Kathy Bates stars as an unhappy wife trying to get her husband's attention in this amusing and moving 1991 screen adaptation of Fannie Flagg's novel Fried Green Tomatoes at the Whistle Stop Cafe. After befriending a lonely old woman (Jessica Tandy), Bates hears the story of a lifelong friendship between two other women (Mary Stuary Masterson and Mary-Louise Parker, seen in flashback) who once ran a cafe in town against many personal odds. The tale inspires Bates to take further command over her life, and there director Jon Avnet (Up Close and Personal), in his first feature, has fun with the film. Bates develops a real attitude toward her thickheaded spouse at home and some uppity girls in a parking lot, but dignity is generally the key to Avnet's approach with the story's crucial relationships. Tandy is a joy and clearly loves the element of mystery attached to her character, and Masterson and Parker are excellent in the historical sequences. --Tom Keogh
'Mommie Dearest' is the outrageous and controversial story of legendary movie star Joan Crawford (Faye Dunaway) and her struggle with the dual roles of fading actress and tormented mother. The public Crawford was strong-willed glamorous and admirable but Mommie Dearest reveals the private Crawford the woman desperate to be a mother adopting her children when she was single and trying to survive in the movie industry. The rage the debilitating strain and the terrifying descent in
The emotional true story of a family's powerful love as they unite to save their eight year-old boy's life from AIDS...
Director Paul Greengrass recounts the final moments of the ill-fated flight in this 9/11 drama.
Coming soon to a hotel pay channel near you, Stripshow, with its rednecks and top-heavy trailer-trash, is the American softcore equivalent of movies like Bridget Jones's Diary, which are more-or-less targeted at the kind of people who are in them. Tane McClure plays a stripper who acquires a suitcase full of money from an aged punter who expires during a show. She than attempts to track down an ex-lover, who eventually wanders off into the desert to die rather than risk appearing in the sequel. The end. Actually, there's rather a lot of wandering off into the desert in this movie. There's also some--but not much--of the usual faked bonking, but the closest thing to a genuinely erotic scene is the obligatory lipstick-lesbian encounter which takes place in a Native American teepee (although you can't help thinking that, somewhere off-camera, Fox Mulder is being distracted from communing with a shaman), and even that's a pretty truncated episode--after all, Billy-Bob, it just ain't natural. Anyone who'd like to see McClure in a real film may prefer to check out Fear and Loathing in Las Vegas instead. On the DVD: Stripshow has nothing extra on this 4:3 release other than a few cast biogs--not even subtitles, so listening to the dialogue is unfortunately compulsory. --Roger Thomas
These days people are dangerously nostalgic about the sinister tackiness of the 1980s, but there's no stiffer antidote to such delusion than Alan Clarke's The Firm. This unforgettable film was made as a one-off drama for the BBC in 1988, but its cult following has grown steadily through video, thanks to a startling central performance from a young Gary Oldman, and the riveting manner in which Clarke captures the lethal, mindless energy of football hooliganism. Oldman plays Clive "Bexy" Bissell, working-class East London boy done good: a prosperous estate agent, proud homeowner, happy husband and doting father. But his chief pleasure is to be team leader ("top boy") of a bunch of overgrown yobs who attend football matches in order to cause violence. At weekends Bexy leads his "Inter City Crew" into rucks with rival warlords such as Yeti (Phil Davis) and Oboe (Andrew Wilde), in search of what he calls "the buzz", no matter the cost to his young family and his future prospects. The Firm was entirely shot on SteadiCam, enabling Clarke to drop the viewer right into the thick of the action and exploit some hair-raisingly authentic rowdiness from his talented cast. Among these thugs, soap fans will spot Eastenders' Steve McFadden and Charlie Lawson of Coronation Street. The Firm is a masterpiece of social-realist drama, and one of the most virulently anti-Thatcherite films of its time. An avid supporter of Everton FC, Clarke responded to Al Hunter's script because he felt that the vicious idiots spoiling football were a new breed of disgrace. The tabloids raised a stink about the film's violence, and the BBC delayed its broadcast until 1989. A year later, Alan Clarke died of cancer, But The Firm is a tremendous last testament from the finest English director of his generation. --Richard Kelly
Brutal... Evil... Ghastly... Beyond Belief!!! The second film in Herschell Gordon Lewis' infamous `Blood Trilogy' (begun with 'Blood Feast' and completed with 'Color Me Blood Red') 'Two Thousand Maniacs!' was an attempt to both out-gore Blood Feast and make a gruesome horror movie with production values above those of its predecessor... Not only is this release digitally remastered but it's also uncut too! To celebrate the 100th anniversary of the Civil War the inhabitants of a small Southern US town organise the festival to end all festivals. With a captured audience of North Americans the townsfolk amuse themselves by playing roll-the-man-in-the-nail-lined-barrel and compete at target practice using a pretty girl and a boulder. With all this chaos erupting around them a young couple make a desperate attempt to leave the town before they too fall victim to Two Thousand Maniacs!
The complete saga of the superhero formerly known as Birdman is now making a mockery of the legal system representing Hannah-Barbera toons gone bad including Shaggy Scooby Fred Flinstone and Yogi Bear.
The superhero formerly known as Birdman continues making a mockery of the legal system representing Hannah-Barbera toons gone bad including Shaggy Scooby Fred Flinstone and Yogi Bear.
Face Off (Dir. John Woo 1997): Oscar-winning superstar Nicolas Cage and screen icon John Travolta battle head to head in 'Face/Off' the ultimate cat and mouse thriller directed by the world's most acclaimed action film director John Woo. To avenge the senseless murder of his son FBI agent Sean Archer undergoes a radical new surgery allowing him to switch faces with the comatose terrorist Castor Troy and assumes Sean's identity the real Sean is thrust into an unimaginable nightmare fighting not only for his life but also those of his wife and daughter! Brilliant performances and mind-numbing visual effects make Face/Off the explosive stylish action thriller you've got to see to believe! Snake Eyes (Dir. Brian De Palma 1998): An explosive highly entertaining action thriller Snake Eyes teams Nicolas Cage with big-screen favourite Gary Sinise. Cage is an Atlantic City cop who along with an arena full of spectators at a championship prize-fight is eyewitness to a political assassination! Determined to quickly solve the crime he immediately launches an intensive investigation... then learns that a search for answers will only uncover yet more questions in an ever-widening web of conspiracy intrigue and danger! Bringing Out The Dead (Dir. Martin Scorsese 1999): Nicholas Cage plays EMS paramedic Frank Pierce. It is the early 1990's and New York has not yet undergone its renaissance of recent years. Surrounded by the injured and the dying Frank is dwelling in an urban night-world crumbling under the accumulated weight of too many years of saving and losing lives. The film follows Frank over the course of fifty-six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption.
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