Charles Burnett's 1990 masterpiece, a family drama suffused with magical realism. A slowburning masterwork of the early 1990s, this third feature by Charles Burnett (Killer of Sheep) is a singular piece of American mythmaking. In a towering performance, Danny Glover (The Color Purple) plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry's presence turns a seemingly peaceful household upside down, exposing smouldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poeticrealist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of black mysticism and folklore. Features: New, restored 4K digital transfer, approved by director Charles Burnett, with 2.0 surround DTSHD Master Audio soundtrack New interview programme featuring Burnett, actors Danny Glover and Sheryl Lee Ralph, and associate producer Linda Koulisis A Walk with Charles Burnett, a new hourlong conversation between Burnett and filmmaker Robert Townsend that revisits Burnett's films and shooting locations Short video tribute to Burnett produced for the Academy of Motion Picture Arts and Sciences' Governors Awards ceremony in 2017 PLUS: An essay by critic Ashley Clark
Roger who has lost his mother is living separated from his father. As he and his friend J.P. are two of the biggest fans of the Los Angeles baseball team he has got only two dreams: Living together with a real family and LA winning the championship. As he is praying for these two things to happen some angels show up in order to help him - but he is the only one to see them and believe in them. Fortunately the coach of the baseball team sees his abilities and so LA has a run to the f
The true story of Anna Anderson who in 1919 was dragged from a Berlin river after an unsuccessful suicide attempt. After months of amnesia something triggers her memory...gradually she reveals that she believes she is Anastasia the youngest daughter of the last Czar of Russia.
This disappointment from Jim Jarmusch stars Johnny Depp in a mystery Western about a 19th-century accountant named William Blake, who spends his last coin getting to a hellish mud town in Texas and ends up penniless and doomstruck in the wilderness. A benevolent if goofy Native American (Gary Farmer) takes an interest in guiding Blake on a quest for identity in his earthly journey, but the film is really just a string of endless shtick about inbred woodsmen, dumb lawmen, and a trio of irritable killers. With Robert Mitchum, Iggy Pop, Gabriel Byrne, Alfred Molina, and a noodling soundtrack by Neil Young. --Tom Keogh, Amazon.com
Directed by Milos Forman, The People vs. Larry Flynt is the fictionalised, but true, story of how smut-peddler Larry Flynt--the poor man's redneck Hugh Hefner--ended up appealing a libel case (brought by televangelist Jerry Falwell) to the US Supreme Court and winning a major legal victory that affected all Americans. It transpires that the US Constitution and the Bill of Rights--as brought to life in this splendidly quirky and alternately reverent and irreverent comedy--ensures everyone's freedom by protecting a whole range of expression, from the banal to the outrageous. Scripted by the writers of Ed Wood (another affectionately twisted biography of a disreputably eccentric entertainment figure), The People vs. Larry Flynt applies a similar sort of exaggerated and telescoped editorial-cartoon sensibility to the wild life and times of Hustler skin-magazine publisher Larry Flynt. There are terrific performances by Woody Harrelson as Flynt, grunge-star-turned-glamour-puss Courtney Love as his wife Althea and Edward Norton as their lawyer (a composite character). --Jim Emerson
Most critics couldn't get behind Bill Murray's modern retelling of Charles Dickens' A Christmas Carol, finding it too unfocused at times and not nearly wicked enough. Still, if you are a Murray fan, you have to enjoy his deliciously nasty portrayal of the world's meanest TV executive, who has his cathartic moment one cold Christmas night in New York City. The various ghosts lead him on a ghost-town tour of Manhattan, with stops at holidays past, present and future and a Kumbaya moment when Al Green and Annie Lennox sing "Put a Little Love in Your Heart". The effects are otherworldly, but one wishes the writing were as sharp as Murray's edgy portrayal. --Marshall Fine
In the fourth and reportedly final film of the Lethal Weapon series, director Richard Donner reunites with Mel Gibson and Danny Glover, who reprise their roles as Martin Riggs and Roger Murtaugh for one last hurrah in a film that is decidedly better than the third and first chapters. This time the pair are pitted against Jet Li, who plays the leader of a Chinese organised crime unit. Li, a veteran of hundreds of Hong Kong action films, more than holds his own against the more established team of Gibson, Glover, Rene Russo and Joe Pesci with his subtle yet strong portrayal of the quietly irrepressible Wah Sing Ku. As always with the Lethal series, the plot is incredibly simple to follow: someone steals something, someone gets killed and Murtaugh is reluctantly thrown into the mix while Riggs dives into the case with gleeful aplomb. As with the previous movies, we watch for the sheer action and chemistry alone. The action sequences throughout the fourth instalment are exquisite, from the opening scene involving a flame-thrower, a burning building and a half-naked Murtaugh strutting like a chicken (don't ask, just watch), to the climactic showdown that pays genuine tribute to Jet Li's masterful martial art skills. As for chemistry, the bond between these characters is so strong by now that you sometimes feel like you're watching a TV series in its sixth season, such is the warm familiarity between the audience and the personalities on the screen. The humour is more fluid than ever, aided immeasurably by the casting of comedian Chris Rock, who like Li does a great job of making his presence known in some memorable verbal tirades that would bring a smile out of the Farrelly brothers. But it's the verbal and emotional jousting between Glover and Gibson that makes this fourth episode especially appealing; both are in peak form with great physical and verbal timing. One can only hope that if this is indeed the last of the Lethal films, that it won't be the last time we see Glover and Gibson together on screen. --Jeremy Storey
Steve Austin returns for three more exhilarating action-packed adventures: ""Day of the Robot"" ""Run Steve Run"" and ""Return of the Robot Maker"".
The fairy tale is over. If you thought Snow White was only a fairy tale you're about to discover the truth but lock up your children first. The real tale of Snow White is a tale of relentless terror and unimaginable horror. When young Lillian's mother dies during childbirth the father soon remarries the well-intentioned Lady Claudia. However Claudia's heart is ruled not by her husband but by an evil mirror with the power to make Claudia Queen over all living things until
Hailed as "genre-breaking stuff" on its release in 1992, this is the tale of a London estate agent who find he's the son of a Yorkshire pig farmer.
An orphaned girl fights her real-life enemies by believing they are figures from her history book. A young girl suddenly finds herself in the miniature world of a Victorian doll's house. A downtrodden teenage boy relives the ancient legend of a youth who shared his plight - in reality, or in his imagination? Atmospheric, superbly scripted and filled with the unexpected, this anthology series offered spine-tingling psychological and supernatural tales for younger viewers. With characters typically finding themselves plunged into strange alternative realities, or encountering ghostly figures from the past, the young protagonists' otherworldly experiences often play upon common teenage fears and preoccupations. Award-winning authors Penelope Lively, Rosemary Harris, Joan Aiken and Susan Cooper are among the writers for this complete second series.
In the darkly phantasmagorical world of the carnival magician and sideshow hypnotist the gruesome illusions of Montag the Magnificent are unique in that they seem to become retroactive reality long after the the tricks are done. Is it coincidence or circumstantial evidence of the world's most diabolically ingenious murders?
Mr Majestyk (Bronson) is an ex-con and Vietnam vet whose efforts to run a normal life as a farmer are thwarted by narrow-minded locals and corrupts cops. When a Mafia hitman destroys Majestyk's crop, the farmer snaps. Taking his rifle in hand, he goes after the syndicate assassin, refusing to stop until his work is done. Written for the screen by Elmore Leonard (Out of Sight, Get Shorty), directed by Richard Fleischer (10 Rillington Place, Soylent Green) and starring cinema tough guy Charles Bronson (The Dirty Dozen, Death Wish), Mr Majestyk is a gritty action film full of car chases, shoot-outs and bare-knuckle brawls.
Medical researcher Frank (Mark Duplass) his fiancee Zoe (Olivia Wilde) and their team have achieved the impossible: they have found a way to revive the dead. After a successful but unsanctioned experiment on a lifeless animal they are ready to make their work public. However when their dean learns what they've done he shuts them down. Zoe is killed during an attempt to recreate the experiment leading Frank to test the process on her. Zoe is revived -- but something evil is within her. From Blumhouse Productions the creators of Insidious The Purge and Paranormal Activity.
As accomplished as it is superfluous, Willard is a stylish horror film with plenty of style but precious little horror. Genre buffs will appreciate it as a visually superior sequel/remake of its popular 1971 predecessor, giving Crispin Glover a title role perfectly suited to his uniquely odd persona, in the same league as Psycho's Norman Bates. This time, Willard's the psychotically lonely son of the original film's now-deceased protagonist: a milquetoast introvert who befriends an army of obedient rats--lethal allies when Willard's pushed to his emotional breaking point by his abusive boss (R. Lee Ermey). In keeping with his memorably macabre episodes of X-Files, writer-director Glen Morgan excels with dreary atmosphere and mischievously morbid humor (including an ill-fated cat named Scully), and Glover gives his best performance since River's Edge. But even the furry villain Ben--an oversized rat with attitude--is more funny than frightful. With some justification, Glover's fans will appreciate the open door to a sequel. --Jeff Shannon
Conspiracy Theory: New York cab driver and conspiracy buff Jerry Fletcher (Mel Gibson) knows about the secret movers shakers and assassins who really control things. Trying to put Justice Department attorney Alice Sutton (Julia Roberts) in the know he's run out of her of office. Soon both will run for their lives. The two stars conspire for suspense romance and twists that click like a rush-hour taximeter. (Dir. Richard Donner 1997 Cert. 15) Payback: Mel Gibson po
A modern day adaptation of Dostoyevsky's masterpiece...
The passion violence mystery and beauty of India are rapturously evoked in Merchant Ivory Productions' acclaimed HEAT AND DUST based on the novel by Ruth Prawer Jhabvala the Oscar winning screenwriter and novelist.Blending east and west and moving effortlessly between the vibrant world of modern-day India and the magnificent splendours of the Raj HEAT AND DUST intertwines the contemporary story of Anne a young woman drawn to India by her desire to unravel the scandal surrounding her great-aunt Olivia's seduction in the 1920s by a glamorous Indian prince. for Anne it proves as much a journey of self-discovery as the opportunity to solve an enigma as she too becomes seduced by the romantic and luxurious enchantments of India.
This mysterious film tells the extraordinary tales of spine chilling events in West End theatres, the Underground and the Tower of London. From royal palaces to ordinary suburbs, eyewitness accounts offer a glimpse into the world of the unseen.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy