Happy Birthday to Me typifies the horror genre prior to the self-reflection and irony that saturated the genre in the late '80s and '90s. A solid cast, decent acting, a well-written script, and relatively high production values result in a solid movie that is engaging on its own in addition to offering a glimpse into the history of '80s horror. The plot follows the rules of the genre (later parodied in such films as the Scream and Scary Movie series). A number of teenagers (played by actors who appear visibly older than their characters) from an elite prep school get into mischievous sexual situations fueled by alcohol and pot smoking. As teens start to disappear, murdered in a variety of violent ways, the film suggests a number of suspects. Is the killer the troubled star played by Melissa Sue Anderson who lost her overbearing, social-climbing mother in a car accident that she survived? Or is it the stern school mistress, the wacky, cool social clown, the social misfit, or none of the above? The film keeps you guessing until the final scene. Happy Birthday is a must-see for serious fans of the horror genre and this release is a solid digital mastering of the movie. Hardcore fans should note that the DVD release was not able to secure the rights to the original soundtrack so this version features an alternate soundtrack of largely nondescript '80s electronic music. --Brian Saltzman
In this classic Agatha Christie detective story, former diplomat Charles Hayward has returned from Cairo to London to become a private detective. When Aristide Leonides, a wealthy and ruthless tycoon, is poisoned in his own bed, Detective Hayward is invited to solve the crime. As the investigation deepens he must confront the shocking realisation that one of the key suspects is Aristede's beautiful granddaughter, his employer and former lover; and must keep a clear head to navigate the sultry Sophia and the rest of her hostile family. Written by one of the world's greatest writers of all time, adapted for screen by writer Julian Fellows (Downtown Abbey, Gosford Park) and featuring a star-studded cast including Glenn Close (Fatal Attraction, Guardians of the Galaxy), Terence Stamp (Big Eyes, Song for Marion), Gillian Anderson (The X-Files, The Fall, Bleak House), Amanda Abbington (Sherlock, Mr Selfridge), and Christina Hendricks (Mad Men, Drive), Crooked House is a whodunit that cannot be missed.
Little Red Riding Hood is given a bit of a twist in this animated adventure.
After watching Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Some 60 years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. --Doug Thomas
For the first time in stunning High Definition, experience the wild adventure and laugh-outloud characters of Disney's Tarzan, as the magnificent adaptation of Edgar Rice Burroughs' classic story of the ape man comes to Blu-ray.Deep within the African jungle, a mother gorilla names an orphaned baby boy Tarzan and adopts him as her own, even though the silverback leader Kerchak shuns the hairless wonder. Growing up alongside his wisecracking ape buddy Terk and neurotic elephant pal Tantor, Tarzan develops all the instincts and prowess of a jungle animal, surfing and swinging through the trees at lightning speed. But with the sudden appearance of Tarzan's own kind - humans - including the beautiful Jane, the only world Tarzan has ever known and the onein which he belongs collide with extraordinary force!Driven by five powerful songs written and performed by pop superstar Phil Collins, and starring the voice talents of Minnie Driver, Glenn Close and the hilarious Rosie O'Donnell, Disney's Tarzan delivers incredible adventure as well as important reminders about acceptance and family!
Legend has it that Orson Welles more or less conned studio boss Harry Cohn over the phone into making The Lady from Shanghai by grabbing the title from a nearby paperback. In any case, this is one of Welles's most fascinating works, a bizarre tale of an Irish sailor (Welles) who accompanies a beautiful woman (Rita Hayworth) and her handicapped husband (Everett Sloane) on a cruise and becomes involved in a murder plot. But never mind all that (the aforementioned legend also claims that Cohn offered a reward to anyone who could explain the plot to him). The film is really a dream of Welles's driving preoccupations both on and off-screen at the time: the elusiveness of identity, the mystique of things lost, and most of all the director's faltering marriage to Hayworth. In the tradition of male filmmakers who indirectly tell the story of their love affairs with leading ladies, Welles tells his own, photographing Hayworth as a deconstructed star, an obvious cinematic creation, thus reflecting, perhaps, a never-satisfied yearning that leads us back to the mystery of Citizen Kane. --Tom Keogh
A bumper box set of classic films featuring 'The Love Goddess' herself Rita Hayworth! Gilda (Dir. Charles Vidor 1946): The legendary Rita Hayworth sizzles with sensuality and magnetism as she sings ""Put the blame on Mame"" and delivers a dazzling performance as the enticing temptress Gilda. In the story of Gilda Johnny Farrell (Glenn Ford) goes to work for Ballin Mundson (George MacReady) the proprietor of an illegal gambling casino in a South American city and quickly r
Neil Simon's curious comedy The Out-of-Towners concerns a pair of non-New Yorkers (Jack Lemmon and Sandy Dennis) having a hellish visit to the Big Apple on the eve of a job interview for Lemmon's character. Made in 1970 and directed by Arthur (Love Story) Hiller, this hectic film almost seems ahead of its time when compared to more recent misery-piled-on-misery comedies such as Planes, Trains, and Automobiles. The couple in this film endure everything that can go wrong on a trip, including being forced to spend the night in a mugger-happy Central Park. The strange element in Simon's script, though, is that Lemmon's character is so unpleasant. A middle-class, uptight guy who can't believe that New Yorkers in the service profession don't perform their jobs slavishly, he's kind of a one-note joke that quickly wears thin. It was remade with Steve Martin and Goldie Hawn in 1999. --Tom Keogh
After viewing Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Sixty odd years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of most of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. On the DVD: It's the dish--mistakes, unused footage, creative differences, embarrassing behind-the-scene stories--that makes collector's editions so much fun. Unfortunately, this goes against the Disney philosophy of picture-perfection, and this two-set disc shows it; only half of the new material is engaging. The other half of this second disc, the "Tarzan Archives," is a slickly produced filler--more publicity fluff than real insight on the development of the film and the animation process. Much better are the three abandoned scenes (with voices and storyboards), including a much fiercer opening and ending, plus dozens of sketches made over the years as the designers pursued the luscious look of the film. The original audio demos Phil Collins made for the film are also intriguing (mostly filled with dummy or place-holding lyrics). The new audio commentary (by the producer and two directors) is a "fireside chat" variety, hardly worth more than one listen. Two side-by-side comparisons of storyboards to final film are a great tool to show youngsters how the animated process works, as is animator Glen Keane's talks on animating Tarzan. Also for kids: a read-along book and trivia game. --Doug Thomas
In a fascinating departure from the austere moral drama in which he specialized D.W Griffith demonstrates his talents for warm-hearted comedy in Sally of the Sawdust. W.C. Fields made his third screen appearance as Professor Eustace McGargle a lovable confidence man who becomes the unlikely guardian of an orphaned circus waif (Carol Dempster). Intending to return Sally to her grandparents McGargle learns that her wealthy and esteemed grandfather (Erville Alderson) is a stern ju
When a group of troubled teenagers get a week's community service in a remote California forest called Grizzly Park, they get more than they bargained for.
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