Mrs Doubtfire: How far would an ordinary father go to spend more time with his children? Daniel Hillard (Robin Williams) is no ordinary father so when he learns his ex-wife (Sally Field) needs a housekeeper he applies for the job. With the perfect wig a little makeup and a dress for all occasions he becomes Mrs Doubtfire a devoted British housekeeper who is hired on the spot. Free to be the 'woman' he never knew he could be the disguised Daniel creates a whole new life with his entire family! Dunston Checks In: An orangutan called Dunston checks into a hotel which he proceeds to turn upside down. The manager's son Kyle is determined to help Dunston escape to a new life... Baby's Day Out: The Cotwell family arrange a family portrait only to discover that the photographers are kidnappers!
Departing from the conventions of Hollywood story-telling 'Smoke' is constructed like an emotional jigsaw puzzle: pieces interweave and interconnect to form an intricate whole. Unrelated characters - a cigar store manager (Harvey Keitel) who has taken photographs in front of his store at the same hour every day for 14 years; a novelist (William Hurt) unable to go on writing after his wife is killed in a random act of street violence; a man (Forest Whitaker) who ran away from his past and tries to start over after accidentally killing his wife. These characters amongst others making their way through the lonely urban landscape might seem to have little in common. But in the couse of this motion picture they cross paths by chance and end up changing each other's lives in indelible ways.
Double bill of action/adventure. In 'National Treasure' (2004), Nicolas Cage stars as Benjamin Franklin Gates, an archaeologist from the seventh generation of a family of treasure-seekers who have all shared the same quest: to discover the whereabouts of an old war chest full of gold hidden by the founding fathers in the last days of the Revolutionary War. Ben must work against the clock to unravel the clues embedded in the original drafts of two key historical documents - the Constitution and the Declaration of Independence - before his criminal ex-partner Ian Howe (Sean Bean), or the FBI - led by Agent Sadusky (Harvey Keitel) - get their mitts on the loot. Helping him in his quest is beautiful archivist Abigail Chase (Diane Kruger). In 'National Treasure 2 - Book of Secrets' (2008), Nicolas Cage reprises his role as artefact hunter and archaeologist, Ben Franklin Gates. When a missing page from the diary of Abraham Lincoln's assassin, John Wilkes Booth, surfaces, one of Ben's ancestors is implicated as a conspirator in the murder. In an attempt to clear their family's name, Ben and his father, Mitch (Jon Voight), travel the globe in search of the other missing pages from Booth's diary. The journey leads Ben and his crew not only to surprising revelations, but to the trail of the world's most treasured secrets.
National Treasure Like a Hardy Boys mystery on steroids, National Treasure offers popcorn thrills and enough boyish charm to overcome its rampant silliness. Although it was roundly criticized as a poor man's rip-off of Raiders of the Lost Ark and The Da Vinci Code, it's entertaining on its own ludicrous terms, and Nicolas Cage proves once again that one actor's infectious enthusiasm can compensate for a multitude of movie sins. The contrived plot involves Cage's present-day quest for the ancient treasure of the Knights Templar, kept secret through the ages by Freemasons past and present. Finding the treasure requires the theft of the Declaration of Independence (there are crucial treasure clues on the back, of course), so you can add "caper comedy" to this Jerry Bruckheimer production's multi-genre appeal. Nobody will ever accuse director Jon Turtletaub of artistic ambition, but you've got to admit he serves up an enjoyable dose of PG-rated entertainment, full of musty clues, skeletons, deep tunnels, and harmless adventure in the old-school tradition. It's a load of hokum, but it's fun hokum, and that makes all the difference. --Jeff Shannon National Treasure 2: Book of Secrets Less engrossing than its 2004 predecessor National Treasure, Jon Turteltaubs busy sequel National Treasure 2: Book of Secrets is nevertheless a colourful and witty adventure, another race against overwhelming odds for the answer to a historical riddle. Ben Gates (Nicolas Cage), the treasure hunter who feverishly sought the whereabouts of a war chest hidden by Americas forefathers in the first film, is now charged with protecting family honour. When a rival (Ed Harris) offers alleged proof that Gates ancestor, Thomas Gates, was not a Civil War-era hero but a participant in the assassination of Abraham Lincoln, Ben and his father (Jon Voight) and crew (Justin Bartha, Diane Kruger) hopscotch through Paris, London, Washington DC, and South Dakota to gather evidence refuting the claim. The film is most fun when the hunt, as in National Treasure, squeezes Ben into such impossible situations as examining twin desks in the Queens chambers in Buckingham Palace and the White Houses Oval Office, or kidnapping an American president (Bruce Greenwood) for a few minutes of frank talk. Helen Mirren, the previous year's Oscar winner for Best Actress, wisely joins the cast of a likely hit film as Bens archaeologist mother, long-estranged from Voights character but as feisty as the rest of the family. Returning director Turteltaub takes excellent advantage of his colorful backdrops in European capitals and the always-eerie Mount Rushmore, and oversees some wildly imaginative sets for this dramedys feverish third act in an audacious and completely unexpected, legendary setting. If National Treasure 2: Book of Secrets doesnt feel quite as crisp and unique as its predecessor, it is still ingenious and wry enough to laugh a bit at itself. --Tom Keogh
National Treasure: Book Of Secrets is the follow up to the box-office hit National Treasure and features Nicholas Cage as Ben Gates - the treasure hunter who once again sets out on an exhilarating action-packed new global quest to unearth hidden history and treasures! When a missing page from the diary of John Wilkes Booth surfaces Ben's great-great grandfather is suddenly implicated as a key conspirator in Abraham Lincoln's death. Determined to prove his ancestor's innocence Ben follows an international chain of clues that takes him on a chase from Paris to London and ultimately back to America. This journey leads Ben and his crew not only to surprising revelations - but to the trail of the world's most treasured secrets.
Tom Six's follow up to the cult horror smash hit of 2010 ups the ante with a brute force unparalleled in film today. The iconic Dr. Heiter has inspired a real-life protege, the sickly, disturbed car park attendant - Martin - who takes his gory inspiration from the original film to horrific new extremes!Martin, a mentally disturbed loner who lives with his nagging mother on a bleak London council estate, where loud neighbours and squalid living conditions threaten to plunge this victim of sexual and psychological abuse over the edge. Working the night shift as an attendant at an underground car park, he indulges his obsession with The Human Centipede (First Sequence) watching the film over and over on a laptop in his office and meticulously examining the scrapbook he has lovingly filled with memorabilia from the film, including the ass-to-mouth surgery instructions made famous by Dr. Heiter, the mad scientist from Martin's favourite movie. Pushed to the brink by his harridan mother and haunted by the teasing voices of his abusive and imprisoned father, Martin sets into motion his plan to emulate Heiter's centipede by creating his own version. In a rented warehouse, he begins to acquire victims, including his loud, violent neighbour, a prostitute and her lecherous client, and several more... including Martin's pice de rsistance, one of the actresses from The Human Centipede (First Sequence). Although lacking the medical skills of his hero, Martin soldiers on with grotesque DIY gusto, along with a healthy supply of duct tape, household tools and staple guns! What follows is one of the most harrowing and terrifying films ever conceived, featuring a central character that makes Dr. Heiter seem tame in comparison. The Human Centipede 2 (Full Sequence) is a triumph in biological horror by one of the new masters of the horror film.
This 1951 Nettlefold Production was directed by top British director Lewis Gilbert who directed Alfie, Shirley Valentine,Moonraker, Sink The Bismark and Reach for the Sky as well as many others..Scarlet Thread was one of his earliest works and he displays his obvious talent in this production.Laurence Harvey stars as a small time crook looking for the high life and Sydney Tafler as an educated gang boss living the high life - both take part in a robbery that goes wrong.Good scenes of Cambridge and supporting cast Harry Fowler, Kathleen Bryon and good time girl Dora Bryan make for anenjoyable British crime drama.
In Martin Scorsese's classic 1970s drama insomniac Travis Bickle (Robert De Niro) works the nightshift driving his cab throughout decaying mid-'70s New York City wishing for a ""real rain"" to wash the ""scum"" off the neon-lit streets. Chronically alone Travis cannot connect with anyone not even with such other cabbies as blowhard Wizard (Peter Boyle). He becomes infatuated with vapid blonde presidential campaign worker Betsy (Cybill Shepherd) who agrees to a date and then spurns T
From a match made in heaven comes a movie spawned in hell! Young hotshot director Robert Rodriquez (El Mariachi, Desperado) teamed up with Pulp Fiction auteur Quentin Tarantino (offering his services as writer and co-star) to make this outrageous, no-holds-barred hybrid of high-octane crime and gruesome horror, From Dusk Till Dawn. QT plays Richard Gecko, a borderline psychopath who breaks his career-criminal brother, Seth (George Clooney), out of prison, after which they rob a bank and leave a trail of dead and wounded in their bloody wake. Then they hijack a mobile home driven by a former Baptist minister (Harvey Keitel) who quit the church after his wife's death and hit the road with his two children (played by Juliette Lewis and Ernest Liu). Heading to Mexico with their hostages, the infamous Gecko brothers arrive at the Titty Twister bar to rendezvous for a money drop, but they don't realise that they've just entered the nocturnal lair of a bloodthirsty gang of vampires! With not-so-subtle aplomb, Rodriguez and Tarantino shift into high gear with a non-stop parade of gore, gunfire and pointy-fanged mayhem featuring Salma Hayek as a snake-charming dancer whose bite is much worse than her bark. If you're a fan of Tarantino's lyrical dialogue and pop-cultural wit, you'll have fun with the road-movie half of this supernatural horror-comedy, but if your taste runs more to exploding heads and eyeballs, sloppy entrails and morphing monsters, the second half provides a connoisseur's feast of gross-out excess. Bon appétit! --Jeff Shannon
Abel Ferrara's taste for the sensational is on display in the flawed but interesting Dangerous Games, even though its subject matter is a long way from the genre material in which he has mostly specialised. The film is a psychological drama in which the Method manipulations of director Eddie (Harvey Keitel) prey on the weaknesses of coke-head actor Burns (James Russo) and insecure soap star Sarah (Madonna) to a point where reality breaks down for all three of them--and, in the film's last moments, the audience too; we are left traumatically hanging by a profound ambiguity in what we have just seen. Ferrara moves backwards and forwards between naturalistic and staged shots: we see scenes in hand-held verité and as rushes on a video. The over-wrought drama of consumerism, decadence and possible redemption that is being shot in the film is clearly intended to be directly relevant to their lives and is only marginally more melodramatic; at one point, Eddie's wife arrives unexpectedly at his hotel room moments after Sarah has left his bed. Keitel gives his usual authoritative performance as a weak man breaking under the weight of his pretensions; as Sarah, Madonna gives one of her less bad performances, attractively underplaying amid a storm of hamminess. On the DVD: the DVD only gives us subtitles and the trailer as extras. --Roz Kaveney
One of the great directorial debuts, Ridley Scott's The Duellists is an extraordinary achievement which weaves an epic-in-miniature set around the edges of the Napoleonic Wars. Based on a story by Joseph Conrad, in turn inspired by real events and filmed in part where those events took place, this is the tale of a 15-year conflict between two French army officers: the level-headed Armand D'Hubert (Keith Carradine) and the obsessive Gabriel Feraud (Harvey Keitel). Each time they meet they duel, until the original purpose of the conflict is all but lost. Beyond the two American stars, who fill their roles with rare commitment--accents not withstanding--Scott assembled a stellar cast: Albert Finney, Edward Fox, Pete Postlethwaite, Diana Quick, Cristina Raines, Robert Stephens, Tom Conti, John McEnery, Maurice Colbourne and Jenny Runacre. The production values are astonishing and the film revels in the exquisite painterly visuals which have become a Scott trademark. Howard Blake's elegiac theme adds immeasurably to the impact of a film influenced by Stanley Kubrick's Barry Lyndon (1974), and anticipating Scott's own Best Picture Oscar-winning Gladiator (2000). A haunting work of spectral beauty, it is also a worthy companion to Scott's shamefully neglected 1492: Conquest of Paradise (1992). On the DVD: The Duellists is transferred at 1.77:1 with full sound atmospherically remixed in Dolby Digital 5.1. A new 29-minute documentary finds Scott discussing The Duellists with Kevin (Robin Hood: Prince of Thieves) Reynolds, which is particularly enlightening given the relative merits of the two swashbucklers. Scott's absorbing commentary track provides an in-depth look into the film-making process. Equally, film music aficionados will be delighted to find not just an isolated music track, but an informative commentary by composer Howard Blake, though he does sometimes talk over the beginning or end of cues. Most unusual but very welcome is the inclusion of Scott's first short film, Boy and Bicycle (1965), a 25-minute b/w mood piece starring Tony Scott, with music by John Barry. Other extras are a storyboard-to-screen comparison, the American trailer and four galleries of posters, stills and production photos. --Gary S Dalkin
Author Michael Crichton and director Philip Kaufman had a falling-out over the script for Rising Sun, based on Crichton's best-selling novel (which was controversial for its take on the Japanese invasion of American business in the early 1990s). Kaufman ultimately won, doing an above-average job creating a murder-mystery based on the culture clash between Los Angeles cops and Japanese multinational business interests. When a prostitute is murdered at the opening of a new LA headquarters for a Japanese company, detective Wesley Snipes is forced to call upon retired cop (and Japanophile) Sean Connery to help solve the murder. But he runs into obstruction from the Japanese, as well as a high-tech cover-up, while having to deal with anti-Japanese sentiments from people on his own team. Rising Sun is intriguing, if overlong. --Marshall Fine, Amazon.com
Embraced for her loveable spirited nature Mulan is a young girl who doesn't quite fit into her tradition bound society. When the invading Hun army comes charging over China's Great Wall Mulan's ageing father is ordered into battle! To spare him from harm Mulan disguises herself as a soldier and secretly takes his place in the Imperial army training with a comical ragtag troop led by the courageous Captain Shang. Never far away are Mulan's hilarious guardian dragon Mushu an
Jack Nicholson returns as private eye Jake Gittes in this atmospheric Chinatown follow-up that's hit upon the elusive sequel formula for somehow enhancing a great original (Mike Clark, USA Today ). Much has changed since we last saw Jake. The war has come and gone; 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed:Nine times out of ten, if you follow the money you will get to the truth. And that's the trail he follows when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil and to Jake's own past.
It isn't difficult to imagine why this 1988 retelling of the Crucifixion story was picketed so vociferously on its release in the US--this Jesus bears little resemblance to the classical Christ, who was not, upon careful review of the Gospels, ever reported to have had sex with Barbara Hershey. Heavily informed by Gnostic reinterpretations of the Passion, The Last Temptation of Christ (based rather strictly on Nikos Kazantzakis's novel of the same name) is surely worth seeing for the controversy and blasphemous content alone. But the "last temptation" of the title is nothing overtly naughty--rather, it's the seduction of the commonplace; the desire to forgo following a "calling" in exchange for domestic security. Willem Dafoe interprets Jesus as spacey, indecisive and none too charismatic (though maybe that's just Dafoe himself), but his Sermon on the Mount is radiant with visionary fire; a bit less successful is method actor Harvey Keitel, who gives the internally conflicted Judas a noticeable Brooklyn accent, and doesn't bring much imagination to a role that demands a revisionist's approach. Despite director Martin Scorsese's penchant for stupid camera tricks, much of the desert footage is simply breathtaking, even on small screen. Ultimately, Last Temptation is not much more historically illuminating than Monty Python's Life of Brian, but hey, if it's authenticity you're after, try Gibbon's. --Miles Bethany
It was originally called 'You'll Never Get Rich' but later had it's title changed to 'The Phil Silvers Show' but to it's fans' across the globe it's known simply as 'Bilko', the memorable name of one of the greatest comedy characters ever to grace the small screen. Woefully under-appreciated in it's home country, the series has always been feted in the UK and has regularly made the top tens of 'Best Sitcom' lists and is even recognised as the greatest ever sitcom from either side of the Atla.
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
One of Woody Allen's best films of the 90s, Bullets Over Broadway stars John Cusack as a virtual Woody surrogate, a neurotic, Jazz Age writer whose new play sounds wooden and unrealistic to a low-level mobster (Chazz Palminteri) assigned to watch over his boss's actress-girlfriend (Jennifer Tilly). When the hood starts contributing better story ideas and dialogue than what the official playwright can conjure, questions (not unlike those of Amadeus) about the price we pay to make art at the expense of other responsibilities are intriguingly raised. Palminteri gives a very interesting performance as the enforcer waking up to the desperate (and almost feminine) demands of his own creative psyche, and Dianne Wiest (who won an Oscar), Tracey Ullman, Jim Broadbent and Jennifer Tilly are very funny together playing the ensemble cast of Cusack's play. --Tom Keogh, Amazon.com
After writing Taxi Driver for Martin Scorsese, Paul Schrader made his directorial debut with this profane and profound drama about life on the factory floor of a Detroit car manufacturing plant. With explosive performances from the great Richard Pryor (Silver Streak, Stir Crazy), Harvey Keitel (The Border, Pulp Fiction) and Yaphet Kotto (Live and Let Die, Alien), Blue Collar presents one of the most authentic portraits of working-class life in all American cinema, and is one of the finest films of the 1970s. Extras: Indicator Standard Edition Special Features: High Definition remaster Original mono audio Audio commentary with writer-director Paul Schrader and author Maitland McDonagh Paul Schrader BFI Masterclass (1982, 106 mins): the filmmaker presents a fascinating summary of the many issues and ideas he explores in his screenwriting class, recorded at the National Film Theatre, London 'Visions': Interview with Paul Schrader (1982): archival interview, presented in two versions the broadcast cut with its original Tony Rayns introduction (21 mins), and the complete interview rushes with a newly recorded introduction by Tony Rayns (58 mins) Keith Gordon on Blue Collar' (2018, 12 mins): a new filmed appreciation by the filmmaker and actor Original theatrical trailer Josh Olson trailer commentary (2013, 3 mins): a short critical appreciation. Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
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