You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Four teenagers discover a mysterious hole that leads to an underground bomb shelter. Two weeks later only one of them emerges alive. Can she be trusted to tell the truth about what really happened?
The Slipper and the Rose is Brian Forbes' classic Oscar-nominated musical that re-tells the much-loved story f Cinderella and features a wonderful score by the renowned Sherman Brothers whose numerous credits include Mary Poppins, Chitty Chitty Bang Bang and The Jungle Book.Richard Chamberlain plays Prince Edward, the heir to throne of Euphrania, who is expected to find a wife. His parents the King and Queen plan a Royal Ball to which all the princesses in the land will be invited so that he can find his bride. Meanwhile Cinderella live in misery, her father has died and her wicked stepmother and awful sisters have made her house servant. But with the arrival of her fairy Godmother comes three wishes and the chance for Cindrella to go to the ball.
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Dennis Potter's astonishing six-part miniseries Pennies from Heaven remains one of the edgiest, most audacious things ever conceived for television. The story tells of one Arthur Parker (Bob Hoskins), a sheet-music salesman in 1930s England. Beaten down by economic hard times and the sexual indifference of his proper wife (Gemma Craven), Arthur cannot understand why his life can't be like the beautiful songs he loves. On a sales trip through the Forest of Dean, he meets a virginal rural woman (Cheryl Campbell) he suspects may be his ideal. Ruination follows. Punctuating virtually every scene is a vintage pop song--lip-synched and sometimes danced out by the characters. This startling innovation makes the contrast between Arthur's brutish life and his bourgeois dreams even more dramatic. Potter's dark vision digs into British stoicism, sexual repression, the class system and even the coming of fascism in Europe. But it is especially poignant on the subject of the divide between art and reality. Piers Haggard directs the long piece with deft transitions between songs and story. (It was shot partly on multi-camera video, partly on film.) The cast is fine, especially the extraordinary Cheryl Campbell, who imbues her character with keen intelligence and no small measure of perversity. Bob Hoskins triumphs in his star-making part, bringing a demonic energy to his small-time Cockney, nearly bursting his button-down vests with frustration and appetite. Pennies from Heaven was remade in 1981 for the big screen (with Steve Martin), in an interesting, Potter-scripted adaptation; it's one of the reasons the original has been unavailable on home video for so long. --Robert Horton
Even now Richard Wagner (1813-83) remains an enigma. His was a rags-to-riches saga with a fairy tale ending. He was loved yet hated admired yet despised a villain yet a hero who was worshipped a man whose fame and exploits were the gossip of Europe. Above all he was an incurable romantic whose love affair with Liszt's illegitimate daughter rivals that of Romeo and Juliet in excitement and drama. But he was also a dangerous political revolutionary whose influence penetrated the
Arthur Clutten (Norman Wisdom) is an expert safecracker who masterminds every heist for the crime syndicate he belongs to. But when he witnesses the brutal methods of persuasion being meted out the gang's leader Ignatius Smith (Bernard Hill) Clutten decides to quit the gang. However he soon realises that the gang would rather see him dead than leave them and so he decides to steal some documents that would incriminate the criminal mastermind Edward Ross (Simon Ward) and expose his honest facade.
Legends Of The Fall: Colonel William Ludlow (Sir Anthony Hopkins) built a ranch in the remote foothills of the Montana Rockies where he brought up his three sons away from the carnage of the Indian wars. Alfred (Aidan Quinn) the eldest is dutiful and reserved Samuel (Henry Thomas) the beloved youngest is compassionate and idealistic while the middle brother Tristan (Brad Pitt) has a wild untameable spirit. Into this masculine world enters Susannah Finncannon (Julia Ormond) a beautiful intelligent woman who stirs a passion and rivalry in all three brothers that will change the course of their lives and shape their destinies forever. From the rugged prairie lands of 19th Century America to the trenches of World War I and the changing world beyond 'Legends of the Fall' is a sweeping star-studded epic - a passionate journey into the darkest secrets of love betrayal and the unbreakable bonds of blood. First Knight: Set in and around the city of Camelot First Knight is a sweeping epic about love honour betrayal and passion. Lancelot (Richard Gere) a nomadic rogue has no ties no enemies and no fear until that is he meets the beautiful Lady Guinevere of Leonesse (Julia Ormond). Guinevere has promised to marry King Arthur (Sean Connery) not only because his armies can protect her country but because she truly loves him. But her chance encounter with Lancelot as she prepares to enter Camelot stirs conflicting and powerful emotions within her. Arthur welcomes both into his city with open heart little foreseeing how his great capacity for love and trust opens the doors for his own betrayal... The Slipper And The Rose: In Euphrania live two unhappy people - a sad young girl called Cinderella (Gemma Craven) and a proud young prince (Richard Chamberlain) - trapped in two very different worlds. Following the death of her father poor Cinderella has been left in the care of her unfriendly step-mother (Margaret Lockwood) and her two spoilt step-sisters. Meanwhile the Prince of the land has come of age and the King (Michael Hordern) and the Queen want him to marry. His desperate parents hold a splendid ball and invite every noble girl in the land. Cinderella is shunned by her ugly sisters when they leave her behind and flounce off to the ball in their finery. Fortunately her Fairy Godmother (Annette Crosbie) intervenes transforming Cinderella and whisks her off to the ball - and so the love story blossoms in this exquistive movie with music by Richard and Robert Sherman.
Set against the background of the Depression in the 1930s and the Second World War the story centres around Abel Mason and his desperate search for love and happiness in relationships with four women. After an affair ends in tragedy he leaves his vicious wife Lena and travels North with his ten year old son Dick. To secure a home for the boy and employment for himself he makes an illegal marriage with the widow of a wealthy garage owner. But later Abel falls hopelessly in love with her sister Florrie...
The Pope visits Dublin in 1979 and Reena and Jessop meet. Three years later they have become a famous band in the town in which they live. But pressures within the band threaten its stability and a record deal and a move to London add to the strain...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy