Intense, imaginative portrayal of three distinct periods in the life of an Edinburgh man from film-critic turned director Richard Jobson.
Lord Edgware Dies finds Poirot (David Suchet) reopening his London office with the help of Miss Lemon (Pauline Moran) and Captain Hastings (Hugh Fraser). As they celebrate their reunion, Japp quips that there's "only one thing missing...the body". Right on cue, a corpse turns up just moments later. Most of the suspects are actors by profession, but Poirot's "little grey cells" are able to penetrate the murderer's disguise--though only after two more victims heighten the suspense. --Larisa Lomacky Moore
The classic television series which tells the powerful story of the Ashton family during the Second World War. Living in Liverpool during the Second World War they struggle to deal with the harsh realities of life as their sons are sent abroad to fight children are evacuated and those who remain at home live in constant fear - either of the War Office telegram or the Luftwaffe.
It's hard to know who thought it would be a good idea to make a live-action version of Disney's animated classic, 101 Dalmatians (and originally Dodie Smith's classic children's story). The one bright notion anyone had was casting Glenn Close as Disney Übervillainess Cruella de Vil; her flashing eyes and angular features are a perfect match and do credit to what is one of the most indelible animated characters Disney has ever created. The story remains essentially the same, focusing on Cruella's plot to kidnap the puppies of a young married couple (Jeff Daniels and Joely Richardson) and make them into a coat. But the dreaded John Hughes, who wrote this script, fills it with sadistic slapstick and far too few genuine laughs. The human actors work hard, but to little avail; thankfully, there's a posse of puppies to regularly steal scenes when the going gets dreary--although there are only so many laughs to be had from inappropriate dog puddles. --Marshall Fine, Amazon.com Don't be fooled by the title, there are four reasons to like 102 Dalmatians, the sequel to the successful live-action remake of Disney's 101 Dalmatians. There are the 101 spotted pooches, Glenn Close back in fine form as Cruella DeVil, Oddball--the spotless Dalmatian pup--and Waddlesworth, a parrot who thinks he's a rottweiler (and is voiced by Monty Python's Eric Idle). There are just as many reasons to be disappointed: like most sequels, the story line is virtually a rewrite of t he first; the secondary casting isn't as interesting; the dialogue merely serves to move the plot along; and the third act substitutes mean-spiritedness for comedy. After a period of rehabilitation, Cruella has returned to her old tricks. Once again, she simply must have a spotted coat and will go to any lengths to get hold of the 102 Dalmatians needed to make one with a hood. She sets her sights on the pups owned by her probation officer, Chloe (Alice Evans), and the owner of a local animal shelter, Kevin (Ioan Gruffudd). Her servant Alonso (Tim McInnerny) and flamboyant furrier Monsieur Le Pelt (Gerard Depardieu, in one ridiculous outfit after another) are drafted to aid in her quest. It should come as no surprise that Chloe and Kevin fall in love, Oddball helps to save the day and Cruella is defeated. Children should enjoy the animal high jinks, but adults are less likely to be enamoured by this perfectly competent, but relatively charmless affair. --Kathleen C Fennessy, Amazon.com.
Action and romance follow Sharpe as he and his chosen men once again risk their lives on a dangerous and heroic mission.In Sharpe's enemy Sharpe first has to do battle with a gang of deserters led by the evil renegade Sergeant Hakeswill (Pete Postlethwaite).Hakeswill uses hostages including Sharpe's old flame the beautiful Isabella as innocent pawns in his wicked game to win a ransom. This is only the beginning of the problems facing Sharpe. A far greater threat is on the horizon. One where failure would mean the end of the war for the allied armies ....
Swingingly stylish adventures with super spies John Steed and Mrs Peel! Flashback to the Sixties with the coolest duo in crimefighting! Episodes: Too Many Christmas Trees: Steed hangs up his stocking and Emma asks for more... Silent Dust: Steed watches birds and Emma goes hunting. The Girl From Auntie: Steed almost outbids himself and Emma is a bird in a gilded cage. The Thirteenth Hole: Steed finds a bogey and Emma gets a birdy. The Quick-Quick Slow Death: Steed has two left feet and Emma dances with danger. The Danger Makers: Steed joins a secret society and Emma walks the plank. The House That Jack Built: Steed takes a wrong turning and Emma holds the key to it all.
No-one Gets Out Alive! Based on the true story of the Texas ""slave ranch"" a war veteran drifts through Texas on collision course with a nightmare. Still haunted by the evils of war Trevor is confronted with the brutal homegrown evil of the Broderick family at Hoboken Hollow a remote Hill Country ranch that many visit but few ever leave.
The Adventure Of Johnnie Waverly: Country squire Marcus Waverly calls on Poirot to ask for help in dealing with kidnap threats against his son Johnnie. It becomes a race against time to discover the identity of the mystery letter writer and save little Johnnie from a terrible fate. 4 & 20 Blackbirds: As elderly Anthony Gascoigne lies dying at his Brighton home his estranged twin brother Henry falls to his death. A tragic accident or murder? Poirot believes the answer lies in the eating of a blackberry pie.
Six friends on a road trip gone wrong. A sleepy creepy Texas town. A sinister inn with murder on the menu. And an army of the undead who can only be stopped by decapitation or chainsaw. If you think you've seen it all before you're dead wrong! Erik Palladino Ever Carradine Jeremy Sisto and Gina Philips star in the action-packed blood-drenched horror/comedy that takes the genre to outrageous new extremes!
David Suchet brings the great detective Hercule Poirot to rich life in The Cornish Mystery / The Disappearance of Mr Davenheim. These two episodes are lovingly true to their 1930s settings. In The Cornish Mystery Poirot has an unusual visitor--a victim who says she's not dead yet but is slowly being poisoned. The Disappearance of Mr Davenheim takes the standard case of a businessman's disappearance and spices it up with a friendly wager that Poirot can't solve the mystery without leaving his apartment. --Ali Davis
3 star packed thrillers recreating the golden age of Film Noir... Red Wind: Private eye Phillip Marlowe uncovers a string of murders as he investigates an elaborate double-blackmail scheme in the red-hot Sante Ana desert wind and Lola Barsaly an even hotter red-head... Fly-Paper: A private detective assigned to find wealthy socialite Sue Hambleton last seen with tough guy Babe McCloor. But Sue's dead Babe's not talking and a couple of con-artists want a piece of the action. The only clue is a strip of arsenic laced fly-paper. Professional Man: Johnny Lamb- elevator operator by day hit man for club owner Herman Charn by night. Charn wants Johnny's lover Paul and Johnny doesn't hesitate to give him up. But Charn yearn's for Paul's body and soul and when frustrated gives Johnny his toughest assignment ever.
More intriguing investigations for Agatha Christie's famed Belgian detective... The Adventure Of The Egyptian Tomb: An archaeological expedition has discovered the tomb of King-Men-her-Ra in the Valley of the Kings. When Sir John Willard smashes the seal of the burial chamber he suffers a heart attack and dies. One by one the men involved in the expedition begin to drop off like flies. Is there a curse on the tomb or are there more sinister forces at work? Poirot is called in to investigate. The Underdog: Horace Trefusis the chief chemist at the chemical factory is going through confidential papers concerning a new compound called Astroprene when an intruder disturbs him. Poirot becomes involved and finds himself investigating a case of intruige and sabotage.
Six episodes including the first ever of the series. The Goods decide to become self sufficient by growing their own food keeping their own livestock and bartering for anything they can't produce themselves.... Episode titles: Plough Your Own Furrow / Say Little Hen... / The Weaker Sex? / Pig's Lib / The Thing In The Cellar / The Pagan Rite.
Set ten years after the original movie, adventurer Rick O'Connell's son is kidnapped by the followers of his old nemesis The Mummy, in the belief that the boy can lead them to the tomb of the ancient and evil warrior The Scorpion King.
Henry Selicks Monkeybone is another of the directors brave experiments in combining various forms of animation following his successes with The Nightmare Before Christmas and James and the Giant Peach. Two-dimensional, stop-motion, CGI and muppetry effects whizz by with casual dazzle, but sometimes a collection of great ideas isnt just enough for moviegoers, and audiences summarily dismissed Monkeybone at the cinema. Shame really, because the eye-popping design deserves as big a screen as possible to drink it all in. Adapted from a graphic novel the story concerns cartoonist Stu Miley (a suitably schizophrenic Brendan Fraser) who finds himself in a hellish purgatory called Downtown after a freak car accident puts him in a coma. Once there, he must find a way to cheat Death in the person of Whoopi Goldberg. There are complications, however. In the real world his girlfriend (Bridget Fonda) is battling to prevent his family pulling the plug, and his comic character alter ego Monkeybone has come to life as a randy stop-motion whirligig of bad taste and ideas. Although visually the film is a feast of inventive ideas--the amazing look of the Pyjama Party and the Land of Death are truly impressive--ultimately Monkeybone stands or falls by its sense of humour. But then its all a matter of taste. If the sight of a possessed organ donor jumping off the operating table and running around with a broken neck isnt for you, avoid. If seeing Fraser ham it up as hes enjoyed doing before in the likes of George of the Jungle, then enjoy!--Paul Tonks
Bill & Ted's Bogus Adventure: Attention all righteous dudes and babes! Keanu Reeves and Alex Winter are back and better than ever with a most triumphant sequel to Bill & Ted's Excellent Adventure! Everything's excellent for everyone's favorite surf-speaking dudes! With their own apartment a pair of bodacious princess babes and a spot on the upcoming ""Battle Of The Bands"" life couldn't be any better! But all of that goes down the tubes when Bill and Ted's evil robot twins kill the San Dimas duo and then take over their lives! Replaced on Earth by the bogus robots the real Bill and Ted embark upon a most unwanted expedition...straight to Hell! Now their only hope is to give the Grim Reaper a wedgie and then challenge him to the Ultimate Death Match of all time! But can Bill and Ted cheat death save the world from evil rescue the princess babes and be back in time to win the ""Battle Of The Bands""? Or will their heinous metal twins change the duo's destiny forever? Airheads: In this hilarious spoof of the music industry three intelligently challenged rock 'n' rollers (Brendan Fraser Steve Buscemi Adam Sandler) decide to take drastic action after their music continually falls on deaf ears. They break into a radio station hoping to get their demo played on the air. But when the deejay (Joe Mantegna) and station manager (Michael McKean) refuse to play their song the boys have no choice but to take the entire radio station hostage. Dude Where's My Car: Jesse (Ashton Kutcher) and Chester (Seann William Scott) got really wasted last night. The fridge is packed with pudding their girlfriends - ""The Twins"" - are ticked off and somehow Jesse's car has disappeared. So the hapless stoners set out to find the car which happens to have their girlfriends' anniversary presents in it. But they soon discover that losing the car isn't half the story. High school hottie Christie (Kristy Swanson) is mysteriously hot for Jesse Chester is a favorite customer at the local topless club and they owe a suitcase full of money to a transvestite stripper. On top of all that they're being pursued by a minivan full of geeks horny ""space babes "" and a couple of ""totally gay"" Scandinavian dudes - all trying to find the ""continuum transfunctioner "" the device that can save or destroy the universe...
The immortal Peter Sellers is hilarious as a pompous retired general who still has a taste for the ladies in French playwright Jean Anouilh's philosophical farce. A lusty comedy of manners 'Waltz of the Toreadors' tempers its treatment of an old rake's delusions with generous dollops of wit and compassion.
More intriguing investigations for Agatha Christie's famed Belgian detective... The Affair At The Victory Ball: The Victory costume ball is in full swing just before midnight when a brutal murder is discovered. Poirot has only his own observations a mysterious note and a silver monogrammed case of cocaine to lead him to the killer. The Mystery Of Hunter's Lodge: Hastings accompanied by Poirot has been invited to a Grouse shoot on his uncle's estate. Amidst the gloomy Emglish weather and gun-smoke Poirot finds himself investigating a case of bizarre disguise and mistaken identity.
The Sorcerers, the second film directed by the lost "wunderkind" of British cinema Michael Reeves, may not have the scope and visceral impact of his masterpiece, Witchfinder General (1968), but there's enough fierce originality here to show what a tragic loss it was when he died from a drugs overdose aged only 24. The film also shows the effective use he made of minimal resources, working here on a derisory budget of less than £50,000--of which £11,000 went to the film's sole "named" star, Boris Karloff. Karloff plays an elderly scientist living with his devoted wife in shabby poverty in London, dreaming of the brilliant breakthrough in hypnotic technique that will restore him to fame and fortune. Seeking a guinea-pig, he hits on Mike, a disaffected young man-about-town (Ian Ogilvy, who starred in all three of Reeves' films). But the technique has an unlooked-for side effect--not only can he and his wife make Mike do their bidding, they can vicariously experience everything that he feels. At which point, it turns out that the wife has urges and desires that her husband never suspected. Karloff, then almost at the end of his long career, brings a melancholy dignity to his role; but the revelation is the veteran actress Catherine Lacey as the seemingly sweet old lady, turning terrifyingly avid and venomous as she realises her power. The portrayal of Swinging London, with its mini-skirted dollybirds thronging nightclubs where the strongest stimulant seems to be Coke rather than coke, has an almost touching innocence, but Reeves invests it with a dream-like quality, extending it into scenes of violent death in labyrinthine dark alleys. By this stage, some ten years after it started, the British horror cycle was winding down in lazy self-parody. Reeves had the exceptional talent and vision to revive it, had he only lived. On the DVD: The Sorcerers DVD has original trailers for both this film and Witchfinder General (both woefully clumsy); filmographies for Reeves, Karloff and Ogilvy; an "image gallery" (a grab-bag of posters, stills and lobby cards); detailed written production notes by horror-movie expert Kim Newman; and an excellent 25-minute documentary on Reeves, "Blood Beast", dating from 1999. The transfer is letterboxed full-width, with acceptable sound. --Philip Kemp
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