Young At Heart (Dir. Gordon Douglas 1954) Laurie Tuttle (Doris Day) and her two attractive sisters live with their father Aunt Jessie in a small town in Connecticut. When Alex Burke (Gig Young) a composer working on a musical comedy arrives on the scene both Laurie and her sister Fran fall in love with him. Alex calls the embittered pianist and composer Barney Sloan (Frank Sinatra) to help him arrange the musical score. Lover Come Back (Dir. Delbert Mann 1961) Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart!
Titles Comprise: Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! The Thrill Of It All: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Young At Heart: Laurie Tuttle (Doris Day) and her two attractive sisters live with their father Aunt Jessie in a small town in Connecticut. When Alex Burke (Gig Young) a composer working on a musical comedy arrives on the scene both Laurie and her sister Fran fall in love with him. Alex calls the embittered pianist and composer Barney Sloan (Frank Sinatra) to help him arrange the musical score. It Happened To Jane: Jane Osgood (Day) is a widowed mother who runs a struggling lobster business in coastal Maine while Harry Malone (Kovacs) is a wealthy businessman who has bought out the local railroad. He harbors big plans for it aiming to transform it into a luxury passenger train replacing the freight train the residents of the area depend upon. When a large lobster shipment of Jane's is rerouted and returned to her dead she decides to fight back and sues Malone with the help of her longtime friend and lawyer George Denham. This instigates a battle of increasingly epic proportions.
Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously evil as BARBARA STANWYCK (The Lady Eve)? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter RAYMOND CHANDLER, director BILLY WILDER (Ace in the Hole) launched himself onto the Hollywood A-list with this paragon of film-noir fatalism from JAMES M. CAIN's pulp novel. When slick salesman Walter Neff (The Caine Mutiny's FRED MACMURRAY) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell her insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from EDWARD G. ROBINSON and the chiaroscuro of cinematographer JOHN F. SEITZ (Sunset Blvd.), Double Indemnity is one of the most wickedly perverse stories ever told and the cynical standard by which all noir must be measured. Product Features New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary featuring film critic Richard Schickel New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment New conversation between film historians Eddie Muller and Imogen Sara Smith Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder Shadows of Suspense, a 2006 documentary on the making of Double Indemnity Audio excerpts from 1971 and 1972 interviews with cinematographer John F. Seitz Radio adaptations from 1945 and 1950 Trailer English subtitles for the deaf and hard of hearing
The Thrill Of It All: This romantic comedy takes a satirical aim at the frenetic world of television. Happily married Beverly Boyer is the ultimate housewife but her life is about to change dramatically. It seems that the president of a soap company who she has just met sees the clean-cut Beverly as the perfect TV pitchwoman for his product. After the ads air Beverly becomes famous from coast to coast and an even better breadwinner than her husband - who isn't coping with either of these occurrences very well. Can the Boyers patch up their crumbling marriage before it's too late? (Dir. Norman Jewison 1963) Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) It Happened To Jane: A little-known gem from 1959 this romantic comedy stars Doris Day Jack Lemmon and Ernie Kovacs in a classic tale of a small-town underdog triumph over corrupt big-business interests. Jane Osgood (Day) is a widowed mother who runs a struggling lobster business in coastal Maine while Harry Malone (Kovacs) is a wealthy businessman who has bought out the local railroad. He harbors big plans for it aiming to transform it into a luxury passenger train replacing the freight train the residents of the area depend upon. When a large lobster shipment of Jane's is rerouted and returned to her dead she decides to fight back and sues Malone with the help of her longtime friend and lawyer George Denham. This instigates a battle of increasingly epic proportions as Malone uses every trick in the book--as well as his massive bank account--to quell the resolve of the spitfire businesswoman; Jane for her part has public sympathy on her side. A reporter for the national news doing a story on Jane (Steve Forrest) begins to fall in love with her and she is forced to decide between the romantic journalist and her childhood friend George. The magical pairing of Lemmon and Day is augmented by the beautiful location photography in Maine and a stellar supporting cast including Mary Wickes Russ Brown and a rare film appearance from Kovacs (Dir. Richard Quine 1959)
Director William Wyler's suspense classic marks the only time cinema giants Humphrey Bogart and Fredric March worked together. And the result is everything you'd expect: taut terrifying and terrific. Bogart plays an escaped con who has nothing to lose. March is a suburban Everyman who has everything to lose - his family is held hostage by Bogart. As The Desperate Hours tick by the two men square off in a battle of wills and cunning that tightens into an unforgettable fear-drench
A bumper box set of films featuring America's sweetheart Doris Day! Young At Heart (Dir. Gordon Douglas 1954): Barney Sloan (Frank Sinatra) is a cynical down-on-his-luck musician who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee Laurie (Doris Day) - and promptly falls in love with her! A musical remake of
He was hired to Mate them . . . but not to Date them!
A collection of action films starring the legendary John Wayne. Films comprise: 1. The Spoilers 2. Tycoon 3. Wake of the Red Witch 4. The Conqueror 5. The Magnificent Showman 6. Hellfighters
There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! This fantastic 6 DVD boxed set contains all 36 episodes from Rod Serling's classic groundbreaking series. Episodes comprise: 1. Where Is Everybody? 2. One For The Angels 3. Mr. Denton On Doomsday 4. Sixteen Millimeter Shrine 5. Walking Distance 6. Escape Clause 7. The Lonely 8. Time Enough At Last 9. Perchance To Dream 10. Judgment Night 11. And When The Sky Was Opened 12. What You Need 13. The Four Of Us Are Dying 14. Third From The Sun 15. I Shot An Arrow Into The Air 16. The Hitch-Hiker 17. The Fever 18. The Last Flight 19. The Purple Testament 20. Elegy 21. Mirror Image 22. The Monsters Are Due On Maple Street 23. A World Of Difference 24. Long Live Walter Jameson 25. People Are Alike All Over 26. Execution 27. The Big Tall Wish 28. A Nice Place To Visit 29. Nightmare As A Child 30. A Stop At Willoughby 31. The Chaser 32. A Passage For Trumpet 33. Mr. Bevis 34. The After Hours 35. The Mighty Casey 36. A World Of His Own
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. Volume 3 contains another selection of four episodes from across the series. "Steel" (episode 122) stars Lee Marvin in a futuristic Richard Matheson story concerning a penniless boxing manager who is forced into the ring when his robot boxer breaks down. Matheson is concerned to illustrate the lengths to which people are forced to go when desperate, but his moral is undermined a little by setting the story in the far future of 1974; Marvin, however, is a magnetic presence. In the tense and tautly written "A Game of Pool" (episode 70), Jack Klugman (The Odd Couple, Quincy) is a boastful pool player who challenges champion "Fats" Brown (Jonathan Winters) to a match in which the stakes are his life. "Walking Distance" is a slice of wistful, semi-autobiographical nostalgia from Serling in which a burned-out media exec returns to the town of his childhood (watch out for a very young Ron Howard as one of the kids). Bernard Herrmann's masterful score for this episode was composed not long after his music for Hitchcock's Vertigo, and has a similar tragi-romantic streak. Finally, "Kick the Can" (episode 86) is the story of the residents of a retirement home who discover (or rediscover) Peter Pan's secret for staying permanently young: it's easy to see why Steven Spielberg decided to adapt this episode for the 1983 movie. On the DVD: A neat animated menu with a winking eye guides the viewer "Inside the Twilight Zone", which consists of digests of background information on the individual episodes, as well as a general history of the show, season-by-season breakdown and a potted biography of Serling. --Mark Walker
How much should a girl sacrifice to get the man of her dreams? That's the question facing an innocent country girl (Doris Day) who is swept into the whirlwind of the rich and famous when a Rolls Royce splashes her with mud. Profound apologies come courtesy of a romantic business tycoon (Cary Grant) who becomes enchanted with the girl's simple direct manner and open honest heart. But he's not interested in marriage...and she's never been interested in anything else. It's a delicious
Director Billy Wilder and writer Raymond Chandler adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy, is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown, Amazon.com
Make the office a wonderful place to love in! Bunny Watson (Katharine Hepburn) heads up the research department at the Federal Broadcasting Company a major TV network. And she does her job very well thank you very much. Assigned by the network president to introduce computers into some of the department's functions Richard Sumner (Spencer Tracy) arrives at Bunny's well-run division to observe daily activities. Unfortunately however Sumner is ordered to keep his mission se
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