Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
A group of fashion models disturb the tomb of a mummy and revive an ancient curse. Along with the mummy rising, slaves who were buried in the desert thousands of years before, also rise, with a craving for human flesh. Newly scanned and restored in 2K from surviving 35mm Spanish and German Prints, with additional colour correction by Treasured FilmsNew Audio Commentary from Kim Newman and Barry ForshawArchival Audio Commentary with Director Frank AgramaUnwrapping the Mummy: A new video essay on Frank Agrama by Eugenio ErcolaniPeeling the Bandages: A new video essay on Dawn of the Mummy by Stephen ThrowerBack to the Suture: A new video essay on Mummy movies of the 1980s by Darrell Buxton Lighting the Mummy: A new Interview with Cinematographer Sergio RubiniTrailerImage GalleryReversible Sleeve featuring two artwork choices.Optional English Subtitles for the deaf and hard-of-hearing
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
This Audrey Hepburn Collection box set contains the following films: Breakfast at Tiffany's, Sabrina, Funny Face, Paris When It Sizzles and Roman Holiday.
Breakfast At Tiffany's:The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl, determined to marry a Brazilian millionaire. George Peppard plays her next-door neighbour, a writer who is 'sponsored' by a wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this gem-like treat set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini-Johnny Mercer song, 'Moon River'.Paris When It Sizzles:William Holden portrays a screenwriter with a script deadline in three days. When he asks secretary Audrey Hepburn to help concoct ideas, she acts out a potpourri of preposterous plots. Beautifully shot on location in Paris by famed cinematographer Claude Renoir.Funny Face:Paris, the City of Light, shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp - filmed on location in Paris - garnered four Academy Award nominations. In the role of a bookstore clerk transformed into a modelling sensation, Hepburn showcases singing and dancing skills she had honed on the London stage, performing How Long Has This Been Going On?, a Basal Metabolism dance in a cool-cat bistro and more. Astaire, as the fashion photographer who discovers her, conjures up his inimitable magic for sequences that include Let's Kiss And Make Up matador diversion, a heavenly dance with Hepburn to He Loves And She Loves and, again with Hepburn, the title-tune enchantment, I Love Your Funny Face. Now and Forever, so do we.Also includes the following films:Sabrina and Roman Holiday
Deep in the heart of ancient Egypt the mummified corpse of a pharaoh is put to rest and a curse is placed upon anyone unfortunate enough to disturb the tomb. Jump to the present day and a group of New York models and photographers are in Egypt looking for a unique location to serve as a suitable backdrop for a fashion shoot. When the group comes across a band of grave robbers who have unearthed a previously undiscovered tomb they decide to hold the shoot there. Setting up their e
Andre Toulon's living puppets are back in Curse of the Puppet Master, this time in the possession of Dr. Magrew (George Peck), who runs a house of marvels and is experimenting to create the perfect being, without all the inner conflict and torment of humans. To do so, he recruits a talented young woodcarver named Tank (Josh Green). But Magrew's plans get complicated when his daughter (appealingly played by Emily Harrison) falls for the young man. Fans of the Puppet Master series will probably enjoy this sixth instalment. The three leads are well cast, the production design shows some imagination, and the script works--until the abrupt and nonsensical ending. The puppets also seem less animated than in previous films; nevertheless, they still manage to get their whacks in. Trivia factoid: director "Victoria Sloane" is one of several stage names used by David DeCoteau, who also directed instalments numbers three and seven in the series.--Geoff Miller, Amazon.com
Julia a unhappily married mother is magically transformed into a dynamic younger woman and falls in love with handsome Mac. Will her family survive?
Curse Of The Puppet Master
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