like his hero. As Alan struggles with the hardships of growing up he meets Grace an older English aristocrat for whom he develops feelings. The situation gets further complicated when the married Grace falls for the much younger East and Alan unwillingly is caught in the middle...
Mother Night is the third movie from director Keith Gordon (The Chocolate War, A Midnight Clear). The 35-year-old director who started as an actor (Christine) has turned into one of the more assured directors working today. His films are ambitious in plot and tone. With Mother Night he works with his first major star, Nick Nolte. In 1961, the fictitious Howard W Campbell Jr., an American by birth, shares the same deserted prison with Adolph Eichmann. As he prepares to stand trial for war crimes, the former playwright scribes his memoirs. Now this is the same Howard W. Campbell Jr. who was a notorious voice on German radio during the war, tearing into American policy and spreading Nazi propaganda. Was he a wilful participant or an American spy? Campbell, who romanticises at the drop of a hat, tells his story of indifference, morality, and love. His days of notoriety in Berlin give way to anonymity back in the States. He purrs about his true love (Sheryl Lee) and tells truths with his shrewd neighbour in New York (Alan Arkin). The movie is based on Kurt Vonnegut's 1961 novel of the same name. Gordon and screenwriter Robert E. Weide have an uncommon insight into Vonnegut's material: the mesh of fact and fiction, the sweeping themes, the tragic goofiness. The movie is perfectly suited to Nolte's gruff style with a husky voice that pierces the night. The film is a cherished companion piece to Slaughterhouse Five. --Doug Thomas
After two bouts to remember, UFC lightweight champion Frankie Edgar and number one challenger Gray Maynard will settle the score in an epic third bout that has captured the attention of fight fans around the world.Plus, the UFC featherweight title is on the line when Brazilian powerhouse Jose Aldo defends his crown against Kenny Florian, and middleweight contender Chael Sonnen is back to face All-American Brian Stann.
Director Jill Sprecher's critically acclaimed film assembles an all-star ensemble cast in a fresh and whimsical look at the invisible everyday and destiny shaping miracles that we've come to call ""fate."" In five distinct New York tales the lives of seemingly disparate characters: a public defender (Matthew McConaughey) whose life suddenly mirrors that of the criminals he prosecutes; a college professor (John Turturro) facing a poignant crossroads an envious businessman (Alan A
The Good The Bad And The Ugly Director Sergio Leone substitutes for the upright puritan Protestant ethos so familiar in Hollywood westerns a seedy cynical standpoint towards death and mortality as a team of brutal bandits battle to unearth a fortune buried beneath an unmarked grave. Joining Clint clearly The Good is the irredeemably Bad Lee and the resolutely Ugly Eli Wallach. The complete plot of bloodshed and betrayal winds its way through the American Civil War filmed to resemble the French battlefields of World War One to end in the climatic Dance Of Death. The Magnificent Seven Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic 'Seven Samurai'. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Alamo At the Alamo a crumbling adobe mission 185 exceptional men joined together in a sacred pact: they would stand firm against an army of 7 000 and willingly give their lives for freedom. Filmed entirely in Texas only a few miles from the site of the actual battle 'The Alamo' is a visually stunning and historically accurate celebration of courage and honour. John Wayne produces directs and stars in this larger than life chronicle of one of the most remarkable events in American history.
Agent Cody Banks Cody Banks (Muniz) seems like a typical teenager - he loves skateboarding hates maths his mum drives him crazy and he feels like a complete idiot around girls. But Cody has a really big secret even his family and best friends don't know: he's actually an elite undercover agent for the CIA. Cody is living every kid's dream. Specially trained at a top secret facility disguised as summer camp Cody can drive like a stuntman jump kick like a pro and has an ar
Frankie Say Greatest - Videos. Celebrating 25 years since 'Relax' hit the charts this DVD contains all the videos made by the most controversial and exciting band of the 80s. Featuring all versions (including those which were banned) of 'Relax' the thought-provoking cold war fight epic between Regean and Chernenko directed by Godley & Cr''me for 'Two Tribes' to the iconic Christmas story for 'The Power of Love' . Plus 'Rage Hard' 'Warriors Of The Wasteland' and 'Welcome To The Pleasuredome' this is the ultimate collection for every 80s music fan and Frankie connoisseur. Tracklist Relax Two Tribes The Power of Love Welcome To The Pleasuredome Rage Hard Warriors Of The Wasteland Watching The Wildlife Relax Live Versions Relax Laser Version Two Tribes '93 The Power Of Love - Version 2 Welcome To The Pleasuredome '93 The Power Of Love: 2k Two Tribes 2k
The Lady Is A Square marked Anna Neagle's last big screen appearance and a fine conclusion to a hugely successful career. Neagle stars as Frances Baring a socialite widow attempting to keep her late husband's symphony orchestra going. Reluctantly she enlists the help of a young pop singer (Frankie Vaughan in a rare starring role) who has fallen for Baring's daughter Joanna played by a young Janette Scott.
1950s musical comedy starring Frankie Vaughan. When up-and-coming musician Johnny Burns (Vaughan) falls for Joanna Baring (Janette Scott), the daughter of widowed classical musical promoter Frances Baring (Anna Neagle), he does all he can to get on her mother's good side. Upon signing a record deal Johnny uses the cash advance to help out Joanna who is struggling financially. However, when Joanna's mother finds out that Johnny is a pop musician, she is less than impressed.
Available for the first time on DVD! Deliberate sacrifice for deliberate gain. In Kevin Spacey's directorial debut three desperadoes are trapped by the police in a hole-in-the-wall bar after a robbery gone wrong. The situation escalates to boiling point with unexpected twists and violent consequences.
This legendary animated feature is surely beyond criticism by now and, furthermore, it's unlikely that we'll see such forceful narrative in a kids' cartoon ever again. Disney's treatment of Collodi's story of the little wooden puppet who wants nothing more than to be a real boy is always guaranteed to have audiences entranced. While some of the movie's success is derived from its liberal use of the kind of imagery no children's film-maker would even attempt to get past the storyboard stage today--a mysterious island where children smoke cigars, get drunk and turn into donkeys, a monstrous, malicious sea-creature which is devoid of any trace of cuddliness and a pair of villains who routinely abduct children, to give just a few examples--the characters are depicted with the finest attention to detail, most of the songs have become classics in their own right ("When You Wish Upon a Star" being only one of many) and the graceful, stylised animation positively glows with fine detail. Essential family viewing. --Roger Thomas
Eric the would-be assassin is such a nice, caring fellow that Hitman has an immediate credibility problem: how could Eric (oriental superstar Jet Li in his follow-up to Lethal Weapon 4) ever believe he could be a cold-blooded murderer? The script tries to get around this by emphasising his poverty, and once he meets conman Norman (Hong Kong comedy star Eric Tsang), the film manages to blend amiable humour with amoral characters and polished action into an entertaining whole. A yakusa crime lord has been murdered by the Angel of Death, a professional hitman who only kills those he believes deserve to die. Getting well out of their depth in the hunt for the assassin, Li and Tsang make an appealing double act, while Gigi Leung is charming as Norman's lawyer daughter. With a moderately involved plot and an emphasis on character, action is limited to five well-staged set-pieces which are stylishly conceived, exciting and don't outstay their welcome. The finale even has a joke at the expense of Die Hard's running across broken glass, while the ending sets up the inevitable sequel. A long way from Li's magnificent Once Upon A Time in China (1991), Hitman is efficient, highly watchable Hong Kong entertainment.On the DVD: The 1.77:1 anamorphically enhanced picture is generally very good, though sometimes slightly grainy. The sound is Dolby Prologic, and far better than many other Hong Kong releases. Even so, the end title notes the film was shown theatrically in Dolby Digital, raising the question as to why the DVD does not also use this system. The film is presented in Cantonese with subtitles, or dubbed in English. Included is a 10-minute interview with Jet Li and a seven-minute interview with Simon Yam (who plays a detective), neither of which are specifically about Hitman. However, a 13-minute interview presented anamorphically enhanced with Keiji Sato (who plays the murdered yakusa's grandson) is specific to the film and ranks as the best extra. A text biography of Jet Li covers many pages and provides an excellent introduction to his career. The "music promo" is Hong Kong Legends' own trailer for Hitman, and is complemented by trailers for five other releases. --Gary S Dalkin
Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland
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