British intelligence officer is sent to investigate an anonymous letter sent to the foreign secretary accusing a key officer of communist affiliation. When the officer commits suicide the investigator suspects murder and presses his inquiry. The culprit is finally exposed in a surprise climax.
Based on John le Carré's first novel, Call for the Dead (which introduced spymaster George Smiley), The Deadly Affair sees an ageing British secret agent (James Mason) set out to uncover the truth behind a government employee's apparent suicide. Eschewing the glamour of the era's Bond thrillers, Lumet's chilling and intelligent take on the spy drama presents a palpable and darkly sinister picture of Cold War intrigue. The exemplary cast also includes Maximilian Schell, Harriet Andersson, Harry Andrews, Roy Kinnear and Lynn Redgrave. Extras High Definition remaster Original mono audio Audio commentary with film historians Michael Brooke and Johnny Mains The National Film Theatre Lecture with James Mason (1967, 48 mins): archival audio recording of an interview conducted by Leslie Hardcastle The Guardian Lecture with Sidney Lumet (1983, 89 mins): archival audio recording of an interview conducted by Derek Malcolm at the National Film Theatre, London A Different Kind of Spy: Paul Dehn's Deadly Affair (2017, 17 mins): writer David Kipen discusses the life and work of screenwriter Paul Dehn Take One and Move On (2017, 5 mins): camera operator Brian West on The Deadly Affair Lumet's London (2017, 4 mins): the London locations of The Deadly Affair explored Original theatrical trailer Image gallery: on-set and promotional photography New English subtitles for the deaf and hard-of-hearing
This ITV drama is an adaptation of the much loved classic novel Tom Brown's Schooldays. The eponymous hero Tom Brown (Alex Pettyfer) begins his first term at Rugby School for Boys and has to fight for his survival against Flashman (Joseph Beattie) and the bullies a scene prior to the reform of the system of public schools....
Before Big Brother there was Death Watch. Media mogul Vincent Ferriman (Harry Dean Stanton) wants to create the most popular reality television show ever. He cajoles journalist Roddy (Harvey Keitel) into having cameras implanted in his eyes and sets him on the trail of terminally ill Katherine Mortenhoe (Romy Schneider), but this unwitting celebrity has other ideas. Shot in Glasgow in 1979/80, Bertrand Tavernier's prescient cult sci-fi noir has been completely digitally restored and is ripe for rediscovery. Extras include extended interviews, rarely seen production still shots and much more.
Une Parisienne is a light charming cheeky comedy with the stunning and sexy Brigitte Bardot in flirty form. Brigitte Laurier (Bardot) the spoiled and innocent daughter of a French Ambassador cons one of her father's top aides Michel (Henri Vidal) into marrying her. Brigitte's brattish ways rile Michel and soon he is flirting with old girlfriends to teach her a lesson. In retaliation Brigitte flirts with Prince Charles (Charles Boyer). Michel is amazed by the jealousy his wife's f
Before Big Brother there was Death Watch. Media mogul Vincent Ferriman (Harry Dean Stanton) wants to create the most popular reality television show ever. He cajoles journalist Roddy (Harvey Keitel) into having cameras implanted in his eyes and sets him on the trail of terminally ill Katherine Mortenhoe (Romy Schneider), but this unwitting celebrity has other ideas. Shot in Glasgow in 1979/80, Bertrand Tavernier's prescient cult sci-fi noir has been completely digitally restored and is ripe for rediscovery. Extras include extended interviews, rarely seen production still shots and much more.
Stolen Kisses reunites François Truffaut and Jean-Pierre Léaud to catch up with Truffaut's cinematic alter ego, Antoine Doinel, the troubled adolescent of The 400 Blows. Stolen Kisses opens with the now-grown Doinel sprung from military prison with a dishonourable discharge, drawn directly from Truffaut's own history of delinquency, but the parallels end there. Lovesick Doinel woos the perky but unresponsive object of his affections, Christine (Claude Jade) while he engages in a series of professions--hotel night-watchman, private investigator, TV repairman--with mixed success and comic entanglements. But when he falls in love with the elegant wife of his client (Delphine Seyrig at her most beautiful and charming), Christine realises she misses Antoine's persistence and clumsy passes, so she embarks on a seductive plan of her own. Truffaut's comic confection is full of deadpan gags and screwball chaos, a world away from the heavy seriousness of The 400 Blows, and Léaud is endearingly naive as the determined Doinel, forging ahead with more pluck and passion than aptitude. It may be Truffaut's most sweetly romantic film, a knowing man's embrace of eager innocence and storybook sentiment. Doinel returned two years later in Bed and Board. --Sean Axmaker
Stolen Kisses reunites François Truffaut and Jean-Pierre Léaud to catch up with Truffaut's cinematic alter ego, Antoine Doinel, the troubled adolescent of The 400 Blows. Stolen Kisses opens with the now-grown Doinel sprung from military prison with a dishonourable discharge, drawn directly from Truffaut's own history of delinquency, but the parallels end there. Lovesick Doinel woos the perky but unresponsive object of his affections, Christine (Claude Jade) while he engages in a series of professions--hotel night-watchman, private investigator, TV repairman--with mixed success and comic entanglements. But when he falls in love with the elegant wife of his client (Delphine Seyrig at her most beautiful and charming), Christine realises she misses Antoine's persistence and clumsy passes, so she embarks on a seductive plan of her own. Truffaut's comic confection is full of deadpan gags and screwball chaos, a world away from the heavy seriousness of The 400 Blows, and Léaud is endearingly naive as the determined Doinel, forging ahead with more pluck and passion than aptitude. It may be Truffaut's most sweetly romantic film, a knowing man's embrace of eager innocence and storybook sentiment. Doinel returned two years later in Bed and Board. --Sean Axmaker
Antoine Doinel is back in civilian life after being discharged from the army. He is reunited with Christine Darbon the girl he was in love with before he joined the army. He needs a job and tries his hand as a night porter in a hotel but loses the job he also tries private investigation. Here he meets Fabienne who he becomes infatuated with meanwhile carrying on his relationship with the prim and proper Christine who he later proposes to.
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