The Deathly Hallows: Part 2 is the film all Harry Potter fans have waited 10 years to see, and the good news is that it's worth the hype--visually stunning, action packed, faithful to the book, and mature not just in its themes and emotion but in the acting by its cast, some of whom had spent half their lives making Harry Potter movies. Part 2 cuts right to the chase: Voldemort (Ralph Fiennes) has stolen the Elder Wand, one of the three objects required to give someone power over death (a.k.a. the Deathly Hallows), with the intent to hunt and kill Harry. Meanwhile, Harry's quest to destroy the rest of the Horcruxes (each containing a bit of Voldemort's soul) leads him first to a thrilling (and hilarious--love that Polyjuice Potion!) trip to Gringotts Bank, then back to Hogwarts, where a spectacular battle pitting the young students and professors (a showcase of the British thesps who have stolen every scene of the series: Maggie Smith's McGonagall, Jim Broadbent's Slughorn, David Thewlis's Lupin) against a dark army of Dementors, ogres, and Bellatrix Lestrange (Helena Bonham Carter, with far less crazy eyes to make this round). As predicted all throughout the saga, Harry also has his final showdown with Voldemort--neither can live while the other survives--though the physics of that predicament might need a set of crib notes to explain. But while each installment has become progressively grimmer, this finale is the most balanced between light and dark (the dark is quite dark--several familiar characters die, with one significant death particularly grisly); the humor is sprinkled in at the most welcome times, thanks to the deft adaptation by Steve Kloves (who scribed all but one of the films from J.K. Rowling's books) and direction by four-time Potter director David Yates. The climactic kiss between Ron (Rupert Grint) and Hermione (Emma Watson), capping off a decade of romantic tension, is perfectly tuned to their idiosyncratic relationship, and Daniel Radcliffe has, over the last decade, certainly proven he was the right kid for the job all along. As Prof. Snape, the most perfect of casting choices in the best-cast franchise of all time, Alan Rickman breaks your heart. Only the epilogue (and the lack of chemistry between Harry and love Ginny Weasley, barely present here) stand a little shaky, but no matter: the most lucrative franchise in movie history to date has just reached its conclusion, and it's done so without losing its soul. --Ellen A. Kim
A sumptuous adaptation of the E.M. Forster novel in which a widow is sent to Italy by her in-laws to recuperate whereupon she falls in love with a young Italian dentist...
This limited numbered edition contains 19 Discs: All 8 movies on Blu-ray and DVD plus hours of special features and a collectible Harry Potter Photo album.From the first spell to the final battle! The entire eight-film Harry Potter collection is now available for you to own.Join Harry, Hermione and Ron from their first year at the Hogwarts School of Witchcraft and Wizardry in Harry Potter And The Philosopher's Stone all the way through to Harry Potter And The Deathly Hallows: Part 2. In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort.It all starts and ends here.Titles Comprise:Harry Potter And The Philosopher's Stone (2001)Harry Potter And The Chamber Of Secrets (2002)Harry Potter And The Prisoner Of Azkaban (2004)Harry Potter And The Goblet Of Fire (2005)Harry Potter And The Order Of The Phoenix (2007)Harry Potter And The Half-Blood Prince (2009)Harry Potter And The Deathly Hallows: Part 1 (2010)Harry Potter And The Deathly Hallows: Part 2 (2011)
Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim
Helena Bonham Carter and Gina McKee star in this new British comedy about an unlikely friendship between two Scottish women who help each other through life's ups & downs.
Titles Comprise:Mary Shelley's Frankenstein: It is the late 18th Century. After the death of his beloved mother, young Victor Frankenstein leaves his father and Elizabeth, the adopted sister he passionately loves, to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter.One electrifying night, Frankenstein's efforts are rewarded as his Creature struggles to life. Alone, despised and driven by a rage of emotional agony, it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...The Raven: In this gritty thriller, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who's using Poe's own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper--part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.Realizing a serial killer is on the loose using Poe's writings as the backdrop for his bloody rampage, Fields enlists the author's help in stopping the attacks. But when it appears someone close to Poe may become the murderer's next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it's too late.Bram Stoker's Dracula: Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the classic Dracula legend. In Bram Stoker's Dracula, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece.Gary Oldman's metamorphosis as Dracula who grows from old to young, from man to beast is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula, and then dares to confront him. Opulent, dazzling and utterly irresistible, this is Dracula as you've never seen him. And once you've seen Bram Stoker's Dracula, you'll never forget it.
Helena Bonham Carter and Gina McKee star in this new British comedy about an unlikely friendship between two Scottish women who help each other through life's ups & downs.
Tim Burton was born to bring Alice in Wonderland to the big screen. Ironically, his version of the Victorian text plays more like The Wizard of Oz than a Lewis Carroll adaptation. On the day of her engagement party, the 19-year-old Alice (a nicely understated Mia Wasikowska) is lead by a white-gloved rabbit to an alternate reality that looks strangely familiar--she's been dreaming about it since she was 6 years old. Stranded in a hall of doors, she sips from a potion that makes her shrink and nibbles on a cake that makes her grow. Once she gets the balance right, she walks through the door that leads her to Tweedledum and Tweedledee (Matt Lucas), the Dormouse (Barbara Windsor), the Blue Caterpillar (Alan Rickman), and the Cheshire Cat (a delightful Stephen Fry), who inform her that only she can free them from the wrath of the Red Queen (Helena Bonham Carter channeling Bette Davis) by slaying the Jabberwocky. To pull off the feat, she teams up with the Mad Hatter (Johnny Depp in glam-rock garb), rebel bloodhound Bayard (Timothy Spall), and Red's sweet sister, the White Queen (Anne Hathaway in goth-rock makeup). While Red welcomes Alice with open arms, she plans an execution for the hat-maker when he displeases her ("Off with his head!"). Drawing from Alice's Adventures in Wonderland and Through the Looking-Glass, Burton creates a candy-colored action-adventure tale with a feminist twist. If it drags towards the end, his extravaganza still offers a trippy good time with a poignant aftertaste. --Kathleen C. Fennessy
In a poor Canadian mining village after the Second World War fragile dreamer Margaret McNeil finds a kindred spirit when a tall Celtic miner serenades her one night in a diner and follows her home. Her mother a viciously misanthropic widow who has lost both a son and husband to the mines views such displays of emotion as folly - futile and soul crushing. Against her mother's wishes Margaret marries the miner who tries to avoid the harsh mining life by getting fired and taking a
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
A dramatised version of CNN's coverage of the Gulf War. In 1990 CNN was a 24 hour news network in search of a 24 hour story. They were about to find it in Baghdad. Veteran CNN produer Robert Wiener and his long time producing partner Ingrid Formanek find themselves in Iraq on the eve of war. Up against the big three networks Wierner and his team are rebels with a cause willing to take risks to get the biggest stories and unlike their rivals take them at a moment's notice...
Frank (Steve Martin) is living the American dream. Blessed with a thriving dental practice and luxury home and happily engaged to his beautiful assistant Jean (Laura Dern). But his perfect life quickly unravels when Susan Ivey (Helena Bonham Carter) a seductive new patient with an appetite for painkillers settles into his dentist chair. Before long Frank is wanted by the police plunging him into a shadowy world of sex drugs and violence...
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
Every weekend in the basements and car parks of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded just as long as they have to.
Harry Potter And The Deathly Hallows the seventh and final adventure in the Harry Potter film series is a much-anticipated motion picture event to be told in two full-length parts. Part 1 begins as Harry Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort's immortality and destruction-the Horcruxes. On their own without the guidance of their professors or the protection of Professor Dumbledore the three friends must now rely on one another more than ever. But there are Dark Forces in their midst that threaten to tear them apart. Meanwhile the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-feared war has begun and Voldemort's Death Eaters seize control of the Ministry of Magic and even Hogwarts terrorizing and arresting anyone who might oppose them. But the one prize they still seek is the one most valuable to Voldemort: Harry Potter. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort...alive. Harry's only hope is to find the Horcruxes before Voldemort finds him. But as he searches for clues he uncovers an old and almost forgotten tale-the legend of the Deathly Hallows. And if the legend turns out to be true it could give Voldemort the ultimate power he seeks. Little does Harry know that his future has already been decided by his past when on that fateful day he became the Boy Who Lived. No longer just a boy Harry Potter is drawing ever closer to the task for which he has been preparing since the day he first stepped into Hogwarts: the ultimate battle with Voldemort.
Titles Comrpise: Jason and the Argonauts Merlin The Odyssey
A Hazard of Hearts, dramatised for television in 1987, could hardly be a better demonstration of Barbara Cartland's unique status as the most critically reviled, yet widely read, romantic novelist. The qualities which feed both points of view are present in abundance. There are the certainties of a wafer-thin plot: vulnerable but plucky young heiress falls on hard and tragic times, sails through mortal danger and escapes the clutches of lecherous older man, chastity intact, before claiming enigmatic and devastatingly handsome Lord for her own at the last minute. There are the pantomime characters, atrocious dialogue-by-numbers, set-piece scenes involving duels and smugglers, tight breeches and heaving bosoms. Produced by Lew Grade and the team behind The New Avengers and The Professionals, this is 90 minutes of camp hokum crammed to bursting point with stars clearly having the time of their lives. Helena Bonham Carter, her face like an earnest, worried raisin, is the heroine Serena, with Marcus Gilbert as her paramour. But Diana Rigg's evil Lady Harriet steals the show. To be watched without shame. On the DVD: A Hazard of Hearts is presented in 4:3 video format with a Dolby Digital stereo soundtrack which is splendid for Laurence Johnson's florid themes. The transfer has the appropriately soft-focus look and feel of a 1980s miniseries. The stately home settings certainly provide a sense of quality, but the disc has no extras. --Piers Ford
Girls Just Want To Have Fun Two teenage girls Janey and Lynne dream of being selected as the new 'DTV' dance regulars so they attend an open audition. There they meet two teenage boys Drew and Jeff who have the same idea... My Date With Drew My Date With Drew is a digital diary through the rose-tinted glasses of 27-year-old Brian Herzlinger who aspires to have a date with his dream girl: Drew Barrymore. Shot entirely for 100 that Herzlinger won on a game show the production used a camera purchased on credit from Circuit City and then returned it under the store's 30-day refund policy. Social Climber Based on Adele Lang's novel 'Confessions of a Sociopathic Social Climber'. Social satire based on the best seller by Adele Lang humorously chronicles the life of Katya Livingston a self-centered obnoxious and conceited 28 year old ad sales exec who won't let anything or anyone stand in her way in getting to the top of the San Francisco social ladder. When tax inspectors question her claims Katya is forced to keep a financial diary and finds time to add details about her friends enemies and lovers all from her unique point of view. Fourplay Colin Firth stars as Allen a man who has it all; including a beautiful wife (Mariel Hemingway) who is the star of the hit TV show he produces. But when a new writer arrives on his show and begins to flirt with his wife Allen finds himself falling in love with sexy French temptress Fiona (Irene Jacob)... Daydream Believer Nell (Miranda Otto) always loved horses more than she loved people until she meets a millionaire playboy (Martin Kemp). He's the kind of guy women always fall for she's the kind men fall over. Romatic fairytale comedy. Undercover Angel Harrison Tyler is a struggling pulp fiction writer who just can't find love. When an ex-girlfriend shows up at his door asking him to take care of her six-year-old daughter for a month Harrison ends up with more than he bargained for: a little girl determined to play matchmaker for him. The youngster manages to find Harrison a girlfriend but when her mother shows up to claim her Harrison finds that his life isn't the same without the six-year-old and he must fight for the little girl that has changed his life. Emerald City A tale of two cities four people and life's little pleasures... money lust temptation greed power and ambition. Emerald City comes from the pen one of Australia's best known writers David Williamson. How To Kill Your Neighbours Dog Life Is All About Making A Scene In the midst of writing a new play Peter McGowen's world is one crazy scene after another. He has a wife who desperately wants to start a family a stalker who's assuming his identity and a crisis which is a scribe's worst nightmare: writer's block. Love On The Side Eve believes she has no more appeal than the leftovers she clears way in her job as a waitress in a small-time diner. However for years she has harboured a secret crush for the eye-droppingly handsome local football hero who sadly doesn't even realise she exists. As if Eve's love-life couldn't get any worse Linda a larger than life blonde bombshell from the city sweeps into town swooping up all the fellas in her path. Conversations With Other Women Conversations With Other Women tells the compelling story of a couple whose reunion ignites a mysterious attraction for each other that is deeper and more emotionally perilous than they are willing to admit.
Til Human Voices Wake Us is a ghostly romance from Australia. Guy Pearce plays a brooding psychiatrist who must go back to his family's summer home to bury his father and settle some lingering childhood traumas. Helena Bonham Carter is the mysterious woman he meets on his journey, twice: once in a fleeting encounter on a train, again as she takes a dive off a trestle into a river. By the way, she's amnesiac--Guy Pearce just can't shake that Memento feel. For viewers susceptible to this kind of thing, director Michael Petroni's lofty literary tone might just work (the breathless pauses are broken by quotations from TS Eliot); otherwise, it will look like a skeletal take on a potentially interesting subject. The two fine actors give it a go and they're always good to look at, but finally one wonders what they saw in this very slim proposition. --Robert Horton
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