They go to work raise children look forward to the weekend - and have a healthy interest in sex. Based on the groundbreaking British series Queer As Folk is a brave funny and sometimes graphic portrayal of a world not usually seen on television and provides an intimate look at a group of gay men and women unapologetically celebrating life. Relationships careers loves and ambitions unfold in a remarkable tapestry of everyday contemporary life set against the lively urban backdrop of Pittsburgh Pennsylvania. Realistic and frank Queer As Folk a one-hour adult drama shows that despite their differences all people share a common bond--their humanity--and that's what really counts
Two twenty-something wasters wake up one morning with no recollection of the night before and where they left their car!
Gay has rarely been so glamorous as in the American version of Queer as Folk. But the show's success rests on more than hard bodies and glossy, picture-perfect sex (though there's an abundance of that); this series gave its characters a multidimensional richness that rivals more high-profile programs like Six Feet Under or The Sopranos, while tackling an impressive breadth of social and political issues without ever (well, almost never) feeling preachy. Most TV series would take a topic like this last legal wrangle and stretch it over an entire season, but Queer as Folk is more ambitious. The writers recognise that the resolution of one problem is rarely the end of the story, that muddy consequences can be as dramatically compelling as head-to-head conflict. This aggressive and effective plotting, combined with the show's willingness to explore the complexities of every issue--be it assimilation or the coming out of a celebrity--results in an increasing emotional power as the series steamrolls towards its final episode. Some subplots can be silly (Brian has a ridiculous stud-off with a new hot guy in town), the dialogue can sometimes veer from wit to camp cliches, and the omnipresence of sculpted, muscular physiques is absurd and even a little alienating for some viewers, but Queer as Folk's strengths--the compassion and intelligence of the writers, the commitment and nuance of the acting--make this show a true television landmark and a pleasure to watch. And then, of course, there's all that graphic and lovingly photographed sex. --Bret Fetzer
Dead Space: Dead Space is a feature length horror/sci-fi animated movie based on the much anticipated Electronic Arts video game set for release in the fall of 2008. When a deep space mining operation discovers a mysterious alien Marker some believe they have finally found evidence of our creators. However the removal of the Marker instead unleashes a horrific alien species which had been entombed within a remote planet and a desperate fight for survival ensues. The story follows a select group of miners and crew members as they confront a grotesque and lethal invasion unlike anything ever seen before. The Dead Space animation will serve as a prequel to the game and take adult animated horror to a whole new level. Dead Space 2: Aftermath: The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke but now also the USG O'Bannon the first responder ship sent to rescue them. Four crew members of the O'Bannon have survived. But what happened to the rest of the crew? What were they doing? What secrets are they keeping? All to be revealed... in the Aftermath! Dead Space: Aftermath is a fast paced horrifying thrill ride told through the perspective of the 4 survivors by several renowned international directors. Each vision unique and bold in its own way. Voiced by an excellent cast led by Christopher Judge (Stargate: SG-1) Peter Woodward (Babylon 5 Charmed) Ricardo Chavira and Gwendoline Yeo.
Season Four continues to follow the journey of a group of gay friends and lovers living in Pittsburgh. This critically acclaimed series brings with it mature stories about facing the challenges of same-sex parenting discrimination AIDS/HIV cancer and morality.
Dead Space: Dead Space is a feature length horror/sci-fi animated movie based on the much anticipated Electronic Arts video game set for release in the fall of 2008. When a deep space mining operation discovers a mysterious alien Marker some believe they have finally found evidence of our creators. However the removal of the Marker instead unleashes a horrific alien species which had been entombed within a remote planet and a desperate fight for survival ensues. The story follows a select group of miners and crew members as they confront a grotesque and lethal invasion unlike anything ever seen before. The Dead Space animation will serve as a prequel to the game and take adult animated horror to a whole new level. Dead Space 2: Aftermath: The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke but now also the USG O'Bannon the first responder ship sent to rescue them. Four crew members of the O'Bannon have survived. But what happened to the rest of the crew? What were they doing? What secrets are they keeping? All to be revealed... in the Aftermath! Dead Space: Aftermath is a fast paced horrifying thrill ride told through the perspective of the 4 survivors by several renowned international directors. Each vision unique and bold in its own way. Voiced by an excellent cast led by Christopher Judge (Stargate: SG-1) Peter Woodward (Babylon 5 Charmed) Ricardo Chavira and Gwendoline Yeo.
They're here they're queer and they make Sex & The City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries--pours on copious amounts of hot and steamy sex. This slick (and slickly entertaining) series shares the same basic concept as its British counterpart--centering on a group of gay friends living in a primarily industrial city--but after that all bets are off. Whereas the British version focused on the gritty realistic drama of its characters the American QAF is a glossy fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party and you shouldn't be one of those poor suckers starving to death. A good part of the show's charm lies in its cast--boy-next-door Michael (Hal Sparks) ruthlessly seductive rake Brian (Gale Harold) out-and-proud Emmett (Peter Paige) wallflower Ted (Scott Lowell) and nubile teen Justin (Randy Harrison)--who grew from standard gay prototypes to intriguing characters by the first season's end. And while some subplots didn't work (such as Emmett's farfetched foray into gay-conversion therapy) others were quietly affecting including Brian's coping with his father's death. Some may object to the show's relentless fixation on sex (and gay men--there are just two lesbian characters) but this is a series that in its own polished way is both engrossingly fun and truly groundbreaking. It's liberating to watch an American TV series in which the straight world is only peripheral. Let's hear it for the boys!
They're here they're queer and they make Sex & The City look like a demure tea party. Showtime's quintessentially American Queer As Folk--based on the British miniseries--pours on copious amounts of hot and steamy sex. This slick series shares the same basic concept as its British counterpart--centering on a group of gay friends living in a primarily industrial city--but after that all bets are off. Whereas the British version focused on the gritty realistic drama of its characters the American QAF is a glossy fun soap opera that occasionally tackles big issues but never lets you forget that life at times can be a party and you shouldn't be one of those poor suckers starving to...
With a title like Chopper Chicks in Zombietown, you'd be excused from any great expectations here--but you'd also be missing out on one of trash-cinema's great pleasures: catching one of Hollywoood's A-list in their pre-fame days. In this case, the catch is Billy Bob Thornton, in a brief appearance as one of the Chopper Chicks' ex-husbands. It may be a guilty pleasure, but seeing this good 'ol boy playing dumb-as-a-doorknob long before Sling Blade (or A Simple Plan) and paying his dues is still, however strangely, gratifying. As for the film itself, Chopper Chicks is no Hell Comes to Frogtown, but it comes with all of the Troma hallmarks. The requisite beheadings and low-grade effects are all present and correct, along with the so-bad-it's-really-bad dialogue (except for the occasional so-bad-it's-good one-liner). The acting is wooden, the story negligible (cycle sluts come to town, kill zombies, save a schoolbus full of blind kids), and even the appearances by Thornton and original MTV (US) VJ Martha Quinn provide only occasional relief. The DVD extras include a photo gallery of screen-stills and the original trailer. --Randy Silver
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