Titles Comprise: Star Trek - The Motion Picture: Admiral James T. Kirk (William Shatner)is called upon to collect his old crewmates in order to save humanity from a giant hostile alien vessel steadily approaching Earth and destroying everything in its path. The Wrath Of Khan: It is the 23rd century. The Federation Starship U.S.S. Enterprise is on routine training manoeuvres and Admiral James T. Kirk seems resigned to the fact that this inspection may well be the last space mission of his career. But Khan is back... The Search For Spock: Spock is dead and McCoy is inexplicably being driven insane: McCoy is harbouring Spock's living essence. With one friend alive and one not but both in pain Kirk attempts to help his friends by stealing the USS Enterprise and defying Starfleet's Genesis planet quarantine. The Voyage Home: It's the 23rd century and a mysterious alien power is threatening Earth by evaporating the oceans and destroying the atmosphere. In a frantic attempt to save mankind Kirk and his crew must time travel back to 1986 San Francisco... The Final Frontier: It's Stardate 8454.130 and a vacationing Captain Kirk faces two challenges: Climbing Yosemite's El Capitan and teaching campfire songs to Spock. But vacations are cut short when a renegade Vulcan hijacks the Enterprise and pilots it on a journey to uncover the universe's innermost secrets. The Undiscovered Country: After years at war the Federation and the Klingon empire prepare for a peace summit. When a Klingon ship is attacked and the Enterprise is held accountable the dogs of war are unleashed again as both worlds brace for what may be their final deadly encounter...
Director Nicholas Meyer's concept for Star Trek II: The Wrath of Khan was to make it "Captain Horatio Hornblower in space". Equipped with a budget a fraction the size of that accorded the first movie, and bolstered by James Horner's swashbuckling score, Meyer accordingly delivered the most exciting of all the Trek big-screen outings, referencing both CS Forester's Hornblower and classic submarine dramas, as well as adding some literary flourishes and ground-breaking CGI work for good measure (the Genesis device sequence is a computer-animation landmark). Resurrected from the "Space Seed" episode of the TV series, Ricardo Montalban's Khan is the hammiest, most passionately alive Trek villain, infused with Captain Ahab's self-destructive single-mindedness and quoting Moby Dick and Shakespeare in his furious pursuit of Kirk. Given permission to be melodramatic, William Shatner has never been stronger, or made Kirk seem more vulnerable. And even after seeing all the later movies, no self-respecting Trekker can sit through Spock's ultimate illogical sacrifice with a dry eye. Unlike the major revisions made to The Motion Picture, this new Director's Edition of Wrath of Khan is only a very slightly extended version of the original, with some fairly minor additions--most notably scenes that establish Midshipman Peter Preston as Scotty's nephew, thereby explaining Scotty's grief at the young man's death. Some other scenes--such as Kirk and Spock discussing the Genesis Device--have also been expanded. On the DVD: Star Trek II: The Wrath of Khan is now presented in a lovely 2.35:1 anamorphic widescreen print with Dolby 5.1 sound. The first disc has an audio commentary from Nicholas Meyer, plus another fascinating all-you-ever-needed-to-know text commentary from Trek expert Michael Okuda (he did the same for The Motion Picture's DVD release). The second disc has a series of informative documentaries, the most substantial being a lengthy retrospective "Captain's Log", featuring contributions from Producer Harve Bennett, Meyer, Shatner, Nimoy and Montalban. Other featurettes focus on the production design ("Designing Khan"), "Visual Effects", and the writers of Star Trek novel spin-offs about Khan and the Kobayashi Maru ("The Star Trek Universe"). It's a shame that James Horner's major contribution goes unnoticed though. To round things off there are some promotional interviews from 1982, storyboards and the original trailer. --Mark Walker
All 79 episodes of the classic science fiction series created by Gene Roddenberry. In the famous opening narration, Captain James T. Kirk (William Shatner), commander of the starship U.S.S. Enterprise, describes space as 'the final frontier' and states that his vessel's five-year mission was to 'seek out new life forms and new civilisations' and 'to boldly go where no man has gone before.' Season 1 episodes are: 'The Man Trap', 'Charlie X', 'Where No Man Has Gone Before', 'The Naked Time', 'The Enemy Within', 'Mudd's Women', 'What Are Little Girls Made Of?', 'Miri', 'Dagger of the Mind', 'The Corbomite Maneuver', 'The Menagerie (Part 1)', 'The Menagerie (Part 2)', 'The Conscience of the King', 'Balance of Terror', 'Shore Leave', 'The Galileo Seven', 'The Squire of Gothos', 'Arena', 'Tomorrow Is Yesterday', 'Court Martial', 'The Return of the Archons', 'Space Seed', 'A Taste of Armageddon', 'This Side of Paradise', 'The Devil in the Dark', 'Errand of Mercy', 'The Alternative Factor', 'The City On the Edge of Forever' and 'Operation - Annihilate!'. Season 2 episodes are: 'Who Mourns for Adonais?', 'The Changeling', 'Mirror, Mirror', 'The Apple', 'The Doomsday Machine', 'Catspaw', 'I, Mudd', 'Metamorphosis', 'Journey to Babel', 'Friday's Child', 'The Deadly Years', 'Obsession', 'Wolf in the Fold', 'The Trouble With Tribbles', 'The Gamesters of Triskelion', 'A Piece of the Action', 'The Immunity Syndrome', 'A Private Little War', 'Return to Tomorrow', 'Patterns of Force', 'By Any Other Name', 'The Ultimate Computer', 'Bread and Circuses' and 'Assignment: Earth'. Season 3 episodes are: 'Spock's Brain', 'The Enterprise Incident', 'The Paradise Syndrome', 'And the Children Shall Lead', 'Is There in Truth No Beauty?', 'Spectre of the Gun', 'Day of the Dove', 'For the World Is Hollow and I Have Touched the Sky', 'The Tholian Web', 'Plato's Stepchildren', 'Wink of an Eye', 'The Empath', 'Elaan of Troyius', 'Whom Gods Destroy', 'Let That Be Your Last Battlefield', 'The Mark of Gideon', 'That Which Survives', 'The Lights of Zetar', 'Requiem for Methuselah', 'The Way to Eden', 'The Cloud Minders', 'The Savage Curtain', 'All Our Yesterdays' and 'Turnabout Intruder'.
Admiral Kirk's defeat of Khan and the creation of the Genesis planet are empty victories Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence. Kirk attempts to steal the U.S.S. Enterprise and defy Starfleet's Genesis planet quarantine to search for his friend, but the Klingons are planning a deadly rendezvous. Looking better than ever on Blu-ray, this essential third installment of the original motion picture saga is boldly remastered from a 4K scan of the original film elements.
Five episodes of the classic science fiction series created by Gene Roddenberry following the exploratory quest of the starship USS Enterprise and its crew.
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hardcore fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day (ie, mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon, Amazon.com
Inspired by the "Space Seed" episode of the original series, the classic swashbuckling scenario of Star Trek II: The Wrath of Khan was much more of a success with fans than the somewhat turgid drama of Star Trek: The Motion Picture. The film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humour, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) treats the film as "Horatio Hornblower in space", and then adds lots of spicy seafaring Moby Dick references, plus a sprinkle of Shakespearean tragedy and World War II submarine thriller, all driven along by one of composer James Horner's finest scores. Wrath of Khan set the successful tone for the films that followed. --Jeff Shannon, Amazon.com
With the return of director Nicholas Meyer, Star Trek VI: The Undiscovered Country restored the movie series to its classic blend of space opera, intelligent plotting and engaging interaction of stalwart heroes and menacing villains. Borrowing its subtitle (and several lines of dialogue) from Shakespeare, the movie finds Admiral Kirk (William Shatner) and his fellow Enterprise crew members on a diplomatic mission to negotiate peace with the revered Klingon Chancellor Gorkon (David Warner). When the high-ranking Klingon and several officers are ruthlessly murdered, blame is placed on Kirk and crew. The subsequent investigation, which sees Spock taking on the mantle of Sherlock Holmes (and even quoting some of the great detective's lines), uncovers an assassination plot masterminded by the nefarious Klingon General Chang (Christopher Plummer) in an effort to disrupt a historic peace summit. As this political plot unfolds Star Trek VI takes on a sharp-edged tone with Kirk and Spock confronting their opposing views of diplomacy and testing their bonds of loyalty when a Vulcan officer (Kim Cattrall) is revealed to be a traitor. With a dramatic depth befitting what was to be the final movie mission of the original Enterprise crew, this film took the veteran cast out in respectably high style, with the torch being passed to the crew of Star Trek: The Next Generation in the following movie, Star Trek: Generations. --Jeff Shannon On the DVD: Star Trek VI: The Undiscovered Country is a two-disc set with the main feature presented in anamorphic widescreen at the fascinating (as Mr Spock would say) ratio of 2.00:1. Sound is strong Dolby Digital 5.1. Director Nicholas Meyer and screenwriter Denny Martin Flinn provide an audio commentary and Trek-trivia gurus Michael and Denise Okuda give another of their fact-packed text commentaries. The second disc has several lengthy and interesting documentaries: The Perils of Peacemaking delves into the many deliberate parallels with the Cold War; Stories from Star Trek VI consists of eight separate chapters about the making of the film (where it's revealed that "Gene Roddenberry hated the script", and that "The studio was not ready to relinquish the original actors possibly because they were still ambulatory"!); The Star Trek Universe has various nuggets of information, including the creation and evolution of the Klingons. Finally, in Farewell there are interviews with the principal cast from the set, plus a tribute to DeForest Kelley. Nicholas Meyer, Leonard Nimoy and William Shatner all provide up-to-date contributions throughout. --Mark Walker
The U.S.S. Enterprise boldly debuted on the big screen with the cast of the original STAR TREK series, including William Shatner, Leonard Nimoy, DeForest Kelley, George Takei, Nichelle Nichols, Walter Koenig, and James Doohan. When an unidentified alien intruder destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the helm of a newly transformed U.S.S. Enterprise to take command. Newly remastered from a 4K scan of the original film elements, this is the original theatrical cut of the acclaimed adventure, and features Jerry Goldsmith's rousing iconic overture.
STAR TREK: THE ORIGINAL SERIES: THE COMPLETE SERIES STEELBOOK For the first time ever, the iconic Star Trek: The Original Series will be released on Blu-ray in highly collectible Steelbook packaging. Featuring every episode in brilliant high definition, along with over nine hours of previously released special features, including cast and crew interviews, commentaries, documentaries and archival materials, the 20-disc set will be packaged in three stunning Steelbooks, all housed inside an eye-catching reigid slipcase commemorating the 55 years of Star Trek. Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk. The First Officer is Mr. Spock, from the planet Vulcan. The Chief Medical Officer is Dr. Leonard 'Bones' McCoy. Their mission is to explore strange new worlds, to seek new life and new civilizations, to boldly go where no man has gone before! Extras: Season One: Preview Trailers: (Select Episodes) Starfleet Access Episodes: (Select Episodes) Spacelift: Transporting Trek Into The 21st Century (HD) Reflections On Spock Life Beyond Trek: William Shatner To Boldly Go... Season One The Birth Of A Timeless Legacy Interactive Enterprise Inpsection (HD) Sci-Fi Visionaries Billy Blackburn's Treasure Chest: Rare Home Movies andSpecial Memories (HD) Kiss 'N' Tell: Romance in the 23rd Century Season Two: Preview Trailers: (Select Episodes) Starfleet Access Episodes: (Select Episodes) Billy Blackburn's Treasure Chest: Rare Home Movies And Special MemoriesPart 2 (HD) The Trouble With Tribbles with Audio Commentary by David Gerrold More Tribbles, More Troubles (Star Trek: The Animated SeriesEpisode #1) (HD) with Audio Commentary by David Gerrold Trials And Tribble-ations: (Star Trek: Deep Space 9Episode #503) (HD) Trials And Tribble-ations: Uniting Two Legends Trials And Tribble-ations: An Historic Endeavor Star Trek: TOS On BluRay To Boldly Go... Season Two Designing The Final Frontier Star Trek's Favorite Moments Writer's Notebook: D.C. Fontana Life Beyond Trek: Leonard Nimoy Kirk, Spock & Bones: Star Trek's Great Trio Star Trek's Divine Diva: Nichelle Nichols Enhanced Visual Effects Credits Season Three: Preview Trailers: (Select Episodes) Life Beyond Trek: Walter Koenig Chief Engineer's Log Memoir From Mr. Sulu Captain's Log: Bob Justman Where No Man Has Gone Before The Restored, Unaired Alternate Pilot Episode David Gerrold Hosts 2009 Convention Coverage The Anthropology Of Star Trek Comic-Con Panel 2009 The World Of Rod Roddenberry Comic-Con Panel 2009 Billy Blackburn's Treasure Chest: Rare Home Movies And Special Memories - Part 3 To Boldly Go... Season Three Collectible Trek Star Trek's Impact
True story of British and Australian POW's held by the Japanese in Thailand. Near the end of the war the fittest of the POW's were moved by rail and ship to Japan and during the sea journey the convoy comes under attack from an American submarine at the same time as the Allied POW's were making a daring attempt to take over the ship.
Admiral Kirk's defeat of Khan and the creation of the Genesis planet are empty victories. Spock is dead and McCoy is inexplicably being driven insane. Then a surprise visit from Sarek Spock's father provides a startling revelation: McCoy is harbouring Spock's living essence. With one friend alive and one not but both in pain Kirk attempts to help his friends by stealing the USS Enterprise and defying Starfleet's Genesis planet quarantine. But the Klingons led by fearsome Battle Commander Kruge have also learned of Genesis and race to meet Kirk in a deadly rendezvous...
Charming ladies' man Academy Award winner Cary Grant (1970 Honorary Award) becomes a charismatic matchmaker in his final screen appearance in Walk Don't Run. When English industrialist Sir William Rutland (Grant) arrives in Tokyo on business the influx of tourists for the upcoming Olympic games makes it impossible to find lodging. So Rutland fast-talks his way into sharing an apartment with beautiful Christine Easton (Samantha Eggar) for a few days. To further confuse matters R
Almost universally derided on its first release as the worst of the Star Trek movies to date, The Final Frontier might just have been the victim of bad press. Following in the wake of the massively successful fourth instalment The Voyage Home didn't help matters (notoriously, even-numbered entries are better), nor did having novice director and shameless egomaniac William Shatner at the helm. But if the story, conceived and cowritten by Shatner, teeters dangerously on the verge of being corny, it redeems itself with enough thought-provoking scenes in the best tradition of the series, and a surprisingly original finale. Granted there are a few too many yawning plot holes along the way, and the general tone is over-earnest (despite some painfully slapstick comedy moments), but the interaction of the central trio (Kirk, Spock and McCoy) is often funny and genuinely insightful; while Laurence Luckinbill is a charismatic adversary as the renegade Vulcan Sybok. The rest of the cast scarcely get a look in, and the special effects betray serious budgetary restrictions, but with a standout score from Jerry Goldsmith and a meaty philosophical premise to play around with, Star Trek V looks a lot more substantial in retrospect. Certainly it's no worse than either Generations or Insurrection, the next "odd-numbered" entries in the series. --Mark Walker
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon
Space. The final frontier. These are the voyages of the Starship Enterprise. Its' five year mission: to explore strange new worlds to seek out new life and new civilisations to boldly go where no man has gone before! Episodes Comprise: 1. The Man Trap 2. Charlie X 3. Where No Man Has Gone Before 4. The Naked Time 5. The Enemy Within 6. Mudd's Women 7. What Are Little Girls Made Of? 8. Miri 9. Dagger Of The Mind 10. The Corbomite Maneuver 11. The Menagerie (Part 1) 12. The Me
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
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