For the first time ever on Blu-ray, remastered from a 4K film transfer, Roman Holiday features a legendary, Oscar®-winning* performance from Audrey Hepburn (in her first starring role). Nominated for a total of 10 Oscars®, including Best Picture, it's the story of a modern-day princess who, rebelling against the royal obligations, explores Rome on her own. She soon meets an American newspaperman (Gregory Peck) who pretends ignorance of her true identity, in the hopes of obtaining an exclusive story. Naturally, his plan falters as they inevitably fall in love. Featuring Eddie Albert as a carefree cameraman pal, a classic Dalton Trumbo screenplay, expert direction from William Wyler, and featuring Edith Head's Oscar®-winning* costumes, it's a timeless romantic comedy considered to be one of the greatest films from the Golden Age of Hollywood. Includes the film on both Remastered Blu-ray and DVD as well as extensive bonus content going behind the scenes of old Hollywood and this timeless classic Leonard Maltin on Roman Holiday HD Behind the Gates: Costumes HD Rome with a Princess HD Audrey Hepburn: The Paramount Years HD Dalton Trumbo: From A-List to Blacklist HD Paramount in the 50s Remembering Audrey
Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
Breakfast At Tiffany's: The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday: Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
In the opening scene of Hamlet, Laurence Olivier describes the play in a voice-over as "the tragedy of a man who couldn't make up his mind". But Olivier's screen adaptation is considerably more thoughtful and complex than this thesis would suggest. The contradictions and ambiguities of the title character, who prowls cavernous sets filled with vast, ancient corridors and winding staircases, emerge as if from a dream. The plethora of tracking shots--precise enough to impress Stanley Kubrick--encircle Olivier and his tightly constructed geometry of demise. Drawing on his experience playing the Prince on stage at Elsinore in 1937, the legendary thesp provides the film with the patina of greatness and shows how the constitution of the formerly cheerful Prince weakens increasingly under the burden of his own thoughts and inability to accept his mother's o'er-hasty marriage to uncle Claudius (Basil Sydney). Indeed, if emotions could possess ghosts, Olivier's Hamlet shows how they would manifest themselves. There is even a dollop of Freud, suggesting that Queen Gertrude (Eileen Herlie) has perhaps loved her offspring too closely--thus providing the fuel for Hamlet's actions. As Ophelia, Jeans Simmons captures the character's early spirit better than her gradual disintegration (Helena Bonham Carter fares better in Franco Zeffirelli's fine 1990 remake). Purists may bemoan the loss of Fortinbras, Rosencrantz and Guildenstern, but these choices allow Olivier to focus more squarely on Hamlet's plight. His monologues, many held in secret enclaves, glow with the dramatic markedness of a Dostoevski novel, with all of the master's irony, allusions and witticisms in place. The winner of four Oscars (Best Picture, Actor, Art Direction, and Costumes), this is a Hamlet for the ages. The rest is silence. --Kevin Mulhall
Hard to imagine now but long before Richard Attenborough became Lord Dickie, benevolent patriarch of British moviedom, he specialised in playing weaselly little thugs and punks. Brighton Rock, adapted from Graham Greene's classic novel, offered him one of his best early roles as Pinkie, juvenile leader of a seedy gang of racetrack crooks in the Sussex seaside town. When it seems an innocent young waitress may know too much about one of their killings, Pinkie decides to keep her quiet by marrying her. But in Greene's world of guilt-ridden Catholicism and inexorable doom, it was never going to be that easy. Is the famous twist ending a cop-out? That depends just how much irony you read into it. But the Brighton atmosphere, all tawdry gaiety shot through with a crackling undercurrent of fear, is so vivid you can smell it. Made with a cool, dispassionate eye by the Boulting Brothers (before they turned jokey with the likes of I'm Alright Jack, for instance) and superbly shot by Harry Waxman, this is one of Britain's few great contributions to the noir thriller cycle. Young Dickie, twitchy, vicious and terrified, is a revelation--and don't miss William Hartnell, the original Dr Who, as his cynical sidekick. --Philip Kemp
The three-way combination of ingénue Audrey Hepburn, admirable Gregory Peck and the Eternal City itself guarantees that Roman Holiday (1953) still knocks the socks off any modern rom-com you might care to name. Add to this stellar triumvirate the meticulous, loving direction of William Wyler and a warm-hearted original story by Dalton Trumbo (blacklisted and uncredited at the time) and the result is assuredly one of Hollywood's timeless classics. At the leading man's own suggestion, newcomer Hepburn was generously accorded equal above-the-title billing with Peck: he knew that the film belonged to her anyway and wasn't one to stand on ceremony. As the princess who chafes at stuffy responsibility Hepburn's appealing girlishness is suffused with a will and wilfulness that rubs delightfully against Peck's more earnest mannerisms (even playing light-hearted comedy, he's still Atticus Finch at heart). The then-unusual decision to shoot entirely on location provides the movie with its glorious travelogue backdrop, and stalwart character-actor Eddie Albert is a fine foil for the two leads. Although Wyler is best known now for the grander vistas of The Big Country and Ben-Hur, none of his epics have as much heart as this. On the DVD: Roman Holiday comes to DVD in a good digitally restored print--in itself a powerful reason to acquire the movie on disc. Sound is clean Dolby mono. Extras include a brief piece on the film restoration process, and a short documentary about costume designer Edith Head, which isn't specifically about this movie. The 25-minute making-of featurette has recent and archive interviews with cast members, including Peck and Eddie Albert, as well as William Wyler's daughter, plus Hepburn's screen test footage. Still-photo galleries and trailers complete a pleasant selection. --Mark Walker
Roy Boulton directs this adaptation of Graham Greene's novel. 16-year-old gangster Pinkie Brown (Richard Attenborough) uses young waitress Rose Brown (Carol Marsh) as an alibi after commiting a murder at the race track. Worried that she will give him away Pinkie marries Rose. However his subsequent attempts to drive her to the point of suicide do not go according to plan.
The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax...
This Boxset Contains The Following Films: The Ship That Died of ShameShip 1087 and her crew are proud to make a sterling contribution to the coastal defences during the war but post-war austerity brings lean years for all. Illicit cross-channel smuggling seems like an attractive and lucrative prospect. But from the apparently harmless ferrying of duty-free wine the crew gradually descend into altogether deeper waters culminating in the carriage of a mysterious fugitive who turns out to be a convicted child-killer. Brighton Rock The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax. Dunkirk An easygoing British Corporal (John Mills) in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile British civilians are being dragged into the war with Operation Dynamo the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help others are less willing. The Man UpstairsThe mental breakdown of a guilt-ridden man provides the drama in this fascinating psychological profile that stars Richard Attenborough as a scientist who can't live with himself after he accidentally kills the brother of his fiancee. In order to escape the pain he changes his name and begins living in a ramshackle Victorian boarding house where he slowly begins losing his mind. The Angry Silence Guy Green's film represented the beginning of a lack of solidarity in unions as Tom Curtis (Richard Attenborough) with wife Anna (Pier Angeli) expecting a child refuses to join an unofficial strike in his machine shop and becomes the victim of assaults both mental and physical. Acclaimed as one of the most moving and powerful films ever made in Britain The Angry Silence won unprecedented acclaim. Within a week of its opening it had become the most talked-about film in the country and even today is still deemed controversial for its cynical depiction of organised labour as a thuggish mindless collective.
Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love...
Along with a glittering star-studded cast follow Phileas Fogg on his journey around the world. Phileas wagers that he can circumnavigate the world in a mere 80 days - and vows to leave that very night taking only some necessary cash in a carpet bag and his newly hired manservant Jean Passepartout. Adding to the excitement an English detective relentlessly pursues them throughout the journey that takes our hero to the World's most exotic locations by land sea and air.
The Third Man (Dir. Carol Reed 1949): This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. 'The Third Man' features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. 'The Third Man' is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas. Brighton Rock (Dir. John Boulting 1947): The elegant and respectable facade of Brighton hides a sinister underworld ruled by intimidation and terror. Richard Attenborough stars as Pinkie a ruthless and sadistic young criminal whose trail of killings and double crossings lead to his eventual downfall when savage justice is finally meted out in a thrilling and memorable climax... Fallen Idol (Dir. Carol Reed 1948): A lonely young boy is caught up in a sinister and intriguing murder-mystery in this classic British film based on a short story by Graham Greene and directed with great style by Carol Reed both of who received Academy Award nominations. It was the first film on which Greene and Reed collaborated and remains both a moving portrayal of lost innocence and a genuine classic of British cinema. Heart Of The Matter (Dir. George More O'Ferrall 1953): Adapted from Graham Greene's novel Trevor Howard stars as Harry Scobie an assistant police commisioner working in Sierra Leone during WWII. Harry finds himself drawn to Helen a survivor of a U-boat attack and whilst the cat is away he decides that he can no longer stay married. However his catholic union threatens the outcome of both relationships. Harry soon convinces himself that desperate measures need to be taken...
Breakfast At Tiffany's:The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl, determined to marry a Brazilian millionaire. George Peppard plays her next-door neighbour, a writer who is 'sponsored' by a wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this gem-like treat set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini-Johnny Mercer song, 'Moon River'.Paris When It Sizzles:William Holden portrays a screenwriter with a script deadline in three days. When he asks secretary Audrey Hepburn to help concoct ideas, she acts out a potpourri of preposterous plots. Beautifully shot on location in Paris by famed cinematographer Claude Renoir.Funny Face:Paris, the City of Light, shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp - filmed on location in Paris - garnered four Academy Award nominations. In the role of a bookstore clerk transformed into a modelling sensation, Hepburn showcases singing and dancing skills she had honed on the London stage, performing How Long Has This Been Going On?, a Basal Metabolism dance in a cool-cat bistro and more. Astaire, as the fashion photographer who discovers her, conjures up his inimitable magic for sequences that include Let's Kiss And Make Up matador diversion, a heavenly dance with Hepburn to He Loves And She Loves and, again with Hepburn, the title-tune enchantment, I Love Your Funny Face. Now and Forever, so do we.Also includes the following films:Sabrina and Roman Holiday
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