"Actor: Grete Berger"

• Metropolis | DVD | (27/01/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Fritz Lang's Expressionistic masterwork continues to exert its influence today, from Chaplin's Modern Times (1936) to Dr Strangelove (1963), and into the late 1990s with Dark City (1998). In the stratified society of the future (Y2K no less), the son of a capitalist discovers the atrocious conditions of the factory slaves, falling in love with the charismatic Maria in the bargain, who preaches nonviolence to the workers. But even the benevolent leadership of Maria is a challenge to the privileged class, so they have the mad-scientist Rotwang concoct a robot double to take her place and incite the workers to riot. The story is melodrama, but it's the powerful imagery that is so memorable. One of the most arresting images has legions of cowed workers filing listlessly into the great maw of the all-consuming machine-god Moloch. Unfortunately, the print used for this DVD is unfocused, scratchy, and five minutes short, altogether unworthy of a visionary masterpiece. It may be too much to hope for the complete film to be restored (only two hours of the original three-hour film are extant), but a clean transfer from a fine-grain negative ought to be possible. And why, when there are other possible future Metropolises to be had, should we downtrodden masses accept this junk? --Jim Gay

• Dr. Mabuse, der Spieler. | Blu Ray | (28/10/2013) from £11.85   |  Saving you £8.14 (68.69%)   |  RRP £19.99

  One of the legendary epics of the silent cinema - and the first part of a trilogy that Fritz Lang developed up to the very end of his career - Dr. Mabuse der Spieler. [Dr. Mabuse the Gambler.] is a masterpiece of conspiracy that even as it precedes the mind-blowing Spione from the close of Lang's silent cycle constructs its own dark labyrinth from the base materials of human fear and paranoia. Rudolf Klein-Rogge plays Dr. Mabuse the criminal mastermind whose nefarious machinations provide the cover for - or describe the result of - the economic upheaval and social bacchanalia at the heart of Weimar-era Berlin. Initiated with the arch-villain's diabolical manipulation of the stock-market and passing through a series of dramatic events based around hypnotism charlatanism hallucinations Chinese incantations cold-blooded murder opiate narcosis and cocaine anxiety Lang's film maintains an unrelenting power all the way to the final act... which culminates in the terrifying question: WHERE IS MABUSE?! A bridge between Feuillade's somnambulistic serial-films and modern media-narratives of elusive robber-barons Lang's two-part classic set the template for the director's greatest works: social commentary as superpsychology poised at the brink of combustion. The Masters of Cinema Series is proud to present Lang's early masterpiece in its fully-restored version on Blu-ray in 1080p for the first time ever. Special Features: New officially licensed transfer from restored HD materials New and improved optional English subtitles with original intertitles Exclusive feature-length audio commentary by film-scholar and Lang expert David Kalat Three video pieces: an interview with the composer of the restoration score a discussion of Norbert Jacques creator of Dr. Mabuse and an examination of the film’s motifs in the context of German silent cinema 32-Page Booklet featuring vintage reprints of writing by Lang

• Phantom/Die Finanzen Des Großherzogs | DVD | (19/10/2009) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  Two Films by F.W. Murnau. After filming the landmark Nosferatu the silent cinema's master innovator F. W. Murnau demonstrated the reach of his genre versatility with a pair of films that explored the dimensions of the psychodrama and the adventure-programmer. All the Murnau characteristics are present: a vibrant naturalism exquisite imagery passages of dreamlike revery and an atmosphere redolent with romantic longing. In Phantom an aspiring poet on the verge of what he takes for a big break experiences a chance encounter with a beautiful woman in the street - and falls headlong into love and fantasy. With debts piling up and his promised literary celebrity failing to materialise the poet descends into obsession deception and ultimately a criminal act in this delirious film that stands as an early precursor of Hitchcock's Vertigo. Die Finanzen des Grossherzogs sees Murnau exploiting the Mediterranean clime to film the tale of a rakish duke whose lifestyle has dried up his noble coffers. When word arrives about the existence of valuable sulphur deposits on his tiny duchy of Abacco a comic adventure of high-seas intrigue animal impersonators and the Crown Princess of Russia unreels at a sprightly pace. Max Schreck (the mythic actor behind the makeup of Nosferatu's Count Orlok two years earlier) appears in a supporting role in what might be Murnau's nimblest effort.

• Metropolis -- Two Disc Special Edition | DVD | (27/01/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  If you think you know Fritz Lang's Metropolis backwards, this special edition will come as a revelation. Shortly after its premiere, the expensive epic--originally well over two hours--was pulled from distribution and re-edited against Lang's wishes, and this truncated, simplified form is what we have known ever since 1926. Though not quite as fully restored as the strapline claims, this 118-minute version is the closest we are likely to get to Lang's original vision, complete with tactful linking titles to fill in the scenes that are irretrievably missing. Not only does this version add many scenes unseen for decades, but it restores their order in the original version. Until now, Metropolis has usually been rated as a spectacular but simplistic science fiction film, but this version reveals that the futuristic setting is not so much prophetic as mythical, with elements of 1920s architecture, industry, design and politics mingled with the mediaeval and the Biblical to produce images of striking strangeness: a futuristic robot burned at the stake, a steel-handed mad scientist who is also a 15th Century alchemist, the trudging workers of a vast factory plodding into the jaws of a machine that is also the ancient God Moloch. Gustav Frohlich's performance as the hero who represents the heart is still wildly overdone, but Rudolf Klein-Rogge's engineer Rotwang, Alfred Abel's Master of Metropolis and, especially, Brigitte Helm in the dual role of saintly saviour and metal femme fatale are astonishing. By restoring a great deal of story delving into the mixed motivations of the characters, the wild plot now makes more sense, and we can see that it is as much a twisted family drama as epic of repression, revolution and reconciliation. A masterpiece, and an essential purchase. On the DVD: Metropolis has been saddled with all manner of scores over the years, ranging from jazz through electronica to prog-rock, but here it is sensibly accompanied by the orchestral music Gottfried Huppertz wrote for it in the first place. An enormous amount of work has been done with damaged or incomplete elements to spruce the image up digitally, and so even the scenes that were in the film all along shine with a wealth of new detail and afford a far greater appreciation for the brilliance of art direction, special effects and Helm's clockwork sexbomb. A commentary written but not delivered by historian Ennio Patalas covers the symbolism of the film and annotates its images, but the production information is left to a measured but unchallenging 45-minute documentary on the second disc (little is made of the astounding parallel between the screen story in which Klein-Rogge's character tries to destroy the city because the Master stole his wife and the fact that Lang married the actor's wife Thea von Harbou, authoress of the Metropolis novel and screenplay!). There are galleries of production photographs and sketches; biographies of all the principals; and an illustrated lecture on the restoration process which uses before and after clips to reveal just how huge a task has been accomplished in this important work. --Kim Newman