Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker
Arguably the finest film of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this film's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi films (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker Total Recall, director Paul Verhoeven's mega-budget sci-fi action blockbuster from 1990, began its production life as a very different film. An adaptation of the Philip K Dick short story "We Can Remember It for You Wholesale", it was originally conceived with Richard Dreyfuss starring as a Walter-Mitty-like character that experiences a variety of artificially induced fantasies. But with Arnold Schwarzenegger on board, the final version took a rather different direction. The Austrian Oak plays a normal working man who discovers his entire reality has been invented to conceal a scheme for planetary domination on Mars. Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Verhoeven (Robocop, Starship Troopers) indulges his usual penchant for gratuitous bloodshed, but the film has enough cleverness to rise above its excesses. --Jeff Shannon, Amazon.com
James Cameron heads back into the depths for this underwater IMAX extravaganza.
A BRAND NEW RESTORATION James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: NEW - T2: Reprogramming The Terminator documentary (including exclusive interviews with Arnold Schwarzenegger, James Cameron, Edward Furlong and many more) 2 feature Commentaries; 23 members of Cast & Crew (1993)/ director James Cameron & co-author William Wisher The making of T2 1993 Seamless Branching of the Theatrical cut, Director's Cut and Special extended edition 2 Deleted Scenes with audio commentary Trailers NEW T2:3D trailer (2017) T2 theatrical trailer This time there are two'/ Same make new mission'/ Building the perfect Arnold
A BRAND NEW RESTORATION James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: NEW - T2: Reprogramming The Terminator documentary (including exclusive interviews with Arnold Schwarzenegger, James Cameron, Edward Furlong and many more) 2 feature Commentaries; 23 members of Cast & Crew (1993)/ director James Cameron & co-author William Wisher The making of T2 1993 Seamless Branching of the Theatrical cut, Director's Cut and Special extended edition 2 Deleted Scenes with audio commentary Trailers NEW T2:3D trailer (2017) T2 theatrical trailer This time there are two'/ Same make new mission'/ Building the perfect Arnold
A stay-at-home mom has an affair with an ex-jock in this suburban drama.
On the evening before she moves in with her boyfriend, a French woman finds herself in a traffic jam on a Paris street and when a calm and self-assured stranger appears, she opens her car door to a man who will change her life.
Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. On the DVD: Oh, if only every DVD could be like this. Here is a DVD package worthy of this monumental movie, with so many extra features the viewer will spend hours simply trying to find them all (the animated menus alone are worth watching over and over again.) On the second disc there are three extensive documentaries (all good, all relatively straightforward), but things get more complicated as you burrow down through the menu layers of Cyberdyne Systems into the "Data Hub": the entire screenplay, storyboards, text features, dozens and dozens of video clips, deleted scenes, and thousands of stills. The movie disc itself will cause even hardened surround-sound enthusiasts to gasp with joy as these explosive soundscapes come alive in Dolby 5.1 or DTS (hear that Harley roar!), while the anamorphic widescreen picture of the original theatrical 2.35:1 ratio is jaw-droppingly impressive. The exhaustive commentary is a patchwork of interviews with various key cast and crew members. The only disappointment here is that, unlike the almost identical Region 1 version, this Region 2 package does not include the DVD-ROM features nor the option to play the original theatrical release and the hidden "Ultimate Edition"--the only version here is the Director's Cut Special Edition, although the few extra scenes that make up the "Ultimate" edit can still be found in the "Data Core" section of the second disc. --Mark Walker
Drake And Josh Go Hollywood
The DVD extras follow the adage that if one has lemons, make lemonade. This "special" edition has no commentary track, and no new input from stars Kevin Costner, Sean Connery, and Andy Garcia or writer David Mamet. Yet DVD director Laurent Bouzereau has an ace up his sleeve that makes the four new featurettes (about 50 minutes of content) worth listening to: candid talk. The usual, stiff promotional take is jettisoned as producer Art Linson and director Brian De Palma honestly talk about the film's origins, the tricks of shooting, and the casting of Robert De Niro. These refreshing comments (plus insight from the cinematographer Stephen H. Burum and actor Charles Martin Smith), and better-than-average vintage interviews makes for valuable watching--even if the footage is intercut too often with film clips. To top it all off, there's a new Dolby Digital 5.1 EX soundtrack. --Doug Thomas
In the dusty heat of the American southwest innocent country boy Caleb Colton (Adrian Pasdar) is seduced by a beautiful girl (Jenny Wright) into joining a roving pack of vicious drifters led by the enigmatic Jesse (Lance Henriksen Terminator Aliens). But this is no ordinary band of outlaws. Caleb is now trapped in a nightmare of soulless evil that waits in the shadows hellish mayhem that thrives on blood; the horror that begins Near Dark. Bill Paxton (Aliens) and Jenette Goldstein (Aliens) co-star in this extraordinary thriller co-written and directed by Kathryn Bigelow (Point Break Hurt Locker).
The word "vampire" is never mentioned in Near Dark, but that doesn't stop this 1987 cult favourite from being one of the best modern-era vampire films. It put then-unknown director Kathryn Bigelow on Hollywood's radar and gave choice roles to Aliens costars favoured by Bigelow's ex-husband James Cameron--Lance Henriksen is the leader of a makeshift family of renegade bloodsuckers, nocturnally seeking victims in rural Oklahoma; his immortal gal pal is Aliens and T2 alumnus Jenette Goldstein; and Bill Paxton is the group's deadliest leather-clad ass kicker. Fellow traveller Jenny Wright lures Okie farm boy Adrian Pasdar into the group with a love bite and he's soon turning toward vampirism with a combination of frightened revulsion and relentless desire. With Joshua Miller as the youngest vampire, Near Dark is Bigelow's masterpiece of low-budget ingenuity--a truck-stop thriller that begins well, gets better and better (aided by a fine Tangerine Dream score) and goes out in a blaze of glory. --Jeff Shannon
An edifying must-see that has received accolades at film festivals the world over, We Were Here is the first film to take a deep and reflective look back at the arrival and impact of a definitive chapter in a city's queer history. It explores how the inhabitants were affected by, and how they responded to, a calamitous epidemic.Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself. It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.In the face of adversity they stood strong and united. This is their story.
Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to back the f-off . However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
Four friends who partake in a popular Los Angeles escape room, owned by Brice (Ulrich), and find themselves stuck with a demonically possessed killer. Sean Young plays the keeper of a box containing an evil demon. The friends have less than an hour to solve the puzzles needed to escape the room alive.
James Cameron heads back into the depths for this underwater IMAX extravaganza.
In The Presidio the titular piece of real estate is the San Francisco military base that starts at the foot of the Golden Gate Bridge and sprawls back into the city itself, co-existing uneasily with Baghdad by the Bay. The two cultures clash when a murder at the Presidio is assigned to civilian police detective Mark Harmon. Harmon has an uncomfortable history with the base commander, Sean Connery--and this relationship doesn't get any less tense when he also becomes romantically entangled with Connery's daughter, Meg Ryan. Unfortunately, the script by Larry Ferguson is a stiff, which suits Harmon's acting style. Director Peter Hyams knows how to choreograph an action sequence, but he has to keep stopping so that Harmon can actually speak. Thankfully, Harmon has the always-interesting Connery and Ryan to interact with, but that's only a small saving grace. --Marshall Fine, Amazon.com
Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to back the f-off . However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
The Sean Connery Collection. The Untouchables: Brian De Palma's 'The Untouchables' is a must-see masterpiece: set to a classic Ennio Morricone score this is the glorious and fierce depiction of the larger than life mob warlord who ruled Prohibition-era Chicago - and the law enforcer who vowed to bring him down. This classic confrontation between good and evil stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery
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