Small time Miami reporter Malcolm Anderson (Kurt Russell) gets the break he is looking for when he starts getting calls from a notorious murderer in The Mean Season. He and his school teacher girlfriend Christine (Mariel Hemingway) had been planning to move away from the area to start up a new life. However his growing relationship with the killer and subsequent reporting of his crimes means that his career is on the up. But at what price? Soon Malcom realises that instead of just wri
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
After chasing a fugitive with an advanced alien weapon, New York cop James Edwards (Will Smith) finds himself recruited to the MiB, a top secret agency in charge of alien immigration on Earth. He is partnered with K (Tommy Lee Jones), and sent to investigate an alien prediction of the end of the world. They have to track down a hostile alien life form currently wearing the human skin of a country hick named Edgar.
With war approaching a new flight surgeon and a Navy pilot overcome personal differences to work on solving the problem of altitude sickness which causes blackouts at high altitude...
A Place Beyobd Your Dreams. A Movie Beyond Your Imagination. Following a notorious aborted attempt by Alejandro Jodorowsky in the 1970s, Frank Herbert's bestselling sci-fi epic Dune finally made it to the big screen as the third film by emerging surrealist wunderkind David Lynch, featuring an all-star cast that includes several of Lynch's regular collaborators. The year is 10,191, and four planets are embroiled in a secret plot to wrest control of the Spice Melange, the most precious substance in the universe and found only on the planet Arrakis. A feud between two powerful dynasties, House Atreides and House Harkonnen, is manipulated from afar by ruling powers that conspire to keep their grip on the spice. As the two families clash on Arrakis, Duke Atreides' son Paul (Kyle MacLachlan, in his screen debut) finds himself at the centre of an intergalactic war and an ancient prophecy that could change the galaxy forever. Though its initial reception ensured that Lynch largely eschewed mainstream filmmaking for the rest of his career, Dune has since been rightly re-evaluated as one of the most startlingly original and visionary science fiction films of the 1980s. Its astonishing production design and visual effects can now be appreciated anew in this spellbinding 4K restoration, accompanied by hours of comprehensive bonus features. Special Features: Brand new 4K restoration from the original camera negative 60-page perfect-bound book featuring new writing on the film by Andrew Nette, Christian McCrea and Charlie Brigden, an American Cinematographer interview with sound designer Alan Splet from 1984, excerpts from an interview with the director from Chris Rodley's book Lynch on Lynch and a Dune Terminology glossary from the original release Large fold-out double-sided poster featuring original and newly commissioned artwork by Dániel Taylor Six double-sided, postcard-sized lobby card reproductions Limited edition packaging with reversible sleeve featuring original and newly commissioned artwork by Dániel Taylor Disc 1 High Definition (1080p) Blu-ray⢠presentation Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Brand new audio commentary by film historian Paul M. Sammon Brand new audio commentary by Mike White of The Projection Booth podcast Impressions of Dune, a 2003 documentary on the making of the film, featuring interviews with star Kyle MacLachlan, producer Raffaella de Laurentiis, cinematographer Freddie Francis, editor Antony Gibbs and many others Designing Dune, a 2005 featurette looking back at the work of production designer Anthony Masters Dune FX, a 2005 featurette exploring the special effects in the film Dune Models & Miniatures, a 2005 featurette focusing on the model effects in the film Dune Costumes, a 2005 featurette looking at the elaborate costume designs seen in the film Thirteen deleted scenes from the film, with a 2005 introduction by Raffaella de Laurentiis Destination Dune, a 1983 featurette originally produced to promote the film at conventions and publicity events Theatrical trailers and TV spots Extensive image galleries, including hundreds of still photos Disc 2 BONUS DISC The Sleeper Must Awaken: Making Dune, a brand new feature-length documentary by Ballyhoo Motion Pictures exploring the making of the film, featuring dozens of new and archive interviews with cast and crew Beyond Imagination: Merchandising Dune, a brand new featurette exploring the merchandise created to promote the film, featuring toy collector/producer Brian Sillman (The Toys That Made Us) Prophecy Fulfilled: Scoring Dune, a brand new featurette on the film's music score, featuring interviews with Toto guitarist Steve Lukather, Toto keyboardist Steve Porcaro, and film music historian Tim Greiving Brand new interview with make-up effects artist Giannetto de Rossi, filmed in 2020 Archive interview with production coordinator Golda Offenheim, filmed in 2003 Archive interview with star Paul Smith, filmed in 2008 Archive interview with make-up effects artist Christopher Tucker *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
The Naked Gun (Dir. David Zucker 1988): Those screw-loose Airplane! creators have done it again! Leslie Nielsen stars as Police Squad's own granite-jawed rock-brained cop Frank Drebin who bumbles across a mind-control scheme to assassinate Queen Elizabeth. Priscilla Presley O.J. Simpson a stuffed beaver two baseball teams and an odd assortment of others join the wacko goings-on and blow the laugh-o-meter to smithereens. The Naked Gun 2 1/2 - The Smell O
It's the land of hospitality... unless you don't belong. A group of National Guardsmen embark on a routine weekend of manoeuvres in the boggy swamps of Louisiana. Everything goes smoothly until blanks are fired at the Cajun locals. Suddenly the men are hurled into a terrifying battle for their lives... An allegory of America's involvement in Vietnam in the tradition of Deliverance featuring brilliant cinematography and an excellent Ry Cooder bluegrass score.
Alfred Burke stars as Frank Marker - a down at heels private investigator - in the long-running and critically acclaimed detective series. Never far from the top ten on original broadcast Public Eye is a fondly remembered series about a charcter who takes the 'low rent' side of the PI business - divorces wards of court missing persons and so forth. This digitally restored set features all thirteen episodes of the complete 1971 series. Episodes comprise: 1. A Mug Named Frank 2. Well - There Was This Girl You See... 3. Slip Home In The Dark 4. I Always Wanted A Swimming Pool 5. The Beater And The Game 6. Come Into The Garden Rose 7. And When You've Paid The Bill You're None The Wiser 8. Who Wants To Be Told Bad News? 9. The Man Who Didn't Eat Sweets 10. Ward Of Court 11. Transatlantic Cousins 12. Shades Of White 13. John VII. Verse 24
Video Nasties.... For the first time ever 'together' six of the most shocking depraved and corrupt movies which were banned under the Obscene Publication Act 1983/4 - Along with a feature length documentary 'Ban The Sadist Videos' which was a headline for the Daily Mail at the height of the frenzy. Zombie Flesh Eaters (1979): There is something sinister about the sailing-boat drifting slowly in Hudson Bay upon boarding the coast-guard police are confronted with a terrifying sight appearing out of the hatchway - a man covered in blood walks towards them menacingly only after being shot repeatedly does he fall overboard and disappear amid the waves. This news causes a panic in America as the sailing-boat belonged to a famous scientist who mysteriously disappeared in the Caribbean. Ann the scientist's daughter together with a famous journalist Peter West set out to look for him setting sail on a schooner belonging to Brian an American Ethnologist and Susan an underwater photographer they head for the Caribbean. Meanwhile on Mutal Island in the Antilles professor Menard is conducting strange experiments. What follows in the Caribbean and later in New York is truly terrifying - Zombie Flesh Eaters are here! (Dir. Lucio Fulci) I Spit On Your Grave (1978): Jenny (Camille Keaton) a New Yorker who goes to a secluded country retreat to finish work on her novel is one day assaulted raped and left for dead by four men. But she survives to take revenge. She seduces each of her rapists separately and personally performs their painful executions... (Dir. Meir Zarchi) Driller Killer (1979): Reno is struggling artist close to breaking point. The loud punk band in the flat next door practices for 24 hours a day. His debts are mounting. He needs to sell his new painting to pay the overdue rent on the shabby New York apartment he shares with his girlfriend and her spaced-out lesbian lover. Despite the desperate need for cash Reno will not admit that he has completed the painting. It becomes an obsession. In his troubled mind the picture triggers a violence he cannot contain... (Dir. Abel Ferrara) The Last House On The Left (1972): The terrifying story of two teenage girls Mari and Phyllis heading up to the city to celebrate Mari's 17th birthday at concert by the band Bloodlust. Prior to the show the pair are drugged beaten and kidnapped by a group of escaped convicts and taken into the woods where their horrific ordeal ends in rape and murder. When the criminals coincidentally but unknowingly take refuge at the nearby house of one of their victims the girl's parents discover the gruesome fate of their daughter and seek to exact their revenge... (Dir. Wes Craven) Nightmares In A Damaged Brain (1981): Escaped mental patient George (Baird Stafford) repeatedly suffers a graphic nightmare that depicts the axe murders of a couple making love. In Florida a prowler stalks a babysitter - when she is attacked the youngest child she is looking after just sits and laughs... George begins a journey of brutal murder death and destruction until the final moment of truth when his nightmares come to frightening life! (Dir. Romano Scavolini) The Evil Dead (1982): In the literary tradition of Stephen King and the cinematic mode of George Romero (Night of the Living Dead) The Evil Dead is a visual and aural attack on the senses which requires a strong stomach and a healthy sense of humour! Whilst holidaying in the Tennessee woodlands five innocent teenagers unwittingly unleash the spirit of the evil dead. One by one the teenagers fall victim to the frenzied flesh-eating monsters amidst a tour-de-force display of stunning special effects. (Dir. Sam Raimi)
Incredibly, National Lampoon's Class Reunion was the project that launched John Hughes' writing career before he started directing. On some surreal level, the film's premise is actually quite ingenious. It blends together the nudie flick and stalker/slasher genres that became hugely popular in the early 1980s. The group of classmates reuniting 10 years after graduation are nothing like the idiots of Animal House: they're worse! So when they are hunted through the dilapidated halls by misunderstood psycho Walter Baylor (Blackie Dammett), you can expect lots of black humour. Running for their lives are yuppie-in-the-making Bob Spinnaker (a slimily smooth Gerrit Graham), class nobody Gary Nash, slobbish womaniser Hubert (Stephen Furst playing against his usual shy nerd), scary-looking Satanist Delores and two potheads who are oblivious to the goings-on. Hilarious cameos come from Michael Lerner as mysterious Dr Young, Chuck Berry (!) and the late, great Anne Ramsey (Momma in Throw Momma from the Train) as the world's worst school cook. There were more than a dozen theatrical "Lampoon" movies plus many more for TV and video: Class Reunion may not be subtle, and it's certainly not politically correct, but it endearingly remains one of the daftest from the series' early days . On the DVD: The picture and sound are understandably average, but some effort has been put into the menu page at least; a gallery of 20 photos are the only extra. --Paul Tonks
The Best of Mike Myers is a compilation of sketches from his six seasons on the American show Saturday Night Live, and features the star in his pre-Austin Powers days appearing in various garbs and characters, though not as Powers himself. There are, however, two Wayne's World segments, Myers' other great cinematic triumph (in collaboration with Dana Carvey), in which he plays the zonked-out heavy-metal dude who presents a cable show from his basement. One features Aerosmith guesting, waylaid by Wayne's mum and given the tour of the house, or "walk of shame"; the other has Madonna, in a parody of her In Bed With... era. Other characters include Sprockets, a stern and Teutonic techno-obsessed host, and Lothar of the Hill People, an ancient chieftain. Considering he is Liverpool-born, Myers is happy to peddle some curious American stereotypes of the British: that they have bad teeth, as in the "Hedley & Wyche" sketch ("one tube lasts a lifetime") or that they all behave like characters from a Terry-Thomas movie. Among the featured guests in these sketches are Steve Martin, Tom Hanks (as Aerosmith's roadie), Nicole Kidman as a six-year-old girl, Roseanne Barr and Danny DeVito. Sometimes, as is SNL's wont, the sketches go on several minutes too long and lack sharpness, while the star guests don't always put in Oscar-winning performances. However, amid the self-indulgence there are a number of very funny moments. On the DVD: The Best of Mike Myers DVD is a straightforward transfer of the TV original with no extra features. --David Stubbs
Buster Keaton's career reached its creative apex with this rousing comic adventure. Not merely one of the finest silent films, this remains one of the great film comedies of all time. The Great Stone Face stars as Southern railroad engineer Johnny Gray, a man with only two loves: the sweet Annabelle Lee (Marion Mack) and his trustworthy engine, the eponymous General. When Fort Sumner is fired upon he is one of the first to enlist, but when the war office rejects him (he's too valuable as a trained engineer) his sweetie rejects him as a coward. Johnny has the opportunity to prove his bravery when Yankee spies steal his engine and inadvertently kidnap Annabelle, and Johnny pursues with all the resources at his disposal: handcar, bicycle and finally railroad engine. Keaton's love/hate relationship with technology and machinery shines as he becomes one with his beloved locomotive and wrestles with a finicky cannon that threatens to blow his engine off the tracks; with tremendous dexterity, he nails the humour with inimitably deadpan takes. Spunky Marion Mack makes a perfect partner for Keaton, not merely a foil but a gifted comedienne in her own right. Other Keaton films contain more laughs and inspired comic stunts, but none combines romance, adventure and comedy into a solid story as seamlessly as this silent masterpiece. --Sean Axmaker, Amazon.com
Alfred Burke stars as down-at-heel Inquiry Agent Frank Marker in this critically acclaimed, long-running drama series. Always working the lower end of the spectrum - divorces, missing persons, bankruptcies - the public found a great affinity with Marker and the series was a huge success over its ten-year life span. This set contains all 13 episodes from the 1972/3 series - complete and uncut. The Bankrupt: How is a bankrupt riding around in a Rolls Royce? Girl in Blue: Marker is hired to find a missing daughter. Many a Slip: Can a doctors wife be a potential credit defaulter? Mrs. Podmores Cat: Markers telephone is cut off because of an unpaid bill. The Man who Said Sorry: Who is the stranger that turns up late at Markers office? Horse and Carriage: Its Christmas, but does anyone have goodwill for Marker? A Family Affair: Why was an old mans estate divided between his sons and housekeeper? The Golden Boy: Why has a young scholar disappeared without trace? The Windsor Royal: Who has stolen two bushes of roses from Lawrences Nurseries? Its a Womans Privilege: Why has Mrs. Mortimer paid Marker a visit? Home and Away: Is a football fanatic really playing away with another woman? Egg and Cress Sandwiches: Who has been writing poison pen letters to the churchwarden? The Trouble with Jenny: Why has one of Markers fellow guests tried to gas herself?
Will Smith and Tommy Lee Jones return to save the world all over again in this eagerly awaited blockbusting sequel!
The Naked Gun series must be the only successful big-screen franchise to have been a spin-off from a spectacularly unsuccessful TV series. Although Police Squad went on to become a cult favourite, at the time the American TV network was so unimpressed they only showed four of the six episodes before cancelling it. But Leslie Nielsen's bumbling Lt Frank Drebin just wouldn't go away. Supported in masterly deadpan style by George Kennedy and Priscilla Presley, Nielsen cemented his reputation as a gifted comic actor with The Naked Gun decades after he had first become known as a minor Hollywood leading man (in 1955's Forbidden Planet for example). The first movie appeared in 1988 and spawned two sequels that replayed exactly the same routines: in The Naked Gun series sight gags (some of which are worthy of the Marx Brothers, some not) combine with excruciating puns and lots of toilet humour to follow the same hit formula as the creators' earlier slapstick masterpiece, Airplane. By the third film the formula may have become more than a little overworked, and few including the filmmakers cared much about the increasingly creaky scenarios, but Nielsen's easygoing idiotic charm goes a long way towards saving the day. There are still a lot of laughs to be found in all three Naked Gun movies, even if some of them are the unintentional result of seeing OJ Simpson before notoriety overtook his budding film career. On the DVDs: All three features are anamorphically enhanced 1.78:1 widescreen ratios, with Dolby Digital 5.1 sound. Each disc also has a jovial ensemble commentary featuring co-creator David Zucker with other producers and writers, which is only intermittently informative but is at least intermittently funny, too. --Mark Walker
Stylish and sexy Fatal Attraction took audiences to terrifying new heights with its thrilling story of a casual encounter gone terribly awry. Michael Douglas plays Dan Gallagher a New York attorney who has a tryst with seductive Alex Forrest (Glenn Close) while his wife (Anne Archer) is away. Dan later shrugs off the affair as a mistake and considers it over. But Alex won't be ignored. Not now not tomorrow not ever; even if it means destroying Dan's family to keep him...
The Amazing Mr. Blunden
My Cousin Vinny (Dir. Jonathan Lynn 1992): A Comedy Of Trial And Error. In this must-see comedy hit two carefree pals traveling through Alabama are mistakenly arrested and charged with murder. Fortunately one of them has a lawyer friend in the family -- Vincent Gambini (Joe Pesci) a former auto mechanic from Brooklyn who has never been in court -- or in Alabama. When cousin Vinny arrives with his leather-clad girlfriend (Marisa Tomei in her Oscar-winning Supporting Actress performance) to handle his first case it's a real shock -- for him and the Deep South! Married To The Mob (Dir. Jonathan Demme 1988): Angela De Marco (Pfeiffer) has had enough! Her cheating husband Frank (Baldwin) is a gangster and she's sick of living on laundered money. So when Frank gets iced by mob boss Tony 'the Tiger' Russo (Stockwell) Angela is free to go straight... until Tony puts the moves on the grieving widow. Now she must make a move of her own and kiss the Long Island Mafia arrivederci. Starting over in Manhattan Angela finds a new job and a new beau (Modine) in no time. But when it comes to divorcing the first family of organised crime fuh-get-about-it! Tony's hot on her trail and he's still determined to make her his mob mistress. Angela must choose between helping the FBI take Tony by the tail or spending the rest of her life behind bars for being 'Married to the Mob'! Corrina Corrina (Dir. Jessie Nelson 1994): They needed a family. What they got was magic. Whoopi Goldberg and Ray Liotta star in this heart-warming story of a newly widowed man struggling to raise his little girl and the woman who brings magic into their lives.
John Ford's view of Americana with Will Rogers in his final screen performance. Fun and games on board as our hero's paddlewheeler is fed into it's own furnace in a steamboat race - until the fuel runs out....
In the summer of 1974 The Greater Washington Educational Telecommunications Association began videotaping a number of live operatic and concert performances at the Filene Center in Wolf Trap Farm Park for the Performing Arts in Vienna Virginia for telecast in an innovative new series entitled 'In Performance at Wolf Trap'. The series met with overwhelming success and set the stage for the many live performance telecasts which have since followed.In 1975 'In Performance at Wold Trap' presented Beverly Sills in perhaps her most acclaimed portrayal that of Queen Elizabeth I in the Donizetti rarity Roberto Devereux. When Miss Sills first sang the role at the New York City Opera in 1970 Winthrop Sargeant wrote in the New Yorker She was Elizabeth from the extreme pallor of her makeup to the royal sweep of her train. It was a characterisation that I shall never forget. The combination of skills she brought to her role made this a historic moment. Daniel Webster wrote in the Philadelphia Inquirer Miss Sills sang the towering role with such authority and portrayed Queen Elizabeth with such fervour that the opera unstaged (in New York) for more than 125 years now is one of the theatrical events of the year.
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