Less a sequel than a seamless continuation of its predecessor, Jean de Florette, Manon des Sources brings with it a more epic scope as it depicts the growth to womanhood of the daughter (Emmanuelle Béart) of the doomed farmer of the first film. As she discovers the truth of what happened to her father as a result of the scheming of their neighbour (Yves Montand), who took the land for himself, she vows revenge, realising that the neighbour's deeds have irrevocably shaped the course of her life. Her moves toward avenging her father's demise provide an ironic twist to this harsh and thought-provoking saga, and French director Claude Berri perfectly illustrates the lasting consequences of deceit, greed, and revenge. Manon des Sources is a very special subtitled film-choice, destined to be revered for years to come. --Robert Lane
Unfortunately the qualities that make Jacques Offenbach's operetta The Tales of Hoffmann an irresistible melodic profusion of wit, dash and unfailing high spirits are only in evidence in the playing of the Lyon Opera Orchestra under Kent Nagano: operetta, more than its serious cousin, continues to be fair game for the whims of producers and designers. In this case an excellent cast including Daniel Galvez-Vallejo as Hoffmann, Natalie Dessay as Olympia, Brigitte Balley as Nicklausse and Isabelle Vernet as Giulietta, as well as Gabriel Bacquier who sings three roles, are obliged to perform Offenbach's operetta in a lunatic asylum designed by Philippe Starck as a three-dimensional grey set, topped with barbed wire. The production by Louis Erlo adapts and cuts scenes to fit this concept, so the tavern scene where Hoffmann sings his celebrated number "The Legend of Kleinzack" disappears, as do the chorus who are banished to the wings. In this environment there's no room for charm or even a kind of mad-hatter behaviour. The cast are reduced to stereotypes and of necessity singularly unlovable ones. What a wasted opportunity. The sound is excellent as it is on two fillers: a short film of Penderecki conducting his choral work, The Seven Gates to Jerusalem from the Midem festival at Cannes and a trailer for a Lyon Opera House production of Berlioz's Damnation of Faust. --Adrian Edwards
The production of this DVD - which involved top-ranking artists to direct perform and provide the musical accompaniment - was recorded in 1989 at the Opera National de Lyon. The outstanding quality of the production is evidenced not least by the recording made as part of the series of live performances and rated by Gramophone magazine as record of the year in 1990. Directed by Louis Erlo (assisted by Alain Maratrat and with set design by Jacques Rapp and costumes by Ferdinando Bruni) the wit and speed of the opera come across strongly in the transfer of the medium of DVD (video direction by Jean-Francois Jung). Kent Nagano directs the performance led by Gabriel Bacquier (the King of Clubs) Jean-Luc Viala (the Prince) Georges Gautier (Truffaldino) Catherine Dubosc (Ninetta) and a host of other outstanding artists.
Verdi - Falstaff (Solti Wiener PO)
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