All four series of the classic BBC comedy starring Robert Lindsay as revolutionary leader Wolfie Smith of the Tooting Popular Front. Hoping to emulate his icons, Wolfie forms the TPF with a small group of his friends. However, he soon finds himself struggling to get his ambitious plans off the ground due to his laid back attitude and lack of organisation. Series 1 episodes are: 'Pilot', 'Crocodile Tears', 'Guess Who's Coming to Dinner', 'Abide With Me', 'The Weekend', 'The Hostage', 'The Path of True Love', 'But Is It Art?' and 'A Story for Christmas'. Series 2 episodes are: 'Speed's Return', 'Rebel Without a Pause', 'The Tooting Connection', 'Working Class Hero' and 'Rock Bottom'. Series 3 episodes are: 'Spanish Fly', 'Don't Look Down', 'Only Fool and Horses...', 'The Big Job', 'Tofkin's Revenge', 'We Shall Not Be Moved', 'The Party's Over' and 'The Glorious Day'. Series 4 episodes are: 'Bigger Than Guy Fawkes', 'Changes', 'The Final Try', 'The Letter of the Law', 'Prisoners', 'Casablanca Was Never Like This', 'Sweet Sorrow' and 'Buon Natale'.
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
It's all about women.... and their men! From the moment she glimpses her idol at the stage door Eve Horrington (Anne Baxter) moves relentlessly towards her goal: taking the reins of power from the great actress Margo Channing (Bette Davies). The cunning Eve manoeuvres her way into Margo's Broadway role becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend (Gary Merrill) her playwright (Hugh Marlowe) and his wife (Celeste Holm). Only the cyni
Taken from the novel by Erich Maria Remarque, All Quiet on the Western Front is a devastating portrait of a small group of German soldiers during World War I. In this 1979 made-for-TV version the star-studded cast is lead by Richard Thomas (The Waltons) as Paul Baumer, strongly supported by screen veterans Ernest Borgnine, Ian Holm and Patricia Neal. As both narrator and star, Thomas occasionally seems to reincarnate his familiar John-Boy persona, but does at least succeed in creating a character that has more levels than his television alter ego. After watching all of his high school buddies loose their lives, Paul returns home a changed man, conflicted in his feelings about the Army and war, and altered from an idealistic schoolboy into a fearful and humble veteran. Although Lewis Milestone's 1930 films remains the cinema's definitive version, director Delbert Mann (Desire Under the Elms, Marty) has done a workmanlike job bringing the novel to the screen. The scenery and costuming in this period piece are well done, and surely contributed to its winning the Golden Globe for Best Motion Picture Made for TV. Also exceptional are the cinematography and special effects that, while realistically gruesome, truly emphasise the horrors of war. --Zachary Lively, Amazon.com
In exchange for political asylum Polish defector Leiser (Jones) agrees to return behind the Iron Curtain to confirm the suspicions of the British Security Chief that East Germany is building a rocket in violation of the disarmament pact. Once in East Berlin Leiser falls in love with a beautiful young girl and the couple decide to flee the espionage experts - both East and West - to start a new life together. But they soon find themselves pawns in the brutal game where the stakes are
A sure thing comes once in a lifetime... but the real thing lasts forever. Rob Reiner directs this enchanting romantic comedy about a boy who wants a girl and a girl who wants a man. The boy is Gib (John Cusack) who is out to find 'The Sure Thing'. A no questions asked no strings attached no guilt involved 100% safe bet. The girl is Alison (Daphne Zuniga) who likes her men to be mature prefers an early night to a party and wants to go and see her tea drinking fiance. Thi
As a family settles into their new home, they soon realize that something isn't quiet right, and that someone or something intends to use their grief for sinister purposes.
Ocean's Eleven: The skill of Academy Award -winning director Steven Soderbergh combines with enough starpower to light up the Las Vegas strip in this classy caper. George Clooney plays Danny Ocean, leading a clever crew out to defy the odds in a split-second heist of three Vegas casinos all owned by a magnate (Andy Garcia) who is dating Danny's ex-wife (Julia Roberts). A fixer (Brad Pitt), a pickpocket (Matt Damon), a blackjack dealer (Bernie Mac), a flimflammer (Carl Reiner) and others in well-defined roles are with Danny. Are you in or out?Ocean's Twelve: Danny Ocean and his pals return in a sequel to the cool caper that yielded a $160-million heist. But $160 million doesn't go very far. Not with everyone spending like sailors on leave. Not with Vegas big-shot Terry Benedict out to recover his dough. And not with a mysterious someone stalking Danny and crew. It's time to pull off another stunning plan or plans. With locales like Amsterdam, Paris and Rome, direction by Steven Soderbergh and the original cast plus Catherine Zeta-Jones, Twelve is your lucky number.Ocean's Thirteen: It's bolder. Riskier. The most dazzling heist yet. George Clooney, Brad Pitt, Matt Damon and more reteam with director Steven Soderbergh for a split-second caper that stacks the deck with wit, style and cool. Danny Ocean again runs the game, so no rough stuff. No one gets hurt. Except for double-crossing Vegas kingpin Willy Bank (Al Pacino). Ocean's crew will hit him where it hurts: in his wallet. On opening night of Bank's posh new casino tower The Bank, every turn of a card and roll of the dice will come up a winner for bettors. And they'll hit him in his pride, making sure the tower doesn't receive a coveted Five Diamond Award. That's just the start of the flimflams. The boys are out to break The Bank. Place your bets!Ocean's Eleven:4K:COMMENTARY BY MATT DAMON, ANDY GARCIA AND BRAD PITTCOMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITER TED GRIFFINARE YOU IN OR OUT? THE MAKING OF OCEAN'S ELEVENPROS & CONS: INSIDE OCEAN'S OUTFITTHE STYLE OF STEALTHE LOOK OF THE CONORIGINAL OCEAN'S, ORIGINAL COOLBD:COMMENTARY BY MATT DAMON, ANDY GARCIA AND BRAD PITTCOMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITER TED GRIFFINHBO FIRST LOOK: THE MAKING OF OCEAN'S ELEVENTHE LOOK OF THE CONTHEATRICAL TRAILERSOcean's Twelve:4K:COMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITER GEORGE NOLFIREADY, JET SET, GO: THE MAKING OF OCEAN'S TWELVEHBO FIRST LOOK: TWELVE IS THE NEW ELEVEN: THE MAKING OF OCEAN'S TWELVEOCEAN'S TWELVE: DELETED SCENESBD:COMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITER GEORGE NOLFINEARLY 30 MINUTES OF ADDITIONAL SCENESHBO FIRST LOOK: TWELVE IS THE NEW ELEVENTHEATRICAL TRAILEROcean's Thirteen:4K:COMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITERS BRIAN KOPPELMAN AND DAVID LEVIENTHIRD'S A CHARM: THE MAKING OF OCEAN'S THIRTEENAHAB WITH A PIGGYBACK: THE MEANS & MACHINES OF OCEAN'SJERRY WEINTRAUB WALK AND TALKMASTERS OF THE HEISTOCEAN'S THIRTEEN DELETED SCENESBD:COMMENTARY BY DIRECTOR STEVEN SODERBERGH AND SCREENWRITERS BRIAN KOPPELMAN AND DAVID LEVIENMASTERS OF THE HEIST: RECALLING REAL-LIFE SOPHISTICATED HEISTSADDITIONAL SCENESVEGAS: AN OPULENT ILLUSTION - LAS VEGAS' INFLUENTIAL DESIGN SENSEJERRY WEINTRAUB WALK AND TALK: THE PRODUCER TAKES US ON A CASINO TOUR
Bowler was a Fenn Street Gang spin-off which, although written after both Please Sir! and The Fenn Street Gang, chronicled the earlier adventures of former Fenn Street pupil Craven's shady boss, Stanley Bowler - the Del Boy of his generation.
Three bodies are found. Beside each lies a copy of the ABC Railway Guide. The police are baffled. But the killer has made one mistake; he has challenged Hercule Poirot to unmask him...
Jeff Bridges actually corralled an Oscar nomination for his spirited, oddball performance in the genre-crime story Thunderbolt and Lightfoot, directed by first-timer Michael Cimino who (a short two films later) would bring down a studio with Heaven's Gate. Clint Eastwood plays a bank robber par excellence with a flair for explosives who is being hunted by his former partners, who think he has their loot from their last job. Bridges is his eager apprentice and sidekick, who helps him escape; when Eastwood finally makes peace with his hunters, Bridges convinces them to try a daring robbery--but things inevitably go awry. The relationship between Eastwood and Bridges is both funny and touching in this, one of Eastwood's better post-Dirty Harry efforts. --Marshall Fine
In this rip-roaring blend of action, thrills and humour, William Holden (The Man From Colorado) and Glenn Ford (The Desperadoes, The Violent Men) star as Dan Thomas and Tod Ramsey, two saddle bums whose dream of making their fortune in the Lone Star state has gone seriously awry. So when the rough-and-tumble drifters witness a stagecoach holdup, they decide to rob the robbers and go their separate ways. By the time they meet again, however, the two friends discover that they're not only in love with the same woman (Claire Trevor, The Stranger Wore A Gun), but on opposite sides of the law as well.
Bonnie and Clyde they ain't. George Segal and Jane Fonda star in this hilarious send-up of upper middle-class mores and the price people are willing to pay to maintain a comfortable lifestyle. Just as they're putting in a new pool at the house that has sunk them deep into debt Dick is fired from his high-paying job as an executive. Housewife Jane isn't too worried at first figuring she'll go to work and they'll just tighten their belts for awhile but it quickly becomes appa
Summer in Berlin. Jonas is planning a trip through the little known area of the Uckermark in preparation for a photography project. He invites his best friend, Phillip, to come along. They haven't met since the time they spent together in London. So they pack up their Mercedes camper and take off across uncharted territory, stopping whenever they see something they like, taking pictures and generally enjoying a laid-back road trip. The fact that Phillip is gay has never been an issue for either of them. When they pick up a hitchhiker named Boris, however, who shows Jonas some interesting spots and starts to make moves on Phillip, the friendship of the two starts to fray. Maybe three's a crowd after all? By the end of the summer, things between Jonas and Phillip won't ever be the same again.
Any movie starring Brad Pitt and Harrison Ford has got to be worth seeing, right? That's as close to a guarantee as this well-meaning thriller ever gets, however, and the talents of Pitt and Ford are absolutely vital in making any sense out of this dramatically muddled scenario. Ostensibly the movie's about an IRA terrorist (Pitt) who escapes from British troops in Belfast and travels to New York City, where he stays in the home of a seasoned cop (Ford) who has no idea of the terrorist's true identity. (Why a veteran cop would host a complete stranger in his home is one of those shaky details you're better off not thinking about.) But while Pitt's passionate character waits to make an arms deal for his IRA compatriots back in Ireland, The Devil's Own conveniently avoids any detailed understanding of the Northern Ireland conflict, focusing instead on the cop's moral dilemma when he discovers that his young guest is a terrorist. The film is superbly acted, and overall it's quite worthwhile, but don't look to it for an abundance of plot logic or an in-depth understanding of Protestant-Catholic tensions in Northern Ireland. (For that, take a look at In the Name of the Father or the underrated historical biopic Michael Collins.) --Jeff Shannon.
War Veteran Ray, (George Basha, Felony) finds himself serving two years for manslaughter by the same government he served and fought for. From the day he arrives he is given special attention and pushed mentally and physically by a sadistic prison boss. He must learn to navigate his way around the internal politics and turf wars just to survive. As he nears rock-bottom, he is unprepared to learn the hardest lesson of all: that the prison screws are often as corrupt as the criminals they keep.
Though the Charlie Chan film franchise has earned brickbats for its casting of Caucasian actors as the Asian sleuth, the movies have retained popularity among aficionados of '40s-era B-crime pictures, and the six-disc Charlie Chan Chanthology, all featuring Sidney Toler as Chan, should please that crowd. The Missouri-born Toler starred in 11 Chan pictures for Fox before purchasing the rights to the character from creator Earl Derr Biggers's widow and bringing it to budget studio Monogram, where he starred in 11 more Chans before his death in 1947 (Roland Winters replaced him in six more features until 1949). At Monogram, Chan became a Secret Service Agent (a move calculated to cut down on exotic locations and sets), and comedy was integrated into the plots via Mantan Moreland's chauffeur Birmingham Brown; Benson Fong also joined the cast as Number Three Son Tommy, with occasional appearances by daughter Frances (Frances Chan) and son Eddie (Edwin Luke, brother of Keye Luke, who played Number One Son Lee in the Fox Chans). Other than that, the six films collected here (the first six Chans for Monogram, and all but five directed by Phil Rosen) are largely indistinguishable from one another save for the murder victims and their demises. In The Secret Service, Chan investigates the death of a wartime inventor; a San Francisco socialite expires in The Chinese Cat; daughter Frances is involved in the murder of a psychic in Meeting at Midnight (a.k.a. Black Magic); another government scientist is killed in The Jade Mask, and death by remote control is the focus of The Scarlet Clue. Director Phil Karlson (Kansas City Confidential) adds some noirish atmosphere to The Shanghai Cobra, which has bank employees dying from apparent snakebites. Dated and controversial as they may be, the Chan films are engaging diversions for vintage mystery fans. No extras are featured in the set. --Paul Gaita
For over 30 years, The Children's Film Foundation produced quality entertainment for young audiences, employing the cream of British filmmaking talent. Unavailable for years, these much-loved films finally make a welcome return to out screens. The Bumper Box Collection Vol.3 includes the following the following CFF adventures; The Clue of the Missing Ape, Adventure in the Hopfields, Tim Driscoll's Donkey, Runaway Railway, Calamity the Cow, Cry Wolf, Big Wheels and Sailor, Breakout and Our Exploits at West Poley. As always the films feature a plethora of familiar faces, including George Cole, Melvyn Hayes, John Moulder-Brown, Ronnie Barker, Shelia Reid, Brenda Fricker and of course last but not least, the one and only Phil Collins!
A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster) is a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s. George Clooney, Mark Wahlberg, Ice Cube and Spike Jonze (director of Being John Malkovich) play a quartet of US soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore war-time atrocities, and conscience demands their aid to Kuwaiti rebels abandoned by President George Bush's fickle war-time policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon
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