Claude Rains practically owns his film debut in The Invisible Man, despite the fact that his face (let alone his body) is seen only for seconds in the final moments. As the brilliant scientist who discovers the secret of invisibility, Rains steps into the film wrapped up like a mummy behind a layer of bandages and blanketed in heavy clothes. When he removes his garments, there's nothing underneath, a simple but effective bit of 1930s movie magic that, apart from a few glitches, works as well today as it did in 1933. Like Frankenstein, another cautionary tale of science gone horribly wrong, the consequences of the doctor's experiments are dire: the chemicals drive him insane. Director James Whale infuses the film with plenty of humour, much of it arising from the quaint quirks of the local villagers, but it turns to black comedy as the doctor transforms from an impish prankster upsetting bicycles and taunting tavern patrons to a megalomaniac bent on world domination. It's slow going even at 71 minutes, but full of delightful touches and boasts a terrific performance by the all but unseen Rains, whose rich, cultured voice envelopes the picture in a kind of omnipresent fog. Vincent Price took up the role in the sequel, The Invisible Man Returns. --Sean Axmaker
The Invisible Man: Claude Rains delivers a remarkable performance in his screen debut as a mysterious doctor who discovers a serum that makes him invisible. Based on H.G. Wells classic novel it not only fuelled a host of sequels but features some special effects that are still imitated today. The Phantom Of The Opera: This spectacular retelling of Gaston Leroux's immortal horror tale stars Claude Rains as the masked phantom of the Paris opera house - a crazed compose
Seeking shelter from a pounding rainstorm in a remote region of Wales several travellers are admitted to a gloomy foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it the guests must deal with their sepulchral host Horace Femm and his obsessive malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk runs amok and releases the long pent-up brother Saul a psychotic pyromaniac who gleefully tries to destroy the residence by setting it on fire!
You have to credit the folks who put this double bill together. The Brain from Planet Arous, a low-budget alien invasion 1958 film, is one of those programmes that lingers in the memory as much for its title and impressively ludicrous giant-staring-transparent-brain monster as for its poverty row dramatics, in which the usually stiff John Agar grins evilly and flashes contact lenses when possessed by the creature and a good guy brain shows up to take over his dog to thwart the renegade cerebrum's plan for world domination. For this release, Brain is teamed with its original co-feature, a movie so bad you wouldn't buy it on its own but whose presence here is a pleasing extra. Whereas Brain from Planet Arous delivers exactly what its title promises, Teenage Monster is a cheat: rather than feature a mutant 1950s delinquent in a leather jacket, it's a melodramatic Western in which prospector's widow Anne Gwynne keeps her hulking caveman-like son (who seems to be well into middle-age) hidden, only for a scheming waitress to use the goon in her murder schemes. Brain is snappily directed, even when staging disasters well beyond its budget, while Teenage Monster drags and chatters and moans until its flat finale. On the DVD: The Brain from Planet Arous/Teenage Monster double bill disc is a solid showing for such marginal items, featuring not only the trailers for these attractions but a clutch of other 1950s sci-fi pictures (Phantom from Space, Invaders from Mars, etc.) and a bonus episode ("The Runaway Asteroid") from a studio-bound, live-broadcast juvenile space opera of the early 50s (Tom Corbett, Space Cadet) in which hysterical types in a capsule break off from the space programme to deliver ringing endorsements of gruesome-looking breakfast foods. --Kim Newman
Nothing on earth can rival the epic spectacle and breathtaking grandeur of Titanic the sweeping love story that sailed into the hearts of moviegoers around the world ultimately emerging as the most popular motion picture of all time. Leonardo DiCaprio and Oscar nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the 'unsinkable' R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival. From acclaimed filmmaker James Cameron comes a tale of forbidden love and courage in the face of disaster that triumphs as a true cinematic masterpiece.
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