An amiable knock-off of the Ealing comedy style, The Smallest Show on Earth starts with aspiring novelist Bill Travers and his "nice gel" wife Virginia McKenna inheriting a cinema from a hitherto unknown uncle and discovering that it isn't the sumptuous modern Grand, which specialises in those "smash 'em in the face, knock 'em over the waterfront" pictures, but the decrepit Bijou, known locally as "the fleapit". The initial plan, set up by lawyer Leslie Phillips, is to sell off the cinema to the owner of the Grand so he can knock it down to make a car park, but our heroes are put off by the arrogant bullying of the rival manager (Francis De Wolff) and succumb to the inept charms of the crazed, aged staff--drunken projectionist Peter Sellers, doddery commissionaire Bernard Miles and dotty ticket lady Margaret Rutherford (who joined the team as a piano accompanist). In the 1950s, there was a run of gentle British comedies in which outmoded and broken-down local institutions (steam trains, tugboats, vintage cars) were saved by collections of committed eccentrics who despised the new-fangled bus services or soulless council bureaucracies and were willing to resort to a little larceny (in this case, arson). The Smallest Show slots in perfectly with the cycle, getting laughs from the Bijou's already outmoded programme of scratchy Westerns and desert dramas (which increase ice cream sales) and sentiment over the staff's midnight screenings of silent movies that remind them of better days. It's likeable rather than hilarious, with Sellers and Miles buried under crepe hair and fake wrinkles competing to out-dodder each other and losing the picture to the inimitable Rutherford, who doesn't have to fake her eccentricity. Pin-up, June Cunningham, is the glamorous usherette and Sid James plays her annoyed Dad. On the DVD: The Smallest Show on Earth is presented in a decent print, but with no extras. The film is also available as part of the four-disc Peter Sellers Collection. --Kim Newman
Featuring the films: 'Hoffman' 'The Smallest Show On Earth' 'Carlton-Browne Of The F.O.' and 'Two Way Stretch'. Hoffman *(WS 1.85:1 Anamorphic 1970 1 hour and 47 Minutes Colour): Peter Sellers is Hoffman a middle aged misfit who blackmails his young attractive secretary into spending a week with him. Although he behaves like a creep throughout the weekend he actually emerges as a sympathetic character in the end. Two Way Stretch *(FS 1960 1 hour and 23 minutes B&W):
Filmed in Chicago & finished in 1959 The Cry Of Jazz is film maker composer and arranger Edward O Blands polemical essay on the politics of music and race - a forecast of what he called 'the death of jazz'. A landmark moment in film forseeing the civil unrest of subsequent decades it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in windy city night clubs all shot in glorious black and white.
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