Wealthy businessman and skilled huntsman Tom Newcliffe (Calvin Lockhart) summons a selection of guests to his home for the weekend one of whom is a werewolf with a taste for blood. It's up to the others to seek out the monster before the full moon reveals the culprit.
After the poor reception given to George Lazenby in Her Majesty's Secret Service, Sean Connery was no doubt lured back to the series with a gadget-stuffed briefcase full of cash (most of which he allegedly gave to charity) for this wry, snappily made seventh instalment in the series. Some of its secret weapons include a smart script, a Las Vegas setting providing plenty of neon reflections on windscreens for a memorable car chase through the Strip, and the comely Jill St. John as Tiffany Case, a diamond cut-above most of the preceding Bond girls. (Apart from Diana Rigg in Her Majesty's Secret Service, that is). Blofeld and his fluffy white cat are on hand to menace 007--it's the Nehru jackets and steely surface-look of this one in particular that the Austin Powers spoofs are sending up. Blofeld's initial cover as a reclusive Howard Hughes-like millionaire points to how the series was catching up with more contemporary figures and issues. Other highlights include two truly ferocious, karate-kicking female assassins and a sizzling moon-buggy chase across the dunes. --Leslie FelperinOn the DVD: The mind boggling possibility of casting Adam West (TV's Batman) as Bond was seriously mooted because the suits at United Artists wanted to Americanise the franchise, th e documentary reveals. Sean Connery was eventually persuaded to return but demanded a record fee to reprise his role, and then donated all the cash to his charitable foundation, the Scottish International Education Trust. The rags to riches story of larger-than-life producer Albert R Broccoli is told in the second documentary. The commentary is another in the series of edited selections from interviews with cast and crew, which are exhaustive in the wealth of detail offered but a little exhausting to sit through. Sundry trailers, radio and TV spots plus a few deleted scenes complete the comprehensive selection. --Mark Walker
After years of life-or-death standoffs, tense showdowns, and confrontations with the most dangerous killers alive, the best and brightest of the FBI's Behavioral Analysis Unit finally reach their last cases in their 15th and final season. Bring home the long-awaited answers and conclusions fans have been waiting for in this 3-disc set featuring the final 10 episodes of Criminal Minds.
Far too many film versions of the The Four Feathers have been made over the years, which is especially surprising considering that this 1939 Korda brothers production is surely definitive. The film simultaneously celebrates and pokes fun at British imperialism, showing the kind of dogged stiff-upper-lippery that forged an empire, but also the blinkered attitudes and crass snobbishness of the ruling classes (and those plummy accents--did people ever really talk like that?). Whatever political subtext may or may not be read into it, though, the film is best celebrated for its magnificent vistas: partially made on location in the Sudan, as well as at the famous Denham Studios, this is British cinema from the days when it thought to rival Hollywood for sheer spectacle. Vincent Korda's production design and the glorious early colour cinematography are helped greatly by fellow Hungarian émigré Miklos Rozsa's epic score. John Clements is the notional hero, the man who is determined to show the world he is not a coward after resigning his commission (even though it would surely have saved everyone a lot of bother if he had just stuck with it) but the film is stolen by Ralph Richardson, magnificent as an officer struck blind and led to safety by Clements' Harry Faversham. The latter scenes when Richardson's Captain Durrance realises the truth and its implications are the most poignant and emotionally truthful in the film. C Aubrey Smith is delightful as the old buffer who relives his battles on the dinner table; to a modern audience, however, the "blackface" casting of John Laurie as the Khalifa strikes a discordant note. But adjusting some expectations for its vintage, this is a triumph of derring-do and far and away the most gripping version of this oft-told story on film. --Mark Walker
This popular show follows a group of FBI agents as they go inside the minds of vicious murderers.
Robert Powell reprises one of his most famous roles, that of Edwardian adventurer Richard Hannay, in this hit drama series spinning out of John Buchan's thrilling tales of derring-do most famously, the classic novel The Thirty-Nine Steps. This release comprises both action-packed series, with guest appearances from Martin Clunes, Alex Kingston, Charles Gray, Oliver Cotton, Phyllis Logan, Iain Cuthbertson and Anthony Valentine. Having forged a successful career as a mining engineer, prospector and military intelligence officer in South Africa, Richard Hannay returns to Britain amid the mounting tensions of pre-First World War Europe. His plans to settle down are dashed, however, when the naval arms race between Britain and Imperial Germany enters a dangerous new phase and his ingenuity is stretched to its limit by the ever-inventive schemes of his ruthless arch-enemy, Count Otto von Schwabing...
Criminal Minds, the Complete Fourth Season, is the dramatic, psychological suspense thriller about an elite team of FBI profilers who analyse the country's most twisted criminal minds and anticipate their next moves.
When it was released in 1994 Four Weddings and a Funeral quickly became a huge international success, pulling in the kind of audiences most British films only dream of. It's proof that sometimes the simplest ideas are the best: in terms of plot, the title pretty much says it all. Revolving around, well, four weddings and a funeral (though not in that order), the film follows Hugh Grant's confirmed bachelor Charles as he falls for visiting American Carrie (Andy McDowell), whom he keeps bumping into at the various functions. But with this most basic of premises, screenwriter Richard Curtis has crafted a moving and thoughtful comedy about the perils of singledom and that ever-elusive search for true love. In the wrong hands, it could have been a horribly schmaltzy affair, but Curtis' script--crammed with great one-liners and beautifully judged characterisations--keeps things sharp and snappy, harking back to the sparkling Hollywood romantic comedies of the 30s and 40s. The supporting cast, including Kristin Scott Thomas, Simon Callow and Rowan Atkinson (who starred in the Curtis-scripted television show Blackadder) is first rate, at times almost too good: John Hannah's rendition of WH Auden's poem "Funeral Blues" over the coffin of his lover is so moving you think the film will struggle to re-establish its ineffably buoyant mood. But it does, thanks in no small part to Hugh Grant as the bumbling Charles (whose star-making performance compensates for a less-than-dazzling Andie MacDowell). Though it's hardly the fault of Curtis and his team, the success of the Four Weddings did have its downside, triggering a rash of far inferior British romantic comedies. In fact, we had to wait until 1999's Notting Hill for another UK film to match its winning charm--scripted, yet again, by Curtis and starring Grant. --Edward Lawrenson
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
The World Is Not Enough is an exhilarating but sophisticated, action-packed adventure. Pierce Brosnan returns as Bond, charged to protect a gorgeous billionaire heiress (Sophie Marceau) from the ruthless hands of the nuclear-obsessed terrorist Renard (Robert Carlyle), who wants control of the world's petroleum supply.
Criminal Minds revolves around an elite team of FBI profilers who analyze the country's most twisted criminal minds anticipating their next moves before they strike again. Special Agent Jason Gideon (Mandy Patinkin) is the FBI's top behavioral analyst and he joins the Behavioral Analysis Unit lead by Special Agent Aaron Hotchner (Thomas Gibson) a family man who is able to gain people's trust and unlock their secrets. Also on the team are Elle Greenaway (Lola Glaudini) an agent with a background in sexual offenses; Special Agent Derek Morgan (Shemar Moore) an expert on obsessional crimes; Special Agent Dr. Spencer Reid (Matthew Gray Gubler) a classically misunderstood genius whose social IQ is as low as his intellectual IQ is high; Jennifer ""JJ"" Jareau (AJ Cook) a confident young agent who acts as the unit liaison for the team and Penelope Garcia (Kirsten Vangsness) a computer wizard who helps research the cases. Each member brings his or her own area of expertise to the table as they pinpoint predators' motivations and identify their emotional triggers in the attempt to stop them.
Directed by Alberto Cavalcanti (Went the Day Well?, Dead of Night), They Made Me a Fugitive is a prime example of British film noir. Trevor Howard (Who?, The Missionary) plays Clem Morgan, an RAF officer during the war, now unemployed since demobilisation. Turning to the black market, he finds himself embroiled in a life of crime that will lead to prison, a daring escape, and a deadly manhunt. Boasting striking cinematography by Otto Heller, whose later credits would include Michael Powell's Peeping Tom and classic Cold War thriller The Ipcress File, They Made Me a Fugitive is accompanied by two rare short films, made during Howard's own time in the RAF during WWII, featuring his earliest known on-screen appearances. Product Features 2K restoration by the British Film Institute Original mono audio The John Player Lecture with Alberto Cavalcanti (1970, 62 mins): archival audio recording of the celebrated director at London's National Film Theatre, including an audience Q&A with fellow filmmakers Michael Balcon, Paul Rotha and Basil Wright After Effects (2019, 29 mins): appreciation by author and film historian Neil Sinyard About the Restoration (2019, 14 mins): the BFI's Kieron Webb discusses the process of restoring the film Squaring the Circle (1941, 33 mins): dramatised Royal Air Force training film, starring Trevor Howard in his first known film role The Aircraft Rocket (1944, 9 mins): extract from a multi-part RAF technical film, featuring Howard Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Batman races against the calendar when an unknown criminal named Holiday starts committing murders on holidays throughout the year. Special Features A Sneak Peek at the Next Animated DC Universe Movie, Batman: The Long Halloween Part Two - The saga continues as Batman desperately hunts the Holiday killer and Harvey Dent comes face to face with his worst nightmare.
Boy meets girl, Boy falls in love. Girl Doesn't. Welcome to "(500) Days of Summer" - a postmodern love story with a bitter and hilarious twist!
Disgusted with the religious policies of King Charles I Oliver Cromwell plans to take his family to the New World. But on the eve of their departure Cromwell is drawn into the tangled web of religious tension and political infighting that will result in the British Civil War...
This powerfully emotional post-war drama from acclaimed British director Lance Comfort features commanding performances from Sally Gray, Stephen Murray, Nigel Patrick and Seymour Hicks, among others, with an excellent score by leading French composer Georges Auric. Released in 1949, Silent Dust is presented here in a brand-new digital transfer, in its as-exhibited theatrical aspect ratio.Sir Robert Rawley is a self-made man in the most successful sense. The spur for his ambition had always been his son, Simon, but since Simon's death under fire his love has grown into an obsession. All is not as it seems, however - Simon deserted his post and faked his own death, and is now on the hunt for money...Special Feature: Original Theatrical Trailer
Revered as one of the best horror films produced by Hammer Studios The Devil Rides Out is a chilling battle between good and evil. Christopher Lee perhaps best known for his role as Dracula gets to show his good side as the heroic and cavalier Duc de Richleau who maintains the air of a gentleman throughout his tireless battle with a Satanic coven led by the wonderfully villainous Mocata (Charles Gray).
The year is 1987 and NASA launches the last of America's deep space probes. Aboard this small starship a lone astronaut, Captain William Buck Rogers. In a freak mishap Ranger 3 and its pilot are blown out of their trajectory into an orbit which freezes his life support system and returns Buck Rogers back to Earth 500 years later. Forced to readjust to a new world and its people who blame his generation for a nuclear holocaust which left the earth a radioactive wasteland. Buck is soon enlisted to help save the Earth from an alien threat, working with Colonel Wilma Deering and a robot-droid known as Twiki. They, roam space and planets to welcome back the lost and dispossessed. Buck Rogers in the 25th Century first hit the small screen in 1979 following the success of Star Wars and Battlestar Galactica. Sit back and enjoy all 33 episodes across 2 seasons of this timeless sci-fi classic, now fully restored and in hi-defintion.
Three very different families become linked by the strong-minded Agnes Conway when at the beginning of the First World War she meets the wealthy Farrier clan for the first time...
Dallas: The Complete First and Second Seasons is an American equivalent to those British mini-series about historical chapters in that country's royal monarchy. Full of family in-fighting, political intrigue crossed with personal triumph or disappointment, and plenty of sensational infidelities and betrayals, Dallas is a captivating story of a wealthy oil family's power and travails. It is also uniquely fun and daringly absurd, albeit with a straight face; this hugely successful, primetime soap opera began in the late 1970s and ran 14 seasons in all, built on a handful of primary relationships that stretch credulity but never descend into self-parody. Not unexpectedly, Dallas begins with a Romeo and Juliet tale that instantly exposes an old feud between two families and strips the civilized veneer from several major characters. Bobby Ewing (Patrick Duffy), youngest of three sons of independent oilman Jock Ewing (Jim Davis), arrives at the Ewing clan's Southfork ranch just outside Dallas, Texas, with a new wife, Pam Barnes Ewing (Victoria Principal). Pam is the daughter of Digger Barnes (David Wayne), an old business rival of Jock's and one-time suitor of the Ewing matriarch, Eleanor (or "Miss Ellie", played by Barbara Bel Geddes). Pam's also the sister of a state senator, Cliff Barnes (Ken Kercheval), whose vendetta against the Ewings is played out in the legislature, imposing costly regulations on their business and holding committee investigations into questionable practices of company president J.R. Ewing (Larry Hagman). Pam's status as the newest Ewing causes an uproar in the family (besides being a Barnes, she also dated the Ewings' genial but lonely foreman, Ray Krebbs, played by Steve Kanaly) and prompts Dallas' charming villain, J.R., to make many Iago-like attempts, over the first two seasons, to drive her from Bobby's arms. Pam has a different set of problems with the other, jealous Ewing women, including J.R.'s possibly barren and alcoholic wife, Sue Ellen (Linda Gray), and teenage Lucy (Charlene Tilton), daughter of exiled Ewing son Gary (Ted Shackleford). With new and old resentments flying and everyone deeply suspicious of everyone else's motives (even the ailing Jock doesn't trust J.R.), there's plenty of drama to chew on. Still, storylines are often larger than the sum of these parts, with lots of kidnappings, marital affairs, plane crashes, and shootings ratcheting up suspense. Dallas is pure pleasure, a little guilty, perhaps, but not a sin. --Tom Keogh
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