Problem Child: Ben Healy (John Ritter) and his social climbing wife Flo adopt Junior a fun-loving seven year old. But they soon discover he's a little monster as he turns a camping trip a birthday party and even a baseball game into comic nightmares. But is he really just a little angel trying to get out? Find out in this hilarious satire on modern-day family life. Problem Child 2: Junior the monster is now back as him and Ben his adoptive father move to Mortville 'the world's capital of divorce'. There Ben falls in love with a beautiful but mean-minded rich woman Lawanda Dumore who wants to marry him and eliminate Junior. As Junior and his new friend Trixie (she's another monster the daughter of Annie another woman) try to avoid this disaster and get their parents in love they get into a lot of trouble as we notice that ONE monster was already a headache TWO of them is really the apocalypse! Problem Child 3: That little devil Junior is back once more and he's just as naughty as ever! In this the third edition in the hilarious Problem Child series Junior is persuaded to join in with other children in various fun activities - including dancing. His father's plan appears to work when yes - Junior falls in love! - with the beautiful and ever popular Tiffany. But this only incites Junior to greater heights of mayhem-making as he sets about getting rid of the competition for Tiffany's affection.
It's hard not to feel there's something wrong when Army of Darkness, the third entry in Sam Raimi's lively Evil Dead series, opens with a 15 certificate. And indeed, this is not quite the non-stop rollercoaster of splat we're entitled to expect. Like Evil Dead II, it opens with a digest-cum-remake of the original movie, taking geeky Ash (Bruce Campbell) back out to that cabin in the woods where he is beset by demons who do away with his girlfriend (blink and you'll miss Bridget Fonda). Blasted back in time to 12th century England, Ash finds himself still battling the Deadites and his own ineptitude in a quest to save the day and get back home. Though it starts zippily, with Campbell's grimly funny clod of a hero commanding the screen, a sort of monotony sets in as magical events pile up. Ash is attacked by Lilliputian versions of himself, one of whom incubates in his stomach and grows out of his shoulder to be his evil twin. After being dismembered and buried, Evil Ash rises from the dead to command a zombie army and at least half the film is a big battle scene in which rotted warriors (nine mouldy extras in masks for every one Harryhausen-style impressive animated skeleton) besiege a cardboard castle. There are lots of action jokes, MAD Magazine-like marginal doodles and a few funny lines, but it lacks the authentic scares of The Evil Dead and the authentic sick comedy of Evil Dead II. On the DVD: Army of Darkness may be the least of the trilogy, but Anchor Bay's super two-disc set is worthy of shelving beside their outstanding editions of the earlier films. Disc 1 contains the 81-minute US theatrical version in widescreen or fullscreen, plus the original "Planet of the Apes" ending, the trailer and a making-of featurette. Disc 2 has the 96-minute director's cut, with extra slapstick and a lively, irreverent commentary track from Raimi, Campbell and co-writer Ivan Raimi, plus yet more deleted scenes and some storyboards. The fact that the film exists in so many versions suggests that none of them satisfied everybody, but fans will want every scrap of Army in this one package. --Kim Newman
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
The Wonderful Crook (aka Pas si merchant que 'a)
She Done Him Wrong
Three films in different genres based around the same set of characters. Each film stands alone but once viewed as a whole the scale and skill of Belvaux's cinematic triple vision is revealed. One: A hard-boiled film-noir and a dramatic start to Lucas Belvaux's trilogy. After a bloody escape from prison political terrorist Bruno (played by the director himself) attempts to resume his campaign of bombings and assassinations. But his colleagues have now comfortably settled into a bourgeois lifestyle so he's forced to go it alone stopping at nothing to achieve his goals... Two: Afraid that he might be dying Alain conceals the truth from Cecil the woman he loves. Despite her instincts she suspects he's lying and prefers to imagine he's having an affair. Yet is it possible everyone is in on the conspiracy including best friend Agnes? Three: Manise is equally devoted to his wife Agn''s and his job as a cop. He has done deals with the local crime boss too. However his troubles are triplefold: he is trying to capture Bruno dealing with the local crime boss and dealing with his wife's addiction to morphine. All these events are threatening to collide with tragic consequences... This is a powerful cinema experience and presented on four DVDs in a specially designed box set Lucas Belvaux's achievements are more evident since they offer the chance to watch simultaneously three different scenes which take place at the same moment in time. Comparisons have been made to Kieslowski's classic 'Three Colours' trilogy but 'One Two And Three' form a trilogy of outstanding achievement.
Pride 9 - Bout List: 1. Vitor Belfort vs Gilbert Yvel 2. Igor Vovchanchyn vs Daijiro Matsui 3. Ricco Rodriguez vs Gary Goodridge 4. Akira Shoji vs John Renken 5. Carlos Newton vs Naoki Sano 6. Allan Goes vs Vernon White 7. Carlos Barreto vs Tra Telligman 8. Heath Herring vs Willie Peeters Pride 10 - Bout List: 1. Kazushi Sakuraba vs Renzo Gracie 2. Ryan Gracie vs Tokimitsu Ishizawa 3. Ken Shamrock vs Kazuyuki Fujita 4. Igor Vovchanchyn vs Enson Inoue 5. Mark Kerr vs Igor Borisov 6. Gary Goodridge vs Gilbert Yvel 7. Ricco Rodriguez vs Giant Ochiai 8. Wanderlei Silva vs Guy Mezger 9. Vitor Belfort vs Daijiro Matsui
Snow White and the Seven Dwarfs was nicknamed "Disney's Folly" by contemporary observers; they doubted that the short cartoons shown before the main film could ever successfully make the transition from filler to feature presentation. Surely, no one would sit still for over an hour to watch an animated film, their eyes smarting from the bright colours on screen? Fortunately, Walt Disney and his army of artists persisted and the world's first full-length animated feature was finally released in 1937 to widespread acclaim.Adapted from the Grimm fairytale, Snow White and the Seven Dwarfs is chillingly dark in places, reflecting its roots in European folklore, but the deft Disney touch ensures that the overall tone remains light and the story develops apace, swept along on the perfect musical score. Any lingering gloom is quickly dispelled by the superbly characterised dwarfs and by the humorous antics of the various irresistible fauna that threaten to steal the show in several scenes. The pioneering animation is breathtaking and songs such as "Heigh Ho, Heigh Ho" and "Whistle While You Work", now firmly embedded in popular culture, are seamlessly interwoven with the action.Snow White and the Seven Dwarfs happens to be an interesting technological milestone in cinema history--it is also an enduring masterpiece of family entertainment. To the millions who have fallen under its spell over the years, this magical fairy tale remains one of Disney's most enchanting and best-loved films. Only Grumpy could resist. --Helen Baker On the DVD: the video quality on this DVD is stunningly clear. Though it is noticeable that the film is nearly 65 years old, Disney has done a great job in the cleaning process: the bright colours shine clearly, the blacks are deep and the whites clear. There is little to no visible wearing on the film and the digital transfer has done wonders in restoring Snow White and her seven little pals. The sound is very clear and you get a real sense, in places, of the newly mastered 5.1 Dolby Sound enhancements that have been added, making for enjoyable listening to the well-loved songs. The extras on disk one are plentiful and give a real insight into the making of Snow White. Little was done in 1937 for the filming of behind-the-scenes documentaries, but what could have been included has been. The audio commentary is strung together from interviews with Walt Disney himself, all of which are fascinating, and to keep the kids happy there is a familiar Disney sing-along and a Dopey game to play. The disk two extras are packed with information on the movie and Disney, from the 3-D virtual tour of the Snow White kingdom, that also has some documentary information, to an outtakes section showing abandoned footage and ideas that were never included in the final movie. There is also an informative timeline of the creation of the Walt Disney Studios that includes some deleted scenes from the movie. Altogether, great additions to a classic film. --Robert Hyde
The music of troubled Manchunian band Joy Division is put under the spotlight.
Hollywood Wives
America's favourite dysfunctional family - Roseanne Conner (Roseanne Barr) husband Dan (John Goodman) her sister Jackie (Laurie Metcalf) and kids Becky (Lecy Goranson) Darlene (Sara Gilbert) and D.J. (Michael Fishman) - is back! An unforgettable season of odd jobs and bathtub dreams broken romance and Halloween pranks weight-loss programs and school assembly humiliations the arrival of Arnie Thomas and the reunion with Ziggy Dan's dad hooking up with Crystal Jackie joining
A terrific cast headed by Melissa Gilbert Kate Nelligan (BAFTA-winner for Frankie and Johnny and Oscar nominee for The Prince of Tides) and Oscar-winner Ellen Burstyn (Alice Doesn't Live Here Anymore The Exorcist) come together for a compelling true story that tells how one young woman faced up to her nightmares to force a change in the law for the benefit of others. Gilbert plays Shari Karney a promising young attorney with a bright career ahead. But one da
Undeniably one of the toughest and most powerful gangster thrillers of the 70's 'Across 110th Street' hits hard with a thrill ride through the hell-raisin' hoods of Harlem! When a crew of gangsters make the fatal mistake of crossing a Mafia heist in Harlem things turn very ugly. But as the bullets start flying and the cops start dying a pair of New York's finest are forced to work together to bring justice to the streets before the Mafia brings the Ghetto to its knees! Up against
Set within the steamy world of international show jumping Rupert Campbell-Black ad Jake Lovell are top riders and sworn enemies both in and out of the ring. Their bitter rivalry has been escalating until it ultimately erupts at the Los Angeles Olympics with devastating conclusions. The first of the Rutshire chronicles Riders is an explosive mix of romance sex and adventure.
When Suzy arrives in London to visit an old school friend, she is unwittingly plunged into the ruthless world of the 'groupie'. Fuelled by sex, drugs and jealousy, her new lifestyle fosters in her a cold, cynical instinct for survival. But tragedy is never far away. With its effective blend of gritty location work, brooding flash-forward devices, and a soundtrack by cult acid folk and prog rock legends Comus, Forever More - who also star - and Titus Groan, Permissive is a dark British countercultural artefact that is shot through with grim authenticity. As a bonus, this release also includes Stanley Long's ultra-rare Bread, a film which, whilst exploring the same cultural milieu as Permissive (and featuring its own bona fide cult British rock band, Juicy Lucy), takes a somewhat more light-hearted approach to its subject.
Product Features American sportsman Johnny Regan (Robert Stack, Written on the Wind) goes to a bullfight while holidaying in Mexico and witnesses the great matador Manolo Estrada (Gilbert Roland, She Done Him Wrong) in action. The two men meet later that evening, and Johnny becomes entranced by Anita (Joy Page, Casablanca), a friend of Manolo's. Impressed by the world of bullfighting, and seeking to impress Anita, Johnny becomes Manolo's pupil so that he, too, may become a champion torero. Produced by John Wayne, and based in part on Budd Boetticher's experiences as a novice bullfighter, Bullfighter and the Lady was initially released in a shorter 87-minute cut, reputedly edited by John Ford. In 1986, with the aid of Boetticher and Stack, the complete 124-minute version was restored, revealing the film to be a true masterpiece. Both cuts are presented on this edition, alongside Boetticher's final work as a director, the 1985 documentary My Kingdom For which is part autobiography, part history of the bullfighting art of rejoneo. Product Features High Definition presentation Two presentations of the film: the complete 124-minute version, restored by the UCLA Film & Television Archive; and the original 87-minute theatrical cut Original mono audio Audio commentary with critics and authors Glenn Kenny and Farran Smith Nehme (2022) My Kingdom For (1985): Boetticher's final film as director, a partly autobiographical documentary about bullfighting, featuring Bullfighter and the Lady actor Robert Stack Interview with Mary Boetticher (2022) An Evening with Budd Boetticher (2001): audio recording of the great director in conversation with film preservationist Robert Gitt New and improved English subtitles for the deaf and hard of hearing Limited edition booklet featuring a new essay by Matthew Thrift, an archival letter from Budd Boetticher discussing his love of bullfighting, archival profiles of Katy Jurado, an overview of contemporary critical responses, new writing on My Kingdom For , and full film credits. UK premiere on Blu-ray Limited edition of 3,000 copies for the UK All extras subject to change
Made barely a year after Claude Chabrol's debut Le Beau Serge, Les Cousins featured the earlier film's same starring pair of Jean-Claude Brialy and Grard Blain, here reversing the good-guy/bad-guy roles of the previous picture. The result is a simmering, venomous study in human temperament that not only won the Golden Bear at the 1959 Berlin Film Festival, but also drew audiences in droves, and effectively launched Chabrol's incredible fifty-year-long career. A gripping and urbane examination of city and country, ambition and ease, Les Cousins continues to captivate and shock audiences with its brilliant scenario, the performances of Brialy and Blain, and the assuredness of Chabrol's precocious directorial hand. The Masters of Cinema Series is proud to present Claude Chabrol's breakthrough film in a beautiful new Gaumont restoration on Blu-ray and DVD for the first time in the UK. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio, presented in 1080p on the Blu-ray New and improved English subtitles Original theatrical trailer A 47-minute documentary about the making of the film L'Homme qui vendit la Tour Eiffel [The Man Who Sold the Eiffel Tower], Chabrol's 1964 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; a new and exclusive translation of a rare text about actress Franoise Vatel provided for this release by its author, the filmmaker and critic Luc Moullet; excerpts of interviews and writing by Chabrol; and more
All episodes from the first ten seasons of the US sitcom. The show revolves around two university physicists, Leonard (Johnny Galecki) and Sheldon (Jim Parsons), their beautiful, free-spirited neighbour, Penny (Kaley Cuoco-Sweeting), and their friends, Howard (Simon Helberg), Rajesh (Kunal Nayyar), Amy (Mayim Bialik) and Bernadette (Melissa Rauch).
The Lady Is Willing (Dir. Mitchell Leisen 1942): Bold eccentric Broadway performer Lisa Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make adoption viable. Why not her new obstetrician Dr. McBain? She offers him help with his research on rabbits in exchange for marriage - and he accepts. The marriage of convenience turns into a marriage of real love but when Dr. McBain's ex-wife comes looking for money matters get complicated... Shanghai Express (Dir. Josef von Sternberg 1932): Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three days. The British Army doctor Donald Harvey knew Lil before she became a famous ""coaster."" A fellow passenger defines a coaster as ""a woman who lives by her wits along the China coast."" When Chinese guerillas stop the train Dr. Harvey is selected as the hostage. Lil saves him but can she make him believe that she really hasn't changed from the woman he loved five years before? Destry Rides Again (Dir. George Marshall 1939): Kent the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor who is in cahoots with Kent appoints the town drunk Washington Dimsdale as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman Tom Destry and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Foreign Affair (Dir. Billy Wilder 1948): In occupied Berlin an army captain is torn between an ex-Nazi cafe singer and the U.S. congresswoman investigating her. Blonde Venus (Dir. Josef von Sternberg): American chemist Ned Faraday marries a German entertainer and starts a family. However he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance of being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe she continues with Nick but when Ned returns cured he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run just one step ahead of the Missing Persons Bureau. When they do finally catch her she loses her son to Ned. Once again she returns to entertaining this time in Paris and her fame once again brings her and Townsend together. Helen and Nick return to America engaged but she is irresistibly drawn back to her son and Ned. In which life does she truly belong? Devil Is A Woman (Dir. Josef von Sternberg 1935): Told in flashbacks Devil Is A Woman is a tale of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is Sternbergs surreal and fantastic Carnaval in Spain. In a cafe the older man details his encounters with the heartbreaker that his younger friend has only just met at the parade. Forewarned the young man swears he will avoid the fate of his friend but rushes all the same to his evening rendevous. A dreamlike story of frustrated lost romance spoken in the past tense never really resolved.
Made barely a year after Claude Chabrol's debut Le Beau Serge, Les Cousins featured the earlier film's same starring pair of Jean-Claude Brialy and Grard Blain, here reversing the good-guy/bad-guy roles of the previous picture. The result is a simmering, venomous study in human temperament that not only won the Golden Bear at the 1959 Berlin Film Festival, but also drew audiences in droves, and effectively launched Chabrol's incredible fifty-year-long career. A gripping and urbane examination of city and country, ambition and ease, Les Cousins continues to captivate and shock audiences with its brilliant scenario, the performances of Brialy and Blain, and the assuredness of Chabrol's precocious directorial hand. The Masters of Cinema Series is proud to present Claude Chabrol's breakthrough film in a beautiful new Gaumont restoration on Blu-ray and DVD for the first time in the UK. Special Features: Gorgeous new Gaumont restoration of the film in its original aspect ratio New and improved English subtitles Original theatrical trailer A 47-minute documentary about the making of the film L'Homme qui vendit la Tour Eiffel [The Man Who Sold the Eiffel Tower], Chabrol's 1964 short film A lengthy booklet with a new and exclusive essay by critic Emmanuel Burdeau; a new and exclusive translation of a rare text about actress Franoise Vatel provided for this release by its author, the filmmaker and critic Luc Moullet; excerpts of interviews and writing by Chabrol; and more
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