"Actor: Gary Springer"

• Jaws 2 | DVD | (06/04/2009) from £5.38   |  Saving you £4.61 (85.69%)   |  RRP £9.99

  Judged entirely on its own merits, Jaws 2 isn't a bad film. It even has some passably scary moments (Brody discovering a charred body in the waves; the swimming boy racing the shark back to his dinghy). But it's absolutely impossible to judge this movie on its own merits. Despite being given a great big Panavision camera to play with director Jeannot Szwarc can't hide his TV-movie origins, nor can the script, both of which spend far too long landlocked with the bickering inhabitants of Amity Island. Where the original film boldly set out to sea with Robert Shaw's Ahab-like Quint, in a misplaced desire to attract a teenage audience this movie dwells at interminable length on the courting rituals of the local youth; where Spielberg's original is a masterpiece of pacing and carefully timed tension-building, Jaws 2 sags terribly whenever the plastic shark swims out of sight. Roy Scheider comes off best, reprising his role as Chief Brody, while Lorraine Gary's role as his wife is expanded (she must be a glutton for punishment: she also starred in Jaws 4: The Revenge). Taken as a sequel Jaws 2 is inferior in every way; taken as an unassuming TV movie it's a respectable, workmanlike effort; but looking forward at what was to follow, it begins to look like a minor masterpiece. --Mark Walker

• Dog Day Afternoon | DVD | (13/02/2006) from £10.78   |  Saving you £-0.79 (N/A%)   |  RRP £9.99

  A gripping true crime yarn, a juicy slice of overheated New York atmosphere and a splendid showcase for its young actors, Dog Day Afternoon is a minor classic of the 1970s. The opening montage of New York street life (set to Elton John's lazy "Amoreena") establishes the oppressive mood of a scorching afternoon in the city with such immediacy that you can almost smell the garbage baking in the sun and the water from the hydrants evaporating from the sizzling pavement. Al Pacino plays Sonny, who, along with his rather slow-witted accomplice Sal (John Cazale, familiar as Pacino's Godfather brother Fredo), holds hostages after a botched a bank robbery. Sonny finds himself transformed into a rebel celebrity when his standoff with police (including lead negotiator Charles Durning) is covered live on local television. The movie doesn't appear to be about anything in particular, but it really conveys the feel of wild and unpredictable events unfolding before your eyes, and the whole picture is so convincing and involving that you're glued to the screen. An Oscar winner for original screenplay, Dog Day Afternoon was also nominated for best picture, actor, supporting actor (Chris Sarandon, as a surprise figure from Sonny's past), editing, and director (Sidney Lumet of Serpico, Prince of the City, The Verdict and Running on Empty). --Jim Emerson