Baby Bink is out on the town for the day visiting wonderous places and seeing fantastic sights. The only problem is he is travelling alone. Frantically hunted by his mother and turned into a celebrity by the media Baby Bink is cool calm collected and totally unaware of the havoc he wreaks this daytrip is a hilarious mix of comedy and groundbreaking special effects.
Intricately plotted and smartly paced, this gangster saga clicks as whodunit, social satire and explosive thriller. The piece is crowned by Bob Hoskins' career-making turn as a London mobster courting respectability and Helen Mirren's subtly detailed performance as his upper-crust mistress. Cockney wiseguy Harold Shand is a would-be burgher whose domination of the city's underworld stems from his shrewdness as a mediator and his skill at harnessing political and economic clout. As Easter approaches, he's poised to launch an aggressive real estate development scheme along the depressed Thames waterfront when all hell breaks loose: a trusted lieutenant is brutally murdered, Shand's mother is nearly killed in a car bombing, one of his pubs is blown apart and the visiting American don crucial to the pending deal is quickly growing wary.Barrie Keeffe's original screenplay keeps the viewer a step ahead of Shand, providing us with a telling but teasingly incomplete glimpse of the misstep by his underlings that has set chaos loose. At the same time, Keeffe underlines the bourgeois pretensions of the rough-hewn, barrel-chested Shand, how the elegant Victoria (Mirren) helps serve those ambitions and the myriad parallels between Shand's minions and the local politicians and police only too willing to join in his scheme. Tart, funny dialogue and alternately playful and pungent Eastertide imagery complete Keeffe's shrewd design--two key scenes, in a meat locker and a warehouse, invoke the Crucifixion itself. Even with lesser performances, the script and John Mackenzie's solid direction would make The Long Good Friday a keeper but Hoskins's explosive portrait of Shand and his descent toward brutal revenge elevates the film into the very front rank, earning admiring comparisons to TheGodfather, Scarface, GoodFellas and other classics of that genre. --Sam Sutherland
A young girl's love for a tiny puppy named Clifford makes the dog grow to an enormous size.
Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they prepare for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralised and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane
Supplies are dwindling. Troops are hopelessly outnumbered. But even in defeat there is victory. The defenders of the Philippines - including PT-boat skippers John Brickley (Robert Montgomery) and Rusty Ryan (John Wayne) - will give the U.S. war effort time to regroup after the devastation of Pearl Harbor...
In the savage and deadly world of the gangland king the man at the top is ruler only for as long as he controls everything in his territory. For that man the rewards can be infinite but so are the dangers. Harold Shand is enjoying the height of his powers and he is on the verge of something that would make his current 'arrangements' small fry. But stronger forces than even he can control have moved in and taken over. Climaxing in one long and bloody day of terror an Easter Good Friday he is to see his empire begin to crack and crumble.
John Travolta is Vic Deakins, a bomber pilot who launches a devilish plan to hijack two nuclear missiles for big-time extortion. Vic never sweats, spews out great one-liners, knocks off money men with glee, toys with killing half a million people ... he even smokes!If you giggled at his "Ain't it cool" line from the trailer, you're in the right frame of mind for this comedic action film. Never as gritty or semi-realistic--or for that matter as heart-thumping--as the original DieHard, Broken Arrow still delivers. If Travolta is cast against type, everyone else is by the numbers; Christian Slater as Hale, the earnest copilot looking to foil the plot, Samantha Mathis as the brave park ranger caught in the middle, Frank Whaley as an eager diplomat and Delroy Lindo as a right-minded colonel. As with his previous script (the superior Speed), writer Graham Yost moves everything quickly along as Hale and the ranger try to cut off Deakins's plan over a variety of terrains. There are plane crashes, car chases, a pursuit through an abandoned mine, a helicopter-train shootout and lots of fighting between boys. Each time Hale finds himself perfectly in place to foil Deakins, you're suppose to laugh at the unbelievable situations. That's where Broken Arrow is deceptive: its tone is right for the laughter compared to the mean-spirited Schwarzenegger and Stallone action films with laboured jokes. Hong Kong master director John Woo (TheKiller and Hard Target) pulls out all the stops--slow motion of Hale and Deakins' gymnastic gun play, nifty stunts, countdowns to doomsday. Woo may know action but he needs more guidance in creating unique and stunning special effects. This is action entertainment at its cheesiest. Travolta and Woolater reteamed for Face/Off. --Doug Thomas
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
From director Richard Franklin (Roadgames) comes Patrick, a terrifying fusion of science fiction and Hitchcockian thriller, starring Susan Penhaligon (House of Mortal Sin), Robert Helpmann (The Red Shoes), and Robert Thompson (Thirst). Murderer Patrick (Thompson) is kept in a comatose state between life and death, under the watchful eye of the eccentric Dr Roget (Helpmann). When he is assigned a caring new nurse, Kathy (Penhaligon), he becomes possessive, and uses telekinetic powers to torment anyone who comes between them. Produced by Antony I Ginnane (Snapshot), written by Everett De Roche (Harlequin), and scored by Brian May (Mad Max), Patrick's unprecedented international success made it a landmark of the Australian New Wave.
From director Richard Franklin (Roadgames) comes Patrick, a terrifying fusion of science fiction and Hitchcockian thriller, starring Susan Penhaligon (House of Mortal Sin), Robert Helpmann (The Red Shoes), and Robert Thompson (Thirst). Murderer Patrick (Thompson) is kept in a comatose state between life and death, under the watchful eye of the eccentric Dr Roget (Helpmann). When he is assigned a caring new nurse, Kathy (Penhaligon), he becomes possessive, and uses telekinetic powers to torment anyone who comes between them. Produced by Antony I Ginnane (Snapshot), written by Everett De Roche (Harlequin), and scored by Brian May (Mad Max), Patrick's unprecedented international success made it a landmark of the Australian New Wave.
Sugar Rush the riotous exploration of what it means to be young horny and queer in 21st-century Britain returns for a second series. It's 18 months on since we first met Kim and she's now 17 out proud and living life to the full on the Brighton lesbian scene... in her dreams. In truth she's holed up in her bedroom with only her A-Level revision and an electric toothbrush for company. Her best friend Sugar isn't getting any action either but she's got a good excuse: she's serving time in a Young Offenders Institute.
""Being a teenage girl is tough. Being an uncool 15 year old lesbian who's completely infatuated with the most outrageous and popular girl in school is downright unfair!"" - Maria Sweet Sugar Rush explores the world of Kim and her earth-shattering lust for the gorgeous and sassy Maria Sweet otherwise known as Sugar. And if Sugar wasn't enough to blow Kim's mind there's also her dysfunctional embarrassing family; a mini-freak for a brother an obsessively house-proud dad and a mum who's behaving as if she's the one who's 15 years old. 18 months on and Kim's now 17 out proud and living life to the full on the Brighton lesbian scene... in her dreams. In truth she's holed up in her bedroom with only her A-Level revision and an electric toothbrush for company. Her best friend Sugar isn't getting any action either but she's got a good excuse: she's serving time in a Young Offenders Institute!
Classic science-fiction from the golden age of 1950's cinema in this Robert Day directed tale of alien life forms! In this cautionary tale of interstellar exploration, brash U.S. Navy test pilot, Lieutenant Dan Prescott (Bill Edwards), hungry for fame, rockets himself beyond Earth's atmosphere on test flight Y-13, only to become encrusted with cosmic dust and return to earth as a blood-drinking monster... Produced by one of the most respected British film producers, Richard Gordon (Devil Doll, Grip of the Strangler, Tower of Evil), this early tale of space exploration has been remastered and restored by the BFI and will delight all fans of the science-fiction genre.
The generations change but the choices remain the same. As young dancers they were best friends and fierce rivals. Deedee (Shirley MacLaine) left the stage for marriage and motherhood while Emma (Anne Bancroft) would become an international ballet icon. When Deedee's teenage daughter (Leslie Browne) is invited to join Emma's dance company and begins an affair with a young Russian star (Mikhail Baryshnikov in his film debut) the two women are forced to confront the choices
Contains the titles: Duck Soup: captures some of the Marx Brothers' zaniest routines and funniest quips creating a laugh-out-loud spectacle of politics gone haywire. Backed by wealthy widow Mrs. Teasdale Groucho becomes the leader of Freedonia quickly frustrating his cabinet and offending the aggressive neighboring country to the point of war. Chico and Harpo sent by the rival country spy on Groucho and try to steal his battle plans but when war does come loyalties beco
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
A young girl's love for a tiny puppy named Clifford makes the dog grow to an enormous size.
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Hooray for Captain Spaulding! 'Animal Crackers' is a classic of screen history and it's as uproariously funny today as it was 50 years ago. This film introduced Groucho's most famous character Captain Spaulding whose song became the theme of his 'You Bet Your Life' TV program. Highlights include Groucho's African lecture (""One morning I shot an elephant in my pajamas. How he got into my pajamas I don't know."") and the card game which Harpo and Chico play with the wealthy society
The Transporter Ex-Special Forces operator Frank Martin lives what seems to be a quiet life along the French Mediterranean hiring himself out as a mercenary transporter who moves goods - human or otherwise - from one place to another. No questions asked. Carrying out mysterious and sometimes dangerous tasks in his tricked-out BMW Martin finds his latest assignment could well be his last after his package is revealed to be a beautiful woman (Shu Qi) at the centre of a human trafficking ring... Broken Arrow Two military pilots (Travolta and Slater) engage in a no-holds-barred battle against time and each other in a race to recover two stolen nuclear warheads. When a Stealth Bomber crashes in the Utah desert during a top-secret test run the military quickly moves in to retrieve its two broken arrows. But the situation spins wildly out of control after one of the pilots reveals the crash to be part of an incredible nuclear extortion plot. A supersonic hit from renowned action director John Woo Broken Arrow is a breathless non-stop joyride. --Dennis Cunningham WCBS-TV. Point Break Keanu Reeves stars as Johnny Utah a clean-cut FBI rookie assigned to track down a gang of bank robbers operating in Southern California. Since his partner (Gary Busey) is convinced that the robbers are surfers Johnny decides to go undercover in the maverick world of surfing. He soon meets Bohdi (Patrick Swayze) a charismatic adrenaline junkie who'll do anything for a thrill..perhaps even rob banks. As the two become friends Johnny falls under the dangerous influence of Bohdi. He becomes addicted to the endless days of surfing and reckless nights of partying and even gets involved with Bohdi's ex-girlfriend (Lori Petty). As Johnny gets closer to cracking the case he learns the truth of Bohdi's most important lesson - if you want the ultimate thrill you have to pay the ultimate price.
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