Five high school cheerleaders their coach and a couple of sex-crazed guys travel to a cabin in the woods for a weekend getaway only to be stalked one by one by an unseen maniac!
An epic of the Weimar cinema, The Love of Jeanne Ney follows a young French woman's struggle for happiness amid the political turbulence and corruption of post-World War I Europe. A tour de force for director G. W. Pabst (Diary of a Lost Girl, Pandora's Box), the film blends a variety of cinematic approaches as it weaves its complex narrative of moral chaos and political upheaval: the American Style, evocative of the Hollywood studio blockbuster; the avant-garde techniques of Soviet montage; as well as the eerie moving camerawork and shadowy perspectives typical of German Expressionism. The result is a stunning cinematic experiment that never fails to surprise the viewer as it races towards its exhilarating conclusion. Available for the first time in the UK, the Masters of Cinema Series is proud to present The Love of Jeanne Ney on Blu-ray. Bonus Features 1080p presentation on Blu-ray, fully restored with a score by Bernd Thewes Optional English subtitles Alternate US release version with music by Andrew Earle Simpson Too Romantic, Too Ghastly Brand New video essay by David Cairns and Fiona Watson PLUS: A collector's booklet featuring new writing on the film by Philip Kemp *All extras subject to change
A stunning new restoration for the 60th anniversay of LE MÃPRIS, one of the most notable examples of the French New Wave from cinema's original enfant terrible: Jean-Luc Godard. Featuring the style icon Brigitte Bardot (And God Created Woman, Viva Maria!) as Camille, and legendary French talent Michel Piccoli (Belle De Jour, The Things of Live) as Paul, LE MÃPRIS boasts a strong and eclectic supporting cast featuring 'master of darkness' Director, Fritz Lang as himself, renowned American actor Jack Palance as Jeremy, and the infamous Giorgia Moll as Francesca. Set around the extraordinary Villa Malaparte on Capri, LE MÃPRIS tells the tragic romance between Paul and his wife, Camille. Paul is enlisted the task of re-writing a film script. Whilst he becomes engrossed in writing, he appears oblivious to the film producer's interest in his irresistibly beautiful wife, Camille. In turn, we witness the hurtful unfolding of Paul & Camille's marriage. Product Features An Introduction By Colin Maccabe Paparazzi By Jacques Rozier Bardot Godard: The Party Of Things By Jacques Rozier
IS IT SAFE Three chilling words, spoken repeatedly by a sadistic exiled Nazi war criminal (Laurence Olivier), become a nightmare catchphrase for Thomas Babe Levy (Dustin Hoffman), a Manhattan graduate student who is innocently swept into a deadly international conspiracy involving a renegade U.S. government agent and a fortune in stolen diamonds.Director John Schlesinger (Midnight Cowboy, The Day of the Locust) builds terror and suspense in this thrilling adaptation of William Goldman's best-selling novel. The film's acclaimed cast also includes Roy Scheider, William Devane and Marthe Keller; Olivier garnered a Best Supporting Actor Oscar® nomination* for his terrifyingly unforgettable role of Christian Szell, a former concentration camp dentist. Product FeaturesThe Magic of Hollywood Is the Magic of People Going the Distance: Remembering Marathon Man Rehearsal Footage Theatrical Trailer
Puccini's 'Turandot' performed by the Metropolitan Opera. Artists include: Eve Marton and Placido Domingo. Conducted by James Levine. Directed by Franco Zeffirelli. Sung in Italian
Fritz Lang's first sound movie, the serial-killer film M, has often been voted the best German film of all time, but, until now, most of us have never seen it properly. What we have seen is a heavily cut 1950s re-edit with extra sound and music patched in, where Lang was deliberately economical with the new technology. This new "Ultimate Edition" is dominated by a marvellous restoration which is true to his intentions and oft-voiced complaints about what had been done to his best film. The young Peter Lorre is terrifyingly ordinary as the child-murderer whom police and criminals hunt down in what is still one of the best forensic police procedurals ever made, while Gustaf Grundgens has effortless charisma as the chief gangster. Lorre's Hollywood exile and decay, and Grundgens' betrayal of old friends and principles under the Nazis, merely add a layer of irony to all this. Lang's ironic cuts--a gangster's gesture is completed by his police equivalent--and dark, studio-bound cinematography make this one of the great precursors of American film noir. Simply, seen without cracks and pops and lines running down the screen, M is revealed as a true classic--a film that shames everything made in its genre since. On the DVD: M on disc has a great deal of documentary material featuring scholars and technicians telling us just how clever they have been in preparing this splendid restoration. The film also comes with a detailed commentary into which has been spliced interview material with Lang talking in English about specific sequences. There is a German-language film interview with Lang in which he talks through his career and re-enacts the interview with Goebbels that led to his exile; an audio interview with Peter Bogdanovich; and an intelligent video critical essay by film historian R Dixon Smith. The restored film is shown in its correct, unusual visual aspect ratio of 1.90:1 and has vivid cleaned-up digital mono sound: the murderer's whistling of "In the Hall of the Mountain King" has never sounded so chilling. --Roz Kaveney
One of the classic horror anthologies Creepshow is the gloriously ghoulish collection of comic - inspired tales served up by the masters of the macabre Stephen King and George A. Romero. Get ready to relish the family reunion and a murdered father who still wants his cake; the backwoods farmer who discovers a meteorite with a life of its own; one husband's vengeful plan that will leave his cheating wife and her lover up to their necks in it; another's hope that the vicious occupant of a mysterious crate may be the answer to his nagging wife problem. In the final gross-out tale a malicious millionaire with an insect phobia gets a scuttling surprise! The most fun you'll ever have being scared! Special Features: Audio Commentary with Director of Photography Michael Gornick Actor John Amplas Property Master Bruce Alan Green and Makeup Effects Assistant Darryl Ferrucci Just Desserts: The Making of Creepshow A Feature Length Documentary with Cast and Crew Interviews Behind the Screams with Tom Savini Deleted Scenes TV spot Trailer Stills Gallery
The Mafia has a new enemy - the ferocious Yakuza a criminal brotherhood whose deadly tentacles have spread from its native Japan in a ruthlessly violent bid to snatch control of the Mafia's American powerbase.Into this desperate killing field steps Nick Davis (Viggo Mortensen from Lord Of The Rings) an undercover FBI agent whose perilous mission is to become a rising gun of the Rising Sun winning the trust of his Yakuza masters so he can topple their brutal empire.Becoming the first 'outsider' to be accepted into the Yakuza's mysterious and exotic world Nick is gradually seduced by their devout sense of honour and loyalty. Torn between his duty and his new-found brotherhood Nick now faces the most difficult decision of his life...
This collectible DVD set is out of this world! This intergalactic family saga is a one-of-a-kind sci-fi classic that earned an enormous following of devoted fans. Created by legendary film producer Irwin Allen (The Poseidon Adventure Towering Inferno) and set in the space age ""future"" of 1997 this exciting adventure series followed a typical American family their trusty robot and a stowaway villain named Dr. Zachary Smith. In the year 1997 Earth is suffering from massive overpop
In Cross of Iron Sam Peckinpah weighs in on World War II from the German point of view. The result is as bleak, if not quite as bloody, as one expects from the director of The Wild Bunch, in part because this 1977 film was cut to ribbons by nervous studio executives. The assorted excerpts that remain don't constitute an exhilarating or even an especially thrilling battle epic. The war is grinding to a close, and veterans like James Coburn's Steiner are grimly aware that it's a lost cause. The battlefield is a death trap of sucking mud and barbed wire, and the German generals (viz., the martinet played by James Mason) seem to pose a bigger threat to the life and limbs of Steiner's men than the inexorable enemy. Not even Peckinpah's famous sensuous exuberance when shooting violence is much in evidence; the picture is a depressive, claustrophobically overcast experience. The bloody high (or low) point isn't a shooting; it's a wince-inducing de-penis-tration during oral sex. For a fun time with the men in (Nazi) uniform, try Das Boot instead. --David Chute, Amazon.com
Based on Neil Simon's own play, 1967's Barefoot in the Park is a perennially joyous film starring carefree Jane Fonda and staid lawyer Robert Redford as young newlyweds setting up home in Greenwich Village. Although the opening credits are fragrantly idyllic (aided by Neal Hefti's soundtrack, you can almost smell the blossom in Central Park), the film doesn't idealise apartment living in New York, à la Friends, far from it: Fonda and Redford's apartment is up several flights of stairs; there's a hole in the skylight and the bedroom is the size of a cupboard. All of this puts some strain on the marriage. When Fonda introduces fellow free spirit and ageing, behind-on-the-rent Lothario (Charles Boyer) to her somewhat inhibited mother (Mildred Natwick), the hapless Redford in particular is forced to come to terms with his own inhibitions. Although the second half of the film moves at a less cracking pace than the first, Barefoot in the Park is as exhilarating as a romantic weekend city break. Directo r Gene Saks, scriptwriter Neil Simon and composer Hefti would regroup in 1968 to make the similarly wonderful The Odd Couple. On the DVD: With the aid of filtering, the DVD recaptures the almost unreal colour quality common to films of this period, while the sound is faithful to the nuances of Hefti's soundtrack. The special features are miserly--subtitles, a choice of languages and the original trailer, though this at least conveys the engaging naiveté of the period--("The rarest, unsquarest, happiest motion picture in many a year!"). --David Stubbs
Screwball sparks fly when CARY GRANT (Charade) and KATHARINE HEPBURN (The Philadelphia Story) let loose in one of the fastest and funniest films ever madea high-wire act of invention that took American screen comedy to new heights of absurdity. Hoping to procure a million-dollar endowment from a wealthy society matron for his museum, a hapless palaeontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile upa missing dinosaur bone, a leopard on the loose, and plenty of gender bending mayhem among them. Bringing Up Baby's sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director HOWARD HAWKS (Red River). Special Features: New, restored 4K digital transfer, with uncompressed monaural soundtrack Audio commentary from 2005 featuring filmmaker Peter Bogdanovich New video essay on actor Cary Grant by author Scott Eyman New interview about cinematographer Russell Metty with cinematographer John Bailey New interview with film scholar Craig Barron on special-effects pioneer Linwood Dunn New selected-scene commentary about costume designer Howard Greer with costume historian Shelly Foote Howard Hawks: A Hell of a Good Life, a 1977 documentary by Hans-Christoph Blumenberg featuring the director's last filmed interview Audio interview from 1969 with Grant Audio excerpts from a 1972 conversation between Hawks and Bogdanovich Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by critic Sheila O'Malley
Made at the very end of the silent era, Pandora's Box is one of the last flowerings of German cinema's greatest decade. It also marked the highpoint of two careers: Austrian director GW Pabst and American actress Louise Brooks. A merge of two linked plays by the decadent German playwright Frank Wedekind, it's the story of Lulu, the archetypal femme fatale (the same plays served as source for Alban Berg's masterly 1935 opera). At once sensual and innocent, a force of uninhibited sexuality, Lulu brings ruin on all her lovers both male and female, and ultimately upon herself. Hollywood never knew what to do with Brooks who, with her fierce intelligence and her open delight in sex, refused to play the coy flappers then in fashion. In Pabst, whose genius, she wrote, "lay in getting to the heart of a person", she found the director she needed, and he brought out her a screen persona with a depth of eroticism that's still breathtaking to see. The film features some of the finest German acting talent of the period--Fritz Kortner, Franz Lederer--but it's Brooks' luminous performance that rivets the eye and makes her a great screen icon. Though the action is nominally set in the late-19th century--Lulu ends up in a shadowy London where she encounters Jack the Ripper--Pandora's Box breathes the gamey air of the Weimar Republic, vividly captured by Günther Krampf's pungent photography. This release runs well over two hours and includes, for the first time in decades, over 30 minutes of cut footage, restoring the film to something very close to Pabst's original masterpiece. On the DVD: Pandora's Box on DVD is a clean, crisp transfer in the classic 4:3 ratio, and the mono soundtrack brings out all the detail of Peer Rubens' Kurt Weill-inflected score, stylishly performed by the Kontraste Ensemble. Dialogue intertitles can be read in either English or German. We also get an outstanding 60-minute documentary, Looking for Lulu, about Brooks' life and career: warmly narrated by Shirley MacLaine, it features excerpts from an interview with Brooks from 1976. --Philip Kemp
The Oscar-nominated classic by Bernhard Wicki. The famous and shocking anti-war movie from the fifties: eight schoolboys still under-age are drafted into the German Army during the last days of the war in April 1945. Entirely unreasonably they receive the order to defend a bridge against advancing American troops. Filled with fervour and patriotic enthusiasm they believe that they must carry out their orders. But one by one they are killed while defending the bridge. When a group of German demolition troops is about to prepare the blasting of the bridge the futility of the order becomes obvious. Only one child survives and apathetically returns home.
In Patrice Chereau's illuminating violent Bayreuth production of Das Rheingold Wotan wears the brocade coat of feudal times while the Rhine seems to be a reservoir with modern-day power station. Yet as Chereau says it could also be many other things ... perhaps a mythological presence the mythology of our time ... The gods' ascent to Valhalla (is) a defiant flight into the future.
Shot in English and budgeted higher than any of his previous Asian features, Jackie Chan's last film under his Hong Kong contract is an action-packed, globe-trotting adventure shot with the American audience in mind. The spies and secret agent-laden plot is packed with car chases, explosions, gunfire aplenty and of course Jackie's own brand of gymnastic martial arts. But the flood of his older films between his hits Rumble in the Bronx and Rush Hour had sated American viewers and Who Am I? wound up being sold directly to cable. It's our loss, for this mix of goofy slapstick and jaw-dropping action is his most impressive film since Drunken Master II. Playing a special forces agent (named, naturally, Jackie) struck with amnesia and adopted by an African bush tribe following a failed assassination attempt, he embarks on a quest to discover his true identity while armies of killers pour after him. After an explosive opening, the story gets momentarily bogged down in the kind of mugging humour that leaves most American audiences scratching their heads, but once Jackie kicks into gear the film is a high-speed action flurry that culminates in a furious battle atop a Rotterdam skyscraper. Jackie is at his most charmingly naive (he berates the villains, pleading "Why do you want to destroy when you can make things better?") and athletically impressive: the marvellous stunts--including a flight down the side of the skyscraper--and fight choreography make Rush Hour look like a Sunday drive. --Sean Axmaker
Veteran screenwriter and director Sinclair Hill captured the unease of a world on the brink of war in this Hitchcockian tale of sabotage and intrigue in the international arms trade. A compelling pre-war thriller, Midnight Menace stars silent-era Hollywood idol Charles Farrell, Australian star Margaret Vyner and noted Austrian-German character player Fritz Kortner. Released in the US as Bombs Over London, Midnight Menace is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. Following the unexplained death of a reporter, Brian Gaunt, the cartoonist on the 'Daily World', begins his own investigation. Assisted by his reporter fiancee, they find one clue leading to the operations of an international arms ring: it is the word 'Saska', which Gaunt incorporates into his next newspaper cartoon in the hope that it will bring results. It does... but not what he expects! SPECIAL FEATURES Image gallery Original pressbook PDFs
Classic comedy films from the Marx brothers including 'A Night At The Opera' 'A Day At The Races' 'A Night In Casablanca' 'The Big Store' 'At The Circus' and 'Go West'. A Night At The Opera (1935) The Marx Brothers turn Mrs. Claypool's opera into chaos in their efforts to help two young hopefuls get a break. It contains the famous scene where Groucho Chico and Harpo cram a ship's stateroom with wall-to-wall people gags one-liners musical riffs and two hard-boiled egg
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