Alien: Resurrection, the fourth entry in the franchise, is directed by French stylist Jean-Pierre Jeunet in a much more straightforward action-adventure manner than its predecessor, the dark and confusing Alien 3. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melon heads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall Fine, Amazon.com On the DVD: Unlike the first Alien movie which has an excellent documentary and director's commentary, this DVD is light on extras (although digital picture and sound quality are excellent) with only a perfunctory "making of" featurette.
The success of the first year meant that Stargate SG-1's second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa'uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity. There appeared to be information overload (splinter group Tok'ra, Earth's second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too. "1969" remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). --Paul Tonks
Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her creators as are the aliens. And soon a lot more than all hell breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
Jake Wilkinson (Jonathan Taylor Thomas) a wheeling dealing self-centered college student has one thing on his mind: get home for Christmas dinner or forfeit the vintage Porsche his father promised him. Just days before his deadline Jake awakens in the California desert - stranded and penniless wearing a Santa suit and a white beard glued to his face! Desperate to claim his gift he flies crawls cons races bullies and even sleighs his way east. But his non-stop mission turn
The Work of Director Chris Cunningham, like the other volumes in the acclaimed Director's Series (Spike Jonze and Michel Gondry) offers a feast of visual ingenuity, with one major difference: unlike the relatively playful brightness of Jonze and Gondry, Cunningham wants to involve you in his nightmares. From the urban monstrosities of Aphex Twin's "Come to Daddy" to the limb-shattering weirdness of Leftfield's "Afrika Shox", Cunningham's music videos emphasise the freakish and the bizarre, but they are also arrestingly beautiful and otherworldly, as in the aquatic effects used for Portishead's "Only You", combining underwater movements with ominous urban landscapes. Some of Cunningham's shock effects are horrifically effective (his 'flex" video installation, excerpted here with music by Aphex Twin, is as disturbing as anything conjured by David Cronenberg), while others are cathartic or, in the case of Aphex Twin's "Windowlicker", outrageously amusing. And while the eerie elegance of Madonna's "Frozen" arose from a chaotic production, the signature work in this collection is clearly Björk's "All Is Full of Love", a masterfully simple yet breathtaking vision of intimacy involving advanced robotics and seamless CGI composites. In these and other videos, Cunningham advances a unique aesthetic, infusing each video and commercial he makes with a dark, occasionally gothic sensibility. That these frequently nightmarish visions are also infectiously hypnotic is a tribute to Cunningham's striking originality. --Jeff Shannon
I'll Be Home For Christmas (Dir. Arlene Sanford 1998): Jake Wilkinson (Jonathan Taylor Thomas) a wheeling dealing self-centered college student has one thing on his mind: get home for Christmas dinner or forfeit the vintage Porsche his father promised him. Just days before his deadline Jake awakens in the California desert - stranded and penniless wearing a Santa suit and a white beard glued to his face! Desperate to claim his gift he flies crawls cons races bulli
Ellen Ripley (Sigourney Weaver) died fighting the perfect predator. Two hundred years and eight horrific experiments later she's back. A group of scientists have cloned her along with the alien queen inside her hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her ""creators"" as are the aliens. And soon a lot more than ""all hell"" breaks loose! To combat the creatures Ripley must team up with a band of smugglers including a mechanic named Call (Winona Ryder) who holds more than a few surprises of her own.
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