Fighting Caravans: One of the first big-budget Westerns based on a Zane Grey novel. Cooper convinces a fellow traveller on a west-bound caravan to pose as his wife to help disguise him then saves the caravan from an Indian attack. And falls in love of course. Randy Rides Alone: The territory has been invaded by a gang of renegades threatening the town and its people. Wyne shows up takes control and single-handedly rides them out of town. Man Of The Frontier:
Riding into Payneville easy-going cowboy Melody Jones is mistaken by the townsfolk for notorious gunman Monte Jarrad. The real Jarrad is hiding out wounded on the ranch of childhood sweetheart Cherry. She has the idea of sending Jones off to decoy the pursuing posse but once he's met Cherry Jones has other plans...
Sentenced to slavery in the New World for killing her husband in self-defence Abby Hale (Paulette Goddard) is auctioned on the American-bound ship by the villainous Garth (Howard De Silva) who desires to keep the feisty English woman for himself. But the intrepid frontiersman Captain Chris Holden (Gary Cooper) buys Abby to set her free before leaving the ship. Furious at being outdone Garth bribes the ship's captain to pretend that Holden has not lodged the money to buy the slave and so Abby is forced to go with Garth's as his slave. When Garth arrives in the Ohio Valley he secretly begins to arrange an Indian uprising with the Senecan chief Guyasuta (Boris Karloff) in to get kill the settlers and gain a monopoly of the fur trade. Captain Holden discovers Garth's treachery but cannot prove anything against him. Aware that the outpost of Fort Pitt and all its settlers could be massacred by the Indians Holden rides into the camp of the Senecas with the aim of talking peace and rescuing Abby; but Garth and his Indian wife Hannah (Katherine DeMille) have other plans for Holden and the fiery redhead...
Three American adventurers sail to California in pursuit of gold. They stop off at a sleepy Mexican village after becoming stranded and it isn't long before someone requires their services. Deep in the mountains a lady's husband is trapped in the local goldmine and they agree to rescue him. However not all of their intentions are strictly honest and danger awaits...
From humble immigrant beginnings producer Samuel Goldwyn's tenacity and drive eventually yielded over 103 completed pictures with over 100 Academy Award nominations between them. Though he remained independent never working for a studio during his entire career Goldwyn's pictures frequently surpassed the quality and the talent of the major studios. Given unparalleled access to the Goldwyn archives Peter Jones and A. Scott Berg's celebrated Goldwyn biography - creates a vivid por
Screen legends Gary Cooper and Jean Arthur star in Cecil B. DeMille’s sweeping classic. This stylish western skillfully interweaves classic real-life Old West legends like Wild Bill Hickok (Cooper), Calamity Jane (Arthur), Buffalo Bill Cody, George Armstrong Custer and Abraham Lincoln into a stunning tale as vastas the wild frontier itself. Packed with thrilling action, powerful drama and spectacularset pieces, The Plainsman set the standard by which other western extravaganzaswould be forever measured.
A classic screwball comedy from director Ernst Lubitsch! Whilst on the French Riviera the charming daughter (Claudette Colbert) of a destitute aristocrat seduces a dashing millionaire (Gary Cooper). She accepts his marriage proposal but finds out on their wedding day that he has been down the aisle seven times before!.
Farewell To Arms: Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate test of love. Boasting beautif
Vera Cruz was only director Robert Aldrich's second Western (his first, made a few months earlier, was the revisionist, pro-Native-American Apache), but it's such an assured, stylish affair that he might have been roaming the sagebrush for decades. In the aftermath of the American Civil War two lone adventurers make their way south of the border, where Mexico is fighting a civil war of its own to rid the country of the French-imposed Emperor Maximilian. Neither the dour Benjamin Trane (Gary Cooper) nor the grinning, devil-may-care Joe Erin (Burt Lancaster) has much in the way of idealism, but Trane still retains a thin bitter edge of integrity, a quality quite alien to the cheerfully amoral Erin. In uneasy alliance, constantly looking to outwit or double-cross each other, the two find themselves escorting a beautiful French countess (Denise Darcel) and a shipment of gold across country. Cooper and Lancaster create a superb double-act, using their contrasted screen personas to point up the humour and the cynicism of the two mercenaries' relationship. Darcel makes less than she might of the femme fatale role, but there are relishable cameos from Cesar Romero as a suavely duplicitous aristo and Ernest Borgnine as another gringo with an exceptionally vicious streak. The script, according to Aldrich, was written on the run, "always finished about five minutes before we shot it", but you wouldn't guess it from the laconic wit of the dialogue. It looks great, too--Ernest Laszlo's widescreen photography makes the most of the handsome Mexican locations. With its irreverent take on the accepted moral conventions of the genre, Vera Cruz ushered in a new kind of Western, and its central love-hate relationship would be replayed in Sam Peckinpah's Ride the High Country (1962) and Sergio Leone's The Good, the Bad and the Ugly (1966). On the DVD: Not much in the way of extras but the mono sound has been expertly remastered to the benefit of Hugo Friedhofer's spirited score. Above all, the film's presented in its full Superscope ratio (16:9), a blessed relief after all those years when it showed up panned-and-scanned on BBC1. If ever a movie needed widescreen, it's this one--if only to fit in all Burt's teeth. You can see why they called him "Crockery Joe". --Philip Kemp
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself John Doe has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara Stanwyck) is rehired and now needs to find someone to play the part of the fictional John Doe... Meet John Doe is often held to be part of a thematic trilogy that includes Mister Deeds Goes To Town and Mister Smith Goes To Washington. It explores a recurring notion in Capra's work that of the universal everyman exploited by a corrupt and powerful establishment. The film's reflections on corporate control of both the media and of ordinary people's lives is still as resonant as ever.
George Radcliffe's testimony sends Donald Heath to prison for murder and the theft of over 60 000 pounds. Soon after Radcliffe invests a large sum of money in an ultimately profitable business venture. Radcliffe's wife Martha begins to suspect...
One man is on trial for murder. One man knows the truth... A ship has caught fire and only one lifeboat remains. Now its captain Michael Taylor (Gary Cooper) must decide who will live and who will surely die. The story begins at Taylor's trial where he is charged for the murders of the ship's passengers who perished. But what his prosecutors don't know is that he was actually onboard under British secret orders. Unexpectedly he is awarded a new trial after a representative of the Queen of England steps forward with a detailed account of the tragedy. Next the real story unfolds via brilliantly photographed flashbacks revealing Taylor and his partner's heroic mission to abolish the inhumane business of slave trading. But will the truth be enough to spare Taylor from a life behind bars? With its talented cast and compelling plot Souls at Sea offers a rare combination of intensity humour and thrilling action that is sure to please classic film lovers everywhere.
Desire (Universal Classics)
A collection of 7 classic westerns! Broken Arrow: By 1870 there has been ten years of a cruel war between settlers and Cochise's Apache Indians. Tom Jeffords an ex-soldier saves the life of a young Apache boy and starts to reassess his opinions of the Indians. As an ambassador of goodwill he enters Cochise's stronghold but is peace achievable? (Dir. Delmer Daves 1950 Cert. PG) Broken Lance: Tyrannical cattle baron Matt Devereaux (Spencer Tracy) has raised his ol
Here are a dozen of Hollywood's most memorable romance classics spanning four decades. The collection includes such top titles as The Sheik A Farewell to Arms My Man Godfrey and Love Affair and features legendary heartthrobs like Gary Cooper Gloria Swanson James Stewart Myrna Loy Charles Boyer and Claudette Colbert - just to name a few. As a special bonus each of the five discs contains an original documentary about the stars featured in this extraordinary collection. Films Comprise: The Sheik (1921) Indiscreet (1931) A Farewell to Arms (1932) Bird of Paradise (1932) Animal Kingdom (1932) I Cover the Waterfront (1933) My Man Godfrey (1936) Love Affair (1939) Made For Each Other (1939) Beyond Tomorrow (1940) Penny Serenade (1941) Cyrano de Bergerac (1950)
A rancher on his way to hire a schoolteacher is stranded miles from anywhere after the train he is on is robbed. Taking shelter with outlaw relatives he used to run with they all decide he can assist on one last bank job...
Garden Of Evil
Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate test of love. Boasting beautiful cinematogrpahy and poe
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara S
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