The New York CSI department welcomes a new member to the team in season 7, former FBI agent Jo Danville is immediately in the line of fire when she stumbles over the body of a young woman who has been murdered within the NYPD crime lab. Detective Mac Taylor meets a desperate family in search of their missing son but has problems of his own as a hail of gunfire rips through the crime lab. Along with his ex-partner Mac becomes part of a vendetta some 17 years in the making.
The war-time memories of surviving World War II bomber squadrons were still crystal clear when this acclaimed drama was released in 1949--one of the first post-war films out of Hollywood to treat the war on emotionally complex terms. Framed by a post-war prologue and epilogue and told as a flashback appreciation of war-time valour and teamwork, the film stars Gregory Peck in one of his finest performances as a callous general who assumes command of a bomber squadron based in England. At first, the new commander has little rapport with the 918th Bomber Group, whose loyalties still belong with their previous commander. As they continue to fly dangerous mission over Germany, however, the group and their new leader develop mutual respect and admiration, until the once-alienated commander feels that his men are part of a family--men whose bravery transcends the rigours of rigid discipline and by-the-book leadership. The film's now-classic climax, in which the general waits patiently for his squad to return to base--painfully aware that they may not return at all--is one of the most subtle yet emotionally intense scenes of any World War II drama. With Peck in the lead and Dean Jagger doing Oscar-winning work in a crucial supporting role, this was one of veteran director Henry King's proudest achievements, and it still packs a strong dramatic punch. --Jeff Shannon, Amazon.com
Based on Ernest Hemingway's tragic wartime romance
The acclaimed 1967 BBC adaptation of the Charles Dickens classic, Great Expectations is now available to own on DVD for the first time. Starring BAFTA-winner Francesca Annis (Home Fires), Gary Bond (Zulu), Hannah Gordon (The Elephant Man) and BAFTA-nominee Peter Vaughan (Game of Thrones) Young Philip Pirrip (Christopher Guard) universally known as Pip encounters escaped convict Magwitch (John Tate) in a deserted graveyard, and helps him find food and escape his shackles. When his kindness is later rewarded by an unexpected inheritance, the adult Pip (Gary Bond), surrounded by home comforts, grows mean and arrogant and smitten with the aloof Estella (Francesca Annis).Maxine Audley plays vindictive recluse Miss Havisham, who has raised Estella to distrust all men. Written by acclaimed playwright Hugh Leonard, who adapted many of Dickens books for TV and the stage, this is a delightful cautionary tale of the power of wealth to corrupt and betray.
Claudette Colbert (It Happened One Night) and Gary Cooper (Morocco) play the leads in Bluebeard's Eighth Wife, a classic comedy from director Ernst Lubitsch (Broken Lullaby). Seven-times married, the wealthy playboy Michael Brandon meets the beautiful, tempestuous Nicole, and makes her his eighth wife. Determined she won't be just another of his conquests, Nicole contrives to frustrate Michael's advances in order to keep him keen. Michael, however, believes she is trying to force him to divorce her in order to take advantage of a generous pre-nuptial agreement, and a battle of wills ensues. One of Lubitsch's greatest films, and a huge influence on the modern romantic comedy, Bluebeard's Eighth Wife boasts a sizzling screenplay by Charles Brackett and Billy Wilder (The Lost Weekend, Sunset Blvd.), and a memorable supporting turn from David Niven (A Matter of Life and Death). Product Features High Definition remaster Original mono audio Audio commentary with academic and curator Eloise Ross (2023) The Guardian Interview with Claudette Colbert (1984), archival audio recording of the celebrated performer in conversation at London's National Film Theatre United States (1944): military training film, narrated by David Niven during his time away from Hollywood to serve in the RAF, produced to instruct British troops in the history of their American allies Original theatrical trailer Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing Limited edition exclusive booklet with a new essay by Pamela Hutchinson, archival interviews with director Ernst Lubitsch, an overview of contemporary critical responses, and full film credits UK premiere on Blu-ray Limited edition of 3,000 copies All extras subject to change
On August 4th, 1892, Andrew Jackson Borden and Abby Durfee Borden were brutally murdered with an old household hatchet. The blows of the murder weapon were so violent and numerous that their faces and skulls were unrecognizably disfigured. Although acquitted, it is common knowledge that the daughter, Lizzie Borden, is responsible for the savage evil act.The present day Lizzie Allen suffers from an extreme case of childhood amnesia which not only lays dark her childhood memories but also her relationship or lack there of, of her parents themselves. When Lizzie discovers the news of her father's death she inherits the house she once lived in...and therefore a new place to live. But as she begins to settle in she starts to get a glimpse of her childhood memories along with clues as to what really happened in the Borden household in 1892. We follow Lizzie's journey as she attempts to distinguish between the two and strives to reach her own sanity and happiness while doing so.....
American documentary directed by Steve Lawson. Magazine editor Gary Heseltine looks at historical cases from the 1950s and '60s of suspected UFO sightings and offers a critique of the United States Air Force's responses to such sightings.
In a post-apocalyptic America, former U.S. Marine Gabriel Drummer searches desperately for the whereabouts of his son, accompanied by his best friend and a survivor.
It seems that thrillers these days--even good ones--are all about scene-chewing bad guys, cute retorts fit for the Dennis Miller show and one big special effect to end the movie. Well, something like The Peacemaker, the first feature film from DreamWorks, puts the record straight. Here is an expertly paced thriller with a sensible villain, smart instead of cute dialogue, and a focus on action instead of special effects. It's not original, just solid. It's the second of these energetic and effective thrillers that writer Michael Schiffer (Crimson Tide) has penned. The White House Nuclear Smuggling Group tracks down 10 stolen nuclear bombs after a suspicious train wreck in Russia. The acting head of the department (Nicole Kidman) and her military field officer (George Clooney) are off to Europe to track down the bombs. Instead of a Gary Oldman-Bruce Dern madman, The Peacemaker's heavy is an unknown Romanian actor (Marcul Iures) playing a Bosnian rebel who works passionately and quietly. This may be a popcorn movie, but it uses the ripe emotions of the Bosnian War to create tension. This is the best film vehicle yet for the overwhelming charisma of George Clooney as a quick-witted, generally warm Oliver North type who will seek deadly vengeance without pause. He's matched very well by the professional polish of Nicole Kidman who is showing great flexibility in dividing her roles between serious and fun fare. --Doug ThomasOn the DVD: Extras are pretty minimal, with just two very brief featurettes. The first has director Mimi Leder talking about her two stars in between blooper reel outtakes; the second has some behind-the-scenes footage of two stunt sequences, the Viennese car chase and the New York street chase (the latter of which shows George Clooney doing all his own running). Two theatrical trailers complete the package. The feature itself is well presented in anamorphic widescreen and Dolby 5.1.with the choice of English or German language options. --Mark Walker
Features four more episodes from the popular television series.
Part one of the seventh season of the popular series.
Returning home from prison, a Vietnam War veteran sets out to clean up his hometown which has come under the control of a violent motorcycle gang.
An intriguingly creepy premise but failed execution marks The Astronaut's Wife, a stylish and ultimately bland thriller about a pretty, young woman whose pretty, young astronaut husband comes back from his most recent space mission a little... odd. Before that fated space trip, Spencer (Johnny Depp) and Jillian (Charlize Theron) were a sunny, happy couple with matching blonde hairdos and a predilection for romping in the sack from extremely clever camera angles. However, after a communications blackout brings Spencer and his partner back down to earth prematurely, things are a little... peculiar. Spencer's partner goes bonkers and has a heart attack; on top of that, the partner's wife takes a fatal shower with a plugged-in radio. Getting out of the space biz, Spencer accepts a job as a corporate exec in New York, and as a welcome to the Big Apple for his comely wife, he molests her at the company cocktail party. Soon enough, Jillian is pregnant, but as you might expect, this pregnancy (twins, don't you know) is a little... unusual. Writer-director Rand Ravich takes his sweet time getting from extremely obvious plot point A to even more obvious plot point B, stretching out the development particulars in mind-numbing, suspense-killing fashion. Even Joe Morton, as a sinisterly psychotic NASA official, can't liven things up--you know you're in bad thriller territory when the biggest scare comes from a light suddenly being switched off. Theron, sporting a Mia Farrow in Rosemary's Baby style haircut, sleepwalks beautifully through the movie, but she did this role much, much better in The Devil's Advocate. Depp, with a cornpone Southern accent, is about as realistic as his peroxided hair. Ravich does the viewer no favours with a hackneyed ending straight out of a B-grade paperback horror novel in which the most shocking moment is Theron's sudden emergence as a brunette. With Blair Brown as a jaded socialite who offers to help out Theron by providing do-it-yourself abortion pills, and a lovely Donna Murphy as the suicidal wife who figures it all out before everyone else. -- Mark Englehart, Amazon.com
From director David S. Goyer comes this supernatural thriller that follows a young woman pulled into a world of nightmares when a demonic spirit haunts her and threatens everyone she loves.
The entire first and second series of the cult TV show. In the first series a group of builders from England go over to Germany to work on a site by day and do their bit for European harmony and understanding by night. The episodes are: 'If I Were a Carpenter' 'Who Won the War Anyway?' 'The Girls They Left Behind' 'Suspicion' 'Home Thoughts From Abroad' 'The Accused' 'Private Lives' 'The Fugitive' 'The Alien' 'The Last Rites' 'The Lovers' 'Love and Other Four Letter Words'
UFO was Gerry Anderson's first live-action TV series after a decade of producing such children's animated classics as Stingray (1963) and Thunderbirds (1964). The premise of UFO, which ran for a single season of 26 episodes, was like a more serious version of Anderson's Captain Scarlet (1967)--in the near future of 1980 a hi-tech secret organisation, SHADO, waged covert war against mysterious alien attackers. Ed Bishop played the American head of SHADO--he had had previously featured in Captain Scarlet and Anderson's Doppelganger (1969)--though in all other respects this was a thoroughly British production. As with all Anderson series UFO evidenced remarkable technological inventiveness and groundbreaking production values, coupled with startling lapses in fundamental logic too numerous to list. Much more adult in story and content than earlier Anderson productions, and surprisingly dark with its pragmatic view of human nature and downbeat endings, the show now seems like a forerunner of The X Files and the equally short-lived Dark Skies (1996). Barry Gray's memorable theme and atmospheric music greatly enhanced the overall impact. Stylishly made, though terribly sexist by current standards and featuring eye-catching costumes more fitted for a camp fancy dress party than the front line of a futuristic war, this cult classic eventually evolved into Space 1999 (1975). On the DVD: this four-disc deluxe box features the first 13 episodes. The box set has five free postcards and a booklet offering interesting background on the programme. The first disc includes an alternate, more violent opening scene, while later discs feature text transcriptions and photographs from scenes cut due to TV running time restrictions. All discs provide extensive galleries of publicity and behind the scenes photos, as well as character profiles or a history of SHADO. The opening episode, "Identified", features a commentary by Gerry Anderson, in which he talks in general about the production of the series and Ed Bishop does the same for the episode "Sub Smash". From the animated menus onwards these DVDs have been beautifully designed and produced. The mono sound is exceptionally strong and the restored and remastered picture is almost unbelievably good for a 1970 TV show. With barely a flaw anywhere the episodes look so clear, colourful and detailed that they could have been filmed last week. --Gary S Dalkin
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cynical drama critic (Oscar winner George Sanders) sees through Eve admiring her audacity and perfect pattern of deceit. Thelma Ritter and Marilyn Monroe co-star in this brilliantly scripted acclaimed classic which won six Academy Awards and received the most nominations (fourteen) in film history.
The Deuce chronicles the rise of the porn industry that began in New York City in 1971-72, driven by the gradual legalization of porn and a politically motivated effort to clean up Times Square. Seizing the chance to cash in on the nascent porn business (and sometimes being consumed by it) are a vivid assortment of characters, including: Vincent Martino (James Franco), a bartender with vision and connections; Frankie Martino, Vincent's identical twin, a dangerously freewheeling counterpart to his entrepreneurial brother; Candy (Maggie Gyllenhaal), a self-made, on-the-street sex worker eying a new career in porn filmmaking; pimps C.C. (Gary Carr) and Larry Brown (Gbenga Akinnagbe); young prostitutes Darlene (Dominique Fishback) and Lori (Emily Meade); midtown cop Chris Alston (Lawrence Gilliard, Jr.); newspaper reporter Sandra Washington (Natalie Paul); mob capo Rudy Pipilo (Michael Rispoli); disillusioned college student Abby Parker (Margarita Levieva); and others. Over the course of eight S1 episodes, viewers will get an up-close look at a gritty world of sex, crime, high times and sudden violence, as the porn business begins its climb to legitimacy, cultural permanence and billion-dollar profitability.
NEDS (Non Educated Delinquents) is the story of a young man's journey from prize-winning schoolboy to knife-carrying teenager. Struggling against the low expectations of those around him John McGill changes from victim to avenger scholar to Ned altar boy to glue sniffer. When he attempts to change back again his new reality and recent past make conformity near impossible and violent self determination near inevitable.
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