A great value triple fillm collection of great British horrror films that includes The Silver Darlings, The System and The Quare Fellow. Stars Oliver Reed, David Hemmings, Patrick McGoohan, Sylvia Sym and Hugh Griffith.
The Long Way Home was the recipient of the 1997 Academy Award for best feature documentary. The film examines the critical post World War II period from 1945 - 1948 and the plight of tens of thousands of refugees who survived the Nazi Holocaust and their often-illegal attempts to get to the Jewish homeland. It explores how much of the world turned its back on the tragedy of these forgotten people and the world events that led to the creation of the state of Israel.
A down-on-his-luck Aussie rock promoter secures the coup of his career in this comedy.
Two old, bored and fabulously wealthy brothers, Roderick and Oliver Montpelier, strike up a cruel wager. They draw up a currency note worth £1 million. Roderick believes it would be quite useless for any poor but honest man to use. Oliver however believes that - just by possessing the note and never cashing it - any man could live like a lord. To find out who is right, the two old millionaires pick on Henry Adams (Gregory Peck), a young and impoverished American hopelessly adrift in London. Will the £1 million pound note change his life for the better or the worse? This classic, sparkling comedy - an updated version of the riotous short story by Mark Twain - sees Gregory Peck giving one of his finest performances aided and abetted by a distinguished cast which includes Joyce Grenfell and Wilfrid Hyde White.
Ambitious and beautiful New York journalist Erica (Keller) has the scoop of her career: a Japanese businessman suspected of selling American secrets to Japan. When private investigator Jack Blaylock (Griffith) is hired to help her he finds himself entangled in a web of violence and corruption with a deadline whose fatal consequences leave no margin for error...
Xmas Is Here Again
Attack Of The Giant Leeches: Unbeknown to the locals giant leeches live in caves under a swamp. The disappearance of a succession of trappers prompts the game warden to investigate matters with horrifying results. The Amazing Transparent Man: An expert safecracker named Faust (Douglas Kennedy) turns invisible via radioactive rays in this low-budget science fiction-crime movie. A beautiful dame (Marguerite Chapman) busts Faust out of jail and takes him to a remote Te
One Of Them Is Destined To Die. 50 year old Eddie begins a relationship with a young woman when she shows up at his diner. He doesn't realise that she's running from a sinister past...
Two many women ... so little time. Art Dodge (Banderas) would like to break off his engagement with his fiance Betty (Griffith)... Only her mob boss ex-husband makes it impossible for him to say no to the wedding! It's then that Art unexpectedly falls in love with Betty's beautiful sister (Hannah) and becomes entangled in an outrageous charade-he invents his own twin brother so he can date both women at once! The laughs come fast and furious as Art's delirious double life spi
A psychological-thriller in the haunting tradition of films like Taxi Driver, DARK TOURIST takes us into the chilling labyrinth of a morbid obsession. Jim is seeking something to fill the searing void within him. He is obsessed with visiting places of tragedy or disaster - termed 'Grief Tourism'. He visits places that were key in the lives of serial killers he is fascinated with. But his next trip turns horrific, as Jim's rancid sexual impulses and weakening grip on reality deteriorate into a violent despair, bringing film to its brutal and shocking finale.
Dirty Filthy Love is an offbeat romantic comedy with a difference. Darkly funny quirky and poignant this single drama tells the story of a man with Obsessive Compulsive Disorder (OCD) and Tourette's Syndrome negotiating his way through divorce and redundancy. Then he meets Charlotte who introduces him to love therapy and 'f*cked up neuro-transmitters'!
Pitch Black Owing a major debt to Alien and its cinematic spawn, Pitch Black is a guilty pleasure that surpasses expectations. As he did with The Arrival, director David Twohy revitalizes a derivative story, allowing you to forgive its flaws and submit to its visceral thrills. Under casual scrutiny, the plot's logic crumbles like a stale cookie, but it's definitely fun while it lasts. A spaceship crashes on a desert planet scorched under three suns. The mostly doomed survivors include a resourceful captain (Radha Mitchell), a drug-addled cop (Cole Hauser), and a deadly prisoner (Vin Diesel) who quickly escapes. These clashing personalities discover that the planet is plunging into the darkness of an extended eclipse, and it's populated by hordes of ravenous, razor-fanged beasties that only come out at night. The body count rises, and Pitch Black settles into familiar sci-fi territory. What sets the movie apart is Twohy's developing visual style, suggesting that this veteran of B-movie schlock may advance to the big leagues. Like the makers of The Blair Witch Project, Twohy understands the frightening power of suggestion; his hungry monsters are better heard than seen (although once seen, they're chillingly effective), and Pitch Black gets full value from moments of genuine panic. Best of all, Twohy's got a well-matched cast, with Mitchell (so memorable with Ally Sheedy in High Art) and Diesel (Pvt. Caparzo from Saving Private Ryan) being the standouts. The latter makes the most of his muscle-man role, and his character's development is one more reason this movie works better than it should. --Jeff Shannon Dark Fury Taking a page from The Animatrix, Dark Fury is part of a new trend of bridging theatrical sequels. As an official product of a franchise, the 35-minute anime benefits from having the original actors voice the characters, including Vin Diesel as Riddick. This story opens with the new action hero and the two other survivors of Pitch Black already caught by a giant spaceship filled with dread. The sinewy leader has a unique--and creepy--jail for master villains and she has her sights set on Riddick. The film--indeed the series--is indebted to animator Peter Chung, who brings his techno style from his Aeon Flux series. His smooth animation for Riddick doesn't reinvent the character as much as give him a new, appealing fluidity. As anime goes, there's nothing really new here--plenty of action, cool killers, and dramatic spurts of blood--but it's a building block for how this genre might enliven movie series and sequels in the future. --Doug Thomas The Chronicles of Riddick Bigger isn't always better, but for anyone who enjoyed Pitch Black, a nominal sequel like The Chronicles of Riddick should prove adequately entertaining. Writer-director David Twohy returns with expansive sets, detailed costumes, an army of CGI effects artists, and the star he helped launch--Vin Diesel--bearing his franchise burden quite nicely as he reprises his title role. The Furian renegade Riddick has another bounty on his head, but when he escapes from his mercenary captors, he's plunged into an epic-scale war waged by the Necromongers. A fascist master race led by Lord Marshal (Colm Feore), they're determined to conquer all enemies in their quest for the Underverse, the appeal of which is largely unexplained (since Twohy is presumably reserving details for subsequent "chronicles"). With tissue-thin plotting, scant character development, and skimpy roles that waste the talents of Thandie Newton (as a Necromonger conspirator) and Judi Dench (as a wispy "Elemental" priestess), Twohy's back in the B-movie territory he started in (with The Arrival), brought to vivid life on a vast digital landscape with the conceptual allure of a lavish graphic novel. But does Riddick have leadership skills on his resumé? To get an answer to that question, sci-fi fans will welcome another sequel. --Jeff Shannon
What drove the men who risked and lost their lives to conquer the world's highest mountain for Britain? Fifty years on Penny Mallory whose ancestor George Leigh Mallory lost his life tells the story of this extra-ordinary adventure undertaken with primitive equipment in often terrifying weather conditions against an unstable brooding and often lethal adversary - Mount Everest. Did Mallory in fact reach the summit 29 years before Hillary and Sherpa Tenzing Norgay? Mallory's frozen body was found in 1999. Using authentic footage of the ascent we revisit this unique adventure 50 years on alongside the men who pitted their wits and lives for the privilege of being the first to say that they had stood on the roof of the world. Which of us could have climbed persevered and ultimately stood beside them beneath the Union Jack on that glorious sun-drenched May morning in 1953? Featuring biographies of the expedition's members and a chronology of those other brave men and women who have lost their lives on subsequent dashes for the summer.
Along for the Ride
Hey gang! Check out this comic book movie!!! The only movie with your favourite artists and writers. See Marvel Master Stan Lee brings Spiderman's money worries to life! Hear underground artist Robert Crumb confess why he killed Fritz the Cat! Wonder at congressional hearings from the 1950s ""proving"" the link between comic books and juvenile delinquency! Comic Book Confidential is a funny smart eye popping history that finally gives comic books the respect they deserve.
A psychological-thriller in the haunting tradition of films like Taxi Driver, DARK TOURIST takes us into the chilling labyrinth of a morbid obsession. Jim is seeking something to fill the searing void within him. He is obsessed with visiting places of tragedy or disaster - termed 'Grief Tourism'. He visits places that were key in the lives of serial killers he is fascinated with. But his next trip turns horrific, as Jim's rancid sexual impulses and weakening grip on reality deteriorate into a violent despair, bringing film to its brutal and shocking finale.
In a time of superstition and paranoid accusations a sadistic magistrate named Lord Whitman (horror legend Vincent Price) decides to wage war upon anyone he suspects is dabbling in witchcraft and the occult. Satanists witches pagans heretics and all those who dabble in the dark arts must be destroyed. After a coven of witches are brutally slaughtered on the command of Lord Whitman the surviving high priestess vows revenge. As a servant of Satan the high priestess uses all her powers to conjure a dark avenger from the deepest depths of hell to curse Lord Whitman''s flesh and his blood. A terrifying merciless beast of retribution is then set loose upon the earth and sent to obliterate Lord Whitman and his family. Soon his cries of victory will be replaced by cries of agony. Soon all he will hear is the cry of the banshee: kill! Kill! Kill! Kill! Kill!
This stylish, unclassifiable film depicts a future world in which sex is no longer an act that occurs naturally between two consenting adults, but rather an emotionless, business-like arrangement in which the man chooses his ideal mate from a selection of perfectly formed replicants. When successful businessman Sam Treadwell (David Andrews, Fight Club) finds that his android wife, the Cherry model 2000 (Pamela Gidley, The Maze), malfunctions during a steamy clinch, he decides to leave the safety of his everyday life and brave the treacherous and lawless region of The Zone' to find an exact replacement model from a remote factory warehouse. His guide for this dangerous journey is the renegade tracker E' Johnson (Melanie Griffith, Mulholland Falls), a fearless and undeniably real woman. New interview with actor Tim Thomerson Audio commentary with director Steve De Jarnatt Making Cherry 2000 (1987): vintage featurette Original theatrical trailer
In 'Hamlet' we find Olivier acting and directing Shakespeare's immortal story of murder intrigue madness and despair. 'Henry V' is one of Shakespeare's most compelling histories complete with the great Battle Of Agincourt and directed by Olivier in lush technicolour became the most expensive film made by a British studio...
This exuberant comedy tells the story of an old man who is to inherit a large legacy from a distant cousin but only if he can prove he is in need. Determined to get the bequest he tries to fritter away all his remaining cash but just can't seem to stop making money! One of several popular early-thirties comedies by director Norman Lee noted for his collaborations with Leslie Fuller and 'Josser' creator Ernie Lotinga Money Talks boasts a rare appearance by legendary East-End boxing champion Jack 'Kid' Berg ('the Whitechapel Windmill'). It is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. SPECIAL FEATURE: Image gallery
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