Scott was just a regular guy until one bite changed his life forever. Now he struggles to understand who he is and what he might become. Is he more wolf than human or is it the other way around? Whichever it is, it's not going to be easy. Scott will try to control his urges, but mostly he's scared that it's his urges that could end up controlling him. Will the bite end up being a gift? Or will it be a curse?
This hilarious compilation celebrates the unique talents of comedy superstar Benny Hill with an uproarious collection of the characters and sketches that made him a household name the world over!This classic mix of comedy and song features Benny's regular cohorts Henry McGee, Bob Todd and Jack Wright, alongside Patricia Hayes, Nicholas Parsons and the usual bevy of lovely ladies!Released theatrically in 1974, The Best of Benny Hill is featured here in a brand-new transfer from the original film elements.SPECIAL FEATURES:Original Theatrical TrailerImage GalleryPromotional Material PDF
Winner of five Academy Awards including Best Picture, Actor, and Screenplay, Kramer vs. Kramer remains as powerfully moving today as it was when released in 1979, simply because its drama will remain relevant for couples of any generation. Adapted by director Robert Benton from the novel by Avery Corman, this is perhaps the finest, most evenly balanced film ever made about the failure of marriage and the tumultuous shift of parental roles. It begins when Joanna Kramer (Meryl Streep) bluntly informs her husband Ted (Dustin Hoffman) that she's leaving him, just as his advertising career is advancing and demanding most of his waking hours. Self-involvement is just one of the film's underlying themes, along with the search for identity that prompts Joanna to leave Ted with their first-grade son (Justin Henry), who now finds himself living with a workaholic parent he barely knows. Juggling his domestic challenge with professional deadlines, Ted is further pressured when his wife files for custody of their son. This legal battle forms the dramatic spine of the film, but its power is derived from Benton's flawlessly observant script and the superlative performances of his entire cast. Because Benton refuses to assign blame and deals fairly with both sides of a devastating dilemma, the film arrives at equal levels of pain, growth, and integrity under emotionally stressful circumstances. That gives virtually every scene the unmistakable ring of truth--a quality of dramatic honestly that makes Kramer vs. Kramer not merely a classic tearjerker, but one of the finest American dramas of its decade. --Jeff Shannon, Amazon.com
Part 1: Storm clouds gather as Scott and the pack head into their final months of high school. But the best days of their lives turn bleak when they lose their closest ally. Before the end, Scott and his friends will stand alone against the growing darkness and fight to stop the destruction of everything and everyone they love. Part 2: On the eve of their departure, Scott and his friends discover a new enemy rising in the shadows which threatens the fate of everything they hold dear. Will they find a way to stop the greatest threat they've ever faced? Special Features: SEASON 6 PART 1 VFX Reel Behind the Scenes of Beacon Hills Gag Reel SEASON 6 PART 2 How Far We've Come: A Farewell to Beacon Hills Gag Reel
There's Something About Mary creators the Farrelly brothers have produced this outrageous comedy about mistaken identity and a couple (Heather Graham and Chris Klein) who split when they incorrectly believe they are brother and sister!
It might have started out as a small, rather arty divorce drama but Kramer vs Kramer was the biggest cinema hit of 1979. It confirmed Dustin Hoffman's status as a major star in a performance that combined his trademark twitchy intensity with deep sensitivity. And it provided Meryl Streep with a pivotal role in her rise to big-screen greatness. Both won Oscars, as did director Robert Benton and the film itself scooped the Best Picture award. Kramer vs Kramer has worn well into the 21st century. Although clearly of its time--by the late 1970s, microscopic relationship analysis had become the theme of commercial cinema--it stands on the strength of its central performances. Hoffman's Ted Kramer is a vision of the Graduate grown up: serious, focused and thrown by anything that threatens his upwardly mobile professional trajectory. The news that his wife, who he has failed to notice teetering on the edge of a breakdown, is leaving him and their son sends him into a tailspin. The film is as much about his resilience and fulfilment as it is the story of a divorce and custody battle. Justin Henry is extraordinary as Billy, the boy caught in the middle, and turns in a remarkably complex, thoughtful performance, which is light years from the archetypal all-American kid you might anticipate. And in just a handful of scenes, Streep is mesmerising as Joanna, the deserting wife and mother who you just can't bring yourself to hate. Yes, this is soap opera. But it belongs up there with all the finest cinematic human dramas. On the DVD: The widescreen presentation ensures a theatrically authentic experience, with some fantastic shots of New York city coming into their own. The mono sound is adequate for the relative intimacy of most of the dialogue. But the real bonus is the retrospective documentary in which director and writer Benton, producer Stanley Jaffe and the cast look back with touching satisfaction at a piece which clearly meant a great deal to them all. Hoffman's initial reluctance (he was going through a real-life divorce) to get involved, the process of working with a gifted child actor and Streep's desire to make Joanna understood are all recalled in fascinating detail. --Piers Ford
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
Steven Seagal plays a Chicago cop who takes on CIA types in this action thriller from Andrew Davis (The Fugitive). Davis brings muscle to the project, including some strong set pieces that make Seagal (who also co-wrote and co-produced the film) look good. Co-stars Pam Grier and Sharon Stone also assist in this endeavour, yet nothing can really mitigate such ridiculous moments as Seagal's getting profound with a villain in his raspy monotone: "You think you're above the law. But you're not.". --Tom Keogh, Amazon.co.uk
A former collegiate wrestler is working as a biology teacher in a failing school. When cutbacks threaten to cancel the music lessons, Scott begins to raise money by moonlighting as a mixed martial arts fighter.
A best selling thriller novelist moves to a remote cottage on the Scottish coast following a tragic loss. But her demons have followed her.
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
First Down...And Ten Years To Go. In this rough-and-tumble yarn actually filmed on-location at the Georgia State Prison the cons are the heroes and the guards are the heavies. Eddie Albert is the sadistic warden who'll gladly make any sacrifice to push his guards' semi-pro football team to a national championship. Reynolds plays one time pro quarterback Paul Crewe now behind bars for leading State Police on a wild chase in a ""borrowed"" car. He agrees to organize a prisoners'
Benny Hill was always best at quasi-silent slapstick, so it's no surprise that some of the best stuff on The Best of Benny Hill seems to owe more to the work of Mack Sennett and Fatty Arbuckle than to mainstream TV comedy. It may also be no coincidence that, unusually, this release began life in the cinema. There's some classic material on offer here: the extended opening item, "Hospital Care" for example, almost transcends buffoonery to become social comment, but best of all is the sketch which features Hill as a chat-show host (people really used to wear matching shirts and ties) attempting to deal with a West End star and starlet, the former monosyllabic, the latter catastrophically plastered. Among the 15 other items featured, the knowing send-up of the pretentiousness of avant-garde French cinema is also very funny, while the short linking items include a wicked parody of Alan Whicker and a sideswipe at barely literate actresses ("What's that in the road? A head?"). Fans will be pleased to know that Hill's regular supporting cast, including Patricia Hayes, Nicholas Parsons and Rita Webb, are all present. On the DVD: The Best of Benny Hill on DVD comes with full-frame picture as expected but no extras, which is a shame as at the very least some biographical material would have been welcome. --Roger Thomas
Matt Damon and Henry Thomas star as John Grady Cole and Lacey Rawlins, two young cowboys in 1949 who ride from Texas into Mexico in search of what may be left of the Old West.
The African Queen The boozing smoking cussing captain of a tramp steamer Charlie Allnut saves prim and proper Rose Sayer after her brother is killed by German soldiers at the beginning of World War I in Africa. Many quarrels later the two set sail on the Ulonga-Bora in order to sabotage a German ship. Based on the 1935 novel by C.S. Forester the wonderful combination of Hepburn and Bogie (who won an Oscar) makes this a thoroughly enjoyable blend of comedy and adventure. Later came the book (and Clint Eastwood film) White Hunter Black Heart which chronicled screenwriter Peter Viertel's experiences observing Huston throughout the making of the picture. On Golden Pond Family tensions explode for a loving couple Ethel and Norman Thayer (Katherine Hepburn and Henry Fonda in Academy Award winning performance) at their New England summer cabin on Golden Pond. Their daughter Chelsea (Jane Fonda) has come to visit with her new lover Bill (Dabney Coleman) and his tough young son Billy (Doug McKeon). The three generations collide. But what begins as a stubborn battle of wills between Norman and Billy slowly turns into a relationship that Chelsea always wanted with her father and Norman discovers how much he has missed by denying his daughter's love. Iron Petticoat A US Air Force captain forces down a Russian MIG only to be confronted by a Russian fighter ace. The Captain is tasked with converting her to capitalism.
In the violent new dark age of the year 2021 all women are helpless slaves of a brutal male-dominated society: all women that is except the deadly and gifted maidens of 'The Sisterhood'...
You Were Never Lovelier (1942) In this lavish Hollywood musical, the headstrong daughter (Hayworth) of a powerful Argentine hotelier has to contend with her father's attempts to get her to marry...; ; Cover Girl (1944) Rusty Parker (Hayworth), a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career...; ; Gilda (1946) In the story of Gilda, Johnn...
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