Millennium marked the second major television series created by Chris Carter, who'd already made his name as the brains behind The X-Files. And, like its predecessor, it shares a lot of the same themes--it's a crime thriller that gradually unfolds into a grand conspiracy involving the government and the fate of the entire world. Agent Frank Black (Lance Henriksen) is a former FBI agent who has transplanted his family from Washington DC to Seattle, after suffering something of a breakdown. He's an expert criminal profiler--arguably the best, thanks to his ability to "see" into the minds of killers--and he fears for the safety of his wife and young daughter. In Seattle, he joins the mysterious Millennium Group, an agency of freelance crime-busters who investigate particularly brutal crimes. As a result, Millennium is downright bleak viewing, as Black jumps from horrific slaying to horrific slaying. Moreover, there's a growing sense of unease about the workings of the Millennium Group, so that in typical Chris Carter fashion, you don't know who to trust. With its pre-Y2K angst and overwhelming darkness, as well as its general humourlessness, Millennium hasn't dated as well as The X-Files. Still, thanks to Carter's vision and Henriksen's compelling take on the tortured Black, it's difficult not to get hooked. --Ted Kord
With Dead Man, his first period piece, JIM JARMUSCH (Down by Law) imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country's legacy of violence and prejudice, and the natural cycle of life and death. Accountant William Blake (Edward Scissorhands's JOHNNY DEPP) has hardly arrived in the godforsaken outpost of Machine before he's caught in the middle of a fatal lovers' quarrel.Wounded and on the lam, Blake falls under the watch of the outcast Nobody (Powwow Highway's GARY FARMER), a Native American without a tribe, who guides his companion on a spiritual journey, teaching him to dispense poetic justice along the way. Featuring austerely beautiful black-and-white photography by ROBBY MÃLLER and a live-wire score by NEIL YOUNG, Dead Man is a profound and unique revision of the western genre.Special FeaturesNew 4K digital restoration, supervised and approved by director Jim Jarmusch, with 2.0 surround DTS-HD Master Audio soundtrackNew Q&A in which Jarmusch responds to questions sent in by fansRarely seen footage of Neil Young composing and performing the film's scoreNew interview with actor Gary FarmerNew readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop, accompanied by Jarmusch's location-scouting photosNew selected-scene audio commentary by production designer Bob Ziembicki and sound mixer Drew KuninDeleted scenesTrailerColor photos from the film's productionPlus: Essays by film critic Amy Taubin and music journalist Ben Ratliff
Jean-Claude Van Damme, aka "the Muscles from Brussels", has sought to revitalise his flagging career by working with the most adrenalised directors from Hong Kong action films. His first such effort was this, the umpteenth remake of The Most Dangerous Game, which teamed him with Hong Kong's most fluid action poet, John Woo (director of M:I2). Woo does what he can but, as much magic as he injects into the action, he can't turn Van Damme into an actor. Still, this is above-average fare for the wooden Belgian, in which he plays a guy trying to bust a ring of hunters who pay for the right to track and kill human quarry. And Woo has the ever-reliable Lance Henriksen as the chief bad guy, always a plus. --Marshall Fine, Amazon.com
After watching Snow White and the Seven Dwarfs, Edgar Rice Burroughs wrote to Walt Disney about adapting his novel of an ape-man into a feature animated cartoon. Some 60 years later, the tale is finally told with brilliant design work that looks unlike any previous animated film. The story is a natural for Disney since the themes of misunderstood central figures have been at the heart of its recent hits. Disney's Tarzan doesn't wander far from the familiar story of a shipwrecked baby who is brought up by apes in Africa. What gives the film its zing is its clever use of music (the songs are sung by Phil Collins himself rather than onscreen characters) and the remarkable animation. Deep Canvas, a 3-D technology, was developed for the film, creating a jungle that comes alive as Tarzan swings through the trees, often looking like a modern skateboarder racing down giant tree limbs. The usual foray of sidekicks, including a rambunctious ape voiced by Rosie O'Donnell, should keep the little ones aptly entertained. The two lead voices, Tony Goldwyn as Tarzan and Minnie Driver as Jane, are inspired choices. Their chemistry helps the story through the weakest points (the last third) and makes Tarzan's initial connection with all things human (including Jane) delicious entertainment. Disney still is not taking risks in its animated films, but as cookie-cutter entertainment, Tarzan makes a pretty good treat. --Doug Thomas
Written and directed by Bruce Robinson (Withnail and I), this fast-moving potboiler finds its creator getting about as far from Withnail's fine wines and London and Lake District settings as it's possible to get, and into the world of bloody homicides, narrative red herrings and emotionally damaged policemen. John Berlin (Andy Garcia) is a big-city cop and, yes, that means he drinks a lot of coffee and has a terrible personal life (in this case, signified by a wife who just can't stop cheating on him). Leaving town to visit his understanding brother-in law and fellow detective Freddy Ross (Lance Henriksen), he promptly finds himself embroiled in the hunt for a serial killer with a grisly modus operandi for murdering blind women. As you might expect, it's not long before he's bumbling his way into a number of confrontations with the hick cops around him and an affair with Helena (Uma Thurman), the blind room-mate of one of the killer's victims. Slick and pacey, Jennifer 8 throws out so many plot that it eventually winds up falling over them in its haste to get to the overblown climax. Nothing here makes a great deal of sense and yet, despite its inherent cosmic silliness, Robinson handles the suspense-and-relief routine with a flashy aplomb, and the cast do well in the face of the material's shortcomings. (John Malkovich's brief appearance is a redemptive highlight, even if you do have to wait almost 90 minutes for it). --Danny Leigh
In September 1971 the SS Tampa left New Jersey bound for Bermuda. 72 hours later the ship disappeared in the middle of the mysterious area known as the Bermuda Triangle. As the years passed the disappearance of the SS Tampa became a legendary maritime disaster shrouded in mystery. Now after 30 years the SS Tampa has reappeared alone and adrift in the middle of the Adriatic Ocean. Two experts in unexplained events are about to launch a mission to board the derelict ship and find out the truth behind the lost voyage. This is their story...
Directed by stylemaster David Fincher, who went on to greater things with Seven and Fight Club, Alien 3 was the least successful of the Alien series at the box-office. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realises that not only has an alien got loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened life span that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine, Amazon.com On the DVD: The clarity of the digital picture throws light into some of Fincher's darker recesses, but is unkind to the primitive computer animation (the CGI alien is never convincing). Compared to the Alien DVD there are few extras, although a "making of" featurette that covers all three movies is included.
On the surface Henrik and Nina Christofferson (Sofie Gr�b�l) are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed. Echoing themes seen in the recent Danish hit...
In the dusty heat of the American southwest innocent country boy Caleb Colton (Adrian Pasdar) is seduced by a beautiful girl (Jenny Wright) into joining a roving pack of vicious drifters led by the enigmatic Jesse (Lance Henriksen Terminator Aliens). But this is no ordinary band of outlaws. Caleb is now trapped in a nightmare of soulless evil that waits in the shadows hellish mayhem that thrives on blood; the horror that begins Near Dark. Bill Paxton (Aliens) and Jenette Goldstein (Aliens) co-star in this extraordinary thriller co-written and directed by Kathryn Bigelow (Point Break Hurt Locker).
After 10 years with the FBI former FBI serial killer profiler Frank Black (Lance Henriksen) returns home to Seattle with his family . However his work experience has left him able to ""see"" into the minds of killers. This makes him a valued member of the Millennium Group a shadowy organisation dedicated to tracking evil and bringing its perpetrators to justice... The final season of episodes comprise: 1. The Innocents 2. Exegesis 3. TEOTWAWKI 4. Closure 5. ...Thirteen Years
For the first time in stunning High Definition, experience the wild adventure and laugh-outloud characters of Disney's Tarzan, as the magnificent adaptation of Edgar Rice Burroughs' classic story of the ape man comes to Blu-ray.Deep within the African jungle, a mother gorilla names an orphaned baby boy Tarzan and adopts him as her own, even though the silverback leader Kerchak shuns the hairless wonder. Growing up alongside his wisecracking ape buddy Terk and neurotic elephant pal Tantor, Tarzan develops all the instincts and prowess of a jungle animal, surfing and swinging through the trees at lightning speed. But with the sudden appearance of Tarzan's own kind - humans - including the beautiful Jane, the only world Tarzan has ever known and the onein which he belongs collide with extraordinary force!Driven by five powerful songs written and performed by pop superstar Phil Collins, and starring the voice talents of Minnie Driver, Glenn Close and the hilarious Rosie O'Donnell, Disney's Tarzan delivers incredible adventure as well as important reminders about acceptance and family!
When a mass hysteria of unknown origin causes parents in a quiet suburban town to turn violently on their own children, Carly Ryan (Anne Winters) and brother Josh (Zackary Arthur) have to fight to survive a vicious onslaught from the very people who brought them into this world (Nicolas Cage and Selma Blair). From the director of Crank, and featuring one hell of a cast, including Nicolas Cage (Face Off, Con Air), Selma Blair (Hellboy, Cruel Intentions) and Lance Henriksen (The Terminator, Aliens), Mom and Dad is one of the great jet-black comedies about suburbia (Variety) that sees Cage play one of the most viciously berserk characters of his career!
The word "vampire" is never mentioned in Near Dark, but that doesn't stop this 1987 cult favourite from being one of the best modern-era vampire films. It put then-unknown director Kathryn Bigelow on Hollywood's radar and gave choice roles to Aliens costars favoured by Bigelow's ex-husband James Cameron--Lance Henriksen is the leader of a makeshift family of renegade bloodsuckers, nocturnally seeking victims in rural Oklahoma; his immortal gal pal is Aliens and T2 alumnus Jenette Goldstein; and Bill Paxton is the group's deadliest leather-clad ass kicker. Fellow traveller Jenny Wright lures Okie farm boy Adrian Pasdar into the group with a love bite and he's soon turning toward vampirism with a combination of frightened revulsion and relentless desire. With Joshua Miller as the youngest vampire, Near Dark is Bigelow's masterpiece of low-budget ingenuity--a truck-stop thriller that begins well, gets better and better (aided by a fine Tangerine Dream score) and goes out in a blaze of glory. --Jeff Shannon
Take the ultimate journey with the Prometheus to Alien Blu-ray collection. It all begins with Prometheus as Charlize Theron Michael Fassbender and Noomi Rapace search for the origins of mankind and encounter the mysterious 'Engineers ' capable of destroying all life on Earth. Then Sigourney Weaver battles the most terrifying creatures in cinematic history in all four action-packed Alien films - Alien Aliens Alien3 and Alien Resurrection. Bursting with more than 65 hours of thrilling extras this definitive sci-fi collection lets you explore the darkest corners of the universe...and the deepest recesses of your imagination! The Evolution Box Set Includes: Alien Blu-Ray Aliens Blu-Ray Alien 3 Blu-Ray Alien Resurrection Blu-Ray Alien 2 VAM Blu-Ray Prometheus 2D Blu-Ray Prometheus VAM Blu-Ray Special Features: The Furious Gods: Making Prometheus In-Depth Documentary with Enhancement Pods Unprecedented Access to the Weyland Corp Archives MU-TH-UR Mode Interactive Experience with Datastreams and Enhancement Pods Full-Length Audio Commentaries for All Movies Revealing Featurettes Storyboard and Image Galleries
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161 a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien a realisation that may compel Ripley to try destroying not only the horrific creature but herself as well.
Lance Henriksen (Aliens, Millenium) stars in this heart-poundingly scary fright fest directed by four-time Oscar winner Stan Winston (Creature Creator: Aliens, Jurassic Park & Terminator 2). When a group of rambunctious teenagers inadvertently kill his only son, Ed Harley (Henriksen) seeks the magic of a backwoods witch to bring the child back. But when she tells him the child's death is irrevocable, his grief develops into an all-consuming desire... for revenge! Defying superstition, he and the witch invoke the Pumpkinhead, a monstrously clawed and fanged demon which, once reborn, answers only to Ed's bloodlust. But as the invincible creature wreaks its slow, unspeakable tortures on the teens, Ed confronts a horrifying secret about his connection to the beastand realizes that he must find a way tostop its deadly mission before he becomes one with it forever!
Philip Kaufman's intimate epic about the Mercury astronauts (based on Tom Wolfe's book) was one of the most ambitious and spectacularly exciting movies of the 1980s. It surprised almost everybody by not becoming a smash hit. By all rights, the film should have been every bit the success that Apollo 13 would later become; The Right Stuff is not only just as thrilling, but it is also a bigger and better movie. Combining history (both established and revisionist), grand mythmaking (and myth puncturing), adventure, melodrama, behind-the-scenes dish, spectacular visuals, and a down-to-earth sense of humour, The Right Stuff chronicles NASA's efforts to put a man in orbit. Such an achievement would be the first step toward President Kennedy's goal of reaching the moon, and, perhaps most important of all, would win a crucial public relations/morale victory over the Soviets, who had delivered a stunning blow to American pride by launching Sputnik, the first satellite. The movie contrasts the daring feats of the unsung test pilots--one of whom, Chuck Yeager, embodied more than anyone else the skill and spirit of Wolfe's title--against the heavily publicised (and sanitised) accomplishments of the Mercury astronauts. Through no fault of their own, the spacemen became prisoners of the heroic images the government created for them in order to capture the public's imagination. The casting is inspired; the film features Sam Shepard as the legendary Yeager, Ed Harris as John Glenn, Dennis Quaid as "Gordo" Cooper, Scott Glenn as Alan Shepard, Fred Ward as Gus Grissom, Scott Wilson as Scott Crossfield, and Pamela Reed and Veronica Cartwright are superb in their thankless roles as astronauts' wives. --Jim Emerson
The Wes Craven Collection brings together for the first time in one boxed set four terrifying movies Scream The Last House On The Left The Hills Have Eyes and New Nightmare. What better way to own to own four definitive Wes Craven movies than this special edition set. Disc five is a bonus disc featuring the 'American Nightmare' documentary and a special Wes Craven interview. Scream: The residents of a picturesque small town are being victimised by a sly psycho with a twi
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