This jaunty musical comedy marked another success for former stage star Gene Gerrard playing here opposite Molly Lamont – his frequent screen partner during the early 1930s who enjoyed a flourishing career in Hollywood during the later half of the decade. Co-directed by Gerrard Lucky Girl is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Gerrard plays Stephan Gregorovitch the unwilling king of a bankrupt Ruritanian country who along with his chancellor is accused of stealing jewels at a party held by Duke Hugo. It is the delightful Lady Moira who comes to their aid… Special Features: Image Gallery
Narrated by on-screen observer Maugham (Herbert Marshall) this intriguing tale centers on a soul-searching World War I veteran (Tyrone Power) who finds he can not settle back into the world of the upper class. Shunning his planned marriage and career he travels abroad to seek the meaning of life and career he travels abroad to seek the meaning of life and causes his distraght fiancee (Gene Tierney) to seek solace with another man (John Payne)...
Extreme Measures loses credibility near the climax when it sacrifices its hold on reality, but this entertaining, intelligent thriller effectively applies a formulaic plot to the complicated ethics of medical research. It also gives Hugh Grant an opportunity to break free from lightweight comedy by playing an emergency room surgeon who discovers that a renowned neurologist (Gene Hackman) has been conducting secret experiments on patients. When Grant fails to save a patient whose body later mysteriously disappears from the morgue, his investigation leads to an underground community of healthy homeless people, some of whom have been test subjects in Hackman's revolutionary, but criminal research toward a cure for paralysis. Co-produced by actor-model Elizabeth Hurley and capably directed by Michael Apted, this otherwise conventional thriller rises above its limitations by asking morally complex questions that give its far-fetched plot an extra kick of dramatic impact. --Jeff Shannon
A newspaper editor played by Cary Grant meets his ex-wife/ex-star reporter's fiancee the day before they are set to be married. She says she will be happy to live a life where she will be treated like a real woman not a newsman. Grant spends the rest of the movie which all takes place in one day trying to lure Hildy back into the life they shared. The greatest screwball comedy of them all... a miracle of comic timing and fizzing chemistry. As close to perfection as you could possibly hope for His Girl Friday is a delirious joy. Channel 4 Film.
A silent film production company and cast make a difficult transition to sound.
Soviet soldier turned bureaucrat Igor Gouzenko is assigned to his first overseas posting in 1943 to Ottawa, Canada, as a cipher clerk for the military attaché, their offices in a secret wing of the Soviet embassy. Igor is not to tell anyone what he does for a living, he given a cover story which he is to recite even when questioned by his own people. He and his wife Anna Gouzenko are supposed to be cordial to their Canadian neighbors and associates, but not fraternize or befriend them, as they are still considered the enemy, despite both countries being on the same side in the war. Igor follows his instructions to a T, but it is more difficult for Anna, who does not have the distraction of work during the day, and who can see that their neighbors are not their enemies but good people much like themselves. Over the next few years, Igor sees that what is happening around him and the work in which he is involved will not result in a world in which he wants to raise his newborn son.
""Two Thumbs Up! I Was Mesmerized From Beginning To End!"" -Roger Ebert ""Siskel and Ebert"" Writer/director Woody Allen delivers a powerful ""searing adult drama"" (Leonard Maltin) examining the life of an accomplished philosophy professor teetering on the brink of self-understanding. Boasting a superb cast led by Gena Rowlands Mia Farrow Ian Holm and Gene Hackman Another Woman is Allen's 17th triumphant film. Stylistically rich and technically expert the film layers past and pres
It's not unusual for Hollywood to remake European hits. What is unusual is the director of the original getting the chance to helm the new version with an American cast, which is what happened with this film based on an intensely creepy Dutch film of the same name (both directed by George Sluizer). Kiefer Sutherland and Sandra Bullock are on vacation when, while stopped at a crowded rest area, she disappears. He devotes the next several years to discovering what happened to her, ruining his life in the process. When he does get a clue, it leads him to Jeff Bridges, who plays a bizarre and highly organized individual whose motives are almost as strange as he is. Bridges is spooky, but Sluizer ultimately is undone by Hollywood's demand for a happy ending, which makes this film affecting but far less unsettling than the original. --Marshall Fine
Morgan Freeman and Gene Hackman star in this crime mystery about a police captain investigating an attorneys claim that he stumbled across the body of a twelve year old girl while walking his dog.
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis' Under Siege and The Fugitive, Jones was America's favourite gruff character actor, with an Oscar on his mantel. With a weaker script, Davis still creates the same kind of magic here. Hackman is superb as the officer, an action role similar to others that the nearly 60-year-old unexpectedly excelled at (Bat 21, Narrow Margin) during this period. Tight, tense and with no letup in the third act, The Package is a good gem for a Saturday night flick. --Doug Thomas
Howard Hughes with the assistance of Howard Hawks directed this racy version of the Pat Garrett vs Billy The Kid story. The publicity campaign surrounding the film's release was a masterpiece. Armed with stills of 19-year-old Jane Russell revealing a remarkable dcolletage (while stopping to pick up a pair of milk pails!) producer/director Howard Hughes spent tens of thousands of dollars purposely to agitate the censors and arouse public indignation. He released the film independently in San Francisco in 1943 after United Artists refused to distribute it; it was quickly closed down by civic groups. Meanwhile legendary publicist Russell Birdwell leased thousands of billboards from coast to coast for three years plastering a suggestive photo of the scantily clad Russell reclining on a bed of hay gun in hand. By 1946 when Hughes finally re-released the film audiences flocked to theatres: Jane Russell was now a Hollywood star and you can see why!
Gene Hackman is a career officer assigned a routine mission well beneath him: deliver a prisoner (Tommy Lee Jones) from Europe to the United States. However, the simple assignment becomes a daring cat-and-mouse game played as the last flames of the Cold War are flickering. This is the first of three films that teamed Jones with director Andrew Davis. In 1989 Jones was a wild card: an actor respected but only popping up in grade B fare. After Davis' Under Siege and The Fugitive, Jones was America's favourite gruff character actor, with an Oscar on his mantel. With a weaker script, Davis still creates the same kind of magic here. Hackman is superb as the officer, an action role similar to others that the nearly 60-year-old unexpectedly excelled at (Bat 21, Narrow Margin) during this period. Tight, tense and with no letup in the third act, The Package is a good gem for a Saturday night flick. --Doug Thomas
This classic Western adapted from the novel by Harold Robbins and starring STEVE MCQUEEN in the title role is an edgy and gripping story of revenge that interweaves a number of different stories together in one mans quest to track down the killers of his parents. NEVADA SMITH sees a return to form for McQueen in a genre that he excelled in and with a supporting cast including Karl Malden Martin Landau and Arthur Kennedy the film sparkles with great performances and breathtaking s
Jerry Mulligan (Gene Kelly) is an American G.I. who decides to stay in Paris after the Second World War. Keen to sample some of the city's legendary romantic lifestyle he becomes an art student and joins a colony of painters living in a Montmartre garret. Penniless and starving his pursuit of the experience of the great artists is fast becoming a little too realistic when he is ""discovered"" by wealthy heiress Milo Roberts (Nina Foch). She becomes his patron although Jerry soon real
An authoritarian rancher (Stanwyck) rules an Arizona county with a private posse of her hired guns. However when a new lawman arrives to settle the disturbances in the State the cattle queen finds her emotions interfering with her business for the first time...
Producer George Pal and director Byron Haskins' landmark adaptation of the H.G. Wells classic novel that focuses on the invasion of the earth by Martian war machines. It's a work of frightening imagination with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe the military is helpless to stop this enemy while scientists race to find an effective weapon. It fi
The Great MGM Musical Romance A treasure trove of fun awaits when a Caribbean beauty (Judy Garland) with a mad crush on a legendary pirate meets a vagabond actor (Gene Kelly) who poses as the scoundrel. Vincente Minnelli directs bringing his uncanny skill with color and design to this joyous romp set to Cole Porter tunes. Mixing tremulous girlishness with hellcat hilarity Garland was never better as a comedienne. Parodying the rakish style of Fairbanks and Barrymore Kelly duels dupes and dances with buccaneer bravado. All by itself his Be a Clown (danced with the Nicholas Brothers and reprised with Garland) is enough to convince all to be a fan of The Pirate.
Apollo When the World Held It's Breath covers the development of the US space program concentrating on the almost-disaster of Apollo 13 where two-hundred thousand miles into its journey to the moon an explosion ripped through its service module leaving astronauts James Lovell Fred Haise and John Jack Swigert with a limited supply of oxygen water and food. Against all odds they came back and almost 25 years after the doomed mission this celebrated documentary told their story. Presented by James Burke this documentary includes interviews with the key players and covers the highs and lows of the Apollo lunar project from the tragedy of Apollo 1 to Apollo 11's world-changing moon-walk and beyond. Featuring interviews with Lovell and Haise the astronauts families flight director Gene Krantz Mission Operations director Christopher Kraft astronauts Mike Collins and Buzz Aldrin and cosmonaut Alexei Leonov Apollo: To the Edge and Back offers not only unprecedented insights into the Apollo 13 mission but also an overview of the Cold War rivalry which initiated the Apollo programme and the near-fatal mission s impact in rekindling waning interest in space exploration.
Two men are witness to a murder - a blind man who couldn't see it and a deaf man who couldn't hear it but somehow they become prime suspects in the case. They escape the police and set out to catch the bad guy themselves...
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